Yurka, Blanche

The Song of Bernadette

Jennifer Jones plays the legendary French peasant who claimed to have dialogues with the Virgin Mary at a Lourdes grotto in 1858. The script handles the visitations as an article of truth (Linda Darnell plays the Virgin), which helps move the drama forward, though much of the story concerns the conflicts that arise in the community after Jones is told the grotto contains healing waters. Made by Henry King (The Snows of Kilimanjaro), the film is gorgeous to look at and sensitively directed; and Jones (who won an Oscar for Best Actress) is radiant in the lead. Whatever one's religious persuasion, this is a strikingly handsome Hollywood production to be enjoyed. The film also earned Academy Awards for cinematography and score. --Tom Keogh

The story of a peasant girl Bernadette Soubirous, a poverty-stricken, pure hearted adolescent, who saw a vision, of a "Beautiful Lady" near her home town of Lourdes in 1858. The wondrous news spreads rapidly throughout France, leaving in its wake a variety of consequences: adoration, suspicion and greed among the people of Lourdes skepticism from the town doctor (Lee J. Cobb) charges of insanity from the town prosecutor (Vincent Price) threats of physical punishment, then support and guidance from the Dean of Lourdes (Charles Bickford), who finally becomes convinced that the miracle has, indeed, taken place. Winner of four Academy Awards, including Best Actress and Best Score, this true story is both first-rate filmmaking and an inspiring tribute to faith, courage and the human spirit.

A Tale of Two Cities (1935)

Ronald Colman isn't even on screen for the most famous lines of his career ("It's a far, far better thing I do..."), but such is the power of the moment and the performance that everybody remembers it anyway. A Tale of Two Cities was the follow-up for producer David O. Selznick and high-class studio MGM to their hit adaptation of another Charles Dickens novel, Great Expectations. While not scaling the heights of that impeccable production, Tale gives a tight, straightforward reading of Dickens' story of the French Revolution. Colman plays the drunken romantic Sydney Carton, who pines for the lovely Lucie Manette (Elizabeth Allan) even though she marries former French aristocrat Charles Darnay (Donald Woods). Meanwhile, back in Paris, the Revolution erupts, and Darnay is fated for the guillotine... perhaps. Along with Colman's expert study in melancholy, the film is crammed with fragrant supporting players, such as Edna May Oliver, Reginald Owen, and the uniquely unsettling Blanche Yurka as the endlessly-knitting Madame Defarge. In a handful of scenes, Basil Rathbone makes the Marquis de Evremonde the quintessence of clueless privilege ("With what I get from these peasants, I can hardly afford to pay my perfume bill"). Journeyman director Jack Conway doesn't have the lovely touch that George Cukor brought to Copperfield, but Selznick hired him because "the picture is melodrama, it must have pace and it must 'pack a wallop.'" It still does. Footnote to film history: Selznick's assistant, Val Lewton, supervised the Revolutionary montage, and hired director Jacques Tourneur for the job; later they would team up on Lewton's great run of B-horror pictures, beginning with Cat People. --Robert Horton

"It was the best of times, it was the worst of times...." Charles Dickens' tale of love and tumult during the French Revolution comes to the screen in a sumptuous film version by the producer famed for nurturing sprawling literary works: David O. Selznick (David Copperfield, Anna Karenina, Gone with the Wind). Ronald Colman (The Prisoner of Zenda) stars as Sydney Carton ? sardonic, dissolute, a wastrel...and destined to redeem himself in an act of courageous sacrifice. "It's a far, far better thing I do than I've ever done," Carton muses at that defining moment. This is far, far better filmmaking, too: a Golden Era marvel of uncanny performances top to bottom, eye-filling crowd scenes (the storming of the Bastille, thronged courtrooms, an eerie festival of public execution) and lasting emotional power. Revolution is in the air!

DVD Features:
Other:Oscar?-Nominated Short Audioscopicks 2 Classic Cartoons: Hey, Hey Fever and Honeyland Audio-Only Bonus: Radio Show Adaptation Starring Colman
Theatrical Trailer

13 Rue Madeleine

A neat World War II thriller, 13 Rue Madeleine benefits from the postwar craze for shooting outside the studio. With Quebec doubling for occupied France, this is a spy movie with a sense of open air. James Cagney plays an OSS agent, training his recruits for an important pre-D-Day mission. When one of them turns out to be a Nazi spy, Cagney must parachute into France himself and straighten things out. Director Henry Hathaway and producer Louis de Rochemont pioneered the docu-drama approach with The House on 92nd Street, and they again use newsreel footage and stentorian narrator here, blended into the fictional story. The script is slightly muddled, but there are a fistful of suspenseful situations and a gangbusters ending--as well as the typically wired-up Cagney, who is exactly the guy you want on your side if D-Day is hanging in the balance. --Robert Horton

A group of allied agents working undercover in occupied Paris struggle to infiltrate German files in order to discover the location of a rocket launching site before the D-Day invasion. However, in their midst a traitor lurks.

Tonight We Raid Calais

British Intellengence dispatches Commando Geoffrey Carter (John Sutton) on a one-man raid to destroy a munitions plant that manufactures bombs in Nazi-occupied France. He enlists the aid of a patriotic farmer M. Bonnard (Lee J. Cobb) that lives near the plant over the objections of his daughter Odette Bonnard (Annabella) who believes that the British were responsible for the fall of France. Her attitude softens toward Carter who is living with the family as posing as a son but Odette cannot bring herself to aid in Carter's plan because of her fear of reprisals against her family. She turns informer and the Nazis capture Carter.System Requirements:Run Time: 80 minutesFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 024543432982 Manufacturer No: 2243298

The Southerner

During World War II, Jean Renoir fled Nazi-occupied France for America and tried his hand at making Hollywood films. This period is generally (and unfairly) dismissed as fallow ground in Renoir's career, but even most of his critics agree that The Southerner is not just the best of his five American films, but a fine example of Renoir's humanistic vision. Transplanting the poetic realism of his French masterpieces of the 1930s to the rural American South, Renoir presents a year in the life of a family of migrant workers who decide to follow their dream of farming their own land. Hawk-eyed Zachary Scott gives the performance of his career as the easygoing but determined father who risks everything to give his family something to call their own, with J. Carroll Naish as his bitter, hostile neighbor. The seasonal structure and episodic nature of the film focuses on the hardships the family faces, finding the rhythm of life between setbacks and victories and the soul of his lovingly created characters through their bent but unbowed spirit. Renoir adapted George Perry Sessions's novel Hold Autumn in Your Hand with uncredited help from William Faulkner. This was Renoir's personal favorite of his American films and the only one to enjoy commercial success. --Sean Axmaker

Famed French director Jean Renoir came up with a true slice of Americana in this drama, in which he also helped to write the screenplay, which chronicles a year in the life of a tenant-farmer and his family. Zachary Scott abandoned his usual smooth characterizations to portray the beleaguered man of the land, coping with trying to survive against the problems of farming and a troublesome neighbor. Excellent photography and top performances by all involved make this a special film not to be missed by any classic film buff. Based on George Sessions Perry's novel, Hold Autumn in Your Hand, The Southerner was Renoir's favorite among his American films. The film, though not a huge boxoffice success for United Artists, garnered much critical acclaim and also won the Venice Film Festival's Best Picture Award. Bonus Features: Bonus Two-Reeler Comedy "Baby Daze" with Edgar Kennedy, Scene Selection. Actor Bios. Specs: DVD5; Dolby Digital Mono; 91 minutes; B&W; 1.33:1 Aspect Ratio; MPAA - NR; Year - 1945.

The Bridge of San Luis Rey

Five people die when a rope bridge collapses in Peru. A local priest, perplexed why God chose these five to die, goes to town to investigate who the five were. Because the film is based on the Pulitzer Prize-winning novel by Thornton Wilder, it's easy to assume that some very existential questions, and maybe some answers, will be forthcoming. Nope. What the good priest does find is the hothouse Micaela (Lynn Bari), a stage actress and partial bad girl, who is wooed by a sailor, a theater gadfly, and the local viceroy. This leads to court intrigue, some incongruous song and dance numbers, and a trip to that fateful bridge. When the old bridge does snap and we know who is lying at the bottom of that Peruvian ravine, it's fair to wonder if the local priest didn't waste his time asking about the wrong people or whether it's just been a waste of time altogether. --Keith Simanton

Based on the Pulitzer Prize-winning novel by Thornton Wilder "The Bridge of San Luis Rey" tells the story of a rickety bridge that has spanned a deep gorge for ages. When the bridge suddenly collapses--plunging five people to their deaths--the tragedy causes a wave of superstition to engulf the villagers as they believe they are destined for continued misfortune. Only a priest can find the connections to divine intervention that will quell the townspeople's fears.Format: DVD MOVIE Genre: DRAMA UPC: 014381536522 Manufacturer No: ID5365FWDVD

One Body Too Many

One Body Too Many (1944)

13 Rue Madeleine [Region 2]

A neat World War II thriller, 13 Rue Madeleine benefits from the postwar craze for shooting outside the studio. With Quebec doubling for occupied France, this is a spy movie with a sense of open air. James Cagney plays an OSS agent, training his recruits for an important pre-D-Day mission. When one of them turns out to be a Nazi spy, Cagney must parachute into France himself and straighten things out. Director Henry Hathaway and producer Louis de Rochemont pioneered the docu-drama approach with The House on 92nd Street, and they again use newsreel footage and stentorian narrator here, blended into the fictional story. The script is slightly muddled, but there are a fistful of suspenseful situations and a gangbusters ending--as well as the typically wired-up Cagney, who is exactly the guy you want on your side if D-Day is hanging in the balance. --Robert Horton

One Body Too Many