Young, Carleton

The Man Who Shot Liberty Valance

Stewart is a big-city lawyer who is determined to help a town get rid of its local bad guy. Wayne is the man who actually does it.
Genre: Westerns
Rating: NR
Release Date: 28-MAR-2006
Media Type: DVD

"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honored of American filmmakers. In this late film from a long career, Ford looks at the civilizing of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilization that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton

The Horse Soldiers

John Wayne teams with William Holden and eminent western director John Ford for the frontier actioner "packed with laughter romance and thrills" (The Hollywood Reporter)! Written by John Lee Mahin and Martin Rackin this faithful representation of one of the most daring cavalry exploits in history is both a moving tribute to the men who fought and died in that bloody war and a powerful action-packed drama.Based on an actual Civil War incident The Horse Soldiers tells the rousing tale of a troop of Union Soldiers who force their way deep into Southern territory to destroy a rebel stronghold at Newton Station. In command is hardbitten Colonel Marlowe (Wayne) a man who is strikingly contrasted by the company's gentle surgeon (Holden) and the beautiful but crafty Southern belle (Constance Towers) who's forced to accompany the Union raiders on perhaps the most harrowing mission in the war.System Requirements:Starring: William Holden John Wayne Althea Gibson and Constance Towers. Directed By: John Ford. Running Time: 120 Min. This film is presented in "Widescreen" format. Copyright 2002 MGM Studios.Format: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 027616861054 Manufacturer No: 1001835

This latter-day sort-of Western from John Ford--falling midway between The Searchers and The Man Who Shot Liberty Valance--is a crisp retelling of a true-life episode from the Civil War. In 1863 a Union colonel named Grierson (Marlowe in the film, and John Wayne by any name) led his cavalry several hundred miles behind Confederate lines to cut the railroad between Newton Station and soon-to-be-embattled Vicksburg. Grierson's Raid was as successful as it was daring, and remarkably bloodless. Never fear that the screenplay makes up for that un-Hollywood lapse--as well as supplying amatory distraction for the colonel in the form of a feisty Southern belle (Constance Towers) who has to be dragged along to protect secrecy.

There's a certain amount of bombast in the running arguments about wartime ethics between Marlowe and the new regimental surgeon (William Holden), who don't take to each other at all. But Ford more than makes up for it with such tasty scenes as an encounter with a couple of redneck Rebel deserters (Denver Pyle and Strother Martin), an ethereal swamp crossing led by a cornpone deacon (Hank Worden), and above all the famous skirmish with a hillside full of grade-school cadets from a venerable military academy. The film ends rather abruptly because Ford abandoned a climactic battle scene--the veteran stunt man and bit player Fred Kennedy having been killed in a horse fall. Golden-age cowboy star Hoot Gibson, who acted in Ford's directorial debut, Straight Shooting, appears as Sergeant Brown. --Richard T. Jameson

People Will Talk

After winning consecutive best director Oscars (for A Letter to Three Wives and All About Eve), Joseph Mankiewicz turned his attention to this extremely curious social comedy. Cary Grant plays a famous, idealistic gynecologist whose mysterious past is questioned by a vindictive colleague (Hume Cronyn). Meanwhile, the doctor falls for a pregnant patient (Jeanne Crain), whose unmarried status is daring for a movie of 1951 vintage. The title is an all-too-apt description of Mankiewicz's chatty style, but it also carries sinister echoes of the McCarthy era--specifically, an attempted right-wing purge of the Director's Guild, I which Mankiewicz was the main target. This subtext lends interest beyond the movie's rather tame romance. The Grant character, named Doctor Praetorius (no relation to the Bride of Frankenstein wacko, one hopes), conducts a college orchestra and is prone to "twilight sadness"--it's an offbeat role for the actor, and one he clearly relishes. --Robert Horton

Screen legend Cary Grant stars as Dr. Noah Praetorius, a lovable professor and head of a medical clinic who becomes the subject of a McCarthy-style investigation initiated by a jealous colleague (Hume Cronyn). Along the way, Praetorius befriends and ultimately marries a young woman who attempts suicide when she discovers she is pregnant. Baut as the witch-hunt into the good doctor's personal life progresses, so do the laughs in this well-crafted, all-star treasure that should be part of every film lover's collection of classics.

The Spirit of St. Louis

Two Hollywood giants came together for The Spirit of St. Louis: James Stewart and director Billy Wilder. Both were slightly miscast for the material, an account of Charles Lindbergh's galvanizing solo flight across the Atlantic in 1927. Stewart was at least 20 years too old to play the young pilot, and his enormous personal warmth was at odds with the rather frosty real-life demeanor of the Lone Eagle. Wilder was better known for his sardonic critiques of man's lesser instincts, which makes the choice of this flat-out study of heroism somewhat peculiar. The mismatch shows in the movie, which is arranged around Lindy's historic puddle jump but is also checkerboarded together by a series of awkward flashbacks showing his background. Once the flight begins, in a thrilling sequence of the plane's near-miss takeoff, the film settles into a generally engrossing study of man against the elements. In a great Wilder touch, Stewart spends part of the journey conversing with a stowaway house fly. The aerial photography is stunning, and it's impossible to resist the unalloyed joy of Stewart's realization that he's spotted the Irish coast after a very long night over the ocean. Not unlike the pilot himself, this movie is happiest and most secure when it's in the seat of the plane, unencumbered by anything but forward motion and a goal. --Robert Horton

On May 21, 1927, the world changed. "Lucky Lindy" landed outside Paris. And people who previously talked about the limitations of air travel suddenly dreamed of its limitless possibilities. The Spirit of St. Louis is six-time Academy Award? winner* Billy Wilder's recreation of the struggles and success of Charles A. Lindbergh, the pioneering flyboy who, like test pilots and astronauts to follow later, had the "right stuff" of aviation heroism. Lindbergh fan James Stewart, himself a pilot, sought the role ? and was initially turned down. But his persistence paid off, as Stewart added Lindy to his gallery of indelible portrayals of American heroes. He and Wilder together manned the cockpit of a stirring epic entertainment. Director: Billy Wilder Starring: James Stewart, Patricia Smith, Murray Hamilton

Adventures of Captain Marvel

Operation Pacific

If not a seminal World War II submarine picture, then Operation Pacific is at least an entertaining one. John Wayne stars as "Duke" Gifford, first officer of the submarine Thunderfish. Patricia Neal is Duke's ex-wife, and when they meet again after four years, the couple tries to recapture "that old zing." Complications arise when Duke goes on a mission with dud torpedoes, and his best friend's younger brother goes after Neal. Fans will be pleased with Wayne's role, as the Gifford character is one of Wayne's simplest, but most honest performances. Wayne regulars Ward Bond and Jack Pennick are on hand as well; Bond plays sub captain "Pop" Perry, and Pennick the sub's Chief. The scene in which Pop tells his crew to "Take 'er down!" came from real life; a sub skipper uttered the famous command during a desperate surface action. --Mark Savary

World War II rages across the Pacific and Lt. Cmdr. Duke E. Gifford is in the thick of it. He evacuates children from enemy-held islands. Oversees the development of torpedoes at Pearl Harbor. And prowls the depths in the submarine Thunderfish for a chance to aim his improved "tin fish" - torpedoes - at the enemy. John Wayne plays Gifford in Operation Pacific. "I'm no theory man. I'm a line officer" Gifford barks. He backs it up with lots of bite in several feverish sea battles. He's also a man of heart with a loving wife at home (fellow Academy AwardO winner* Patricia Neal). Vice Adm. Charles Lockwood World War II commander of all U.S. Pacific submarines was technical advisor for this adventure packing real you-are-there thrills!Running Time: 111 min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391158639 Manufacturer No: 115863

Buck Rogers

While it lacks the baroque, fantastical quality of the previous Flash Gordon serials (which also starred Buster Crabbe), the Buck Rogers serial still exemplifies the freewheeling spirit of pulp-magazine space opera of the 1930s. Crash-landing in the Arctic in the 20th century, Buck Rogers and his sidekick Buddy Wade (Jackie Moran) use a special gas to induce suspended animation, only to be awakened 500 years later when the world is ruled by the evil Killer Kane. We are told that Kane's ascendancy is a direct result of the 20th century's failure to solve the problem of crime. But luckily, Buck Rogers is here to fight Kane's evil domination of mankind, which involves making obedient robots out of folks by strapping an "amnesia helmet" on their heads. (The helmet looks like the sawed-off end of a cheesy rocket ship, complete with fins.) Most of the episodes deal with invasion forces from the planet Saturn and whose side they're going to take, Killer Kane's or Buck's, affording plenty of opportunity for spaceships to zip back and forth, propelled by sparks and rising smoke. All the trappings and tropes of space opera abound: ray guns, space travel, villainous political figures, alien civilizations. In a way, the flaws seem quaint--the wooden acting, the cheesy costumes and sets, the flimsy space crafts, the similarity between the surface of Saturn and certain California deserts, and the way Buck needs no learning curve after traveling 500 years into the future. It's great adolescent fun. --Jim Gay

Preserved in a state of suspended animation for 500 years by the Nirvano gas in the gondola of their dirigible wrecked in the arctic ice wastes Buck Rogers (Buster Crabbe) and Buddy (Jackie Moran) are rescued by scientists in the year 2500 to find the world under the despotic rule of Killer Kane (Anthony Warde) and his super gangsters. Using an arsenal of fantastic weapons created in Dr. Huer's (C. Montague Shaw) clandestine laboratory the group attempts to seek aid from the planet Saturn to oust the tyrannical ruler only to find that his henchmen have already taken over control of the Prince of Saturn. After several harrowing adventures with the Zugg men Buck and Buddy return to Earth only to be shot down imprisoned and finally rescued to participate in a spectacular air battle to wrest control of the Universe from the sinister intergalactic despot.System Requirements:Running Time: 241 minutesFormat: DVD MOVIE Genre: TELEVISION/CLASSIC Rating: NR UPC: 089859824821 Manufacturer No: 8248

Flying Leathernecks

John Wayne and Robert Ryan co-star in Flying Leathernecks, Nicholas Ray's intense 1951 war movie that managed to appeal to RKO studio chief Howard Hughes's passion for thrilling aerial footage while supplying Ray's own fascination with the human psyche under near-inhuman duress. Wayne plays Major Dan Kirby, commander of a Marine Flying Corps squadron in the South Pacific of World War II. After witnessing the slaughter of men under his command at Midway, Kirby is battle-hardened and in no mood for the familiar style of his executive officer (Ryan). Emotions are further strained as Kirby's pilots are picked off one by one in grueling missions, leading to a crisis that ultimately forces each man to reevaluate his attitude toward sending men to their likely doom. The drama is built around extensive, startling documentary footage of battle action in the sky, but what makes Flying Leathernecks unique is its literate, psychologically probing script. --Tom Keogh

It's World War II. Major Dan Kirby (John Wayne) is hard on his marines. His subordinate Captain Carl Griffin thinks the Major is overdoing it. But Kirby proves that there is a method to his madness after all.Running Time: 102 min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 053939791327 Manufacturer No: T7913

Blueprint For Murder / Man In the Attic

Disc 1:Blueprint For Murder (B&W) (1953) Disc 2:Man in the Attic (B&W) (1953)

Reefer Madness

Although it was made in 1936, Reefer Madness didn't become a cult hit until 1972 when the National Organization for the Reform of Marijuana Laws (NORML) rescued it from the Library of Congress film archive. Thereafter, it was a mainstay on the midnight movie circuit. And it's easy to see why. The ostensible story involves a group of upstanding young high school students who succumb to the allure of the "killer weed." What follows, as if by natural progression, is a catalog of crimes that includes hit-and-run driving, loose morals, rape, murder, suicide, and my personal favorite, permanent insanity! The action is at times so hysterical, in both senses, that you may forget to inhale. Honors go to the wild-eyed, cackling hophead David O'Brien; his performance reaches a raw intensity that is hard to imagine. One measure of this film's pervasive influence is the extent to which its title continues to be invoked in news stories about decriminalization and medical marijuana. Such posterity for unintentional humor must be rare. A great film to see stoned, man. --Jim Gay

A propaganda film from 1936 that has become a cult hit because of its dated outlook on marijuana use, Reefer Madness is the height of camp entertainment. Framed as a "documentary," the film is narrated by a high school principal imparting his wisdom and experiences with the demon weed. The bulk of the film focuses on almost slapstick scenes of high school kids smoking pot and quickly going insane, playing "evil" jazz music, being committed, and going on a murder spree. Meant to be an important and affecting cautionary tale, this dated black-and-white film's true value is in its many entertaining moments of unintended hilarity. --Robert Lane