Vuolo, Tito

The Bishop's Wife

Perhaps if The Bishop's Wife had lapsed on its copyright and fallen into the public domain like It's a Wonderful Life, it would be as much a Christmas staple as that classic. It certainly deserves to be. Dudley (Cary Grant) is an angel sent down by the prayers of a new bishop (David Niven). The bishop is trying to build a new cathedral, and he's so entrenched in his fundraising that he's watching his own marriage crumble around him. Loretta Young is devoted, moist-eyed, and basically a great date for the tempted Dudley. They drink in the afternoon, go skating at night, and make impulse buys. The skating sequence beats mightily on one's suspension of disbelief, but the rest of the film is an absolute joy. Grant is suave, worldly, and enchanting. A wonderful present for anyone who has not seen it. --Keith Simanton

Romantic comedy where Grant stars as an angel who appears in answer to a frustrated bishop's prayers. When Grant comes into the bishop's home, his neglected wife becomes infatuated with the angel.
Genre: Feature Film-Drama
Rating: NR
Release Date: 30-JUL-2002
Media Type: DVD

Mr. Blandings Builds His Dream House

Cary Grant stars as an advertising executive who dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems. (See the 1980s Tom Hanks comedy The Money Pit for an updated version of the same idea.) The big appeal here are the two leads, Grant and Myrna Loy, who were each in their early 40s and at the peak of their careers. Together with solid support from Melvyn Douglas and a screenplay that might have been tailor-made for their polished brand of comedy, the stars dominate this simple project. --Tom Keogh

Cary Grant is hilarious as a successful New York advertising executive who wants to escape the confines of his family's tiny midtown apartment. So he designs his dream home in the suburbs and discovers the project wasn't as easy as it seemed. The house gets larger. The bills get bigger. The problems just won't go away. Eventually, the whole affair becomes a nightmare-a very funny nightmare-that left audiences laughing in 1948 and will have you in stitches, too. This is the comedic masterpiece that inspired the popular 1987 movie "The Money Pit." It's an adventure in homeowning that strikes a familiar chord with everyone who's ever bought a house. Year: 1948 Director: H.C. Potter Starring: Cary Grant, Myrna Loy, Melvyn Douglas

Young at Heart

This 1954 musical remake of Four Daughters stars Doris Day as a well-bred New England woman who marries a chip-on-his-shoulder musician (Frank Sinatra). Lots of tears, yes, but this version of Fannie Hurst's novel is considerably cheered up from the 1938 tearjerker. Dorothy Malone and Elizabeth Fraser play Day's sisters (a fourth sister present in Four Daughters was written out), Robert Keith is the paterfamilias to a bunch of musical prodigies, and Gig Young is entertaining as the composer-boarder who tries deflecting the sisters' interest in him by bringing Sinatra home one day. Both Day and Sinatra really shine in this, and the songs include the Johnny Richards-Caroline Leigh title tune, which became part of Sinatra's standard repertoire. --Tom Keogh

The Killing

Stanley Kubrick's third feature, and first screen classic, is one of the great crime films of the 1950s. The Killing was written in collaboration with Jim Thompson, who penned pulp novels like The Grifters, The Killer Inside Me, and Pop. 1280, all of which were made into classic films. This time writing directly for the screen, Thompson joined with Kubrick to concoct a story about a desperate gang of lowlifes led by a grim, determined Sterling Hayden. Together they devise and execute a complex racetrack robbery, but inner tensions and the iron fist of fate work against them. The cast is uniformly superb, with Hayden, Jay C. Flippen, Timothy Carey, Marie Windsor, and Elisha Cook Jr. fleshing out characters torn between grandiose ambition and petty desire. Cinematographer Lucian Ballard fashions distorted, starkly lit interiors that reflect the psychological tensions of the characters. He and Kubrick also create one of the most memorably ironic final sequences in film history.

The Killing is a perfect introduction to the art and joys of film noir, and its bizarre narrative structure has been copied many times since. For a terrific double feature, see it with John Huston's The Asphalt Jungle, another noir masterpiece featuring Hayden; or Paths of Glory, Kubrick's next picture, again cowritten with Thompson; or even Jackie Brown, in which Quentin Tarantino pays homage to the ways this film leaps around in time. More commercial than some of Kubrick's later work, The Killing remains a tour de force by one of the world's finest filmmakers. --Raphael Shargel

When ex-con Johnny Clay (Sterling Hayden) says he has a plan to make a killing everybody wants to be in on the action. Especially when the plan is to steal $2 million in a racetrack robbery scheme in which "no one will get hurt." But despite all their careful plotting Clay and his men have overlooked one thing: Sherry Peatty (Marie Windsor) a money-hungry double-crossing dame who's planning to make a financial killing of her own...even if she has to wipe out Clay's entire gang to do it!System Requirements:Starring: Vince Edwards Jay C. Flippen Colleen Gray Sterling Hayden Marie Windsor Directed By: Stanley Kubrick Running Time: 89 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 027616770622

Sorry, Wrong Number

Barbara Stanwyck and Burt Lancaster star in Sorry, Wrong Number, an odd telephonic thriller that starts off with a bang. Stanwyck, playing a shrill invalid, is at home alone and phoning around to find her husband. Thanks to a crossed wire, she overhears a murder plot, but she can barely get anyone to pay attention to her, let alone believe her. The rest of the film is played out in telephone conversations and flashbacks as our increasingly frightened heroine tries to find her husband and unravel the murder. Stanwyck, as always, gives a terrific performance, managing to make her character both unlikeable and compelling at the same time. Lancaster, as her kept husband, is handsome, virile, and trapped all at once. The plot, expanded to a film from a tight, dark little radio play, wanders at times but gathers itself back together for a corker of an ending. --Ali Davis

The Enforcer

Humphrey Bogart stars as a crusading district attorney working against the clock to prosecute a mob boss in this suspenseful picture that should appeal to crime completists and fans of the iconic actor. Based on actual court cases, the plot unfolds largely in flashback as Bogart reviews his case against vicious racketeer Everett Sloane, who has killed off anyone that has threatened to testify against him. Capably directed by Bretaigne Windust (with uncredited help from Raoul Walsh, who shot most of the film's most suspenseful moments, including the nail-biting conclusion), The Enforcer's standard law vs. the mob plotline benefits greatly from its unusual structure, as well as Bogart's solid presence and a terrific supporting cast, which includes an early turn by Zero Mostel. The opening narration is provided by Estes Kefauver, who was chairing a Senate investigation into organized crime at the time of the picture's release. --Paul Gaita

House of Strangers (Fox Film Noir)

Max Monetti is consumed with vengeance for his brothers after their betrayal of his father Gino. But after remembering his past especially his relationship with Irene Bennett Max realizes that his father had caused all the tension within the family and makes peace with his brothers.System Requirements:Running Time: 101 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 024543244516 Manufacturer No: 2234451

Mourning Becomes Electra

Near the end of the Civil War, the proud residents of Mannon Manor await the return of shipping tycoon Ezra Mannon (The Old Dark House's Raymond Massey) and son Orin (Dead of Night's Michael Redgrave). Meanwhile Extra's conniving wife Christine (Rocco and His Brothers' Katina Paxinou) and daughter Lavinia (Auntie Mame's Rosalind Russell) vie for the love of a handsome captain (Leo Genn) with a dark secret while well-meaning neighbor Peter (Academy Award® winner Kirk Douglas) sets his sights on Lavinia. Poisoning, infidelity, gunshots and shocking family secrets explode in a haunting climax that will never be forgotten. Adapted from the classic play by Eugene O'Neill, this powerhouse classic is a tour de force of American cinema! This often censored drama features a dramatic all-star cast! Now presented in the longest restored version in existence!

20 Million Miles To Earth (50th Anniversary Edition)

Special-effects legend Ray Harryhausen's stop-motion talents and "Dynamation" (rear-projection) process are the highlights of the '50s-era creature feature 20 Million Miles to Earth. An American spaceship returns to Earth after a mission to Venus and crashes into the sea near Sicily. A sole survivor (William Hopper) is rescued, along with a specimen that quickly grows into a reptilian biped called the Ymir. The being eventually grows to 20 feet high and escapes its confines, whereupon it rampages through Rome before a showdown with the military. Despite lacking much of a personality, the Ymir is a marvelous showcase for Harryhausen's skills. Unfortunately, the rest of the film does not match his level of excellence; direction by Nathan Juran is perfunctory (his later collaborations with Harryhausen, including The Seventh Voyage of Sinbad, are more lively), and performances and scripting are flat. Still, Harryhausen fans should enjoy this opportunity to see this phase of his career before he created his most enduring works. --Paul Gaita

Special effects genius Ray Harryhausen (Jason and the Argonauts, Clash of the Titans) brings you one of his earliest groundbreaking films, now available for the first time in vibrant color! When an American spaceship crash-lands off the coast of Sicily, a rescue team discovers that the crew has brought back a gelatinous mass that soon hatches and evolves into a strange bi-ped creature which increases in size rapidly. Soon 20-feet tall, the creature rampages through Rome before being destroyed as it seeks refuge in the Colosseum.

20 Million Miles to Earth

Special-effects legend Ray Harryhausen's stop-motion talents and "Dynamation" (rear-projection) process are the highlights of the '50s-era creature feature 20 Million Miles to Earth. An American spaceship returns to Earth after a mission to Venus and crashes into the sea near Sicily. A sole survivor (William Hopper) is rescued, along with a specimen that quickly grows into a reptilian biped called the Ymir. The being eventually grows to 20 feet high and escapes its confines, whereupon it rampages through Rome before a showdown with the military. Despite lacking much of a personality, the Ymir is a marvelous showcase for Harryhausen's skills. Unfortunately, the rest of the film does not match his level of excellence; direction by Nathan Juran is perfunctory (his later collaborations with Harryhausen, including The Seventh Voyage of Sinbad, are more lively), and performances and scripting are flat. Still, Harryhausen fans should enjoy this opportunity to see this phase of his career before he created his most enduring works. --Paul Gaita