Viterelli, Joe

Eraser

If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. Eraser is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect. His latest beneficiary is an FBI employee (Vanessa Williams) who stumbled across a secret government group involved in the sale and export of an advanced weapon capable of shooting rounds at nearly the speed of light. Fantastic action sequences are handled with flair by director Charles Russell (The Mask), so it's easy to forgive the fact that this movie is almost completely ridiculous. --Jeff Shannon

Arnold Schwarzenegger stars as Eraser, an elite federal marshal who "erases" the pasts of jeopardized informers and relocates them into safe anonymity.

Shallow Hal

Coming from the creators of Dumb & Dumber and There's Something About Mary, the sensitivity of Shallow Hal seems like a minor miracle. The codirecting Farrelly brothers haven't forsaken their lowbrow inclinations, but this clever romantic fantasy offers unexpected substance with the same comedic effrontery that made the Farrellys famous. Their antihero is Hal (Jack Black), whose fixation on beautiful women is reversed (after an encounter with self-help guru Tony Robbins) so he can see only the inner beauty of "undesirables" like his new girlfriend Rosemary (Gwyneth Paltrow), now gorgeous in Hal's eyes despite being grossly obese. The movie's handling of this conundrum is sweetly sincere, poking fun at social prejudices while validating those (overweight, homely, disabled) who are often heartbroken by Hal's brand of shallowness. The concept won't hold up to scrutiny (i.e., the movie trades one set of stereotypes for another), but Shallow Hal works as an often hilarious reminder that physical beauty is only skin deep. --Jeff Shannon

A hypnotized playboy (Jack Black) who can only see "inner beauty" doesn't realize that his gorgeous girlfriend (Gwyneth Paltrow) is actually a 300-pound-not-so-hottie. "Heartwarming and hilarious" (WFLD-TV), it's the BIGGEST love story ever told!

State of Grace

New York City s Hell s Kitchen is a pressure cooker of pent-up anger and it s about to explode! Sean Penn Ed Harris Gary Oldman Robin Wright John Turturro and John C. Reilly deliver exceptional performances (The Hollywood Reporter) in this finely drawn tale of betrayal redemption and guilt (Los Angeles) that ll put you on the edge of your seat (Newsweek)! Terry Noonan (Penn) returns to his old neighborhood with a score to settle. He s now an undercover cop dead-set on taking down an Irish mob family headed by Frankie Flannery (Harris) and his hot-headed brother Jackie (Oldman). But when Noonan infiltrates the family his old feelings for the Flannerys sister (Wright) further heighten the stakes as he enters a violent showdown with them duringSystem Requirements: Running Time 134 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616881434 Manufacturer No: 1004036

Overshadowed by GoodFellas when it was released in 1990, State of Grace gradually emerged as one of the best New York gangster films of its decade. It was also the first to feature the Irish American mob known as the Westies. Here, their territory west of Times Square is being gentrified by an unwelcome infusion of yuppie cash, squeezing them into a reluctant alliance with Mafia kingpins. Frankie (Ed Harris) is the boss; little brother Jackie (Gary Oldman) is his volatile muscle; their friend Terry (Sean Penn) has returned from an extended absence, harboring a dangerous secret while rekindling his love for Frankie and Jackie's sister Kathleen (Robin Wright, Penn's future wife). Giving one of his scariest, most violent performances, Oldman offers stark, brutal contrast to Harris's pent-up fury, while Penn breathes life into his character's standard-issue dilemma. A former protégé of Steven Spielberg's, director Phil Joanou handles this gritty potboiler with confident, unobtrusive style, ramping up the tension of divided loyalties, even as the plot grows increasingly familiar. --Jeff Shannon

Heaven's Prisoners

A Vietnam vet/ex-detective leaves New Orleans with his wife for a quieter life in Louisiana's bayou. However a plane crash on the Gulf gets him involved in the world of murder and deception.Running Time: 106 min.Format: DVD MOVIE Genre: DRAMA UPC: 794043672521

When he emerged from film school in the mid-1980s, director Phil Joanou was touted as the next Steven Spielberg, perhaps because Spielberg took him on as a protégé briefly. Since then, it's been "Phil who?" thanks to a series of mediocre thrillers like this one. Based on one of a series of novels by James Lee Burke about a troubled ex-cop named Dave Robicheaux, this film sat on the shelf for a couple of years before finally being released in 1995. Alec Baldwin plays Robicheaux, a recovering alcoholic who has put life on the New Orleans police department behind him--until a plane crashes in the lake next to his house. He rescues a young Central American girl from the wreck and adopts her--and winds up involved in a gumbo of drug running and dirty dealing involving an old pal named Bubba. Tip-off that this movie should have gone straight to video: Bubba is played by Eric Roberts. Redeeming feature (at least for men, who are all dogs, as everyone knows): a Teri Hatcher nude scene. --Marshall Fine

Bullets Over Broadway

One of Woody Allen's best films of the '90s, Bullets over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised. Palminteri gives a very interesting performance as the enforcer waking up to the desperate (and almost feminine) demands of his own creative psyche, and Dianne Wiest (who won an Oscar), Tracey Ullman, Jim Broadbent, and Jennifer Tilly are very funny together playing the ensemble cast of Cusack's play. --Tom Keogh

Big city mobsters and the Broadway stage collide hilariously in this side-splitting all-star comedy that had audiences and critics rolling in the aisles! John Cusack (SERENDIPITY, HIGH FIDELITY) stars as David Shayne, an idealistic young writer who'll do anything to get his first Broadway play off the ground -- even if it means teaming up with the mob! Surrounded by a wacky cast of characters including a gangster's ditzy girlfriend (Jennifer Tilly, LIAR, LIAR), a tipsy actress (Dianne Wiest in her Academy Award(R)-winning performance -- Best Supporting Actress, 1994), and a mob hit man (Chazz Palminteri, THE USUAL SUSPECTS), Shayne's got to pull it all off before the curtain falls and bullets start to fly!

Analyze This

Cast Robert De Niro and Billy Crystal together in a film and it should be a sucker's bet as to who's going to be funnier and who's going to give the more nuanced performance. Somehow, though, De Niro walks away with most of the laughs in Analyze This, a buddy action-comedy about a mob boss (De Niro, natch) suffering from panic attacks who makes a nebbishy shrink (Crystal, natch) an offer he can't refuse--actually, it's not really an offer, it's a command. The good doctor is forced to help the gangster get in touch with his feelings. Had the brilliant TV series The Sopranos not underscored how thin and watery and shticky director-cowriter Harold Ramis's approach to such potentially rich material actually is, the movie--a hit in theaters and De Niro's biggest film ever--would seem more fresh and kicky. De Niro's definitely a hoot as the ever milder menace, and Crystal actually concentrates on giving a credible performance opposite the acting legend (alas, he doesn't turn his character's fear of his patient into inspired comedy, as Alan Arkin did in Grosse Pointe Blank). The conclusion devolves into the requisite gunplay, and Chazz Palminteri and Lisa Kudrow are criminally wasted as an opposing mob boss and Crystal's fiancée, respectively, but overall, it's breezy fun. --David Kronke

Mafia!

This hapless comedy may actually work a lot better on video than it did in theaters. A parody of contemporary mob movies (with a few sidebars skewering such hits as Forrest Gump and The English Patient), Mafia! most closely resembles the first two Godfather films in its generational saga of a gangster family. Lloyd Bridges plays Don Cortino, a native Sicilian who presides over a crime syndicate, and Jay Mohr plays his Michael Corleone-like son. The film is by Jim Abrahams, formerly of the Zucker-Abrahams-Zucker directing team (Airplane!, The Naked Gun), single- handedly trotting out the old dumb-joke aesthetic that worked wonderfully a lifetime ago but looks a little creaky in the era of There's Something About Mary. Silly allusions to every crime film (GoodFellas, Casino) produced in the last three decades and featuring at least one wise guy or made man find their way into Mafia!'s gags, but most are arbitrary and shrugged off. The film tanked in theaters for good reason; on the other hand, Mafia! might have a lot more to offer if you're slumped on your own couch at the end of a long day, ready for brain-dead entertainment and absolutely apathetic about comic integrity. Even a film this instantly stale on the big screen might have its place in video posterity. -- Tom Keogh

Mickey Blue Eyes

Mickey Blue Eyes was crafted as a vehicle for the stammering British charm of Hugh Grant (star of Four Weddings and a Funeral and Nine Months), so whether or not you like the movie will depend heavily on your affection for Grant. He plays an art auctioneer who falls in love with schoolteacher Jeanne Tripplehorn (Basic Instinct, Very Bad Things), who just happens to be the daughter of mobster James Caan (The Godfather, Misery). To protect Grant, Tripplehorn tries to fend off his proposal of marriage, but some miscommunications lead to Grant being embraced by the "family." After the mob decides to launder money through Grant's auction house, an accidental killing results in Grant pretending to be Mickey Blue Eyes out of Kansas City (the sight and sound of Grant trying to say "fuggedaboudit" was undoubtedly what sold the movie in the first place). The plot isn't as well executed as it could be, but the leads are all well cast and there are some excellent supporting performances, particularly Burt Young (Rocky) as a myopic mob boss and Scott Thompson (from the comedy troupe The Kids in the Hall) as a sprightly FBI agent. --Bret Fetzer

See Spot Run

A mailman takes in a stray dog only to learn that it's an FBI drug-sniffing canine that has escaped from a witness protection program and is now targeted for assassination by a crime boss.Format: DVD MOVIE Genre: COMEDY UPC: 085391163251 Manufacturer No: 116325

Collateral Damage / Eraser

Arnold Schwarzenegger provides escapist heroics in two explosive hits. In Collateral Damage, he plays a firefighter tracking the terrorist bomber who killed his family. Andrew Davis (The Fugitive) guides the action that leaps from LA to Colombia to Washington, D.C. In Eraser, agent John Kruger (Schwarzenegger) protects a witness who uncovered a deal to put a super weapon in the wrong hands. If you're looking for a hero, you've found him. If you're looking for the witness, Kruger will make sure you find plenty of trouble.