Badham, John

Short Circuit

Everyone s favorite lovable robot has finally returned to home video at a new price! Something wonderful has happened Number five is alive! Steve Guttenberg (cocoon) and Ally Sheedy (The Breakfast Club) co-star in this high-tech comedy adventure about number five a mischievous robot who escapes into the real world after he short-circuits in an electrical storm. Because he s considered a destructive weapon the Defense Department and his designer are desperate to find him but Number Five is being protected by a young woman who teaches him a gentler way of life. Other Information: Runnig Time 99 MinFormat: DVD MOVIE

John Badham's family-oriented adventure comedy, though obviously hatched in the wake of E.T. and Star Wars, manages to create its own identity through a sweet tone and an affectionate sense of fun. Military robot Number 5, a well-armed killing machine, is zapped by lightning during a test and emerges with a consciousness, curiosity, a wacky sense of humor, and a new peace-loving philosophy. Ally Sheedy (who debuted in Badham's hit WarGames) is the animal lover whose home is sanctuary for a zoo-full of strays and who adopts the adolescent robot. Steve Guttenberg is the goofy but reclusive robotics designer who goes off in search of his creation to save him from the gun-happy army. The mix of gentle slapstick and innocent romance makes for a harmless family comedy. It veers toward the terminally cute, what with 5's hyperactive antics and E.T.-ish voice, and the mangled grammar of Guttenberg's East Indian sidekick (Fisher Stevens) threatens to become offensive, but Badham's breezy direction keeps the film on track. Sheedy and Guttenberg deliver spirited and engaging performances, but most importantly the robot emerges as a real person. Give credit to designer Syd Mead, an army of puppeteers and robotics operators, and the cartoony voice of Tim Blaney: Number 5 is alive. --Sean Axmaker

War Games

Cute but silly, this 1983 cautionary fantasy stars Matthew Broderick as a teenage computer genius who hacks into the Pentagon's defense system and sets World War III into motion. All the fun is in the film's set-up, as Broderick befriends Ally Sheedy and starts the international crisis by pretending while online to be the Soviet Union. After that, it's not hard to predict what's going to happen: government agents swoop in, but the story ends up in the "hands" of machines talking to one another. Thus we're stuck with flashing lights, etc. John Badham (Saturday Night Fever) directs in strict potboiler mode. Kids still like this movie, though. The DVD release has a widescreen presentation, theatrical trailer, Dolby sound, director commentary, optional English, French and Spanish subtitles. --Tom Keogh

Matthew Broderick (Ferris Bueller's Day Off) and Ally Sheedy (The Breakfast Club) star in this compelling drama filled with action, suspense and high-tech adventures! Featuring superb performances by Dabney Coleman and Barry Corbin, WarGames is "brilliant...funny...and provocative" (New York)a fast-paced cyber-thriller. Computer hacker David Lightman (Broderick) can bypass the most advanced security systems, break the most intricate secret codes and mastereven the most difficult computer games. But when he unwittingly taps into the Defense Department's war computer, he initiates a confrontation of global proportionsWorld War III! Together with his girlfriend (Sheedy) and a wizardly computer genius (Tony AwardÂ(r) winner John Wood), David must race against time to outwit his opponent...and prevent a nuclear Armageddon.

Bird on a Wire

This action-comedy from 1990 makes the critical mistake of trying to mix a potentially suspenseful plot with the kind of humor that Mel Gibson can only get away with in his Lethal Weapon movies. It doesn't work here because the movie's supposed to be a Hitchcockian thriller and Mel's wisecracking--not to mention some implausible plot twists and ridiculous chase scenes--makes it impossible to take any of this movie seriously. It works best as a lightweight vehicle for Gibson and Goldie Hawn, who bring their own established appeal to their roles as old lovers who are reunited under unexpectedly dangerous circumstances. After testifying against some drug-running killers, Mel's been safe under the protection of the FBI's witness relocation program, and Goldie coincidentally enters his life again just as the bad guys are hot on Mel's trail. They join up and go on the run from the villains and ... well, let's just say director John Badham doesn't have any big surprises up his sleeve. Goldie and Mel are enjoyable, as always, but you'd have to be their biggest fan to watch this movie more than once. --Jeff Shannon

Nick of Time

The clock is ticking for Johnny Depp in Nick of Time, a twist-filled, race-against-time thriller directed by John Badham (Drop Zone, Saturday Night Fever). And indeed it is a race, filmed in "real time" so that onscreen events unfold minute by nail-biting minute as they would in real life. No sooner does accountant Gene Watson (Depp) arrive at L.A.'s Union station with his six-year-old daughter than he's plunged into a nightmare. Two shadowy strangers (Christopher Walken, Roma Maffia) separate Watson from his little girl, slap a gun into his hand and present a devil's bargain: kill a top government official before she leaves a nearby political rally... or never again see his beloved child.

American Flyers

American Flyers takes you on the road for exciting world-class cycling competition as two brothers struggle to win a race and to regain the respect and affection they once shared. Achievement-oriented Marcus (Kevin Costner) is a nationally-ranked cyclist. Younger brother David (David Grant) is a drifter content to cruise through life on a 10-speed. Time-and the painful events surrounding their father's death-have turned the siblings' differences into an open rift. So they try to bridge the gap by competing together in the Hell of the West a grueling race through the Rocky Mountains. For the first time ever the brothers train and race side-by-side...while each privately confronts a nagging fear: the congenital ailment that struck down their father could just suddenly strike one of them. Writer Steve Tesich and Academy Award winner for his bike-racing opus Breaking Away now captures the sport's excitement on an even larger scale. Against the backdrop of the Coors International Classic the U.S.'s largest most prestigious race Tesich and director John Badham craft a dazzling spirit-soaring spectacle. Says Rex Reed: "You'll go away feeling good! American Flyers is a fine mixture of romance humor and tears with action sequences among the most exciting ever captured on film."Running Time: 113 min.Format: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 085391152026

American Flyers could roughly be referred to as a cross between Breaking Away (also written by Steve Tesich) and Brian's Song. Sports physician Marcus (Kevin Costner, sporting a ludicrously big mustache) coaxes his flaky brother David (David Marshall Grant) into doing something with his life and training for a grueling bike race in the Colorado Rockies. The scenario is complicated, though, by family frictions and the fact that the brothers' dad died of a cerebral aneurysm that has been handed down to one of the brothers. The two train rigorously for the big event (part of their routine involves outrunning an angry pit bull every day), then pack the van and head West. Marcus's girlfriend is also the ex-wife of his main rival in the race circuit, providing a bit more intrigue. Veteran action director John Badham (Saturday Night Fever, War Games) excels during the bike-race segments, capturing the breathtaking scenery and the demanding nature of the event nicely. The film is somewhat hobbled, though, by the screenplay and character development; the film plays a bit too much to the sports-movie cliché and the dysfunctional-family story seems like a lengthy prologue to the race. Also, try not to be too bothered by the annoyingly dated soundtrack, and this should be a fairly entertaining, unpretentious little film. --Jerry Renshaw

Saturday Night Fever (30th Anniversary Special Collector's Edition)

Saturday Night Fever is one of those movies that comes along and seems to change the cultural temperature in a flash. After the movie's release in 1977, disco ruled the dance floors, and a blow-dried member of a TV-sitcom ensemble became the hottest star in the U.S. For all that, the story is conventional: a 19-year-old Italian American from Brooklyn, Tony Manero (John Travolta), works in a humble paint store and lives with his family. After dark, he becomes the polyester-clad stallion of the local nightclub; Tony's brother, a priest, observes that when Tony hits the dance floor, the crowd parts like the Red Sea before Moses. Director John Badham captures the electric connection between music and dance, and also the desperation that lies beneath Tony's ambitions to break out of his limited world. The soundtrack, which spawned a massively successful album, is dominated by the disco classics of the Bee Gees, including "Staying Alive" (Travolta's theme during the strutting opening) and "Night Fever." The Oscar^®-nominated Travolta, plucked from the cast of Welcome Back, Kotter, for his first starring role, is incandescent and unbelievably confident, and his dancing is terrific. Oh, and the white suit rules. --Robert Horton

From John Travolta's electrifying Oscar®-nominated* performance to the Bee Gees' top 10 soundtrack to the unforgettable dancing, Saturday Night Feveris a movie sensation that captured the world's attention like never before. Now catch the fever all over again with this 30th Anniversary Special Collector's Edition that goes behind-the-scenes with special features on the history, culture and fashion of disco, the smash-hit soundtrack, an exclusive look at Hollywood legend John Travolta, and so much more. Now more than ever before, Saturday Night Fever is the one film that'll make you feel like dancing.

Point of No Return

"Bridget Fonda is pure dynamite" (WWOR-TV) as a murderous misfit reprogrammed as a high-tech assassin. Gabriel Byrne and Anne Bancroft co-star in "one of the top thrillers of the year" (ABC Radio Network). Year: 1993 Director: John Badham Starring: Bridget Fonda Gabriel Byrne Dermot MulroneyRunning Time: 109 min.System Requirements:Starring: Bridget Fonda Gabriel Byrne Dermot Mulroney Harvey Keitel and Anne Bancroft Director: John Badham Widescreen and Standard Formats (Widescreen version presented in "letterbox" format preserving the "scope" aspect ratio of original theatrical exhibition.) Languages: English (5.1 Dolby Digital Surround) French (Dolby Surround Stereo) and Spanish (Mono) Subtitles in English French and Spanish Interactive Menus Production Notes and Theatrical Trailer Additional Information Special Features: Interactive Menus Production Notes And Theatrical Trailer Video Format: Widescreen (no A.R. specified) Standard 1.33:1 (4.3) Enhanced for 16x9 TVs Subtitles: English Spanish And French Track Info: English: Dolby Digital 5.1 Surround French Dolby Digital Surround Spanish: Dolby Digital Mono Closed Captioning: Yes # Discs: 1 # Sides: Dual Produced by Art Linson; written by A. Seros R. Getchell; running time of 109 minutes; Closed Captioned. Copyright: 1993 Warner Brothers Genre: ACTION/ADVENTURE Rating: R UPC: 085391281924

Point of No Return is one of those Hollywood remakes of a European hit in which one can visualize a committee of studio executives sitting around and saying, "Okay, we know what made the original film unique and different and fun. How can we make that same movie and do exactly the opposite?" For-hire director John Badham (Saturday Night Fever) took La Femme Nikita, Luc Besson's undeniably sexy, original, and kitschy French film about a female assassin, and translated it into a calculating, mechanistic American thriller with no distinctive style. Bridget Fonda gamely plays the willowy street punk who becomes a high-society killer, but once that provocative irony is in place, the movie is pretty much a series of by-the-numbers action set pieces. Until, that is, Dermot Mulroney shows up as a love interest; but even that twist can't save this film. You're much better off with the original, subtitles and all. --Tom Keogh

Stakeout

Acclaimed director John Badham delivers a winning combination of action, suspense, comedy, and romance! Convinced that a dangerous escaped convict (Aidan Quinn) is headed for his ex-girlfriend's (Madeleine Stowe), a pair of Seattle detectives (Richard Dreyfuss, Emilio Estevez) stakeout her apartment. The watch remains routine until one of the detectives begins a high-risk romance with the woman under surveillance -- jeopardizing not only the partners' careers ... But also their lives!

The Bingo Long Traveling All-Stars and Motor Kings

This enjoyable 1976 film by John Badham (Saturday Night Fever) concerns the efforts of a barnstorming baseball team of African American players to work around the dominance of the Negro National League. Set in 1939, the swift, impressive, and entertaining troupe of personality-rich athletes easily make the viewer wistful for this level of spiritedness on a green field. While the story is a bit halting, the script intelligently reflects some of the difficulties and requirements of black players at that time to find success in the game. The excellent cast includes Billy Dee Williams, whose character is based on Satchel Paige, and James Earl Jones, whose part is suggestive of the tragic Josh Gibson, as well as Richard Pryor, Ted Ross, DeWayne Jessie, and Stan Shaw. Produced by Motown's old film division, the musical score, not surprisingly, is highly memorable. --Tom Keogh

The Jack Bull

The Jack Bull was produced for and premiered on HBO, but it's easily the most respectable job that feature director John Badham (Saturday Night Fever, WarGames) has done in the past two decades. The title refers not to a piece of livestock but a metaphorical Jack Russell terrier that, once it's annoyed enough to close its jaws on something, will hang on to the point of death.

That would be Myrl Redding (John Cusack), a horse-breeder of limited means but a deeply entrenched sense of justice. His independence galls Henry Ballard (L.Q. Jones), the crusty land baron out to set his brand on most of the countryside. Ballard insults and cheats Redding several times over, and his men beat Redding's horse trainer and friend, an Indian (Rodney A. Grant). When Redding seeks redress from the law, its agents can't be bothered (the local magistrate is in Ballard's pocket). So Redding musters a vigilante army to enforce his own law.

Scratch this handsome but rigorously unromanticized Western--fully an hour passes without a shot being fired--and you find the classic Heinrich von Kleist book Michael Kohlhaas transposed to Wyoming Territory on the eve of statehood. The script--by the star-producer's dad, Dick Cusack--is sturdy and uncompromising, willing to engage the knotty ambiguities of embracing vigilantism even in a just cause. Badham's decision to treat the authorities (Scott Wilson, Jay O. Sanders, John Goodman) as period caricatures is regrettable. But John Cusack is solid as a figure of utterly matter-of-fact integrity. --Richard T. Jameson

When wealthy landowner Henry Ballard sets up a toll gate and takes two of Myrl Redding?s horses in lieu of payment, Redding is enraged. But when those horses are starved and beaten almost to death, he demands justice. So begins a personal feud that becomes a war .. a war that becomes a manhunt ... and a trial that will lead to a bloody kind of Western justice.