Wray, Fay

Tammy And The Bachelor / Tammy Tell Me True / Tammy And The Doctor (Triple Feature)

Murder by Death

Neil Simon wrote this 1976 spoof in which virtually every famous fictional detective of the 1930s and 1940s congregate at the home of a mysterious fellow (Truman Capote) to try and solve the mystery of who's trying to kill them all. Simon's jokes are mostly obvious, and the film's real appeal is the clever concept matched with fine--sometimes legendary--actors. Peter Falk plays a very Bogart-like Sam Spade equivalent, James Coco is a Hercule Poirot wannabe, Peter Sellers does a Charlie Chan bit, David Niven and Maggie Smith are reflections of Nick and Nora.... You get the picture. Lighthearted and silly, this is cotton-candy comedy for the cast as well as viewers. --Tom Keogh

Gideon's Trumpet

Anyone who's ever been arrested--or maybe just watched a cop show--knows that the right to representation by counsel is guaranteed by the Constitution, codified in the Miranda warning. But it wasn't until the early 1960s, when the events chronicled in Gideon's Trumpet unfolded, that this fundamental prerogative became law. As portrayed by Henry Fonda in this Emmy-nominated 1980 TV movie, Clarence Earl Gideon was neither a hero nor a crusader out to re-write history. He was in fact, a criminal recidivist, a poor drifter with four broken marriages and multiple prison terms in his past. Busted for breaking and entering and petty larceny in Panama City, Florida in 1961, Gideon proclaimed his innocence; but when his demand for a lawyer was rejected at trial (only defendants in capital cases were given court-appointed attorneys in Florida), he was forced to defend himself, resulting in a conviction and a five-year jail sentence. What followed was a matter of luck as well as persistence, as his appeal became one of the few that the U.S. Supreme Court agreed to hear. Chief Justice Earl Warren (John Houseman, who also executive-produced) assigned Abe Fortas (Jose Ferrer), himself a future Supreme Court justice, to handle the case, and Fortas' skillful work led to the overturning of Betts v. Brady, a 1942 decision in which the high court had ruled that even indigent defendants weren't entitled to counsel when prosecuted by a state; Gideon's second trial (his claim that double jeopardy applied was rejected), this time with proper representation, is depicted in the final sequences of the film. As befitting the decidedly un-glamorous details of the story, Fonda, who was 75 at the time (the real Gideon was 51) and nearing the end of his storied career, delivers a laconic, low-key performance, effectively depicting a crusty, world-weary, but dignified man who got a raw deal, saw a flaw in the legal system, and fought to correct it. The film, too, is remarkably matter-of-fact: no melodrama, no music to manipulate the viewer's emotions at key moments, just a top-notch cast and a straightforward depiction of the case as described in Anthony Lewis' book of the same name. --Sam Graham

Henry Fonda stars in a Hallmark Hall of Fame classic seen on CBS

In one of the finest and final performances of his distinguished career, Henry Fonda portrays Clarence Gideon, the destitute prisoner whose handwritten plea for justice changed the course of American legal history. Based on the book by Pulitzer Prize-winning author and journalist Anthony Lewis, Gideon's Trumpet tells the remarkable human story behind the landmark "right to counsel" Supreme Court case.

Nominated for three Emmys® and winner of the prestigious Peabody Award, this powerful Hallmark Hall of Fame drama also features Oscar®- and Tony®-winner José Ferrer (Cyrano de Bergerac, The Caine Mutiny) as Abe Fortas, Oscar®-winner John Houseman (The Paper Chase, Rollerball) as Chief Justice Earl Warren, and Fay Wray (King Kong) in her final screen performance.

"Ranks with the best films of the early 1980s" -- All Movie Guide.

DVD SPECIAL FEATURES INCLUDE insert with production notes by Anthony Lewis and cast filmographies.

The Most Dangerous Game

The Most Dangerous Game is a classic, one of the first talkies to get pictures moving after five very static years following the birth of sound. The plot finds resourceful hero Joel McCrea and heroine Fay Wray being hunted on the island of the insane Zaroff (Leslie Banks). One of the grandfathers of the summer blockbuster, the film's setup has been reworked many times since, notably in John Woo's Hard Target (1993). By modern standards it's technically primitive, though still gripping stuff, complete with the jungle set built as a test run for King Kong (1933) and graced by Max Steiner's prototype of all Hollywood action scores. --Gary S. Dalkin

Broadway - The Golden Age, by the Legends Who Were There

It's not a comprehensive survey of the American musical theater, but Broadway: The Golden Age, by the Legends Who Were There is an invaluable and moving salute to the art form composed of interviews with the people who were there in the 1940s through the 1960s. There are too many to list, but they include John Raitt, Angela Lansbury, Hume Cronyn, Kitty Carlisle Hart, Carol Channing, Jerry Orbach, Robert Goulet, Robert Morse (even he's gotten old!), Jerry Herman, Betty Comden and Adolph Green, Stephen Sondheim, and Harold Prince. There are also some rare performance clips, such as Ethel Merman in Gypsy, Patricia Morison in Kiss Me Kate, and Angela Lansbury in Mame, as well as more familiar television performances, but very few film versions (for either authenticity or rights reasons). Director Rick McKay's focus, however, is on evocative stills, a few too many shots of the city, and most of all the words from the stars themselves. Fact is, because Broadway shows are a live performance medium, there simply isn't a lot of footage available, which is why it's a treat--no, it's an obligation--that we hear the stories from the people themselves. It's the best way the form will survive. After a bit of a slow start, the interviews cover the culture of Broadway, hanging out at Walgreen's and Sardi's, taking a show on the road, and thoughts about the current generation. (Broadway in this case refers to the location in New York rather than the musical-theater genre, so non-musicals are a major part of the discussion.)

Broadway: The Golden Age had a limited theatrical run in 2004, and there will be inevitable comparisons to Broadway: The American Musical, the six-hour series that played on PBS in the fall of that same year. The PBS series is much longer (especially counting the DVDs' bonus interviews) and unlike The Golden Age, it attempts to be a comprehensive survey of 100 years of American musical theater. The ambition is admirable, but often hard to live up to. The Golden Age offers more rare footage, and a more powerful sense of nostalgia throughout the interviews. On the downside, there's no real structure to the film other than grouping the interviews by random subject, and director McKay relies too much on his own personal experiences as a jumping-off point. But it's a worthwhile, often passionate film that captures a priceless glimpse at a way of life as lived by so many memorable figures whose like will never be seen again. --David Horiuchi

King Kong (Two-Disc Special Edition)

"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson

DVD features
Not surprisingly, the eighth wonder of the world's DVD treatment is nothing short of spectacular. The newly restored, digitally mastered print of the 1933 version of King Kong is sharp, well balanced, and given that this film is seventy years old, has very few scratches or blemishes. The restoration is nothing short of amazing. What may frustrate some is the audio. Though crystal clear, it is still in 2.0 Mono. The soundtrack on Kong is such an integral part of the film you really wished they could have pulled it out to at least 2.0 Surround; but this is a minor criticism. The bulk of the commentary track is by visual effects veterans Ray Harryhausen and Ken Ralston joyfully discussing the special effects of the film and discussing why King Kong is such a favorite and important film to the community of visual effects artists. Spliced between their commentaries are colorful and humorous anecdotes from director from Merian C. Cooper and Fay Wray. The two documentaries on disc two run over three and half hours long. I Am Kong! The Exploits of Merian C. Cooper is an engaging documentary on the renegade, Hemingway-like director. It is fascinating to learn that Cooper was every bit the adventurer that the fictional director Carl Denham in King Kong was in the film. RKO Production 601: The Making of Kong, Eighth Wonder of the World is a two and a half hour documentary broken into 7 parts: "The Origins of King Kong," "Willis O'Brien and Creation," "Cameras Roll on Kong," "The Eighth Wonder," "A Milestone in Visual Effects," "Passion, Sound and Fury," "The Mystery of the Lost Spider Pit Sequence," and "King Kong's Legacy." Also included is complete footage of the legendary "The Lost Spider Pit Sequence." Presenting the segments are various film historians and filmmakers including Rudy Behlmer, Cooper biographer Mark Cotta Vaz, the Chiodo Brothers (of Team America: World Police special effects fame), and directors John Landis and Peter Jackson. Here you will learn everything you would ever want to know about the making and importance of King Kong, including that the producer/director team of Cooper and Schoedsack played the pilots who shoot Kong off the Empire State Building. The highly anticipated, long-awaited release of King Kong will meet most viewers' expectations, and exceed everyone's else. --Rob Bracco

DVD Features:
Audio Commentary
Documentaries
Other
Theatrical Trailer

Queen Bee

"Any man's my man if I want it that way." The speaker could only be Joan Crawford, as a wicked man-eater terrorizing her Deep South household in Queen Bee. Crawford's the whole show in this campy 1955 melodrama, which aspires to be second-rate Lillian Hellman but doesn't even reach that level. Having trapped a wealthy Southerner (Barry Sullivan) into marriage, Crawford takes her main pleasure in making life miserable for the other women of the mansion. This is fun to watch for a while, but director Ranald MacDougall (he wrote Mildred Pierce for Crawford) can't get the pace moving, and the final comeuppance is all too predictable. Crawford was going into her final high-diva phase at this point in her career, all chalky makeup and yard-long eyebrows, and Queen Bee clearly points the way toward What Ever Happened to Baby Jane? Star power prevails, however, and at least the picture summons up its share of unintentional laughs. --Robert Horton

Crime of Passion

Barbara Stanwyck soars in a "rafter-rattling portrayal of a homicidal housewife" (The New York Times) in this "exciting, taut" (Motion Picture Daily) thriller about wanting it allandstopping at nothing to get it. A most unusual story for its time, Crime of Passion delivers nail-biting suspense, shocking plot twists and a 1950s anti-heroine you won't soon forget! Advice columnist Kathy Ferguson (Stanwyck) abandons her successful career when she marries police detective Bill Doyle (Sterling Hayden). But her new role as a 1950s suburban homemaker quickly stiflesher spirit, and she transfers her thwarted ambition to her husband's career, scheming to push Bill up the ladder by any means necessary even murder!

The Most Dangerous Game - Criterion Collection

The Most Dangerous Game is a classic, one of the first talkies to get pictures moving after five very static years following the birth of sound. The plot finds resourceful hero Joel McCrea and heroine Fay Wray being hunted on the island of the insane Zaroff (Leslie Banks). One of the grandfathers of the summer blockbuster, the film's setup has been reworked many times since, notably in John Woo's Hard Target (1993). By modern standards it's technically primitive, though still gripping stuff, complete with the jungle set built as a test run for King Kong (1933) and graced by Max Steiner's prototype of all Hollywood action scores. --Gary S. Dalkin

"One of the best and most literate movies from the great days of horror," The Most Dangerous Game stars Leslie Banks as a big game hunter with a taste for the world's most exotic prey-his houseguests, played by Fay Wray and Joel McCrea. Before making history with 1933's King Kong, filmmakers Merian C. Cooper and Ernest B. Schoedsack wowed audiences with their chilling adaptation of this Richard Connell short story. Criterion is proud to present the DVD premiere of The Most Dangerous Game in a new digital transfer.

King Kong (Collector's Edition)

"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson

DVD features
Not surprisingly, the eighth wonder of the world's DVD treatment is nothing short of spectacular. The newly restored, digitally mastered print of the 1933 version of King Kong is sharp, well balanced, and given that this film is seventy years old, has very few scratches or blemishes. The restoration is nothing short of amazing. What may frustrate some is the audio. Though crystal clear, it is still in 2.0 Mono. The soundtrack on Kong is such an integral part of the film you really wished they could have pulled it out to at least 2.0 Surround; but this is a minor criticism. The bulk of the commentary track is by visual effects veterans Ray Harryhausen and Ken Ralston joyfully discussing the special effects of the film and discussing why King Kong is such a favorite and important film to the community of visual effects artists. Spliced between their commentaries are colorful and humorous anecdotes from director from Merian C. Cooper and Fay Wray. The two documentaries on disc two run over three and half hours long. I Am Kong! The Exploits of Merian C. Cooper is an engaging documentary on the renegade, Hemingway-like director. It is fascinating to learn that Cooper was every bit the adventurer that the fictional director Carl Denham in King Kong was in the film. RKO Production 601: The Making of Kong, Eighth Wonder of the World is a two and a half hour documentary broken into 7 parts: "The Origins of King Kong," "Willis O'Brien and Creation," "Cameras Roll on Kong," "The Eighth Wonder," "A Milestone in Visual Effects," "Passion, Sound and Fury," "The Mystery of the Lost Spider Pit Sequence," and "King Kong's Legacy." Also included is complete footage of the legendary "The Lost Spider Pit Sequence." Presenting the segments are various film historians and filmmakers including Rudy Behlmer, Cooper biographer Mark Cotta Vaz, the Chiodo Brothers (of Team America: World Police special effects fame), and directors John Landis and Peter Jackson. Here you will learn everything you would ever want to know about the making and importance of King Kong, including that the producer/director team of Cooper and Schoedsack played the pilots who shoot Kong off the Empire State Building. The highly anticipated, long-awaited release of King Kong will meet most viewers' expectations, and exceed everyone's else. --Rob Bracco

DVD Features:
Audio Commentary
Documentaries
Other
Theatrical Trailer