Intiraymi, Manu

Go (Special Edition)

Director Doug Liman's follow-up to the winning Swingers is a rollicking adventure that, while lacking in any substantial plot, speeds along with nonstop adrenaline and style to burn. Taking a cue from Pulp Fiction, Liman plays tricks with time and overlapping plots, all of which play out in L.A. and Las Vegas in a 24-hour period sometime between Christmas and New Year's. Slacker grocery-store clerk Ronna (Sarah Polley) is trying to score rent money by selling hits of Ecstasy at a rave party, but winds up inadvertently double-crossing a ruthless dealer (sexy and scary Timothy Olyphant). She's also invading the dealing turf of her coworker Simon (Desmond Askew), a Brit on his first trip to Vegas, which turns nightmarish after a jaunt with pal Marcus (Taye Diggs) to a "gentleman's club" turns violent. And then there's the two soap-opera actors (Jay Mohr and Scott Wolf) who cross paths with Ronna more than once in their attempts to divest themselves of a drug-related charge by participating in a sting.

The way Liman and writer John August layer these stories owes a huge debt to Quentin Tarantino, but the comedy and action sequences rocket like a bat out of hell with energy, humor, and genuine surprise. In addition to some hilarious dialogue exchanges--including a classic scene between Ronna's stoned friend (Nathan Bexton) and a Zen cat--Liman works wonders with one the most winning ensembles in recent memory, a cast that includes both established actors and TV cuties. Mohr, Diggs, and especially Polley (doing a 180 from her turn in The Sweet Hereafter) are as excellent as you'd expect, but it's Wolf (of Party of Five) and Dawson's Creek's Katie Holmes (as Polley's best bud) who turn in revelatory work; Holmes especially seems poised to be a breakout star. An amazing cinematic ride--like a roller coaster, you'll want to go back again and again. --Mark Englehart

Eighteen-year-old Ronna, accompanied by reluctant
partner-in-crime and fellow supermarket checkout clerk Claire, is
desperately looking to score some rent money before she's evicted.
Simon, an impulsive Brit, is driving a stolen car with buddy Marcus
during a no-holds-barred night of partying on the Las Vegas strip.
Adam and Zack, a pair of TV stars, find themselves in the middle of a
real-life drug sting - and a very creepy Christmas dinner.

Welcome to the edgy comedy GO, in which the misadventures of a group
of young people collide in Los Angeles' raucous underground scene.

Set over a 24-hour period in L.A. and Las Vegas, this unconventionally
structured comedy is told from the decidedly off-center perspectives
of three parties involved in the outrageous events that surround a
botched drug deal: a duo of down-on-their-luck supermarket checkout
girls, a pair of soap opera actors and an impetuous British expatriate
- all of whom discover they are in way over their heads. In the midst
of this wild ride, we learn about everything from the possible
advantages of mutli-level marketing to the techniques of tantric
lovemaking to how to make a fast buck at a rave with a little
ingenuity and a box of cold medicine.

Orange County

Shaun Brumder dreams of attending Stanford but when his guidance counselor sends the wrong transcripts with his application, he is rejected and must use any method necessary to get accepted.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 30-JAN-2007
Media Type: DVD

While it invites charges of Hollywood nepotism, Orange County overcomes that stigma with a delightful cast of newcomers and veterans alike. It's no better or worse than many teen comedies, but director Jake Kasdan (son of director Lawrence Kasdan) astutely combines teen-flick staples (stoner gags, raucous parties) with a biting undercurrent of southern California absurdity. This comedic texture helps Colin Hanks (son of Tom) and Schuyler Fisk (daughter of Sissy Spacek) to prove their big-screen promise. They play (respectively) an Orange County teen and aspiring writer named Shaun who yearns for admission to Stanford, and his sensible girlfriend who knows just how to nurture his dreams. Much of the comedy arises from the foibles of Shaun's dysfunctional family (played to perfection by Jack Black, Catherine O'Hara, and John Lithgow), while unbilled cameos by Ben Stiller and Kevin Kline add zest to a movie that tries to be different, and mostly succeeds. --Jeff Shannon

Whatever It Takes

Whatever It Takes initially seems little more than another comedy with impossibly attractive teenagers trying to get into each other's pants. Ryan (Shane West) is a bit of a geek with eyes for the school sex bomb, Ashley (Jodi Lyn O'Keefe), which induces cringing in his neighbor and best friend, Maggie (Marla Sokoloff), a cute intellectual girl. But popular jock Chris (James Franco) has his eye on Maggie, and he offers to help Ryan win Ashley if Ryan will help Chris woo Maggie. So begins a two-headed variation on Cyrano de Bergerac; Ryan composes soulful e-mails for Chris, and Chris advises Ryan to treat Ashley like dirt, which seems to be the only way to get her attention.

At first, neither finds it easy to change their ways; Chris comes on too strong, and Ryan is too nervous to be a jerk. But as they start to succeed, Ryan begins to see Maggie in a new light and wonders if he's pursuing the right girl. Which could all be very standard and shallow, but as the story unfolds the movie examines staying true to yourself and finding self-worth in surprisingly trenchant and unpreachy ways. Which is not to say that Whatever It Takes is high-minded--everyone's excessively good-looking and prone to wearing tight or revealing clothing, and there's a subplot about a kid who aspires to achieve school immortality through a topnotch prank. But the movie offers more than you might expect, which sets it apart from many of the recent swarm of teen flicks. --Bret Fetzer

School of Rock / Orange County

School of Rock
Jack Black stars as a hell-raising guitarist with delusions of grandeur. Kicked out of his band and desperate for work, he impersonates a substitute teacher and turns a class of fifth grade high-achievers into high-voltage rock and rollers. Joan Cusack portrays the principal of the private school where Black is prepping the kids for a Battle of the Bands.

Orange County
A high school senior dreams of attending Stanford University until his guidance counselor mistakenly spoils his chances.

Jack Black 3 Pack (Nacho Libre / School of Rock / Orange County)

Includes:Nacho Libre: Special Collector's EditionSchool Of RockOrange CountyFormat: DVD MOVIE Genre: COMEDY UPC: 097361197241 Manufacturer No: 119724

Whatever It Takes [Region 2]

Whatever It Takes initially seems little more than another comedy with impossibly attractive teenagers trying to get into each other's pants. Ryan (Shane West) is a bit of a geek with eyes for the school sex bomb, Ashley (Jodi Lyn O'Keefe), which induces cringing in his neighbor and best friend, Maggie (Marla Sokoloff), a cute intellectual girl. But popular jock Chris (James Franco) has his eye on Maggie, and he offers to help Ryan win Ashley if Ryan will help Chris woo Maggie. So begins a two-headed variation on Cyrano de Bergerac; Ryan composes soulful e-mails for Chris, and Chris advises Ryan to treat Ashley like dirt, which seems to be the only way to get her attention.

At first, neither finds it easy to change their ways; Chris comes on too strong, and Ryan is too nervous to be a jerk. But as they start to succeed, Ryan begins to see Maggie in a new light and wonders if he's pursuing the right girl. Which could all be very standard and shallow, but as the story unfolds the movie examines staying true to yourself and finding self-worth in surprisingly trenchant and unpreachy ways. Which is not to say that Whatever It Takes is high-minded--everyone's excessively good-looking and prone to wearing tight or revealing clothing, and there's a subplot about a kid who aspires to achieve school immortality through a topnotch prank. But the movie offers more than you might expect, which sets it apart from many of the recent swarm of teen flicks. --Bret Fetzer

Go [Region 2]

Go [Region 2]

Director Doug Liman's follow-up to the winning Swingers is a rollicking adventure that, while lacking in any substantial plot, speeds along with nonstop adrenaline and style to burn. Taking a cue from Pulp Fiction, Liman plays tricks with time and overlapping plots, all of which play out in L.A. and Las Vegas in a 24-hour period sometime between Christmas and New Year's. Slacker grocery-store clerk Ronna (Sarah Polley) is trying to score rent money by selling hits of Ecstasy at a rave party, but winds up inadvertently double-crossing a ruthless dealer (sexy and scary Timothy Olyphant). She's also invading the dealing turf of her coworker Simon (Desmond Askew), a Brit on his first trip to Vegas, which turns nightmarish after a jaunt with pal Marcus (Taye Diggs) to a "gentleman's club" turns violent. And then there's the two soap-opera actors (Jay Mohr and Scott Wolf) who cross paths with Ronna more than once in their attempts to divest themselves of a drug-related charge by participating in a sting.

The way Liman and writer John August layer these stories owes a huge debt to Quentin Tarantino, but the comedy and action sequences rocket like a bat out of hell with energy, humor, and genuine surprise. In addition to some hilarious dialogue exchanges--including a classic scene between Ronna's stoned friend (Nathan Bexton) and a Zen cat--Liman works wonders with one the most winning ensembles in recent memory, a cast that includes both established actors and TV cuties. Mohr, Diggs, and especially Polley (doing a 180 from her turn in The Sweet Hereafter) are as excellent as you'd expect, but it's Wolf (of Party of Five) and Dawson's Creek's Katie Holmes (as Polley's best bud) who turn in revelatory work; Holmes especially seems poised to be a breakout star. An amazing cinematic ride--like a roller coaster, you'll want to go back again and again. --Mark Englehart

Whatever It Takes [Region 2]

Whatever It Takes initially seems little more than another comedy with impossibly attractive teenagers trying to get into each other's pants. Ryan (Shane West) is a bit of a geek with eyes for the school sex bomb, Ashley (Jodi Lyn O'Keefe), which induces cringing in his neighbor and best friend, Maggie (Marla Sokoloff), a cute intellectual girl. But popular jock Chris (James Franco) has his eye on Maggie, and he offers to help Ryan win Ashley if Ryan will help Chris woo Maggie. So begins a two-headed variation on Cyrano de Bergerac; Ryan composes soulful e-mails for Chris, and Chris advises Ryan to treat Ashley like dirt, which seems to be the only way to get her attention.

At first, neither finds it easy to change their ways; Chris comes on too strong, and Ryan is too nervous to be a jerk. But as they start to succeed, Ryan begins to see Maggie in a new light and wonders if he's pursuing the right girl. Which could all be very standard and shallow, but as the story unfolds the movie examines staying true to yourself and finding self-worth in surprisingly trenchant and unpreachy ways. Which is not to say that Whatever It Takes is high-minded--everyone's excessively good-looking and prone to wearing tight or revealing clothing, and there's a subplot about a kid who aspires to achieve school immortality through a topnotch prank. But the movie offers more than you might expect, which sets it apart from many of the recent swarm of teen flicks. --Bret Fetzer

Go [Region 2]

Director Doug Liman's follow-up to the winning Swingers is a rollicking adventure that, while lacking in any substantial plot, speeds along with nonstop adrenaline and style to burn. Taking a cue from Pulp Fiction, Liman plays tricks with time and overlapping plots, all of which play out in L.A. and Las Vegas in a 24-hour period sometime between Christmas and New Year's. Slacker grocery-store clerk Ronna (Sarah Polley) is trying to score rent money by selling hits of Ecstasy at a rave party, but winds up inadvertently double-crossing a ruthless dealer (sexy and scary Timothy Olyphant). She's also invading the dealing turf of her coworker Simon (Desmond Askew), a Brit on his first trip to Vegas, which turns nightmarish after a jaunt with pal Marcus (Taye Diggs) to a "gentleman's club" turns violent. And then there's the two soap-opera actors (Jay Mohr and Scott Wolf) who cross paths with Ronna more than once in their attempts to divest themselves of a drug-related charge by participating in a sting.

The way Liman and writer John August layer these stories owes a huge debt to Quentin Tarantino, but the comedy and action sequences rocket like a bat out of hell with energy, humor, and genuine surprise. In addition to some hilarious dialogue exchanges--including a classic scene between Ronna's stoned friend (Nathan Bexton) and a Zen cat--Liman works wonders with one the most winning ensembles in recent memory, a cast that includes both established actors and TV cuties. Mohr, Diggs, and especially Polley (doing a 180 from her turn in The Sweet Hereafter) are as excellent as you'd expect, but it's Wolf (of Party of Five) and Dawson's Creek's Katie Holmes (as Polley's best bud) who turn in revelatory work; Holmes especially seems poised to be a breakout star. An amazing cinematic ride--like a roller coaster, you'll want to go back again and again. --Mark Englehart