Robin Hood - Men in Tights
by Mel Brooks
from 20th Century Fox
Cary Elwes stars as Robin Hood the dashing defender of the down-trodden who along with his merry men and Maid Marion resides in Sherwood Forest. There they have become together to fight against the seriously neurotic Prince John the not quite-evil Sheriff of Rottingham and the mad scorceress Latrine.Format: DVD MOVIE Genre: COMEDY Rating: Unknown UPC: 024543167433 Manufacturer No: 2226743
It's not Blazing Saddles, but there are some chuckles to be found in Mel Brooks's 1993 spoof of the Robin Hood legend. Cary Elwes is Robin (with a lighthearted jab at Kevin Costner's bad English accent in Robin Hood: Prince of Thieves), while Richard Lewis plays an angst-ridden King John, and Roger Rees a snotty Sheriff of Nottingham. Comic David Chappelle has some good moments as the only black member of Robins's noble thieves, and Brooks does his own spin on Friar Tuck: Rabbi Tuchman. The song-and-dance sequences featuring a chorus line of the Merry Men ("We're men / men in tights") is vintage Brooks, but otherwise the film can't get any traction. --Tom Keogh
The Producers (Deluxe Edition)
by Mel Brooks
from MGM (Video & DVD)
Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, The Producers is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.
Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company. When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is Springtime for Hitler, a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.
Truly startling during its original 1968 release, The Producers does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. --Sam Sutherland
A "startling, stunning, outrageous [and] breathtaking debut" (Los Angeles Times) from acclaimed writer/director Mel Brooks (Young Frankenstein, Spaceballs), this OscarĀ®-winning* comedy combines "pure pell-Mel lunacy [and] wild, ad-lib energy [into an] uproariously funny" (Time) film! Low-rent Broadway producer Max Bialystock (Zero Mostel) and his high-strung accountant, Leo Bloom (Gene Wilder), discover that, with the help of a few gullible investors, they can make more money on a flop than on a hit! Armed with the worst show ever written ("Springtime for Hitler") and an equally horrific cast, this double-dealing duo is banking on disaster. But when their sure-to-offend musical becomes a surprise smash hit, they find themselves in the middleof a Broadway blitzkrieg! *1968: Original Screenplay
Robin Hood - Men in Tights / Spaceballs
by Mel Brooks
from 20th Century Fox
Spaceballs - King Roland of the planet Druidia is trying to marry his daughter Princess Vespa (Daphne Zuniga) to Prince Valium but Vespa is kidnapped by the evil race of the Spaceballs. The Spaceballs ask Roland a tremendous ransom: all the air of Druidia (you see the air of Spaceball had serious pollution problems...). The King decides to offer a generous amount of money to a space rogue Lone Starr to persuade him to save Vespa. What follows is the parody of a LOT of famous SF movies.Men In Tights - The standard story of Robin Hood: Evil Prince John is oppressing the people while good King Richard is away on the Crusades. Robin steals from the tax collectors wins an archery contest defeats the Sheriff and rescues Maid Marian. In this version however Mel Brooks adds his own personal touch parodying traditional adventure films romance films and the whole idea of men running around the woods in tights.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 024543423577 Manufacturer No: 2242357
The Producers (Movie-Only Edition)
by Mel Brooks
from MGM (Video & DVD)
A theatrical producer Max Bialystock (Zero Mostel) and his accountant Leo Bloom (Gene Wilder) find too many backers for a musical that they know will fail so that they can keep the excess money. The problem is the show Springtime for Hitler turns out to be a hit. Mel Brooks' directorial debut.System Requirements: Running Time 90 MinFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 027616902733 Manufacturer No: 1006050
Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, The Producers is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.
Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company. When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is Springtime for Hitler, a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.
Truly startling during its original 1968 release, The Producers does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. --Sam Sutherland
The Producers (Special Edition)
by Mel Brooks
from MGM (Video & DVD)
Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, The Producers is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.
Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company. When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is Springtime for Hitler, a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.
Truly startling during its original 1968 release, The Producers does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. --Sam Sutherland
Young Frankenstein (Special Edition)
If you were to argue that Mel Brooks's Young Frankenstein ranks among the top-ten funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks's previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks re-created the Frankenstein laboratory using the same equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars, and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. Befitting a classic, the Special Edition DVD includes audio commentary by Mel Brooks, a "making of" documentary, interviews with the cast, hilarious bloopers and outtakes, and the original theatrical trailers. No video library should be without a copy of Young Frankenstein. And just remember--that's Fronkensteen. --Jeff Shannon
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