Antonioni, Michelangelo

Blow Up

This 1966 masterpiece by Michelangelo Antonioni (The Passenger) is set in the heady atmosphere of Swinging London, and stars David Hemmings as an unsmiling fashion photographer hooked on ephemeral meaning attached to anything: art, sex, work, relationships, drugs, events. When a real mystery falls into his lap, he probes the evidence for some reliable truth, but finds it hard to reckon with. Vanessa Redgrave plays an enigmatic woman whose desperation to cover something up only seems like one more phenomenon in Hemmings's disinterested purview. This is one of the key films of the decade, and still an unsettling and lasting experience. --Tom Keogh

A photographer who is talented but aimless has photographed violence and pain without feeling any involvement. When he takes pictures of a couple in a park he finds that he may have discovered a mystery one that insists on involving him. Studio: Warner Home Video Release Date: 02/17/2004 Starring: Vanessa Redgrave David Hemmings Run time: 111 minutes Rating: R Director: Michelangelo Antonioni

The Passenger

A burned-out journalist assumes the identity of a dead man & embarks on a dangerous charade including meetings with gun runners & an affair with a mysterious young woman. Studio: Sony Pictures Home Ent Release Date: 04/24/2007 Starring: Jack Nicholson Maria Schneider Run time: 126 minutes Rating: Pg13

The Passenger is one of those movies that is all about the vision of the director, in this case, screen legend Michelangelo Antonioni. Starring none other than Jack Nicholson, and featuring a plot billed as an international romantic thriller, The Passenger defies expectations by turning the genre on its head, making the characters and the story secondary to theme and tone. London-based Journalist David Locke (Nicholson) is working in North Africa when a fellow traveler by the name of David Robertson, who looks remarkably like him, happens to die suddenly. Burned out and depleted, Locke decides to assume the dead man's identity, drops everything, and starts again as a new man with a new life. With no idea of who Robertson was or what he did for a living, Locke uses Robertson's datebook as a guide as he travels through Europe and Africa, takes meetings with people he finds out are gun runners, and ends up falling for a beautiful young woman (Maria Schneider). As Robertson, David Locke thinks he has found an exhilirating new freedom, but the fact is he's in over his head: there are people looking for him and his life could be in danger.

The movie is a thriller in structure only. While designed for suspense, it's just a premise for Antonioni to explore on themes of identity, humankind's seemingly futile relationship to the world around us, and isolation. For Antonioni, the action is the means by which the image unfolds, and not the other way around. The actors and the plot are set pieces, simply smaller means to a larger end, and the image and atmosphere supersede all else. A slow pace, long, lingering shots, a focus on emptiness, and a detached, almost brutally objective point of view are the trademarks on full display here. Especially notable is the stunning seven-minute long shot in the final scene, one of the most famous in cinema history, which Nicholson, in his commentary, tags as an "Antonioni joke." It caps a crowning achievement by one of the big screen's most visionary directors.

On the DVD:
The commentaries are most definitely welcome guides, and those looking for a way into the movie and into Antonioni's head will really enjoy them. Jack Nicholson provides one commentary track where he generously shares his memories of the shoot, his thoughts on the movie thirty years on, and lets out the secret of how they managed to get the camera through the bars on the window for that seven-minute shot in the last scene. On the second commentary track, journalist Aurora Irvine and screenwriter Mark Peploe offer more of a wide-angle lens view of the movie and its place in history. Both are insightful narratives—Nicholson's is particularly enjoyable--and make excellent additions to the DVD. --Daniel Vancini

L'Avventura - Criterion Collection

Studio: Image Entertainment Release Date: 06/05/2001 Run time: 143 minutes

Considered by many to be his masterpiece, L'Avventura positioned Michelangelo Antonioni as an international talent. What appears to be a search for a missing person is actually an examination of alienation and self-discovery found along a voyage through the morally decadent world of the idle rich. Less concerned with a smooth plotline, Antonioni tells his story through the use of symbolic images and flawless character development. Using 'real time' camera shots and rich, landscape imagery, Michelangelo Antonioni creates an unpredictable world where nothing is ever resolved. Ironically, what makes L'Avventura so unpredictable is the high level of realism portrayed by each character and their environments. This isn't your packaged, formulaic film with a happy ending. A tough one to watch but well worth it...and it gets better and better with repeat viewings. L'Avventura is quintessential Antonioini. Not to be missed. --Rob Bracco

L'Eclisse - Criterion Collection

Michelangelo Antonioni's L'Eclisse rolls over you and wraps you in its stylish embrace. The plot, such as it is, follows Vittoria (luscious Monica Vitti, The Red Desert) as her engagement falls apart and she slowly falls into a giddy but anxious affair with Piero (Alain Delon, Le Samourai, Purple Noon), a trader in Rome's stock exchange. Like Ingmar Bergman (Scenes from a Marriage, Persona), Antonioni examines the nuances of human relationships--but where Bergman is dense and dialogue-driven, Antonioni is spare and visual (there's maybe a page of dialogue in the first fifteen minutes of L'Eclisse). Every frame is like an exquisite black and white photograph, yet there's nothing static about this movie. It's fluid, sleek, and graceful, achieving its own kind of visual music. L'Eclisse contrasts opposing elements: Light and shadow, noise and silence, laughter and death, love and money, desire and dissatisfaction. Critics often describe the movie as a portrait of modern alienation, but they focus too much on Vittoria herself; while she finds her own life wanting, all around her Antonioni's camera captures a much larger world, full of as much vitality as despair, as much hope as loss. This is a movie essential to anyone's understanding of what movies can be. --Bret Fetzer

The conclusion of Michelangelo Antonioni's informal trilogy on modern malaise, which began with L'avventura, L'eclisse (The Eclipse) tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) only to drift into a relationship with another (Alain Delon).

La Notte

Continuing the "alienation trilogy" that began with L'Avventura and ended with L'Eclisse, Michelangelo Antonioni's La Notte is a visually arresting, emotionally numbing exercise in chronic ennui. The film's anesthetizing effect is entirely intentional; Antonioni's central couple (Marcello Mastroianni as a self-absorbed novelist, Jeanne Moreau as his bored and wealthy wife) wallow in their own emotional desolation, constantly drifting--and in Moreau's case, literally drifting--from one disaffected scene to the next. Antonioni's pained study of modern detachment is richly supported by his visuals, often placing his isolated characters in a harsh landscape of empty glamor and even emptier emotions. Driving the point home is Monica Vitti as Marcello's would-be mistress; in their aimless lassitude, neither can muster the necessary passion. It's all too superficial to register with any lasting dramatic impact, but La Notte remains the fascinating work of a master, redefining how movies reflect the many facets of humanity. --Jeff Shannon

Antonioni's study of alienation and moral decay chronicles a day in the life of a middle-class couple whose marriage has been destroyed by mutual indifference and impenetrable loneliness.

Story of a Love Affair

Before becoming the poster child for the extreme arty, slow paced foreign films of the '60s, Michealanglo Antonioni actually developed his craft on very straightforward, neo-realistic films. Story of a Love Affair (1950) was Antonioni's first feature-length dramatic film, and much to his critics' chagrin, it is extremely linear, it has limited drawn out, "real time" shots, and his actors actually project more emotion than the typical "Antonioni apathy." Enrico (Ferdinando Sarmi) is an extremely wealthy and jealous husband who suspects his young, beautiful bride, Paola (Lucia Bosé), is unfaithful. Instead of confronting her directly, he hires a private detective (Gino Rossi) to investigate her past. While checking up on the mysterious death of Paola's friend, the private dick indirectly puts one of Paola's old lovers (Massimo Girotti) back in contact with his client's wife. Though originally separated due to the death of their close friend, seeing each other sparks up some buried passion that ironically will put Enrico and Paola's marriage to the test. Like his contemporaries' earlier works, Story of a Love Affair is a must for cinephiles who love to see all those "Antonioni-style" trademarks in their infancy. Of particular note is the typical Antonioni shot, in which where the two main characters have a full conversation with their backs to the camera. Though Story of a Love Affair does not pack the historical punch of L'Avventura or Blow Up, it is definitely more approachable for the general public and an excellent neo-realistic film in its own right. --Rob Bracco

Groundlessly jealous of his wife's romantic past, Enrico Fontana hires a private detective to finally determine whether she is faithful or not. Ironically, his suspicious attitude unconsciously brings his wife Paola (Lucia Bosé) together with Guido (Massimo Girotti), a man with whom she had once been in love. Paola and Guido's past was clouded in tragedy. Guido had been involved with Paola's close female friend's death. Their passion rekindled once again, the lovers even get to the point where they are thinking about murdering Enrico… After making highly regarded documentaries, STORY OF A LOVE AFFAIR was Michelangelo Antonioni's first feature length dramatic film. It also signalled a significant change in the direction of post-war neo-realism. Antonioni, the future director of L'AVVENTURA, L' ECLISSE, BLOW-UP and ZABRISKIE POINT had already begun set down the fundamentals of his future films, exploring the uneasy emotions that lie between the gazes of his characters. Winner of the Italian Film Journalist's Silver Ribbon for Best Music and a Special Award to Michelangelo Antonioni, this masterpiece still exudes extraordinary and intensely innovative power. Renowned filmmaker Martin Scorsese has declared STORY OF A LOVE AFFAIR to be one of his all-time favourite and NoShame films is proud to present it for the first time ever on DVD in America, loaded with exclusive extra materials and remastered from the newly restored 35mm film elements.

Il Grido

Le Amiche

Academy Award-winning director Michelangelo Antonioni (Blow Up, Beyond the Clouds) explores women's evolving role in society and the conflict between love and career in this engrossing drama. Clelia, a beautiful young woman who lands her dream job in a glamourous Italian fashion house, soon finds herself plunged into a cruel world of phony, shallow people. The only honesty in her life is the pure love offered by Carlo, a young, socially impoverished assistant architect. But is it enough? With its fascinating, multi-layered story, rich characterizations and superb performances, "Le Amiche" remains one of Antonioni's most beloved works.

Beyond The Clouds

Eighty-six year old Italian master Michelangelo Antonioni is considered one of the greatest living directors, his prolific career spanning a fifty year period. He recently received an Academy Award for Lifetime Achievement and the American Film Institute's highest honor. Image Entertainment is proud to present the DVD of Antonioni's latest work, the European success "Beyond the Clouds." Told from the dreamlike perspective of a wandering film director, the movie weaves four stories of love and lust, inspired by Antonioni's writings about enigmatic, unrequited or unresolved relationships. Set in several beautiful European locales such as Portofino and Paris, the film uses striking compositions, sensuous shots of lovely nudes and a moving musical score (featuring Van Morrison, U2 and Brian Eno) to create a radiant meditation on love and desire. The film is co-directed by Wim Wenders (Buena Vista Social Club, Wings of Desire) and boasts an eclectic international cast including John Malkovich, Sophie Marceau, Irene Jacob, Jean Reno and Vincent Perez.

Red Desert

Richard Harris and Monica Vitti star in writer/director Michelangelo Antonioni's masterpiece. An alienated Italian wife searches for meaning in the industrial lunar landscape of Northern Italy, to no avail. Highly acclaimed as a masterpiece of visual form and the winner of the International Critics Award for Best Film at the Venice Film Festival in 1964.