Ingram, Rex

The Thief of Bagdad - Criterion Collection

Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon

The Thief of Bagdad legendary producer Alexander Korda's Arabian Nights marvel is one of the most spectacular fantasy films ever made an eye-popping effects pioneer brimming with imagination and technical wizardry. When Prince Ahmad (John Justin) is blinded and cast out of Bagdad by the nefarious Jaffar (Conrad Veidt) he joins forces with the scrappy thief Abu (the incomparable Sabu in his definitive role) to win back his royal position as well as the heart of a beautiful princess (June Duprez). With its luscious Technicolor vivid sets and unprecedented visual wonders The Thief of Bagdad has charmed viewers of all ages for decades.SPECIAL EDITION DOUBLE-DISC SET FEATURES:Restored digital transferTwo audio commentaries: one featuring renowned directors Francis Ford Coppola and Martin Scorsese and one with film and music historian Bruce EderNew interviews with special-effects experts Ray Harryhausen Dennis Muren and Craig Barron about the technical achievements of The Thief of BagdadThe Lion Has Wings (1940) Alexander Korda's propaganda film for the English war effort made during The Thief of Bagdad's production hiatusExcerpts from codirector Michael Powell's audio dictations for his autobiographySelections of music by composer Miklos Rozsa not used in the final filmStills gallery featuring rare Dufaycolor images of the film's productionTheatrical trailerPLUS: a booklet featuring new essays by critics Andrew Moor and Ian ChristieSystem Requirements:Running Time: 106 minutesFormat: DVD MOVIE Genre: SCI-FI/FANTASY/FANTASY Rating: NR UPC: 715515029926 Manufacturer No: CC1754DDVD

Sahara

Hollywood made few movies about the desert conflict during World War II--and curiously, two that they did (Five Graves to Cairo is the other) were remakes of films set elsewhere. John Howard Lawson based his script on a prewar Russian film (Lawson would later be blacklisted, incidentally) about a military patrol besieged by Asian bandits. The situation readily lent itself to a wartime parallel and became one of the most engrossing story lines of its era.

A U.S. tank crew and their commander (Humphrey Bogart), separated from the main force, make their way through the desert, accumulating a veritable United Nations of stragglers as they go: a few of Montgomery's tommies (including that old limey Lloyd Bridges) and a towering African (Rex Ingram) and his prisoner--a garrulous Italian (Oscar-nominated J. Carrol Naish) who can't wait to tell his new friends about his relatives in "Peets-a-bourg Pennsylvania." They come upon a ruin, the onetime site of an oasis, and almost immediately find themselves defending it against a small army of Germans who believe there's still water to be had there. Yes and no--there's a biblical wrinkle to this tale--and the standoff between the polyglot democrats and the Nazis who far outnumber them is a fine, sun-baked study in suspense.

For Bogart, this Columbia picture was a rare furlough from Warner Bros., where he always felt embattled. His pleasure must have seeped into his work, because Sgt. Joe Gunn is one of the most sympathetic and heartfelt characterizations the actor ever gave us. This is one good movie. --Richard T. Jameson

Cabin in the Sky

The first film directed by Vincente Minnelli (who directed the original Broadway version), this musical offers its pleasures, but also may make you squirm at the racial stereotypes that were considered both acceptable and entertaining in 1943. A story of the struggle between good and evil for the soul of a man named Little Joe (Eddie "Rochester" Anderson), the film plays with the same kind of racial notions that made Stepin Fetchit a star. Still, there's much to recommend it, particularly performances by some of the greatest musical stars of the day: Lena Horne, Ethel Waters, Louis Armstrong, and Duke Ellington, among others. The film also includes a terrific score, a combination effort by Ellington, Harold Arlen, Vernon Duke, and E.Y. Harburg that includes the song "Taking a Chance on Love." --Marshall Fine

Hollywood's first all-black film since The Green Pastures tells the vibrant fable of rascally Little Joe torn between the love of his good wife Petunia and the wiles of good-time bad girl Georgia Brown...and caught in a tug-of-war between emissaries from the Lord and Satan. How can virtue triumph over evil? Well as Petunia says "Sometimes when you fight the devil you gotta jab him with his own pitchfork." Debuting movie director Vincente Minnelli (An American in Paris Gigi) and stars Ethel Waters Eddie "Rochester" Anderson Lena Horne Louis Armstrong and Duke Ellington are more than a match for the devil in this musical treasure. With a soundtrack of dazzling standards including Taking a Chance on Love and Happiness Is a Thing Called Joe Cabin in the Sky is a joyous classic.Running Time: 98 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS UPC: 012569676787 Manufacturer No: 67678

The Green Pastures

"You gotta git your minds fixed" the rural preacher tells Sunday School children. And the best way to do that fixin' is from Old Testament stories narrated by the preacher played by a black cast backed by the joyful gospel sounds of the Hall Johnson Choir and based on Marc Connelly's folk-themed Pulitzer Prize-winning play. Rex Ingram portrays de Lawd who has a 100000 things to do before any human's next breath - like instructing Noah (Eddie Anderson); taking counsel with Abraham Isaac and Jacob; or teaching Moses tricks to dazzle Pharaoh. Get your mind fixed for The Green Pastures. It's a film of its time. But like all great art it transcends it.Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY UPC: 012569676756 Manufacturer No: 67675

"Gangway for de Lawd God Jehovah!" Despite racial stereotypes and a naive, backward vision of "Negro Heaven," The Green Pastures remains an important, controversial, and still-entertaining milestone in African American popular culture. Because this 1936 spiritual musical embraces all of the black stereotypes that were prevalent in its time, Warner Home Video has appropriately included a disclaimer regarding the political incorrectness of the film's then-common racial prejudices, stressing the importance of acknowledging these stereotypes as opposed to pretending they never existed. With this understanding, The Green Pastures still endures as a classic American folk drama, based on Marc Connelly's Pulitzer Prize-wining Broadway production (suggested by Roark Bradford's southern sketches "Ol' Man Adam an' His Chillun"), in which several Old Testament stories are performed as they might be imagined by black Sunday-school child in the Depression-era South. It's an all-black vision of heaven as a perpetual fish-fry, full of black angels and cherubs eating catfish and smoking 10-cent "see-gars," where "De Lawd" (Rex Ingram) presides over the tales of creation: Noah and the Flood; Joshua at Jericho; Abraham, Isaac and Jacob; Adam and Eve; Moses and Pharaoh; etc. With heavenly accompaniment by the Hall Johnson Choir, these Bible stories play like a lavish fantasy revival, and while the stereotypical images and all-black colloquialisms may seem absurdly regressive from the perspective of latter-day enlightenment, there's no denying that The Green Pastures is still a transcendently joyful celebration of faith. As a relic of its time, it's a vivid (and for some, still uncomfortable) reminder that racial stereotypes--even in a joyful gospel context--can teach us a lot about where we've been, and where we've yet to go. --Jeff Shannon

On the DVD
The Green Pastures is accompanied by an excellent DVD commentary in which actor/director LeVar Burton and African American cultural scholars Herb Boyd and Ed Guerrero (author of Framing Blackness: The African American Image in Film) place the film in proper historical context. Burton candidly explains why he could never watch Green Pastures in its entirety until he gained the detached perspective of an actor/director, while Boyd and Guerrero relate many of the precedents and milestones that inform such '30s-era movies as The Green Pastures and Cabin in the Sky. Entertaining and informative, their commentary is essential listening for anyone seeking an enlightened perspective on racial stereotypes of the past. Also included, for similar historical appreciation, are two Vitaphone shorts from the early 1930s: "Rufus Jones for President" is a lively "two-reeler" (20 minutes) in which the 7-year-old future Rat Pack star Sammy Davis Jr. sings and dances (along with blues great Ethel Waters) as a young boy who fantasizes about becoming President of the United States. "An All-Colored Vaudeville Show" delivers just what the title promises: a stage revue of black performers including Broadway star Adelaide Hall and the legendary tap-dancing Nicholas Brothers. Both shorts represent all that was good--and bad--about Depression-era show business as a vibrant showcase for African American performers and the social conditions through which they endured. --Jeff Shannon

Escort West

The Old West roars with "fast guns fists and horses" (The Film Daily) in this gripping story that teams Victor Mature (My Darling Clementine) with western legends Harry Carey Jr. and Slim Pickens in a fight-to-the-finish battle with hostile Indians. Thrilling and dramatic Escort West follows the intense struggle for land and love in the frontier.Heading west after the Civil War rebel soldier Ben (Mature) befriends pretty Beth (Elaine Stewart) who's traveling west to meet her fianc a Union cavalry officer. When Indians attack Ben guides Beth to the safety of the cavalry camp only to find it besieged. Now Ben must battle heroically against the Indians to save the woman he's come to love and the man she's engaged to marry.System Requirements: Running Time 76 MinFormat: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 027616923523 Manufacturer No: 1008321

The Talk of the Town

An escaped accused arsonist hides out at the home of a friend and they work to convince her summer tenant, a judge, of his innocence.
Genre: Feature Film-Comedy
Rating: UN
Release Date: 25-FEB-2003
Media Type: DVD

The screwball comedy was the definitive genre of the Depression, but as America edged toward war in the early '40s, it suffered some strange and wonderful mutations--none stranger than The Talk of the Town, directed by George Stevens from a script by novelist Irwin Shaw and frequent Capra collaborator (and future blacklist victim) Sidney Buchman. Cary Grant, awkwardly cast, is a small-town political agitator who is framed for the burning of a local factory; he takes refuge in the attic of a country cottage that landlady Jean Arthur is preparing to rent out to a celebrated law professor (silver-tongued Ronald Colman, perhaps the only actor in Hollywood who could make Grant look like a proletarian). Stevens, suspended between his light '30s style (Swing Time) and his heavy postwar manner (A Place in the Sun), struggles to balance a charming, surprisingly suspenseful romantic triangle with the heavy, debating-society tone of the screenplay, which pits Grant, the representative of a compassionate, emotional sense of justice, against the cool, abstract application of the law advocated by Colman. Caught between these two highly verbal characters, Jean Arthur doesn't have much to do but be adorable and provide the occasional quizzical reaction shot--two things she does with exquisite skill. Stevens and Arthur teamed up again one year later for another strange-bedfellows farce, the marvelous The More the Merrier; in 1953 Arthur made her final film appearance in Stevens's Shane. --Dave Kehr

God's Little Acre

Hard to believe that Erskine Caldwell's God's Little Acre was, for years, the bestselling novel ever published. This 1958 film adaptation gives little reason for that status, being a curiously inert combination of sweaty Southern passion and rustic comedy. Thanks to director Anthony Mann's exacting eye for outdoor photography, the film is a pleasure to look at, and Elmer Bernstein's score makes it swell to listen to. Robert Ryan, always good at obsessives, plays a patriarch convinced gold is buried on his farm. He's aided by a gallery of future TV stars: Tina Louise (Gilligan's Island) as the lip-lickin' sexpot every living male tries to seduce; Jack Lord and Vic Morrow as her husband and brother; Buddy Hackett as a would-be politician; Michael Landon as an albino (thus giving new meaning to the term "white trash"). This gumbo has some fun flavors, but they don't quite blend. --Robert Horton

Anna Lucasta

Based on the hit Broadway play Anna Lucasta is "a searing illuminating family drama" (The Film Daily). Sultry siren Eartha Kitt is "vibrantly sexy" (Los Angeles Times) as a lascivious lady of the night and cool cat Sammy Davis Jr. displays "tremendous appeal and power" (Cue) in this torrid tale of love and greed.When wild child Anna Lucasta (Kitt) is banished from the family home by her self-righteous father she falls into a life of prostitution and into the arms of street-wise sailor Danny Johnson (Davis). But after Anna shocks them all by finally finding true love with a well-heeled young suitor her unforgiving father sets a vengeful plan in motion to remind his daughter of her sordid past and destroy her future forever!System Requirements: Running Time 97 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616917218 Manufacturer No: 1007641

Dark Waters

Love film noir? Here's an exotic variant--call it "bayou noir." Leslie Calvin (Merle Oberon), an oil heiress, is in shock several times over, having been run out of her East Indies home by Japanese troops and then losing her parents during a disaster at sea. Seeking safe haven, she looks up her only known relatives--whom she's never seen--an aunt (Fay Bainter) and uncle (John Qualen) who have just taken up residence at Rossignol, an unused sugar plantation in a remote Louisiana bayou. They seem harmless enough, albeit aggressively eccentric. But what to make of the eternally smiling, white-suited houseguest, Mr. Sydney (Thomas Mitchell), or the creepy Cleeve (Elisha Cook Jr.), a caretaker with nothing to take care of? Soon Leslie is hearing voices in the night, plus sinister stories from a former servant (Rex Ingram) who keeps popping out of the underbrush. Far from recuperating in peace, she fears she's sinking into madness, from which not even the kindly young local doctor (Franchot Tone) can rescue her....

Sounds like a backwater Gaslight, or a swampland Manderley without a Rebecca (and as a matter of fact, Rebecca veteran Joan Harrison worked on the script). Director André De Toth pumps up the atmosphere despite limited independent production resources, and he creates an unsettling mise en scène in which the heroine is either effaced by off-kilter camera angles or utterly isolated in vulnerable closeup. Unfortunately, Merle Oberon, notwithstanding her heartstopping Eurasian beauty, is about as expressive as a marble paperweight, and the screenplay doesn't so much advance as sink into the neighboring quicksand. Still, De Toth's inventiveness, Miklós Rósza's score, and some filigreed lighting by Bride of Frankenstein's John Mescall keep you watching. --Richard T. Jameson

A fake aunt and uncle attempt to drive a nervous young heiress to suicide in order to collect her estate. Aided by the bayou, the would-be killers implement a series of terrifying ploys to suffocate the young girl in her own madness. Andre de Toth (House of Wax) directs Merle Oberon and Elisha Cook Jr. in this excellent melodrama set in the dank, forbidding Louisiana bayous, the perfect aid to the mystery and violence of the story.

Thief of Bagdad (1940)

Often hailed as the greatest fantasy film ever made, The Thief of Bagdad (1940) was producer Alexander Korda's crowning achievement. Deservedly winning Academy Awards for art direction, color cinematography, and special effects, this Arabian Nights adventure appeals to all ages with its fantastical tale of Abu (Sabu), the little thief who befriends the prince of Bagdad (John Justin) and foils the nefarious plans of the evil grand vizier (Conrad Veidt), who seizes control of Bagdad and covets the princess of Basra (Joan Duprez). From its gorgeous, epic-scale sets to flying horses, magic carpets, and, best of all, Rex Ingram's towering jinni of the bottle, this Thief has all the magic of the tales that inspired it, and vibrant Technicolor brings it all to life in dazzling style. Six esteemed directors worked on this infamously troubled production, but the final result exceeded all expectations, becoming an instant classic that endures to this day. --Jeff Shannon