Bill, Tony

Flyboys (Widescreen Edition)

World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revolution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-life WWI pilots) and an intimidating villain known only as "The Black Falcon," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

Extras from Flyboys

Director Tony Bill on Filming Dogfight Sequences

...On throwing away the script for pilot training

...On the real-life stunt pilot who stars in the film

Beyond Flyboys

More "War in the Sky" Films

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1

More "Military and War" Films

Stills from Flyboys

Inspired by true events, tells the story of the Lafayette Escadrille, a group of American men who volunteered to fight for the French before the U.S. entered World War I and became the country's first fighter pilots.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 18-SEP-2007
Media Type: DVD

Untamed Heart

If you're a die-hard romantic with a soft spot for three-hanky weepers, this well-acted love story from 1993 will be just what the doctor ordered. It's about a waitress named Caroline (Marisa Tomei) who works the graveyard shift in a Minneapolis diner, where the silent, introverted Adam (Christian Slater) works as a dishwasher and janitor. Only Caroline manages to bring the solitary Adam out of his shell, and when he rescues her from an assault, their tentative friendship slowly blossoms into mutual trust and love. Adam has a weak heart and desperately needs a heart transplant, but a story told to him by orphanage nuns--that he was raised in the jungle with the powerful heart of a baboon--makes him feel invincible. This sets the stage for a tender and tragic love story that director Tony Bill handles as a delicate balance of blue-collar reality and misty-eyed fairy tale, and the quiet chemistry between Tomei and Slater makes it work. If you don't get a little choked up by the movie's heartfelt conclusion, you just might need a heart transplant yourself. --Jeff Shannon

Marisa Tomei (My Cousin Vinny) and Christian Slater (Murder in the First) deliver brilliant performances in this touchingly honest and beautifully crafted modern-day romance. Co-starring Rosie Perez (White Men Can't Jump), who lends her own unique brand of energy and talent, Untamed Heart's heart is in the right place (Roger Ebert, 'siskel & Ebert ).Tomei portrays Caroline, a diner waitress who is consistently (and miserably) unlucky in love. Slater is Adam, the diner's reclusive busboy who harbors a secret crush on Caroline, yet is too shy to speak to her. But all that changes one cold night when Caroline finds herself in a life-threatening situation on her walk home and Adam appears out of the shadows to rescue her. Intrigued by her unlikely knight in shining armor, Caroline tenderly breaks through to his lonely world. Together, the two forge a bond of trust and understanding that ultimately blossoms into one of cinema's most unforgettable love stories.

My Bodyguard

The son (Chris Makepeace) of a hotel manager (Martin Mull) finds himself the target of the school bully (Matt Dillon, in his breakthrough movie role). So he makes an offer to a school outcast--the biggest kid in class (Adam Baldwin), who reputedly has actually killed someone. He'll pay him to be his bodyguard against the bully. But the business arrangement turns into friendship, even as the smaller boy learns his new friend's secret shame. The first film by director-producer Tony Bill, this one comes down a little too heavily on the feel-good notes (and includes a gratingly precious appearance by Ruth Gordon in her lovable eccentric mode) but works because of strong performances by its young cast. --Marshall Fine

After years of being sheltered in private school, Clifford Peache (Chris Makepeace) finds life difficult at his new Chicago high school where a tough-talking bully (Matt Dillon) and his pals regularly extort students lunch money. Refusing to pay up, Peache hires a bodyguard-the intimidatingly large class misfit (Adam Baldwin) whose rumored violent behavior is legendary. Though everyone else is afraid of him, Peache strikes up a friendship with the troubled loner. Their deepening relationship and unified stand against the thugs manages to rouse the entire school.

Flyboys (Two-Disc Collector's Edition)

Inspired by the true story of the legendary Lafayette Escadrille this action-packed epic tells the tale of America's first fighter pilots. These courageous young men distinguish themselves in a manner that none before them had dared becoming true heroes who experience triumph tragedy love and loss amid the chaos of World War I. Hang on for the ride of your life! System Requirements:Running Time: 140 Mins.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG - 13 UPC: 027616065346 Manufacturer No: M106534

World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revolution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-life WWI pilots) and an intimidating villain known only as "The Black Falcon," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

On the DVDs
If you're an aviation buff, the two-disc collectors edition of Flyboys is a must-have DVD. Disc 1 includes a full-length audio commentary by Tony Bill (whose directorial career began with the 1980 sleeper hit My Bodyguard) and producer Dean Devlin (Independence Day), who spend most of the film singing the praises of all things digital, from the use of Panavision's all-digital Genesis cameras to the film's impressive tally of 850 digital effects shots. They also discuss many of the technical challenges of making such an ambitious (and independently financed) film on a relatively modest budget of $65 million, and reveal many of the secrets behind some of the film's most impressive special effects. Disc 2 is where things get really interesting, beginning with the featurette "The Real Heroes of the Lafayette Escadrille," a profile of the pioneering French aerial combat unit depicted in Flyboys, with details about Henry Bullard, the first African American fighter pilot in history (the inspiration for "Eugene Skinner," the Flyboys character played by Abdul Salis) and the factual pilots who were made into composite characters for the film. "Diary of a Miniature Stunt Pilot" is a humorous, home-movie tour of Flyboys special-effects techniques; "Whiskey & Soda" is a profile of the lions who became the beloved mascots of the Lafayette Escadrille; and "Taking Flight" details the combinations of digital airplanes, models, and CGI environments that were used in the making of aerial battle sequences. "The Real Planes of Flyboys" is a treat for aviation buffs, since it shows many of the full-scale and 7/8th-scale vintage airplanes (some of them one-of-a-kind) that were either used in the film or completely digitized to safeguard their priceless historical value. The deleted scenes are above average (i.e. they're not just throwaways, but good scenes that were reluctantly cut for time), and another brief featurette shows cast members James Franco and David Ellison (respectively) enjoying promotional flights with the U.S. Navy Blue Angels and U.S. Air Force Thunderbirds. Disc 2 also includes a Flyboys Squadron DVD-ROM game for those equipped with compatible computers. --Jeff Shannon

Extras from Flyboys

Director Tony Bill on Filming Dogfight Sequences

...On throwing away the script for pilot training

...On the real-life stunt pilot who stars in the film

Beyond Flyboys

More "War in the Sky" Films

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1

More "Military and War" Films

Stills from Flyboys

Flyboys (Full Screen Edition)

FLYBOYS is a good old-fashioned historical drama concerning the Lafayette Escadrille a French regiment of American volunteer airmen serving the allied cause in WWI before the U.S. became officially involved. James Franco plays Blaine a Texas rancher; he bunks with Eugene (Abdul Salis) an African American boxer whose been living in Paris as an ex-patriate to get away from American racism. Other fighters include a pampered New York scion (Tyler Labine) and a lanky lazy Kansan (David Ellison). They all train under the patient hand of the French commander succinctly embodied by the wondrous Jean Reno (THE PROFESSIONAL). Martin Henderson (TORQUE) is good and brusque as a jaded flier with a bunch of kills under his belt and an obsession with an ace German fighter; he wont let the new kids drink in the officer s club until they ve shot down their first planes. It all unfolds in a no-nonsense linear narrative that reminds one of early films like THE DAWN PATROL (1930) and WINGS (1927); and there s a comfortingly familiar orchestral score that's heavy with the cloud-invoking wooden flute. But the CGI-enhanced aerial dogfight scenes are the crux of the biscuit here and history fans should be frothing at the mouth with all the zeppelins dogfights and enemy chivalry. There s plenty of well-researched period detail and even some ooh-la la romance in the form of a good girl gone semi-bad from a nearby brothel (the very charming Jennifer Decker).System Requirements:Running Time: 139 Minutes Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 027616062246 Manufacturer No: M106224

World War I aviation action gets an impressive digital upgrade in Flyboys, a welcome addition to the "dogfight" sub-genre that includes such previous war-in-the-air films like Hell's Angels, Wings, and The Blue Max. While those earlier films had the advantage of real and genuinely dangerous flight scenes (resulting, in some cases, in fatal accidents during production), Flyboys takes full (and safe) advantage of the digital revolution, with intensely photo-realistic recreations of WWI aircraft, authentic period structures, and CGI environments requiring a total of 850 digital effects shots, resulting in an abundance of amazing images, many of them virtually indistinguishable from reality. Unfortunately, the film's technical achievement is more impressive than its screenplay, which conventionally and predictably tells the fact-based story, set in France in 1916, of the daring young pilots of the Lafayette Escadrille, a pioneering French air-combat unit that welcomed American enlistees prior to the United States' entry into the war.

There's a familiar cliché to match every thrilling scene of aerial combat, but director Tony Bill manages to keep it all interesting, from the romance between a young American maverick (James Franco) and a pretty French girl (newcomer Jennifer Decker) to the exciting action in the air, which includes a stock variety of heroes (many of them composites of real-life WWI pilots) and an intimidating villain known only as "The Black Falcon," whose Fokker Dr-1 triplane (one of many in the film) recalls the exploits of German "ace of aces" Manfred von Richtofen, the dreaded "Red Baron" of legend. With impeccable production values that will impress even the most nit-picking aviation buffs, Flyboys (like Superman Returns and Apocalypto, also released in 2006) was also one of the first feature films to be shot with Panavision's state-of-the-art Genesis digital cameras, resulting in beautiful images that meet or exceed the visual nuance of film. Flyboys also benefits from painstaking attention to physical detail, making it easier to forgive its shortcomings as a generic and formulaic slice of romanticized history. So while some viewers may have wished for a more realistic and grown-up depiction of the Lafayette Escadrille, it's safe to say that Flyboys will be thrilling its target audience for many years to come. --Jeff Shannon

Extras from Flyboys

Director Tony Bill on Filming Dogfight Sequences

...On throwing away the script for pilot training

...On the real-life stunt pilot who stars in the film

Beyond Flyboys

More "War in the Sky" Films

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1

More "Military and War" Films

Stills from Flyboys

My Bodyguard (Widescreen Edition)

The son (Chris Makepeace) of a hotel manager (Martin Mull) finds himself the target of the school bully (Matt Dillon, in his breakthrough movie role). So he makes an offer to a school outcast--the biggest kid in class (Adam Baldwin), who reputedly has actually killed someone. He'll pay him to be his bodyguard against the bully. But the business arrangement turns into friendship, even as the smaller boy learns his new friend's secret shame. The first film by director-producer Tony Bill, this one comes down a little too heavily on the feel-good notes (and includes a gratingly precious appearance by Ruth Gordon in her lovable eccentric mode) but works because of strong performances by its young cast. --Marshall Fine

After years of being sheltered in private school, Clifford Peache (Chris Makepeace) finds life difficult at his new Chicago high school where a tough-talking bully (Matt Dillon) and his pals regularly extort students lunch money. Refusing to pay up, Peache hires a bodyguard-the intimidatingly large class misfit (Adam Baldwin) whose rumored violent behavior is legendary. Though everyone else is afraid of him, Peache strikes up a friendship with the troubled loner. Their deepening relationship and unified stand against the thugs manages to rouse the entire school.

Harlan County War

Academy Award-winning actress Holly Hunter stars as Ruby, the wife of a coal miner in Harlan County, Kentucky. After two senseless deaths, the union calls a strike against the mining company. What follows is one of the most violent, bitter and notorious union battles in history. With no end to the violence in sight, Ruby decides to fight the company her own way.

Crazy People

Oliver Twist (1997)

The popular Dickens classic comes to life as never before with an all-star cast including Richard Dreyfuss (MR. HOLLAND'S OPUS) as the notorious Fagin, and Elijah Wood (THE LORD OF THE RINGS trilogy) as The Artful Dodger. Set in bustling 19th-century England, the story follows the journey of young Oliver Twist, a poor orphan who dares to ask for something more. Oliver soon finds himself on the streets of London, and gets caught for a crime he didn't commit. Experience this sweeping tale of loyalty, greed, and compassion that is sure to win the hearts of your entire family!

One Christmas

Truman Capote's classic Depression-era short story is well served in One Christmas, an earnest holiday heartwarmer from the folks at Hallmark Entertainment. It's got all the sentiment one would expect from a Hallmark TV movie, but director Tony Bill knows just how to moderate the maudlin and focus on genuine emotions (as he did for his big-screen releases Untamed Heart and A Home of Our Own). Of course it never hurts to have Katharine Hepburn on board for some high-class pedigree: In her final performance the Hollywood legend goes out on a high note, delivering a pivotal scene about living life with no regrets, and she may just as well be describing her own independent spirit. The great Kate plays a wealthy New Orleans socialite whose spinster niece (Swoosie Kurtz, giving the film's best performance) is vulnerable to the gold-digging charms of a con artist (Henry Winkler) whose estranged 8-year-old son (T.J. Lowther, from Clint Eastwood's A Perfect World) has arrived from Alabama with high expectations that his father can't meet. Dashed hopes and cynical behavior threaten to ruin the boy's Christmas, but Bill and his esteemed cast stay true to the well-earned sentiment of Capote's story, arriving at a moment of fatherly redemption that is nicely accented by Van Dyke Parks's understated score. You'd have to be a Scrooge to disapprove. --Jeff Shannon