Worth, Irene

Nicholas and Alexandra

Well-acted chronicle of the last russian czar and his family and the revolution that turned their world upside down. Studio: Sony Pictures Home Ent Release Date: 05/27/2008 Starring: Michael Jayston Janet Suzman Run time: 189 minutes Rating: Pg

Onegin

Given that for Russians, Pushkin's poem Eugene Onegin is sort of like Hamlet, Beowulf, and Lord Byron's Don Juan rolled into one melancholy tale of lost love and ennui among the gentry, it's surprising Russian filmmakers have balked at adapting the film. Having taken a stage production of Hamlet to Russia where it was rapturously received, self-confessed Slavophile actor Ralph Fiennes must have thought he was making reparation when he executive-produced and starred in this faithful adaptation of the film. With Martha Fiennes on board as director, it's something of a family affair with more than a little of the solemnity one often discovers in "personal projects". Pushkin's romanticism comes across amply, but little of his ferocious wit or, inevitably, the authorial voice that makes the poem so compelling, even in translation. Ralph Fiennes typecasts himself in the title role: his Onegin is yet another of the actor's wintry, haunted lovers in period dress (this time early 19th century). The character, a jaded roué from St. Petersburg, summers in the countryside where he inadvertently wins the heart of the impulsive Tatyana (Liv Tyler, the girl they book when Gwyneth Paltrow's busy). Onegin's casual attitude to her love leads to a tragic duel (magnificently tense and perfectly staged), and years later a chance meeting stirs up feelings of regret, triumph, and moral queasiness. Tears well in eyes, letters are sent and read, furs are ruffled in the snow. This is the highbrow end of costume drama: patrician in its literary purity, and rather admirable in its restraint and good taste, if a little dull. --Leslie Felperin

In the opulent st. Petersburg of the empire period eugene onegin is a jaded but dashing aritocrat a man often lacking in empathy who suffers from restlessness melancholy and finally regret. Through his best friend lensky onegin is introduced to the young tatiana. Studio: Lions Gate Home Ent. Release Date: 09/14/2004 Starring: Ralph Fiennes Liv Tyler Run time: 100 minutes Rating: R Director: Martha Fiennes

Deathtrap

Man (Christopher Reeve) writes play. Older washed-up hack (the blissfully hammy Michael Caine) covets play. A meeting is arranged in a remote cabin festooned with various sharp objects. To reveal anything more would serve to ruin one of the most wondrously convoluted plots of the '80s and '90s. It's a cerebrum-bending romp from start to finish, with marvelously airtight plotting that simultaneously parodies and honors its genre, and two vibrant, continuously morphing lead performances (pity poor Dyan Cannon's weak-link wife, though, who gets stuck with the shrillest character and worst dialogue of the lot). Based on Ira Levin's long-running play, this adaptation's rhythm is thrown off a bit by director Sidney Lumet's somewhat misguided attempts to open it up for the screen, but the script and performers are so playfully adept that, as one of the characters says, "even a gifted director (which Lumet most certainly is, based on evidence such as Dog Day Afternoon and Network) couldn't hurt it." Delirious, nasty fun that's twistier than a corkscrew and loaded with enough red herrings to keep Flipper fed for a year. --Andrew Wright

Ira levins cat-and-mouse broadway suspense smash about a playwrights deadly game of murder gets diabolically comic screen treatment. Studio: Warner Home Video Release Date: 02/03/2004 Starring: Michael Caine Dyan Cannon Run time: 116 minutes Rating: Pg Director: Sidney Lumet

Lost in Yonkers

Set during world war ii two young brothers are sent to live with their domineering grandmother after their moms death. Their eccentric aunt bella teaches them how to generate love in an atmosphere where it has never been permitted to exist. Studio: Sony Pictures Home Ent Release Date: 03/22/2005 Starring: Mercedes Ruehl Richard Dreyfuss Run time: 114 minutes Rating: Pg

The Shell Seekers

Eyewitness

An underrated gem of the early 1980s, this film is a solid mystery with a terrific and unlikely romance at its core. Hurt plays a New York janitor whose fantasy life centers on TV reporter Sigourney Weaver. When a murder occurs in the office building where he works, he claims to have seen more than he did just to get her attention. But when the murderers believe him, they both become targets. The plot is workable, but mostly serves as a meet-cute device for throwing together the unassuming janitor and the TV star, and the resulting collision of social strata when he successfully woos her. James Woods nearly steals the film as Hurt's jumpy Vietnam vet friend, a shifty operator of whom cop Morgan Freeman observes, "He was born to be a suspect." --Marshall Fine

Manhattan janitor Daryll Deever is fixated on hard-charging TV commentator, Tony Sokolow; he tapes her commentary daily to watch after work. When a wealthy Vietnamese man, with many shady connections, is murdered in the office building where Daryll works, Tony shows up to cover the story and Daryll introduce himself. She thinks he may know something, so she pursues him; he pretends he might to keep her interested. This romantic cat and mouse game goes on under the watchful eyes of the killers, who think that Daryll and Tony do know something. The killers start their own game of cat and mouse

Samuel Beckett's Happy Days (Broadway Theatre Archive)

Suffused with tenderness, lucidity, and humor, Samuel Beckett's Happy Days is a comedy in pure, music-hall style. Legendary three-time Tony Award-winning actress Irene Worth (Lost in Yonkers) stars as Winnie, an optimist who--deep down--senses she has little to feel "happy" about, though she never allows a day to pass without looking her best and hoping for better. Worth gives a tour-de-force performance as she chatters incessantly and cheerily on a variety of subjects, portraying Winnie as the embodiment of humankind's nobler virtues: wise, just, majestic, and committed to her conviction that "this will have been a happy day."

The Displaced Person

Lost in Yonkers [Region 2]

The Shell Seekers [Region 2]