Yung, Victor Sen

Moontide (Fox Film Noir)

Kung Fu - The Complete First Season

He is a man of peace in a violent land. He is Kwai Chang Caine schooled in the spirit-mind-body ways of the Shaolin priesthood by the blind avuncular Master Po and the stern yet loving Master Kan. Caine speaks softly but hits hard. He lives humbly yet knows great contentment. He is the Old West's most unusual hero. But hero is not a word Caine would use. He would simply say "I am a man."Running Time: 780 min.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 085392425020

Everybody was kung-fu fighting after the 1972 premiere of this mystic western starring David Carradine (snatching the role from Bruce Lee) in his signature, Emmy-nominated role as Caine, a stoic Shaolin monk forced to flee China after killing the royal family member who slew his Master. Our wandering hero roams the west in search of his long-lost brother, while eluding American and Imperial bounty hunters, and imparting his ancient wisdom on those he encounters and is compelled to aid. Kung-Fu was never a ratings force, but its cult status was assured long before Samuel L. Jackson referenced it in Pulp Fiction. Along with the inaugural 15 episodes, this three-disc set contains the feature-length pilot that establishes the series' iconography: the inscrutable aphorisms ("When you cease to strive to understand, then you will know without understanding"); the flashbacks to Caine's youth, where the orphaned half-American and half-Chinese boy served as disciple ("Grasshopper") to the Old Man; and, of course, the anticipated moments when the peaceful Caine, like Billy Jack, is reluctantly compelled by some frontier bigot to use his fighting skills. Look for appearances by father John Carradine and brothers Keith and Robert in the episode, "Dark Angel." That's 11-year-old future Oscar-winner Jodie Foster in "Althea." Other notable episodes include the Emmy-winning "An Eye for an Eye" and "Chains," featuring an Emmy-nominated turn by Michael Greene as a not-so-gentle giant to whom an imprisoned Caine is chained. "With each ending," Caine observes in the episode, "The Third Man," comes a new beginning." Kung Fu's new beginning comes on DVD. Thanks to the timeless frontier setting and the uniqueness of its genre-bending concept, Kung Fu dates better than other '70s series. As these episodes demonstrate, the show still has plenty of kick. --Donald Liebenson

Flower Drum Song

Nominated for 5 Academy Awards including Best Music this romantic comedy tells the story of a young Chinese girl who travels to the United States as part of an arranged marriage and discovers a new and modern world. Featuring an all-new digitally remastered picture 5.1 Surround Sound never-before-seen bonus materials and timeless musical numbers such as I Enjoy Being a Girl Flower Drum Song is a lavish song and dance extravaganza.System Requirements:Running Time: 132 MinutesFormat: DVD MOVIE Genre: SOUNDTRACKS/ORIGINAL CAST/BROADWAY Rating: NR UPC: 025192419027 Manufacturer No: 61024190

Rodgers and Hammerstein made BIG musicals--sweeping song and dance numbers, elaborate stagings, sweet heroines, and love struck but confused heroes. Flower Drum Song has all these elements, so why is it so little known? Perhaps because it had the misfortune to be released the same year (1961) as West Side Story, or maybe because at 133 minutes it's overlong, or did the audience have trouble accepting an all-Asian cast in an Asian-themed musical? Whatever the reasons, it's time to recognize Flower Drum Song for the gem it is.

Picture bride Mei Li (Miyoshi Umeki) and her father arrive in San Francisco, having smuggled themselves into the country so Mei Li can marry nightclub owner Sammy Fong (whose mother arranged the whole deal). Mei Li is fascinated by the city and immediately charms its denizens with a delicate rendition of "One Hundred Million Miracles." Fong (Jack Soo), who is having an affair with his star singer, the sexy and scheming Linda Low (Nancy Kwan), pawns Mei Li off on the Wang family, whose eldest son, Ta (James Shigeta), needs a wife (at least that's what his father has decided). Old Chinese culture and new American ideals clash at every turn, with the elders struggling to understand their Americanized children and the children struggling to accept and honor their heritage. Though the movie is dated in some respects, the theme of assimilation vs. separation holds up remarkably well and rings true. "The Other Generation" beautifully illustrates the generation gap.

As this is a romantic musical, you know from the beginning which couples will end up together. The most famous song is "I Enjoy Being a Girl," sung by Linda Low as she dresses to seduce Wang Ta. Though too many triangulations and misunderstandings prolong the inevitable conclusion, Flower Drum Song is a very enjoyable and often funny ride. --Dana Van Nest

The Blue Gardenia

Fritz Lang's scathing critique of fifties America's hunger for bloodshed and scandal. Classic Hollywood film noir with a feminine twist "The Blue Gardenia" stars Anne Baxter (All About Eve) as Norah Larkin a working girl who wakes up a murderess after passing out in the apartment of brutish playboy Harry Prebble (Raymond Burr). Branded "The Blue Gardenia" by a sensational columnist (Richard Conte) Norah dodges dragnets informants and the cruel hand of fate as she struggles to conceal her involvement with Prebble and to remember the details of her ill fated night. As her hopes for justice fade she decides to gamble her future on the journalist who transformed her into such a notorious public figure. Enhancing the melancholy mood of the film is the haunting theme song arranged by Nelson Riddle and performed to perfection by Nat "King" Cole.System Requirements:Running Time 88 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 014381904222 Manufacturer No: ID9042AQDVD

With its title inspired by the notorious Black Dahlia murder case, The Blue Gardenia throws a twist into the story by making the mystery woman not the victim but the suspect in a lurid murder case. Anne Baxter, playing a virginal blonde with almost breathless innocence, impulsively accepts a blind date after receiving a "Dear Jane" letter from her boyfriend in Korea. Raymond Burr oozes slime as the lothario who plots his seduction with cynical calculation ("For drinks, Polynesian Pearl Divers, and don't spare the rum!") and the naive Baxter is easy prey, until she fights back against his advances with a fireplace poker and stumbles home. Waking up the next morning with the past evening a veritable blank, she discovers herself the prime suspect in a murder case trumpeted into a sensationalistic headline story by calculating columnist Richard Conte. Fritz Lang transforms the rather conventional low-budget thriller into a paranoid nightmare, his cheap sets and flat backdrops creating a tawdry world peopled by cynics and opportunists preying on the guileless, and Baxter makes every guilt-ridden moment palpable. Like in many film noir thrillers, the pat conclusion seems wholly arbitrary, the product of the Hollywood happy-ending machine. However, Lang's film isn't about the mystery, but the experience of an innocent whose single, desperate transgression turns her world upside down. --Sean Axmaker

The Hunters

With its electrifying flight sequences and high-powered cast, The Hunters is a mesmerizing film based on the best-selling novel by veteran fighter pilot James Salter. Set during the height of the Korean War, the story centers on Major Cleve Saville (Robert Mitchum), a master of the newly operational F-86 Sabre fighter jets. But adept as he is at flying, Saville¹s personal life takes a nosedive when he falls in love with his wingman¹s (Lee Philips) beautiful wife (May Britt). To make matters worse, Saville must cope with a loud-mouthed rookie (Robert Wagner) in a daring rescue mission that threatens all their lives in this well-crafted war drama.

The Letter

In the opening sequence of The Letter, director William Wyler delivers a primer on film directing: at a rubber plantation, in the tropical funk of a Malaysian night, the heavy stillness is suddenly broken by shots... and a woman with a gun, descending a staircase. She is the wife of the plantation owner, and the dead man is, ahem, not her husband. Holding the gun so securely is Bette Davis, in one of her greatest performances (her acting of a big revelation, late in the film, is still an astounding piece of emotional fluency). The story is taken from one of those sturdy Somerset Maugham tales that has proved itself in many versions, but this is the keeper; it was nominated for seven Oscars®, including best picture, director, and actress, winning none. Wyler's impeccable direction, and Davis's take-no-prisoners approach to an "unsympathetic" character, make for a completely satisfying picture. --Robert Horton

Blood Alley

An American merchant marine captain ferries a group of Chinese refugess down the Yangtze River to escape the Communists.Running Time: 115 min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391158578 Manufacturer No: 115857

The Killer Elite

James Caan and Robert Duvall star as a pair of CIA operatives in the Bay Area; when Duvall sells out Caan he cripples him instead of killing him. But Caan fights back working himself back into shape and back into service to protect a visiting dignitary who is targeted for assassination. It all leads to a solid shootout and martial-arts battle aboard the mothballed fleet in the North Bay. Economic and spare this is one of director Sam Peckinpahs lesser efforts but still features his skillful direction of action scenes. An intriguing cast includes Arthur Hill Mako and Bo Hopkins; this may be the only film that features both Burt Young and Gig Young. System Requirements:Starring: Robert Duvall et al. Director: Sam Peckinpah Edition Details: Region 1 encoding (for use in US and Canada only) Color Widescreen Closed-captioned Number of discs: 1 Format: DVD MOVIE Genre: DRAMA Rating: PG UPC: 027616744326

James Caan and Robert Duvall star as a pair of CIA operatives in the Bay Area; when Duvall sells out Caan, he cripples him instead of killing him. But Caan fights back, working himself back into shape and back into service to protect a visiting dignitary who is targeted for assassination. It all leads to a solid shootout and martial-arts battle aboard the mothballed fleet in the North Bay. Economic and spare, this is one of director Sam Peckinpah's lesser efforts, but still features his skillful direction of action scenes. An intriguing cast includes Arthur Hill, Mako, and Bo Hopkins; this may be the only film that features both Burt Young and Gig Young. --Marshall Fine

The Bette Davis Collection (The Star / Mr. Skeffington / Dark Victory / Now, Voyager / The Letter)

Even in the 21st century, very few film stars create and define their own genre--and certainly not in the complete way Bette Davis did. The Bette Davis Collection gives an exceptionally good survey of essential Bette, with four of the five films absolute knock-down classics from her long reign at Warner Bros. Davis's personality was so strong that she tended to overpower her directors, but William Wyler was one of the few to maintain his own distinctive style with her, and The Letter (1940) is a triumph for both of them. At a humid Malaysian plantation, Davis kills a man in the brilliant opening sequence, and the remainder is a darkly suggestive unraveling of the complicated explanation.

Dark Victory (1939) and Now, Voyager (1942) would be on anybody's list of most representative Davis pictures. In the former, she's a doomed heiress nobly losing her eyesight, a multiple-handkerchief situation that proved one of her biggest hits. Voyager allows Davis one of her favored techniques (appearing frumpy for at least part of her performance) as a mother-dominated spinster who comes out of her shell. Her match with Paul Henreid--and the music of Max Steiner--turns this into one luscious melodrama.

If Mr. Skeffington (1944) is not as celebrated as those films, it is nevertheless a characteristic Warners work-out. Davis wasn't shy about playing unsympathetic roles, and Fanny Skeffington--vain, selfish, married for practicality--is an exasperating tour de force. She gets good support from Claude Rains as the sensible, adoring husband. The Star (1952) is no classic, but its Pirandellian aspects will appeal to the actress's fans: Bette plays a washed-up Oscar-winning star desperate to get herself back in the public eye (think if it as a less witty postscript to All About Eve). There's some hint the main character is modeled more on Joan Crawford than Bette herself, in which case Davis must have loved playing it.

Extras are modest, with short featurettes giving background on three of the discs, and director Vincent Sherman providing commentary for Mr. Skeffington. But the films themselves, and their neurotically intense star, are quite capable of standing alone. --Robert Horton

The Bette Davis Collection includes 3 new-to-DVD classics, featuring Davis in multiple Emmy-nominated performances as a captivating adulteress, a manipulative beauty, and a former Oscar-winning actress recovering from the end of her career.

Blood Alley

An American merchant marine captain ferries a group of Chinese refugess down the Yangtze River to escape the Communists.