Zeta Jones, Catherine

No Reservations

Studio: Warner Home Video Release Date: 11/11/2008 Run time: 104 minutes Rating: Pg

Achieving balance in one's life can be a difficult process, but master chef Kate Armstrong (Catherine Zeta-Jones) leads a regimented, very ordered existence running the kitchen of an exclusive restaurant and revels in the sense of power and control her career affords. When Kate's sister is unexpectedly killed in an automobile accident and her 9-year old niece Zoe (Abigail Breslin) comes to live with Kate, Kate's life is turned completely upside down and she is suddenly forced to split her focus between work and family. Enter a newly hired, fun-loving, opera-singing sous chef Nick Palmer (Aaron Eckhart), whom Kate perceives as a serious rival, and thus begins an impassioned struggle on Kate's part to rein in Nick's exuberance and maintain control over her kitchen staff. Even as they clash, Kate is inexplicably drawn toward Nick, eventually coming to the realization that Nick offers something that she needs both in her restaurant kitchen and her new life with Zoe. Based on the screenplay for Mostly Martha, Catherine Zeta-Jones carries the lead well in this romantic comedy and there's a nice chemistry between herself and Aaron Eckhart as well as a poignant performance by Abigail Breslin. And, of course, and the food looks simply scrumptious. --Tami Horiuchi

Chicago (Widescreen Edition)

Bob Fosse's sexy cynicism still shines in Chicago, a faithful movie adaptation of the choreographer-director's 1975 Broadway musical. Of course the story, all about merry murderesses and tabloid fame, is set in the Roaring '20s, but Chicago reeks of '70s disenchantment--this isn't just Fosse's material, it's his attitude, too. That's probably why the movie's breathless observations on fleeting fame and fickle public taste already seem dated. However, Renée Zellweger and Catherine Zeta-Jones are beautifully matched as Jazz Age vixens, and Richard Gere gleefully sheds his customary cool to belt out a showstopper. (Yes, they all do their own singing and dancing.) Whatever qualms musical purists may have about director Rob Marshall's cut-cut-cut style, the film's sheer exuberance is intoxicating. Given the scarcity of big-screen musicals in the last 25 years, that's a cause for singing, dancing, cheering. And all that jazz. --Robert Horton

Based on the broadway musical two women convicted of murder in the 1920s become celebrities by manipulating the media. Studio: Buena Vista Home Video Release Date: 01/12/2007 Starring: Renee Zellweger Richard Gere Run time: 113 minutes Rating: Pg13 Director: Rob Marshall

High Fidelity

Transplanted from England to the not-so-mean streets of Chicago, the screen adaptation of Nick Hornby's cult-classic novel High Fidelity emerges unscathed from its Americanization, idiosyncrasies intact, thanks to John Cusack's inimitable charm and a nimble, nifty screenplay (cowritten by Cusack). Early-thirtysomething Rob Gordon (Cusack) is a slacker who owns a vintage record shop, a massive collection of LPs, and innumerable top-five lists in his head. At the opening of the film, Rob recounts directly to the audience his all-time top-five breakups--which doesn't include his recent falling out with his girlfriend Laura (Iben Hjejle), who has just moved out of their apartment. Thunderstruck and obsessed with Laura's desertion (but loath to admit it), Rob begins a quest to confront the women who instigated the aforementioned top-five breakups to find out just what he did wrong.

Low on plot and high on self-discovery, High Fidelity takes a good 30 minutes or so to find its groove (not unlike Cusack's Grosse Pointe Blank), but once it does, it settles into it comfortably and builds a surprisingly touching momentum. Rob is basically a grown-up version of Cusack's character in Say Anything (who was told "Don't be a guy--be a man!"), and if you like Cusack's brand of smart-alecky romanticism, you'll automatically be won over (if you can handle Cusack's almost-nonstop talking to the camera). Still, it's hard not to be moved by Rob's plight. At the beginning of the film he and his coworkers at the record store (played hilariously by Jack Black and Todd Louiso) seem like overgrown boys in their secret clubhouse; by the end, they've grown up considerably, with a clear-eyed view of life. Ably directed by Stephen Frears (Dangerous Liaisons), High Fidelity features a notable supporting cast of the women in Rob's life, including the striking, Danish-born Hjejle, Lisa Bonet as a sultry singer-songwriter, and the triumphant triumvirate of Lili Taylor, Joelle Carter, and Catherine Zeta-Jones as Rob's ex-girlfriends. With brief cameos by Tim Robbins as Laura's new, New Age boyfriend and Bruce Springsteen as himself. --Mark Englehart

A record store owner searches for the reason why he was dumped in this hilarious romantic comedy. Studio: Buena Vista Home Video Release Date: 04/08/2003 Starring: John Cusack Jack Black Run time: 114 minutes Rating: R

The Mask of Zorro (Deluxe Edition)

A lusty and rousing adventure, this calls to mind those glorious costume dramas produced so capably by the old Hollywood studio system--hardly surprising, in that its title character, a de facto Robin Hood in Old California, provided starring vehicles for Douglas Fairbanks and Tyrone Power, the '50s TV hit, and dozens of serials and features. Zorro, a pop-fiction creation invented by Johnston McCulley in 1918, is given new blood in this fast-moving and engaging version, which actually works as a sequel to the story line in the Fairbanks-Power saga, The Mark of Zorro. A self-assured Anthony Hopkins is Don Diego de la Vega, a Mexican freedom fighter captured and imprisoned just as Spain concedes California to Santa Ana. Twenty years later, he escapes from prison to face down his mortal enemy, a land grabbing governor played with slimy spitefulness by Stuart Wilson. Too old to save the local peasants on his own, he trains bandito Antonio Banderas to take his place. Much swashbuckling ensues as Banderas woos Catherine Zeta-Jones, becomes a better human being, and saves the disenfranchised rabble. Director Martin Campbell wisely instills a measure of frivolity into the deftly choreographed action sequences, while letting a serious tone creep in when appropriate. This covers much ground under the banner of romantic-action-adventure, and it does so most excellently. --Rochelle O'Gorman

In this day of movies in which one can't tell whether the action was manufactured by computer generation or by a cookie cutter, The Mask of Zorro is a grand throwback. It recalls and celebrates the fantasy workshop that Hollywood was and can be at its best. It's an audience pleaser in the best sense of the word, combining great-looking performers with gorgeous vistas and production design, a story that is familiar yet never insults the viewer's intelligence, and plenty of eye-popping action.

Anthony Hopkins stars as the original Zorro, a masked vigilante protecting his people from official corruption in Mexico and what will become California (from Hannibal Lecter to Merchant-Ivory to action hero--is there nothing this man cannot do?). He's imprisoned for his troubles, and upon his release, mentors an impetuous pupil (Antonio Banderas, more suave than ever) in the fine arts of swordplay and triumphing over evil. Catherine Zeta-Jones capably portrays the beauty linked to both men--Zorro I's daughter, Zorro II's object of desire.

The plotting contains few surprises, but the interplay between the three leads is always winning, and the winks to the swashbuckling genre are playful without ever being heavy-handed or campy. --David Kronke

Studio: Sony Pictures Home Ent Release Date: 06/27/2006 Run time: 137 minutes Rating: Pg13

Chicago (Full Screen Edition)

Bob Fosse's sexy cynicism still shines in Chicago, a faithful movie adaptation of the choreographer-director's 1975 Broadway musical. Of course the story, all about merry murderesses and tabloid fame, is set in the Roaring '20s, but Chicago reeks of '70s disenchantment--this isn't just Fosse's material, it's his attitude, too. That's probably why the movie's breathless observations on fleeting fame and fickle public taste already seem dated. However, Renée Zellweger and Catherine Zeta-Jones are beautifully matched as Jazz Age vixens, and Richard Gere gleefully sheds his customary cool to belt out a showstopper. (Yes, they all do their own singing and dancing.) Whatever qualms musical purists may have about director Rob Marshall's cut-cut-cut style, the film's sheer exuberance is intoxicating. Given the scarcity of big-screen musicals in the last 25 years, that's a cause for singing, dancing, cheering. And all that jazz. --Robert Horton

Based on the broadway musical two women convicted of murder in the 1920s become celebrities by manipulating the media. Studio: Buena Vista Home Video Release Date: 01/12/2007 Starring: Catherine Zeta Jones Richard Gere Run time: 113 minutes Rating: Pg13

Ocean's Twelve

Like its predecessor Ocean's Eleven, Ocean's Twelve is a piffle of a caper, a preposterous plot given juice and vitality by a combination of movie star glamour and the exuberant filmmaking skill of director Steven Soderbergh (Out of Sight, The Limey). The heist hijinks of the first film come to roost for a team of eleven thieves (including the glossy mugs of Brad Pitt, Matt Damon, Bernie Mac, and Don Cheadle), who find themselves pursued not only by the guy they robbed (silky Andy Garcia), but also by a top-notch detective (plush Catherine Zeta-Jones) and a jealous master thief (well-oiled Vincent Cassel) who wants to prove that team leader Danny Ocean (dapper George Clooney) isn't the best in the field. As if all that star power weren't enough--and the eternally coltish Julia Roberts also returns as Ocean's wife--one movie star cameo raises the movie's combined wattage to absurd proportions. But all these handsome faces are matched by Soderbergh's visual flash, cunning editing, and excellent use of Amsterdam, Paris, and Rome, among other highly decorative locations. The whole affair should collapse under the weight of its own silliness, but somehow it doesn't--the movie's raffish spirit and offhand wit soar along, providing lightweight but undeniable entertainment. --Bret Fetzer

They're back. And then some. Twelve is the new eleven when Danny Ocean and pals return in a sequel to the cool caper that saw them pull off a $160 million heist. But 160 million doesn't go as far as it used to. Not with everyone spending like sailors on leave. Not with a mysterious someone stalking Danny and crew. It's time to pull off another stunner of a plan?or plans. With locations including Amsterdam Paris and Rome the direction of Steven Soderbergh and the original cast plus Catherine Zeta-Jones and others Twelve is your lucky number.Format: DVD MOVIE Genre: COMEDY UPC: 085393894825 Manufacturer No: 38948

The Legend of Zorro (Widescreen Special Edition)

The Zorro brand of hot-blooded derring-do returns with The Legend of Zorro, starring Antonio Banderas and Catherine Zeta-Jones in the roles that brought them stardom with The Mask of Zorro. Now married for ten years and parents to young rascal Joaquim (charming Adrian Alonso, perhaps being set up for a future Son of Zorro), dashing swordsman Alejandro (Banderas, a Spaniard playing a Mexican) and sultry spitfire Elena De La Vega (Zeta-Jones, a Welshwoman playing a Spaniard) abruptly divorce, sending Alejandro on a drunken binge--which only gets worse when he learns Elena is being wooed by the mysterious Armand (Rufus Sewell, a Brit playing a Frenchman). Little does Alejandro know that Elena has ulterior motives, and that a worldwide conspiracy and a secret weapon will soon threaten the integrity of the U.S. The Legend of Zorro has way too much plot, leaving room for only two genuinely preposterous donnybrooks and a handful of lackluster brawls. Banderas and Zeta-Jones flash a bit of their considerable charisma, but by and large they (and the movie as a whole) are on autopilot. Not awful, but lacking any real spark. --Bret Fetzer

Having spent the last 10 years fighting injustice & cruelty alejandro de la vega is now facing his greatest challenge: his loving wife elena has filed for divorce & taken up with count armand who is behind a terrorist plot to destroy the u.S. Zorro has to try & save 2 unions before its too late! Studio: Sony Pictures Home Ent Release Date: 06/26/2007 Starring: Antonio Banderas Rufus Sewell Run time: 129 minutes Rating: Pg

Intolerable Cruelty (Widescreen Edition)

Sparks fly when brilliant divorce attorney miles massey meets his match in the beautiful but ruthless marilyn. A hilarious romantic comedy about men women and everything that can go wrong between them. Studio: Uni Dist Corp. (mca) Release Date: 05/23/2006 Starring: George Clooney Catherine Zeta Jones Run time: 100 minutes Rating: Pg13

A sleek George Clooney and a seductive Catherine Zeta-Jones square off magnificently in the divorce comedy Intolerable Cruelty. The plot is simple: Lawyer supreme Miles Massey (Clooney, Out of Sight, Ocean's Eleven) skillfully outmaneuvers gold-digger Marylin Rexroth (Zeta-Jones, Chicago, Traffic) when she divorces her wealthy husband--and she sets out to get revenge. But this movie comes from the creative minds of the Coen Brothers (Fargo, Raising Arizona, O Brother Where Art Thou?), and so Intolerable Cruelty includes a Scottish wedding chapel in Vegas, an asthmatic hit man, fluffy-dog-stroking European nobility, and a legendarily unbreakable pre-nuptial agreement. Still, it's pretty restrained for the Coens; smooth and consistent, it never stumbles as disappointingly as their movies can, but also never quite hits the operatic pitch of their best work. It's still damn funny, though, with top-notch performances from the leads as well as Geoffrey Rush, Cedric the Entertainer, and Billy Bob Thornton. --Bret Fetzer

The Terminal (Widescreen Edition)

Like an airport running at peak efficiency, The Terminal glides on the consummate skills of its director and star. Having refined their collaborative chemistry on Saving Private Ryan and Catch Me if You Can, Steven Spielberg and Tom Hanks mesh like the precision gears of a Rolex, turning a delicate, not-very-plausible scenario into a lovely modern-age fable (partly based on fact) that's both technically impressive and subtly moving. It's Spielberg in Capra mode, spinning the featherweight tale of Victor Navorski (Hanks, giving a finely tuned performance), an Eastern European who arrives at New York's Kennedy Airport just as his (fictional) homeland has fallen to a coup, forcing him, with no valid citizenship, to take indefinite residence in the airport's expansive International Arrivals Terminal (an astonishing full-scale set that inspires Spielberg's most elegant visual strategies). Spielberg said he made this film in part to alleviate the anguish of wartime America, and his master's touch works wonders on the occasionally mushy material; even Stanley Tucci's officious terminal director and Catherine Zeta-Jones's mixed-up flight attendant come off (respectively) as forgivable and effortlessly charming. With this much talent involved, The Terminal transcends its minor shortcomings to achieve a rare degree of cinematic grace. --Jeff Shannon

After arriving at nys jfk airport viktor vivorski gets caught in bureaucratic glitches that make it impossible for him to return to his home country or enter the u.S. Now caught up in the world inside the airport viktor makes friends gets a job & finds romance - all inside the terminal. Studio: Paramount Home Video Release Date: 05/01/2007 Starring: Tom Hanks Stanley Tucci Run time: 128 minutes Rating: Pg13

America's Sweethearts

America's Sweethearts is just the kind of romantic froth that makes for pleasant viewing on a lazy, rainy day. While Julia Roberts, John Cusack, and Catherine Zeta-Jones offer high-wattage marquee value, costar and cowriter Billy Crystal reworks Singin' in the Rain for latter-day Hollywood, where estranged superstars Gwen (Zeta-Jones) and Eddie (Cusack) reluctantly promote their latest movie by pretending their messily disputed relationship is still going strong. The studio chief (Stanley Tucci) is desperate for a hit, so he hires a seasoned publicist (Crystal) to orchestrate a press junket that will cast everyone in a profitable light. The catch: The director (Christopher Walken) has abducted his own film in an act of artistic extortion, and Gwen's sister and longtime assistant Kiki (Roberts) is the true object of Eddie's desire.

Chaos ensues at the luxury hotel where the junket is scheduled, and America's Sweethearts pokes easy fun at the cynical machinery that keeps Hollywood running. Quotable quips are delivered in abundance, and while Zeta-Jones is readily convincing as a bitchy narcissist, Roberts effortlessly steals the show with her trademark charms. All of which makes America's Sweethearts lightly entertaining, even though it never rises (like Roberts's earlier Notting Hill) to the level of classic romantic comedy, hampered by a script that too often substitutes easy laughs for ripe satirical invention, flashing a phony grin when it should be baring its fangs. --Jeff Shannon

For kiki being the personal assistant to beautiful megastar gwen isnt easy. In fact its nearly impossible since the man of her dreams is eddie. Gwens estranged husband. Kiki is given the monumental task of helping gwen and eddie make it through a press junket organized by publicity exec lee phillips. Studio: Sony Pictures Home Ent Release Date: 07/19/2005 Starring: Julia Roberts Catherine Zeta-jones Run time: 103 minutes Rating: Pg13 Director: Joe Roth