Wright, Samuel E

The Little Mermaid (Two-Disc Platinum Edition)

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton

Mermaids are supposed to stay under the sea but Ariel a headstrong teenager longs to be part of the magical world on land. When she falls in love with a human prince Ariel strikes a bargain with the diabolical Sea Witch to win the prince's love. THE LITTLE MERMAID is a beautiful splash of art and music that revived the classic Disney tradition.System Requirements:Running Time 83 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: G UPC: 786936284065 Manufacturer No: 04023400

The Little Mermaid II - Return to the Sea

Ariel and her husband, Prince Eric, have a little problem with their daughter, Melody, in the sequel to Disney's landmark The Little Mermaid. Melody is threatened by Morgana, the evil sister of the sea witch Ursula (both voiced by Pat Carroll). Before you can say "Briar Rose," Melody's parents decide to keep their daughter's roots a secret, forbidding her to learn about the ocean while Morgana is around. Now the budding teenager secretly frolics in the sea with Ariel's old friends, Sebastian and Scuttle. When she learns the truth from Morgana, Melody becomes an unknowing pawn in her scheme--and Mom has to take to the sea again to help.

As with Disney's other made-for-video sequels, The Little Mermaid II looks and sounds wonderful (and reunites much of the same vocal talent). Four- to nine-year-olds who grew up with the original will certainly enjoy seeing the friends again. A new set of artists has come up with four catchy tunes and some fun new characters, including Tip and Dash, a pensive penguin and his blubbery walrus friend. Yet, where Beauty and the Beast had a deliberate Christmas-themed sequel, and Pocahontas told the tale of her historical trip to England, the plot here is very forced. It is pretty much a rehash of the first film with different characters. Tip and Dash are a reincarnation of Timon and Pumbaa, and Morgana is exactly like her sister, except thinner. Besides the stellar music, this unneeded sequel also misses another important aspect of the original--heart. --Doug Thomas

Dinosaur

Dinosaurs come alive like never before in this costly computer-animated film from Disney. After a breathtaking opening (a dino egg is kidnapped), the film changes style; realistic dinosaurs are given human characteristics and voices. The kidnapped egg grows into an iguanodon named Aladar (voiced by D.B. Sweeney), who is raised by lemurs (shades of Tarzan) on a lush island void of other dinosaurs. When a meteorite destroys their island home in a thrilling sequence, the lemur family and Aladar become part of a dinosaur troop roaming the mainland deserts looking for the lush nesting grounds (shades of the fourth installment of the Land Before Time series and Fantasia). Disney's usual mix of modern language (one lemur calls himself "a love monkey") is present, as is its typical capital punishment law: anyone against our forward-thinking hero (or even disagreeing with him) ends up dead. Curiously, the meanies, a pair of carnotaurs following the group, are nameless and voiceless. This more realistic approach might have been a bigger wow, as in the BBC's Walking with Dinosaurs, which looked extraordinary with only a fraction of the budget. The complexity and scope of Dinosaur's visual scale is impressive, and group shots and a point-of-view angle are stunning. Rated PG for general intensity, the film should be a favorite for the 6- to 11-year-old set. --Doug Thomas

Join the action-packed adventure of a group of dinosaurs overcoming enormous challenges through courage, loyalty, and hope in Disney's DINOSAUR, a special effects phenomenon! Set 65 million years ago, DINOSAUR tells the compelling story of an iguanodon named Aladar, who is separated from his own kind and raised by a clan of lemurs, including the wisecracking Zini and the compassionate Plio. When a devastating meteor shower plunges their world into chaos, Aladar and his family follow a herd of dinosaurs heading for the safety of the "nesting grounds." Along the way, Aladar befriends Baylene, the dignified, elderly brachiosaur with a take-no-prisoners attitude; Eema, the unstoppable styrachosaur; and Neera, a feisty fellow iguanodon. Together, they must stand strong amid food and water shortages, the threat of attacks by carnotaurs, and Aladar's run-ins with the herd's stubborn leader, Kron. As the trip becomes one pulse-quickening adventure after another, it also forges friendships that no hardship can destroy. A landmark in filmmaking technology, Disney's DINOSAUR is a breathtaking spectacle filled with adventure, fun, and life lessons that the whole family will love!

Thelonious Monk - Straight No Chaser

This exemplary documentary about seminal jazz pianist and composer Thelonious Monk reaps the benefits of multiple blessings, including the skilled editorial hand of director Charlotte Zwerin and the patronage of executive producer (and erstwhile jazz pianist) Clint Eastwood. Most vital is the use of extensive 1968 footage, shot by Michael and Christian Blackwood, documenting the sometimes moody, sometimes puckish Monk in the studio, on tour, and off stage, which on its own would make this essential jazz viewing.

In post-World War II America, few cultural upheavals matched bebop for sheer exhilaration. Spawned by jazz musicians whose paydays typically came with larger swing ensembles, bop was as much bastard as stepchild, refining the technical ambitions of its parent while breaking free of swing's formalism to play fast and loose with harmony, melody, and tempo. That mercurial spirit made heroes of high-flying, technically flamboyant players like Charlie Parker, Dizzy Gillespie, and Bud Powell. Monk, by contrast, was as distinctive for his silences, crafting often skeletal melodies distinguished by unexpected, skewed harmonies. At one point dubbed the "high priest of bebop," he was more Zen archer, threading notes, warping chord structure, or stabbing "wrong" keys with a seeming looseness that in hindsight sounds as precise as haiku.

Thelonious Monk: Straight, No Chaser provides an intelligent portrait of this often reclusive, sometimes difficult artist, including telling glimpses of his volatility. A stormy studio session with Teo Macero, then Columbia Records' preeminent jazz producer, speaks volumes about Monk's very private approach to his muse. Perceptive interviews and glimpses of Monk's sunnier moments provide added depth, yet the real triumph is the generous catalog of classic Monk songs captured on camera. --Sam Sutherland

Thelonious Monk: Straight No Chaser. Filmmaker Bruce Ricker couldn't believe his luck. Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk including the only footage of the very private Monk off stage was in excellent condition. The reels were in Ricker's words "just sitting there like the Dead Sea Scrolls of jazz." Ricker as co-producer joins director and fellow producer Charlotte Zwerin (Gimme Shelter) executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews archival photos and more to create a landmark aural and visual treat.Tunes in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well You Needn't; Bright Mississippi; Blue Monk; Trinkle Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy Don't Blame Me; Ruby My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; Round Midnight. Year: 1988 Director: Charlotte ZwerinFormat: DVD MOVIE Genre: DOCUMENTARIES/MISC. UPC: 085391189626

Bird (Two-Disc Special Edition)

The year: 1946. The event: Oakland's "Jazz at the Philharmonic." The music streaked into the unknown daring listeners to grab hold and fly there too. On stage was the creator of those new sounds: Charles "Yardbird" Parker. In the crowd was the 16-year-old who would someday bring Parker's extraordinary story to the screen: Clint Eastwood. "Americans don't have any original art except Western movies and jazz" observes Eastwood. Movie fans of course know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon whose Dirty Harry films have been praised for their jazz scores ventures deeper into that other original American art. Eastwood produces and directs Bird a film burnished with the magic of that 1946 concert encounter between legend and future legend and honored with an Academy Award for Best Sound in its spellbinding recreation of a man and his music. Like jazz itself Bird rings with counterpoints and embellishments. Past and future overlap as the film explores Yardbird's soaring skill and destructive excesses.Format: DVD MOVIE Genre: DRAMA/CLASSICS UPC: 883929008650 Manufacturer No: 1000036880

Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers. --David Kronke

The Little Mermaid (Limited Issue)

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton

Bird

Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers. --David Kronke

Bird The year: 1946. The event: Oakland's "Jazz at the Philharmonic." The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles "Yardbird" Parker. In the crowd was the 16-year-old who would someday bring Parker's extraordinary story to the screen: Clint Eastwood. "Americans don't have any original art except Western movies and jazz," observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that 1946 concert encounter between legend and future legend and honored with an Academy Award for Best Sound in its spellbinding recreation of a man and his music. Like jazz itself, Bird rings with counterpoints and embellishments. Past and future overlap as the film explores Yardbird's soaring skill and destructive excesses. Forest Walker (Good Morning Vietnam, The Color of Money), in his Cannes Film Festival Best Actor performance, is a candle ablaze at both ends as Parker. Diane Venora (Wolfen, Ironweed, F/X) shares that glorious light, winning the New York Film Critics Circle Best Supporting Actress Award for her portrayal of steadfast wife Chan Parker. For Bird's wall-to-wall-to-everywhere digitally-processed Surround Stereo soundtrack, Eastwood went to the source: Parker's recordings (including cuts never before released). Backgrounds were electronically eliminated. These parker "solos" were then rerecorded with accompaniment by modern musicians attuned to Yardbird's bold improvisations. It's "like Bird was in the studio," says music supervisor Lennie Niehaus. He's elsewhere, too. That's why jazz buffs and now film fans have a saying 'Bird liv

Dinosaur (2-Disc Collector's Edition)

Dinosaurs come alive like never before in this costly computer-animated film from Disney. After a breathtaking opening (a dino egg is kidnapped), the film changes style; realistic dinosaurs are given human characteristics and voices. The kidnapped egg grows into an iguanodon named Aladar (voiced by D.B. Sweeney), who is raised by lemurs (shades of Tarzan) on a lush island void of other dinosaurs. When a meteorite destroys their island home in a thrilling sequence, the lemur family and Aladar become part of a dinosaur troop roaming the mainland deserts looking for the lush nesting grounds (shades of the fourth installment of the Land Before Time series and Fantasia). Disney's usual mix of modern language (one lemur calls himself "a love monkey") is present, as is its typical capital punishment law: anyone against our forward-thinking hero (or even disagreeing with him) ends up dead. Curiously, the meanies, a pair of carnotaurs following the group, are nameless and voiceless. This more realistic approach might have been a bigger wow, as in the BBC's Walking with Dinosaurs, which looked extraordinary with only a fraction of the budget. The complexity and scope of Dinosaur's visual scale is impressive, and group shots and a point-of-view angle are stunning. Rated PG for general intensity, the film should be a favorite for the 6- to 11-year-old set. --Doug Thomas

Join the action-packed adventure of a group of dinosaurs overcoming enormous challenges through courage, loyalty and hope in Disney's DINOSAUR, a special effects phenomenon! Set 65 million years ago, DINOSAUR tells the compelling story of Aladar, an iguanadon who is separated from his own kind and raised by a clan of lemurs, including the wisecracking Zini and the compassionate Plio. When a meteor shower destroys their home, Aladar and his family follow a herd of dinosaurs heading for the safety of the "nesting grounds." along the way, Aladar befriends Baylene, an elderly brachiosaur; Eema, an unstoppable strachosaru; and Neera, a feisty fellow iguanadon. Together, they must stand strong amidst food and water shortages, the threat of carnotaur attacks, and Aladar's run-ins with the herd's stubborn leader, Kron. A landmark in filmmaking technology, DINOSAUR's theatrical quality is fully captured in this DVD, which features a digital-to-digital transfer that ensures the best possible picture and sound quality!

The Keeper

The Little Mermaid II: Return to the Sea [Region 2]

Ariel and her husband, Prince Eric, have a little problem with their daughter, Melody, in the sequel to Disney's landmark The Little Mermaid. Melody is threatened by Morgana, the evil sister of the sea witch Ursula (both voiced by Pat Carroll). Before you can say "Briar Rose," Melody's parents decide to keep their daughter's roots a secret, forbidding her to learn about the ocean while Morgana is around. Now the budding teenager secretly frolics in the sea with Ariel's old friends, Sebastian and Scuttle. When she learns the truth from Morgana, Melody becomes an unknowing pawn in her scheme--and Mom has to take to the sea again to help.

As with Disney's other made-for-video sequels, The Little Mermaid II looks and sounds wonderful (and reunites much of the same vocal talent). Four- to nine-year-olds who grew up with the original will certainly enjoy seeing the friends again. A new set of artists has come up with four catchy tunes and some fun new characters, including Tip and Dash, a pensive penguin and his blubbery walrus friend. Yet, where Beauty and the Beast had a deliberate Christmas-themed sequel, and Pocahontas told the tale of her historical trip to England, the plot here is very forced. It is pretty much a rehash of the first film with different characters. Tip and Dash are a reincarnation of Timon and Pumbaa, and Morgana is exactly like her sister, except thinner. Besides the stellar music, this unneeded sequel also misses another important aspect of the original--heart. --Doug Thomas