Lawrence of Arabia (Single Disc Edition)
from Columbia Pictures
David Lean's splendid biography of the enigmatic T. E. Lawrence paints a complex portrait of the desert-loving Englishman who united Arab tribes in a battle against the Ottoman Turks during World War I.
There's no getting around a simple, basic truth: watching Lawrence of Arabia in any home-video format represents a compromise. There's no better way to appreciate this epic biographical adventure than to see it projected in 70 millimeter onto a huge theater screen. That caveat aside, David Lean's masterful "desert classic" is still enjoyable on the small screen, especially if viewed in widescreen format. (If your only option is to view a "pan & scan" version, it's best not to bother; this is a film for which the widescreen format is utterly mandatory.) Peter O'Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It's a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. --Jeff Shannon
Lawrence of Arabia (Collector's Edition, 2 discs) - DVD
by David Lean
from Columbia Tri/Star
Studio: Sony Pictures Home Ent Release Date: 06/10/2008 Run time: 226 minutes Rating: Pg
There's no getting around a simple, basic truth: watching Lawrence of Arabia in any home-video format represents a compromise. There's no better way to appreciate this epic biographical adventure than to see it projected in 70 millimeter onto a huge theater screen. That caveat aside, David Lean's masterful "desert classic" is still enjoyable on the small screen, especially if viewed in widescreen format. (If your only option is to view a "pan & scan" version, it's best not to bother; this is a film for which the widescreen format is utterly mandatory.) Peter O'Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It's a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. --Jeff Shannon
Stills from Lawrence of Arabia (click for larger image)
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Beyond Lawrence of Arabia
 David Lean Collection |  Audio CD Soundtrack |  Gandhi |
Masada - The Complete Epic Mini-Series
by Boris Sagal
from Koch Vision
Studio: Koch International Release Date: 09/11/2007 Run time: 394 minutes
This 1981 television miniseries, based on Ernest K. Gann's historical novel The Antagonists, is a dramatization of a documented revolt by nearly a thousand Jerusalem Jews against Roman oppressors in A.D. 72 to 73. Following a city-wide siege by Rome's soldiers, Jewish Zealots move into a fortress in the mountains of Masada, from which they present a defense strong enough to convince the enemy to negotiate. Peter O'Toole, in all his golden dignity, plays Cornelius Flavius Silva, commander of the Roman legions, and Peter Strauss is Zealot leader Eleazar ben Yair. Both are outstanding as representatives from each side trying, in good faith, to find a way out of the deadlocked situation. Unfortunately, neither realizes that Rome has no intention of yielding, resulting in one of the greatest tragedies in Jewish history. A strong cast of character actors--David Warner, Barbara Carrera, Timothy West, and Anthony Quayle--is rewardingly watchable, the action and sets are persuasive without overwhelming the story's human dimension, and direction by Boris Sagal (The Omega Man) is crisp and enthralling. This was a pleasure to watch when it was first broadcast, and it holds up very well today. --Tom Keogh
"A victory? What have we won?" laments a breathtaking Peter O'Toole as the Roman warrior Flavius Silva. "We've won a rock in the middle of a wasteland, on the shores of a poisoned sea." Thus does Masada, the epic 1981 miniseries about a horrific battle in ancient Palestine, echo the terrible toll of war in general, and of the brutal conflicts in today's Middle East in particular. Masada, from the golden age of miniseries (Roots, Shogun), is a transportive viewing event--shot on location, and apparently no expense spared.
The film retells (with some dramatic license) the true story of an uprising in Palestine of a ragtag band of Jews, in a fortress called Masada, who refuse to surrender to the governing Romans. O'Toole, as Flavius Silva, is the brilliant commander who, over the course of several years of trying, and failing, to breach Masada, comes to regard the leader of his foes, Eleazar ben Yair (the charismatic Peter Strauss), with a certain amount of respect and awe. If left to Flavius, he might have simply leave the holdout fortress and return to the Italy he so longs for; but the Roman emperor demands victory--at any cost.
The performances are uniformly crisp and believable; the direction by Boris Sagal, economical; the screenplay, sharp and incisive. David Warner, who won an Emmy for his performance, plays the brutal Roman henchman Falco with seething determination. The location shooting is nothing short of spectacular. There is sorrow in the story of Masada, but an uplifting message in the ability of true believers to create their own destiny. --A.T. Hurley
The Guns of Navarone (Special Edition)
by Alexander Mackendrick
from Sony Pictures
Explosive action film about allied commandos during world war ii plotting to destroy german guns. Special features: directors audio commentary four original featurettes subtitles in english spanish portuguese chinese korean and thai talent files theatrical trailer production notes and much more. Studio: Sony Pictures Home Ent Release Date: 12/21/2004 Starring: Gregory Peck Anthony Quinn Run time: 157 minutes Rating: Pg
This rousing, explosive 1961 WWII adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage. As world famous mountain climber turned British army Captain Mallory, Peck leads a guerrilla force composed of the humanistic explosives expert, Miller (David Niven), the ruthless Greek patriot with a grudge, Stavros (Anthony Quinn), veteran special forces soldier Brown (Stanley Baker), and the cool, quiet young marksman Pappadimos (James Darren). This disparate collection of classic types must overcome internal conflicts, enemy attacks, betrayal, and capture to complete their mission. Director J. Lee Thompson sets a driving pace for this exciting (if familiar) military operation, a succession of close calls, pitched battles, and last-minute escapes as our heroes infiltrate the garrisoned town with the help of resistance leader Maria (Irene Papas) and plot their entry into the heavily guarded mountain fort. Carl Foreman's screenplay embraces MacLean's role call of clichés and delivers them with style, creating one of the liveliest mixes of espionage, combat, and good old-fashioned military derring-do put on film. In 1978, the sequel Force 10 from Navarone was released, but MacLean fans will prefer to check out the action-packed thriller Where Eagles Dare. --Sean Axmaker
Stills from The Guns of Navarone(click for larger image)
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Beyond The Guns of Navarone at Amazon.com
 More Military & War Films |  More Gregory Peck Films |  More Classic Films |
The Six Wives of Henry VIII
from BBC Warner
Studio: Warner Home Video Release Date: 05/16/2006 Rating: Nr
A British television series originally broadcast on CBS (and rebroadcast on PBS) in America in 1971, The Six Wives of Henry VIII remains a painless way to learn something about royal history and its impact on the political and religious landscape of England. Keith Michell stars as King Henry VIII, who assumes the throne as a boy after the death of his older brother and inherits the latter's Spanish betrothed, Catherine of Aragon (Annette Crosbie), as well. Growing up and increasingly complicated in personality, with an ever-growing appetite for elusive happiness as well as power and food, Henry maneuvers (and is maneuvered by) forces around him to break from Rome and create the Church of England, in part to accommodate his wish for a divorce.
Each story of the king's successive brides takes up an entire episode in the series. Dorothy Tutin plays the doomed Anne Boleyn, Anne Stallybrass is Henry's favorite, Jane Seymour, Elvi Hale is Anne of Cleves, Angela Pleasence is Catherine Howard, and Rosalie Crutchley plays last-in-line Catherine Parr. A very large and fine supporting cast adds intrigue and extra layers of tragedy to the proceedings, especially John Baskcomb as Cardinal Wolsey, Wolfe Morris as Thomas Cromwell, and Ralph Bates as Thomas Culpepper. Each 90-minute episode was crafted by a different writer, but the series holds together very well under Keith Michell's dazzling performance as the despicable if sympathetic Henry, whose emotional arc over many years and losses is something to see. --Tom Keogh
The Eagle Has Landed
by John Sturges
from Lions Gate
Caine leads a crack team of german paratroopers forced to take over a quiet enlgish town during a secret mission to kidnap winston churchill. Studio: Lions Gate Home Ent. Release Date: 11/01/2005 Starring: Michael Caine Robert Duvall Run time: 134 minutes Rating: Pg Director: John Sturges
This 1976 adventure story set in World War II concerns a Nazi plot to kidnap Churchill from his retreat--or murder him if need be. The large, great cast and a director, John Sturges, who's been down this road of ensemble action before (The Magnificent Seven, The Great Escape) make this project exciting if not as memorable as Sturges's more famous works. The weak ending doesn't help. -- Tom Keogh
The Bourne Identity (TV Miniseries)
by Roger Young
from Warner Home Video
A man is washed ashore the beach of a small french village during a heavy storm. A retired doctor takes care of the unconscious stranger. When the mysterious man recovers he cannot remember anything Studio: Warner Home Video Release Date: 07/24/2007 Starring: Jaclyn Smith Donald Moffat Run time: 185 minutes Rating: Nr Director: Roger Young
Though not as briskly exciting as the 2002 theatrical release, this earlier TV adaptation of Robert Ludlum's bestseller has distinct advantages over its big-screen counterpart. It's far more loyal to Ludlum's serpentine plot, boasts greater latitude of geography and character development (allowing Richard Chamberlain's fine performance in the title role), and rises above TV limitations to achieve a big-budget look and feel. Suffering from amnesia and forced to piece together his past as a world-class assassin, Jason Bourne (Chamberlain) enlists the aid of a Canadian economist (Jaclyn Smith), and this pairing of '80s miniseries mainstays remains consistently intelligent, well paced, and altogether respectable. Chamberlain and Smith have adequate chemistry (albeit somewhat shallow), and their dangerous adventure--and eventual romance--is played out against a dozen European locations. Incorporating more of Ludlum's interwoven subplots, this ambitious Bourne is a globetrotter's delight, with a spy-thriller identity all its own. --Jeff Shannon
Murder by Decree
by Bob Clark
from Starz / Anchor Bay
Murder by Decree has the distinction of being not only one of the best Sherlock Holmes films, but one of the best pastiches (i.e., a Holmes fiction created by someone other than author Sir Arthur Conan Doyle) featuring the late-Victorian Era detective. Christopher Plummer is very good as Holmes, and James Mason redeems the many mishandled screen portrayals of Dr. John Watson with a rare, insightful performance. The story may not be unique in post-Doyle Holmes adventures--the private investigator pursues Jack the Ripper during the latter's reign of monstrous murders in foggy London--but the script by John Hopkins (Thunderball) is keenly intelligent, developing concentric circles of power and evil with great subtlety. Before losing himself in Porky's, director Bob Clark did a masterful job of surprising audiences with Murder by Decree, convincing viewers they were watching one kind of drama but then unleashing something very different, very unsettling. --Tom Keogh
Hamlet - Criterion Collection
by Laurence Olivier
from Criterion
Studio: Image Entertainment Release Date: 09/19/2000 Run time: 155 minutes
In the opening scene of Hamlet (1948), Laurence Olivier's voice-over describes the play as "the tragedy of a man who couldn't make up his mind." But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. Drawing on his experience playing the prince on stage at Elsinore in 1937, the legendary thespian provides the film with the patina of greatness and shows how the constitution of the formerly cheerful prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's hasty marriage to uncle Claudius (Basil Sydney). As Ophelia, Jean Simmons captures the character's early spirit better than her gradual disintegration. Purists may bemoan the loss of Fortinbras, Rosencrantz, and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. The winner of four Oscars® (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall
MacKenna's Gold
by J. Lee Thompson
from Sony Pictures
Lawman gregory peck is forced to lead outlaw omar sharif and a greedy all-star cast of cutthroats and thieves to a legendary canyon of gold. Special features: subtitles in english spanish portuguese chinese korean and thai talent files bonus trailers interactive menus production notes and much more. Studio: Sony Pictures Home Ent Release Date: 04/22/2008 Starring: Gregory Peck Omar Sharif Run time: 123 minutes Rating: Nr Director: J Lee Thompson
Attempting to do for Westerns what his Guns of Navarone had done for World War II action epics, director J. Lee Thompson crafted Mackenna's Gold as a lavish, absurdly ambitious variation on Erich Von Stroheim's Greed, resulting in a last-gasp Western so eager to encompass the genre's traditions that it turns into a big, silly, wildly entertaining mess. Gregory Peck surely had more serious intentions when he signed on, and he brings prestigious gravitas to his glum role as Marshall Mackenna, who gets shanghaied into searching for the gold-filled canyon of an elusive Apache legend. The rest of the 1969 film labors to undermine Peck's respectable demeanor; how else to explain Omar Sharif as a Mexican villain, Julie Newmar as a hot-blooded Apache temptress (with underwater nude scenes that were celebrated in Playboy magazine), and a jaw-dropping finale that's so ridiculous it's impressive in spite of itself?
Formerly blacklisted screenwriter Carl Foreman and composer Dimitri Tiomkin joined up to coproduce the film, and one can only imagine how Anthony Mann or Howard Hawks might've handled Foreman's sensible script. Thompson goes for scenic splendor, heavy action, and heavier emotions, casting everything at a fever pitch that's wildly enjoyable without betraying his "serious" intentions. A stable of Hollywood veterans (Eli Wallach, Raymond Massey, Edward G. Robinson, and others) appear in lively supporting roles--they're all dispatched in a garish Apache ambush--and Camilla Sparv is an ingénue with plenty of fighting attitude. Gold fever reaches its peak, along with some awesome special effects, and divine intervention reaches new heights of intensity. Top it off with José Feliciano's theme song, and you'll be in zany Western heaven. --Jeff Shannon
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