Vincent, Frank

The Sopranos - Season 6, Part 2

Completing the run of one of the most acclaimed television shows in broadcast history, season 6, part II of The Sopranos will be remembered mostly not for what happened during the season, but for what didn't happen at the very end. Creator David Chase pulled off a series ending that was as controversial as it was surprising and unforgettable, leaving countless fans to look away from the show and to blogs and articles for answers to the biggest mystery since "who shot J.R.?": what happened to Tony Soprano? But before we get to that point, there are nine episodes to digest, and they are some of the best in the run of the show since season 3. As Tony's (James Gandolfini) paranoia and suspicions grow, his family makes choices that are threatening to bring big changes to his personal life, and his other "family" is crashing headlong towards an inevitable showdown with Phil Leotardo and the New York crew. Episode 1, "Soprano Home Movies," starts off peacefully enough with Tony and Carmela (Edie Falco) enjoying a relaxing summer weekend at Bobby and Janice's (Steve Schirripa and Aida Turturro) bucolic lake house, and by the end of the episode Tony has effectively taken Bobby's soul, proving Tony's ruthlessness and ending any doubt about his will to maintain dominance over those around him. In "Kennedy and Heidi," one of the season's signature episodes, Christopher's (Michael Imperioli) drug use continues to spiral out of control, forcing Tony to take matters into his own hands and resolve things with his nephew once and for all.

Inevitably it's all leading up to that big finale, and it's deftly handled over the last two episodes, "The Blue Comet" and "Made in America" (an episode replete with subtle references to The Godfather). Things finally start to get resolved with Phil's crew, Dr. Melfi (Lorraine Bracco), Uncle Junior (Dominic Chianese), A.J. (Robert Iler), and Meadow (Jamie-Lynn Sigler), and as for Tony… Cut to black. To quote from another hit HBO show of the same era, "everything ends," even The Sopranos, and while the way Chase chose to end The Sopranos may not be to the liking of fans hoping for a definitive resolution, give the man credit for not stooping to clichés or tired old scenarios. As A.J. says in one of the last lines of the entire series, quoting his father, "Try to remember the times that were good." That's good advice. --Daniel Vancini

Last year, Tony Soprano cheated death when he was shot by his now institutionalized Uncle Junior. While Tony continues to muse about his second chance at life, he faces a myriad of immediate, stress-inducing crises at home, at work and from the law. Tony's wife Carmela plans for a future she's not sure will arrive, and son AJ and daughter Meadow find that adulthood holds its own surprises. Meanwhile, at work, Tony comes to doubt the allegiances of many of those closest to him ¿ no one, not Paulie, Bobby, Silvio or even Christopher is above suspicion. The clock is ticking. Time is running out. But on who?

GoodFellas

Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. GoodFellas is at least as good as The Godfather without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as the love of Hill's life, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle.

When Martin Scorsese, one of the world's most skillful and respected directors, reunited with two-time Oscar-winner Robert De Niro in GoodFellas, the result was one of the most powerful films of the year. Based on the true-life best seller Wiseguy by Nicholas Pileggi and backed by a dynamic pop/rock oldies soundtrack, critics and filmgoers alike declared GoodFellas great. It was named 1990's best film by the New York, Los Angeles and National Society of Film Critics. And it earned six Academy Award nominations, including Best Picture and Best Director. Robert De Niro received wide recognition for his performance as veteran criminal Jimmy "The Gent" Conway. And as the volatile Tommy DeVito, Joe Pesci walked off with the Best Supporting Actor Oscar. Academy Award nominee Lorraine Bracco, Ray Liotta and Paul Sorvino also turned in electrifying performances. You have to see it to believe it - then watch it again. GoodFellas explores the criminal life like no other movie.

DVD Features:
Interactive Menus
Production Notes
Scene Access
Theatrical Trailer:Two theatrical trailers

Casino

Robert De Niro Sharon Stone and Joe Pesci star in director Martin Scorsese s riveting look at how blind ambition white-hot passion and 24-karat greed toppled an empire. Las Vegas 1973 is the setting for this fact-based story about the Mob s multi-million dollar casino operation where fortunes and lives were made and lost with a roll of the dice.System Requirements:Running Time: 179 MinutesFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 025192979620 Manufacturer No: 29796

Raging Bull (Special Edition)

Robert De Niro teams with director Martin Scorsese in this "extraordinarily compelling" (Leonard Maltin) film that introduced unflinching realism to stunned audiences in 1980. An "exceedingly violent as well as poetic" fight picture that maps "the landscape of the soul" (The New York Times) Raging Bull garnered eight Oscar® nominations* and won two including Best Actor for De Niro.De Niro gives the performance of his career as Jake La Motta a boxer whose psychological and sexual complexities erupt into violence both in and out of the ring. Joe Pesci and Cathy Moriarty are unforgettable as the brother who falls prey to Jake's mounting paranoia and jealousy and the fifteen-year-old girl who becomes his most prized trophy. A "brilliantly photographed film of extraordinary power and rare distinction" (The Wall Street Journal) Raging Bull is filmmaking at its riveting best.*1980: Best Picture Director Supporting Actor (Pesci) Supporting Actress (Moriarty) Cinematography Sound Editing (won)System Requirements:Running Time: 129 Min.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616915122 Manufacturer No: 1007431

Martin Scorsese's brutal black-and-white biography of self-destructive boxer Jake LaMotta was chosen as the best film of the 1980s in a major critics' poll at the end of the decade, and it's a knockout piece of filmmaking. Robert De Niro plays LaMotta (famously putting on 50 pounds for the later scenes), a man tormented by demons he doesn't understand and prone to uncontrollably violent temper tantrums and fits of irrational jealousy. He marries a striking young blond (Cathy Moriarty), his sexual ideal, and then terrorizes her with never-ending accusations of infidelity. Jake is as frightening as he is pathetic, unable to control or comprehend the baser instincts that periodically, and without warning, turn him into the rampaging beast of the title. But as Roman Catholic Scorsese sees it, he works off his sins in the boxing ring, where his greatest athletic talent is his ability to withstand punishment. The fight scenes are astounding; they're like barbaric ritual dance numbers. Images smash into one another--a flashbulb, a spray of sweat, a fist, a geyser of blood--until you feel dazed from the pummeling. Nominated for a handful of Academy Awards (including best picture and director), Raging Bull won only two, for De Niro and for editor Thelma Schoonmacher. --Jim Emerson

GoodFellas (Two-Disc Special Edition)

Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. GoodFellas is at least as good as The Godfather without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as Hill's love interest, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle.

Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. GoodFellas is at least as good as The Godfather without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as the love of Hill's life, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle.

When Martin Scorsese one of the world's most skillful and respected directors reunited with two-time Oscar-winner Robert De Niro in GoodFellas the result was one of the most powerful films of the year. Based on the true-life best seller Wiseguy by Nicholas Pileggi and backed by a dynamic pop/rock oldies soundtrack critics and filmgoers alike declared GoodFellas great. It was named 1990's best film by the New York Los Angeles and National Society of Film Critics. And it earned six Academy Award nominations including Best Picture and Best Director. Robert De Niro received wide recognition for his performance as veteran criminal Jimmy "The Gent" Conway. And as the volatile Tommy DeVito Joe Pesci walked off with the Best Supporting Actor Oscar. Academy Award nominee Lorraine Bracco Ray Liotta and Paul Sorvino also turned in electrifying performance. You have to see it to believe it-then watch again. GoodFellas explores the criminal life like no other movie.Running Time: 146 min.Format: DVD MOVIE Genre: DRAMA/MAFIA UPC: 085391912224 Manufacturer No: 19122

Belly, Special Edition, Version 2

Casino (Widescreen 10th Anniversary Edition)

Sam \""Ace\"" Rothstein is the front man for one of the mob's premiere Vegas casinos in the 70s, joined by strong man Nicky Santoro, the casino runs smoothly until an icy blonde jinxes their winning streak.
Genre: Feature Film-Drama
Rating: R
Release Date: 14-JUN-2005
Media Type: DVD

Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci, and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modeled after on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honor in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and GoodFellas), but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson

Gotti

A very impressive treatment of the rise and fall of New York crime boss John Gotti, this made-for-TV movie succeeds in large measure because of the outstanding work of Armand Assante (I, The Jury, Mambo Kings) as Gotti. Assante creates a complex portrayal of a man loyal to the mob while struggling with personal demons and his own self-destructive ambitions. The film traces the dapper don's rise through the ranks of the Gambino crime family, first through the patronage of his mentor (Anthony Quinn) and then through a brazen assassination of the Gambino boss. Eventually Gotti's world crashes around him as his arrogance over beating the government at trial and his thirst for the limelight causes a rift with his right-hand man, Sammy "The Bull" Gravano (William Forsythe). Gotti boasts terrific New York City locales and a truly impressive cast, including standout work by Forsythe and Quinn. But it's Assante's movie all the way, and he makes the most out of a larger than life character by making him seem no more, and no less, than human and flawed. --Robert Lane

Cop Land (Exclusive Director's Cut) (Miramax Collector's Edition)

After making a critically acclaimed debut with the low-budget independent drama Heavy, writer-director James Mangold took on this gritty crime drama, which was highly touted as Sylvester Stallone's long-awaited return to a serious dramatic role. With an illustrious cast of costars, including GoodFellas alumni Robert De Niro, Harvey Keitel, and Ray Liotta, Stallone plays Freddy Heflin, the ineffectual sheriff of a New Jersey suburb that a group of corrupt New York cops have turned into their own off-duty criminal empire. Deaf in one ear and desperate to prove his worth, the sheriff takes on the cops with standoffish assistance from an Internal Affairs cop (De Niro), resulting in an explosive climactic showdown. The stellar cast can't be beat, and Stallone is quite good as the overweight cop whose pride is on the line. Mangold's script is wildly uneven, but the film still packs a white-knuckled punch. --Jeff Shannon

This tense action-thriller explodes with nonstop excitement and riveting star performances! Sylvester Stallone (SPY KIDS(TM) 3-D: GAME OVER, DRIVEN) stars as Freddy Heflin, the sheriff of a place everyone calls "Cop Land" -- a small and seemingly peaceful town populated by the big city police officers he's long admired. Yet something ugly is taking place behind the town's peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action -- and make a dangerous choice between protecting his idols ... and upholding the law! Robert De Niro (ANALYZE THAT!, MEET THE PARENTS), Harvey Keitel (RED DRAGON, U-571) and Ray Liotta (IDENTITY, JOHN Q) head an incredible cast in this critically acclaimed and unforgettable motion picture!

Raging Bull (Single Disc Edition)

Tells the story of boxer Jake La Motta's life and how his self-destructive behavior affected his career and relationships.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-FEB-2005
Media Type: DVD

Martin Scorsese's brutal black-and-white biography of self-destructive boxer Jake LaMotta was chosen as the best film of the 1980s in a major critics' poll at the end of the decade, and it's a knockout piece of filmmaking. Robert De Niro plays LaMotta (famously putting on 50 pounds for the later scenes), a man tormented by demons he doesn't understand and prone to uncontrollably violent temper tantrums and fits of irrational jealousy. He marries a striking young blond (Cathy Moriarty), his sexual ideal, and then terrorizes her with never-ending accusations of infidelity. Jake is as frightening as he is pathetic, unable to control or comprehend the baser instincts that periodically, and without warning, turn him into the rampaging beast of the title. But as Roman Catholic Scorsese sees it, he works off his sins in the boxing ring, where his greatest athletic talent is his ability to withstand punishment. The fight scenes are astounding; they're like barbaric ritual dance numbers. Images smash into one another--a flashbulb, a spray of sweat, a fist, a geyser of blood--until you feel dazed from the pummeling. Nominated for a handful of Academy Awards (including best picture and director), Raging Bull won only two, for De Niro and for editor Thelma Schoonmacher. --Jim Emerson