Wright, Will

The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man / Alias Nick and Nora)

Studio: Warner Home Video Release Date: 08/07/2007 Run time: 592 minutes

Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.

It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).

Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton

Bambi (2-Disc Special Platinum Edition)

It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton

The forest comes alive with BAMBI, the critically acclaimed coming-of-age story that has thrilled and entertained generations of fans. Now digitally restored with state-of-the-art technology, BAMBI sparkles in this new Special Edition. This grand adventure is full of humor, heart, and the most beloved characters of all time -- Bambi, the wide-eyed fawn, his playful pal Thumper, the lovable skunk Flower, and wise Friend Owl. Featuring breathtakingly beautiful artwork and Academy Award(R)- nominated music (1942, Best Scoring Of A Dramatic Or Comedy Picture and Best Song, "Love Is A Song") Bambi's story unfolds from season to season as the young prince of the forest learns valuable lessons about friendship, love, and the miracle of life. Everyone will be "twitterpated" by this endearing classic tale of BAMBI, one of Walt Disney's greatest triumphs and a film experience you'll never forget.

Little Women

Meg josephine amy and beth are the little women who together with their mother keep the home fires burning while their preacher father serves with the union army during the civil war. Studio: Warner Home Video Release Date: 07/12/2005 Starring: Elizabeth Taylor June Allyson Run time: 121 minutes Rating: Nr Director: Mervyn Leroy

This sumptuous 1949 film adaptation of the beloved Louisa May Alcott novel isn't as good as the 1933 Katharine Hepburn version, or even the 1994 remake starring an Oscar-nominated Winona Ryder, but it does offer its own pleasures, especially in seeing an all-star cast put through its paces. Erstwhile tomboy June Allyson stars as Alcott's famed heroine Jo, the budding writer in Civil War New England who pines for adventure, independence, and her own career. With Father off to war, it's up to Jo, practical older sister Meg (Janet Leigh), frail sister Beth (Margaret O'Brien), and vain sister Amy (Elizabeth Taylor) to help Marmee (a saintly Mary Astor) keep the home fires warm while dealing with the rigors of adolescence. It's all poured on with a generous amount of syrup, including lavish sets, hoop skirts, and petticoats, but anyone who's ever read Alcott's book will take comfort in its familiar story line. The dialogue is clunky but earnest, but you'd have to have a heart of stone not to get caught up in Jo's plight. And rarely do you get to see such stars go at it with such gusto: Allyson and Peter Lawford (as neighbor and rich boy Laurie) are a match made in B-movie heaven, Taylor is spunky and hilarious in an early comic performance, and Leigh does the matronly thing with aplomb. And nobody, but nobody, cries and suffers like Margaret O'Brien! Watch it in the wintertime, with a fire roaring. --Mark Englehart

The Wild One

Brando burns up the screen in this 50s classic as a moody supercool biker leader whose gang terrorizes a small town. Studio: Sony Pictures Home Ent Release Date: 10/04/2005 Starring: Marlon Brando Run time: 79 minutes Rating: Nr

This is the original motorcycle movie, starring Marlon Brando as the brooding leader of a biker gang that invades a small town. The film always looked like one of those synthetic Hollywood ideas of subculture life in the 1950s, which means it looks even more artificial today. But it is an actor's piece more than anything, and toward that end Brando's performance really is an important one in the context of his revolutionary reinvention of film acting during that decade. Directed by Lásló Benedek (Namu, the Killer Whale) and produced by the socially conscious Stanley Kramer. --Tom Keogh

People Will Talk

After winning consecutive best director Oscars (for A Letter to Three Wives and All About Eve), Joseph Mankiewicz turned his attention to this extremely curious social comedy. Cary Grant plays a famous, idealistic gynecologist whose mysterious past is questioned by a vindictive colleague (Hume Cronyn). Meanwhile, the doctor falls for a pregnant patient (Jeanne Crain), whose unmarried status is daring for a movie of 1951 vintage. The title is an all-too-apt description of Mankiewicz's chatty style, but it also carries sinister echoes of the McCarthy era--specifically, an attempted right-wing purge of the Director's Guild, I which Mankiewicz was the main target. This subtext lends interest beyond the movie's rather tame romance. The Grant character, named Doctor Praetorius (no relation to the Bride of Frankenstein wacko, one hopes), conducts a college orchestra and is prone to "twilight sadness"--it's an offbeat role for the actor, and one he clearly relishes. --Robert Horton

A dedicated physician/professor espouses some controversial theories then further scandalizes the university community by marrying a student who just happens to be pregnant. Studio: Tcfhe Release Date: 01/06/2004 Starring: Cary Grant Finlay Currie Run time: 92 minutes Rating: Nr

Johnny Tremain

Studio: Buena Vista Home Video Release Date: 01/12/2007 Run time: 80 minutes Rating: Nr

Looking for a way to make the American Revolution come alive for your child? Based on Esther Forbes's book of the same name, Johnny Tremain takes place in Boston from July 1773 through April 1775, and tells the story of a young apprentice silversmith drawn into a fight for human rights. When an accident cripples Johnny Tremain's hand and ends his hopes of becoming a great silversmith, Tremain finds himself without work and accused of a crime he did not commit. Sons of Liberty members Paul Revere and Josiah Quincy are outraged by the circumstantial case against Tremain, agree to represent him free of charge, and win his acquittal in court. Through association with his new friends, Tremain begins to better understand the current political climate, and eventually joins them in the battle for freedom. Tremain's involvement in the emptying of British tea into Boston Harbor, the arrival of the Redcoats in Boston, and the beginnings of the American Revolution at Concord is powerful and moving. The costuming is splendid, the music patriotic, and the dialogue well crafted. The film stars Hal Stalmaster as Johnny Tremain, costars Luana Patten and Jeff York, and runs 80 minutes. This classic Disney film is wonderful entertainment and a fairly faithful representation of a crucial period in American history. (Ages 8 and older) --Tami Horiuchi

River of No Return

The dew of new stardom was still visible on Marilyn Monroe when she ventured up to Canada to shoot this sturdily entertaining CinemaScope Western. Although director Otto Preminger later claimed little interest in the picture, he couldn't help but bring his even-handed visual style to the widescreen process. The location shooting (in Alberta) is eye filling, and that river really does look alarming. Best of all, Marilyn, fresh and vital, had a costar to match her magnetism but not humor her sometimes-scattered approach to acting: Robert Mitchum, as a homesteader with a dark past. He's weighty enough to stand next to MM's bright flame without giving any ground; they should have worked together again. Since Marilyn plays a saloon singer, she gets to sling some tunes in her inimitable style, with as much glamour as the gold rush-era trappings will allow, giving "I'm Going to File My Claim" various meanings. --Robert Horton

State Fair (60th Anniversary Edition)

"I've got that nice, tired old feeling," says Pa Frake near the end of the gentle, sunny 1945 film, State Fair. The Rodgers and Hammerstein music, commissioned while Oklahoma was still making musical-theater history, feels tired too, like the result of a hastily written score. The state of Iowa just can't seem to inspire the same quality music as its more memorable, southern cousin. Remember that State Fair gem "All I Owe Iowa"? Still, it is R and H, and "It Might as Well Be Spring" is here as well as some other decent ditties. There's a country-mouse feeling as the Frake family journeys to the big city for the annual harvest celebration. Young daughter Margy (Jeanne Crain) has her eye on something more exciting than her bore of a fiancé, while her brother meets a lovely big-band singer with a secret. But the bucolic, Old Farmer's Almanac feel is genuine, and it's most obviously a picture of a bygone era when someone expostulates gleefully, "You're gonna be the wife of a journalist!" Not a "don't miss" but not a dismiss either. --Keith Simanton

Studio: Tcfhe Release Date: 11/04/2008 Run time: 100 minutes Rating: Nr

Cape Fear

Superior to Martin Scorsese's punishing 1991 remake, this 1962 thriller directed by J. Lee Thompson (The Guns of Navarone) stars Robert Mitchum as a creepy ex-con angry at the attorney (Gregory Peck) whom he believes is responsible for his incarceration. After Mitchum makes clear his plans to harm Peck's family, a fascinating game of crisscrossing ethics and morality takes place. Where the more recent version seemed trapped in its explicitness, Thompson's film accomplishes a lot with a more economical and telling use of violence. The result is a richer character study with some Hitchcockian overtones regarding the nature of guilt. --Tom Keogh

A southern lawyer sets a trap on a houseboat for a twisted ex-convict terrorizing his family. Studio: Uni Dist Corp. (mca) Release Date: 09/02/2003 Starring: Gregory Peck John Mckee Run time: 105 minutes Rating: Nr Director: J. Lee Thompson

Adam's Rib

A woman attempts to kill her husband & prosecutor adam bonner gets the case. Unfortunately for him his wife amanda (who is a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case & adam gets mad about it. As a result their perfect marriage is upset by everyday quarrels. Studio: Warner Home Video Release Date: 04/05/2005 Starring: Spencer Tracy Katharine Hepburn Run time: 101 minutes Rating: Nr

There are two great husband-wife teams (one on-screen, the other off) involved in this classic 1949 comedy. Not only do Katharine Hepburn and Spencer Tracy throw comedic sparks as a married team of lawyers on opposing sides of a high-profile case, but their exquisite verbal jousting was scripted by the outstanding team of Garson Kanin and Ruth Gordon. Leading all of this stellar talent was director George Cukor at the prime of his career. The result is one of Hollywood's greatest comedy classics, still packing a punch with its sophisticated gender politics. Arguably the best of the Tracy-Hepburn vehicles, Adam's Rib shows the stars at their finest in roles that not only made their off-screen love so entertainingly obvious, but also defined their timeless screen personas--she the intelligent, savvy, rebellious woman ahead of her time, he the easygoing but obstinate modern man who can't help but love her. Screen teams don't get any better than this. --Jeff Shannon