Bacon, Lloyd

The Frogmen

Richard Widmark plays Lt. Commander John Lawrence, a sympathetic but unfairly disliked leader of a group of Navy underwater demolition experts in the fascinating World War II drama The Frogmen. Basically a story written around some authentic Navy footage of real frogmen in action, the film is full of daring maneuvers that (even when occasionally simulated) reveal much about the clandestine operations of frogmen as they engage in reconnaissance and ambushing missions, sometimes under cover of night. As such, The Frogmen will delight Navy buffs, but the very human tale of a commanding officer losing the respect of his men for reasons he can't help is universally compelling. Dana Andrews and Jeffrey Hunter play two of the men under Lawrence's command who request transfers after Widmark's officer proves a little more by-the-book than their previous, much-beloved boss. Gary Merrill has a nice supporting role as a ship's reflective, pipe-chewing commander who befriends Lawrence and helps him get through a tough time. There are several, nicely suspenseful set pieces, including a harrowing scene involving an unexploded torpedo sticking its nose into sick bay (while a major character is helpless to flee). --Tom Keogh

Knute Rockne All American

Long before Rocky Balboa went the distance, there was the original Rock--as in Knute Rockne. His story, a classic 1940 biopic, combines vintage gridiron action with heart-tugging sentiment. Yup, this is the film with the famous halftime pep talk and Ronald Reagan's "win just one for the Gipper" deathbed plea. Yeah, it's corny. But so what. Lloyd Bacon, one of Hollywood's ablest craftsmen (42nd Street), directed with just the right scrappy disregard for genre conventions. Reagan, in his third best vehicle (behind King's Row and The Killers), plays George Gipp, the Fighting Irish's first All- American, who died of pneumonia in 1920; the always-reliable Pat O'Brien plays Notre Dame coach Rockne as a living, breathing icon--part father confessor, part Patton, part idealized father figure. Before he spurs the lads to victory, he changes the face of the sport--by inventing the forward pass, no less. --Glenn Lovell

"I've decided to take up coaching as my life work," Knute Rockne says. Coach he does, revolutionizing football with his strategies, winning close to 90 percent of his games, and helping establish the University of Notre Dame's Fighting Irish as a gridiron powerhouse. But victories alone do not mean success to Rockne. He wants to shape his players into responsible and honorable men. This famed sports biopic combines a passion for the game (and footage of actual Notre Dame contests) with two superb performances: Pat O'Brien in the title role and Ronald Reagan as George Gipp, the gifted but doomed halfback whose deathbed plea is "win just one for the Gipper." The line remains one of cinema's most memorable. And for the rest of his life, Reagan would often be called the Gipper.

Brother Orchid

Racket Boss John Sarto tired of gang violence quits and goes to Europe for "culture." His fortune soon dissipated by European swindlers he returns to the old mob; but new boss Jack Burns finds him strictly superfluous. Narrowly escaping being rubbed out Sarto is taken in by the monastery of the "Little Brothers of the Flower." His unique talents prove very useful to the monks...especially when Sarto's old mob forces them out of the flower market.Running Time: 128 min.Format: DVD MOVIE Genre: DRAMA/CLASSICS UPC: 883929002702 Manufacturer No: 1000035744

42nd Street (Keep Case)

Set during the depression, this is the granddaddy of backstage musicals in which the understudy finally gets a chance to shine. It may seem a little cliché now, but in 1933 this was hot stuff. All that behind-the-scenes atmosphere feels very genuine, and the script is more acerbic than you might expect.

A sickly Julian Marsh (Warner Baxter) puts his all into what may be his last show, only to face a disaster when leading lady Dorothy Brock (Bebe Daniels) sprains her ankle. Thank heavens for ingenue Peggy Sawyer (Ruby Keeler), who steps in at the last minute. The vivacious soundtrack includes "Shuffle off to Buffalo," and the still-catchy title tune. Best of all are those extravagant, kaleidoscopic dance numbers by Busby Berkeley, then in his prime. --Rochelle O'Gorman

When the leading lady of a Broadway musical breaks her ankle, she is replaced by a young unknown actress, who becomes the star of the show.

Marked Woman

In the mood for a dose of unfiltered, high-octane Bette Davis? Check out Marked Woman, a bristling 1937 vehicle from her early Warners period. This one is loosely based on the Lucky Luciano saga, with maybe a few borrowings from Edna Ferber's Stage Door. Davis plays the feistiest of a group of clip-joint girls, who board together when they're not cutting a rug with clients (read: suckers) at a nightclub. Crusading district attorney Humphrey Bogart wants Davis to testify against mobster Eduardo Ciannelli, but the price would be high. Meanwhile, Bette's innocent little sister (Jane Bryan) comes to visit from college and gets more than she bargained for. The melodrama of the story is a blunt object, but you won't be able to keep your eyes off Davis, who spits and sparks like a young dragon. She's so electrically "on" that other actors sometimes look a little afraid of her. The film is true to the Warners spirit of surveying a lower tier of society, and the actresses who play the clip-joint girls have an earthy energy (Isabel Jewell is a standout). One of them is Mayo Methot, the tough-looking character actress who married Bogart shortly after the film's release. --Robert Horton

Young assistant District Attorney uses a prostitute to indict gang of racketeers, its czar and his underlings.

A Slight Case of Murder

Prohibition's ban on booze is over and that means bootlegger Remy Marco must make some changes. Don't go calling his beer-peddling enterprise a racket. It's now a business. Employees are no longer lugs or palookas they're associates. And don't refer to Marco as da boss. Use sir. He's gone legit see? Edward G. Robinson plays Marco spoofing his Little Caesar persona in a comedy spree based on Damon Runyon and Howard Lindsay's Broadway play. Lloyd Bacon director of Robinson's gangster sendups Brother Orchid and Larceny Inc. guides with screwball flair as corpses creditors the swellest of swells and more mayhem descend on Marco. Allen Jenkins Edward Brophy and Harold Huber with 340+ career credits between them are among the lugs-cum-associates. You're about to open a major case of laughter.Running Time: 85 min.Format: DVD MOVIE Genre: COMEDY UPC: 012569679511 Manufacturer No: 67951

Anyone with a fondness for the classic Warner Bros. gangster pictures--and those classic character actors who seemed to show up in every movie the studio made--should relish this cheerful late-'30s takeoff on the genre. Edward G. Robinson exuberantly sends up his own "Little Caesar" image, playing a beer baron named Remy Marco who made a dishonest fortune during Prohibition and craves respectability as a legitimate businessman once beer becomes legal again. Problem is, he's no longer the sole source of suds, and as nobody has ever had the heart to tell him, his product tastes like varnish. What's more, just as the bank is about to foreclose on his brewery, he finds that his summer vacation home upstate is inconveniently full of fresh gangland corpses....

Based on a play by Howard Lindsay and "guys and dolls" chronicler Damon Runyon, and helmed by one of Warners' zippiest directors, Lloyd Bacon, A Slight Case of Murder features a trio of delicious lugs--Allen Jenkins, Edward Brophy, and Harold Huber--as Marco's house staff and the hilarious Ruth Donnelly as his blowsy wife, with an affected upper-crust accent that keeps slipping. Add a supporting cast of characters with monikers like Innocence, No-Nose Cohen, Douglas Fairbanks Rosenbloom, and Sad Sam the Bookie, and you should be one happy citizen. --Richard T. Jameson

Baseball Double Feature - Kill the Umpire / Safe at Home

Kill The Umpire - Ex-baseball player Bill Johnson (William Bendix) failing at many jobs when his ball-playing days are over reluctantly takes the advice of his father-in-law Jonah Evans (Ray Collins) a retired umpire and enters an umpire-training school. Assigned to the Texas League he does fine until the championship play-offs when a riot develops over one of his calls. The involved player is knocked unconscious in the proceedings and cannot verify that Bill made the correct call. Despite lynch mob plans to at least tar-and-feather him Bill's family - his daughters Lucy (Gloria Henry) and Susan (Connie Marshall) and his wife Betty (Una Merkel) - help Bill reach the ballpark safely the next day through a series of hair-raising encounters.Safe At Home! - Young Hutch Lawton brags to his Little League buddies that his dad knows Mickey Mantle and Roger Maris. Forced to "put up or shut up" Hutch goes to spring training camp where he is lectured about honesty being the best policy. He returns to face his buddies with the truth to find the entire Little League team invited to camp.Format: DVD MOVIE Genre: SPORTS/GAMES UPC: 043396168824 Manufacturer No: 16882

Kill the Umpire and Safe at Home reside cozily on this family-friendly disc, a pair of entertaining movies about baseball-crazy characters with very different reasons for getting close to the game. The 1950 Kill the Umpire stars William Bendix as Bill Johnson, a working man so enamored of America's pastime that he regularly loses jobs because he can't stay out of his favorite New York ballpark when he's supposed to be at the office. Loudly disdainful of all umpires, Bill gets both a blessing and a comeuppance when his father-in-law (Ray Collins), a retired ump, sends him off to umpire school to learn the profession he deserves. After a lot of resistance, Bill understands the basic nobility of being the guy people love to hate despite also being necessary to baseball. The script is by Frank Tashlin, the animation director who would soon have better things to do in the 1950s and beyond, such as directing Will Success Spoil Rock Hunter? and guiding Jerry Lewis in some of his best vehicles. Indeed, Kill the Umpire, in many ways, looks like a collection of old cartoon gags connected by Bendix's charming performance. But under the sure hand of seasoned director Lloyd Bacon (Knute Rockne All-American), it all comes together nicely.

The 1962 Safe at Home is built around the presence of New York Yankees stars Roger Maris and Mickey Mantle, who prove stiff but game playing themselves in the story of a little boy who gets in trouble for overstating his friendship with them. Young Hutch Lawton (Bryan Russell), a motherless child trying hard to help his preoccupied dad (Don Collier) build a business, brags to his Little League team that he knows Maris and Mantle, then sets out on a journey to talk the legendary sluggers into going back with him to meet the team. William Frawley (who also appears in Kill the Umpire) helps keep the pace going as the Yankees' manager, and Patricia Barry is a welcome presence as Mr. Lawton's love interest. --Tom Keogh

Warner Gangsters Collection, Vol. 2 (Bullets or Ballots / City for Conquest / Each Dawn I Die / G Men / San Quentin / A Slight Case of Murder)

Packin' A Punch...and Packin' Heat! On the heels of the success of the Warner Bros. Gangster Collection the Warner Bros. Tough Guys Collection delivers six all new to DVD Classics featuring Hollywood's greatest Academy-Award winning Tough guys - James Cagney Humphrey Bogart and Edward G. Robinson.Running Time: 519 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE/CRIME UPC: 883929005628 Manufacturer No: 1000036234

Say "Warner Bros. in the '30s" and you're talking, first and foremost, about the tough, gritty, urban, street-smart movies that help define that American decade for us. Which means you're talking about James Cagney, Edward G. Robinson, and Humphrey Bogart: unpretty but charismatic guys with lived-in faces, and bodies that always seemed cocked, ready to spring. When one of them entered a room, he owned it, no matter how many people were there already. Their most celebrated habitat was the gangster picture. The genre didn't originate with them, but they, more than anybody else, defined it, gave it a face and a silhouette and a heartbeat.

The films in this set were produced half a decade and more after Little Caesar and The Public Enemy made stars of Robinson and Cagney, respectively, and after repeal had begun to lend Prohibition the patina of nostalgia. The studio's gangster franchise was evolving, and so were the careers of its top stars. When it came to toughness, the boys could still dish it out, and take it, too. But increasingly they were doing it on the other side of the law-and-order divide.

Cagney was first to reform. In 1935's "G" Men he plays a lawyer put through college by the avuncular neighborhood crimelord. After a law-school pal turned F.B.I. agent is murdered, Cagney abandons his (resolutely legit) one-man practice and joins the Bureau. The film memorializes several big moments in F.B.I. legend, but what's grabbiest is the personal drama growing out of Cagney's lingering underworld friendships. William Keighley directs the murders and shootouts with jolting ferocity, Barton MacLane and Edward Pawley supply flavorful villainy, and there are times when Sol Polito's cinematography literally glows (all these films have been restored, but "G" Men looks especially terrific). One gripe: The movie should have been presented without the F.B.I.-classroom intro tacked on for 1949 reissue (which belongs under "Special Features").

In Each Dawn I Die (also Keighley, 1939), Cagney teams with George Raft making his Warners debut. It's mostly a prison picture, with muckraking reporter Cagney behind bars after being framed by crooked politicos. Career felon Raft has little sympathy for him till Cagney proves to be a stand-up guy, whereupon the two bond in mutual loathing of sadistic guards, rat-fink convicts, and the endlessly malleable system. The movie boasts one indelible scene (involving a movie screening for the cons), some evocative prison workhouse detailing, and a fine Cagney performance as always. But it's undone by a script cluttered with melodrama and contrivance.

Bullets or Ballots (Keighley yet again, 1936) is much more satisfying. Again we get two icons for the price of one, with Robinson as a tough but square-shooting police detective and Bogart as the ambitious number-two man to a big-time racketeer. Bogart's effectively the co-star, albeit fourth-billed behind Robinson, Joan Blondell, and Barton MacLane. But it's Eddie G.'s movie, and he walks the line beautifully as an honest cop who, unjustly jettisoned from the force, signs on with the mobster he's long pursued. Despite a rhetorical reference to "ballots" as the public's means of combatting crime, it's bullets that get the job done. Bullets and fists: the movie makes clear that Robinson has beaten confessions out of people plenty of times, just as it has no illusions about the empty symbolism of crime commissions and grand juries.

The only other Bogart vehicle in the set is San Quentin (Lloyd Bacon, 1937), a scrap-work effort below the standards of everybody involved. Bogart's a small-time crook whose arrest at a nightclub occasions a meet-cute for his big sister Ann Sheridan and Army training officer Pat O'Brien--who's on his way to become yard captain at the penitentiary where Bogart will be interred! O'Brien tries to reform the lad, but with corrupt/sadistic guard Barton MacLane on one side and sociopathic con Joe Sawyer on the other, Bogart never has a chance. Neither does the viewer.

Lloyd Bacon, normally one of Warners' zippiest directors, is back on his game with A Slight Case of Murder (1938), a delicious gangster comedy. Robinson plays beer baron Remy Marco, who craves respectability as a legitimate businessman once beer is legal again. Problem is, nobody has ever had the heart to tell him his product tastes like varnish, and soon the bank is out to foreclose on his brewery. At which point Remy learns that his summer home upstate is full of fresh gangland corpses.... Based on a play by Damon Runyon and Howard Lindsay, the picture gives a trio of glorious goons--Allen Jenkins, Edward Brophy, and Harold Huber--a rare chance to shine as Marco's house staff.

City for Conquest (1940) ought to be the showpiece here. It's the longest and most ambitious entry, with prestige-picture scale and production values (including Polito and James Wong Howe as cameramen) and a cast including Cagney, Ann Sheridan, Arthur Kennedy, Frank McHugh, Donald Crisp, Anthony Quinn, Jerome Cowan, and--in his first of only two film performances--future directorial giant Elia Kazan. Working-stiff Cagney loves his gifted musician brother (Kennedy) and childhood sweetheart (Sheridan), a dancer with her own aspirations for the limelight; he becomes a boxer in order to pay for the brother's musical education. Triumph and tragedy ensue. The film's avowed aim, and Kennedy's, is to create an urban symphony of New York and the many little people striving against all odds to rise; there's even a one-man Greek chorus--Frank Craven, the Stage Manager of the recent Our Town--to hammer the theme periodically. But over the previous decade Warners' honest, hard-charging, small-scale movies had collectively achieved that "symphony," without the pompous flourishes Anatole Litvak's direction brings to the project. Here's hoping DVD showcases more of them. --Richard T. Jameson

Picture Snatcher

Here?s Cagney as Danny Kean a former gangster who has decided to go straight after a stretch in the big house. Danny has fallen for Patricia (Patricia Ellis) the daughter of the cop who put him away (Robert Emmett O'Connor). Dad isn't convinced that Danny has left his life of crime behind him and he isn't too impressed with his new career taking pictures for a sleazy tabloid newspaper. Between getting a lurid photo of a fireman in front of a burning building (where his wife and her lover met their fate) and a daring shot of a woman being executed (based an actual incident when a New York Daily News photographer got a photo of Ruth Snyder in the electric chair) Danny's work is selling papers but hardly making Officer O'Connor think his daughter is in good hands (especially since he was in charge of press security for the execution).Format: DVD MOVIE Genre: DRAMA/CRIME & CRIMINALS UPC: 883929002740 Manufacturer No: 1000035749

San Quentin

Do the crime do the time. But what happens during the long years spent behind the walls of San Quentin? The penitentiary's new yard captain wants to make those years a time of rehabilitation rather than punishment. But not everyone's buying it. "He's just another copper to me" snarls inmate Red Kennedy. Humphrey Bogart portrays Red continuing his climb to stardom in this brisk film that's one of a string of Depression-era works combining gangster-movie elements with a Big House setting. Studio mainstay Pat O'Brien plays Steve Jameson whose carrot-and-stick reforms begin to change Red's thinking. An inmates' strike and a scripture-quoting con who swipes a rifle are among the troubles Jameson faces. And Red is another as he reverts to his old ways and makes a violent break for freedom.Running Time: 70 min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569677449 Manufacturer No: 67744