Burnett, Charles

Killer of Sheep: The Charles Burnett Collection

One of the 100 Essential Films. -National Society of Film Critics

DVD Details: USA, 1977, 80 minutes, B&W, Region 0, NTSC, In English; Special Features of this 2-disc deluxe box set: KILLER OF SHEEP commentary track with Charles Burnett and the Program Director of the Film Society of Lincoln Center, Richard Peña; KILLER OF SHEEP cast reunion video by Ross Lipman (who restored the film); KILLER OF SHEEP trailer; Burnett's second feature, MY BROTHER'S WEDDING (1984. Color. In English. Starring Everett Silas and Jessie Holmes): the original 115-minute cut and the director's 82-minute cut; three rediscovered short films: SEVERAL FRIENDS (1969. 23 minutes.), THE HORSE (1973. 13 minutes.), and WHEN IT RAINS (1995. 13 minutes.); the new short on Hurricane Katrina, QUIET AS KEPT (2007. 5 minutes.); and liner notes by film critic Armond White.

A masterpiece of African American filmmaking and one of the finest debuts in cinema history, KILLER OF SHEEP was chosen for the National Film Registry of the Library of Congress. In the Los Angeles community of Watts, Stan, a sensitive dreamer, is growing detached and numb from the toll of working at a slaughterhouse. Frustrated by money problems, he finds respite in moments of simple beauty: the warmth of a teacup against his cheek, slow dancing with his wife, holding his daughter. Combining lyrical moments with neorealist style, Burnett unfolds his story with compassion and humor. KILLER OF SHEEP's haunting images and extraordinary soundtrack are a revelation in this new high-definition transfer from the UCLA Film & Television Archive's brilliant 35mm restoration.

View the trailer here: http://www.killerofsheep.com/trailer.html.

The 2-disc special edition also includes an additional full-length feature (original release & director's cut), MY BROTHER'S WEDDING: When MY BROTHER'S WEDDING was rushed to a festival screening before the director could make his final cut, it received mixed reviews and was never released - denying audiences the chance to discover Burnett's remarkable second feature. The film critic Armond White called this 'a catastrophic blow to the development of American popular culture.' Revisited decades later, following restoration by the Pacific Film Archive and a complete re-edit by Burnett, MY BROTHER'S WEDDING proves to be funny, heartbreaking and timeless. Pierce Mundy works at his parents' South Central dry cleaners with no prospects for the future - his childhood buddies are all in prison or dead. With his best friend just getting out of jail and his brother busy planning a wedding to a snooty upper-middle-class black woman, Pierce navigates his conflicting obligations while trying to figure out what he really wants.

A treasure that demands to be unearthed in all its funny-sad tenderness. - Village Voice

Astonishing! Marvelous and rare... Humorous, loving and honest, devoid of either condescension or political posturing... An indelible reminder of what real independence looks like. - A.O. Scott, The New York Times

Never less than engrossing! As ever, it's a joy to look at and listen to: Burnett's movies are quite unlike anyone else's. - Time Out New York

Selma, Lord, Selma

No Description Available.
Genre: Feature Film-Drama
Rating: NR
Release Date: 25-JAN-2005
Media Type: DVD

The Glass Shield (Miramax Collector's Series)

No Description Available.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 16-AUG-2005
Media Type: DVD

Eager rookie J.J. Johnson (Michael Boatman) is the only black officer in a Los Angeles sheriffs' substation. He soon comes up against ingrained racism, corruption, and violence on the force as he tries to fit in. A young black man (Ice Cube) is pulled in as a murder suspect after a wealthy man's wife is shot in a botched armed robbery. Boatman and Deputy Fields (Lori Petty) soon realize that the facts in the case don't add up and dig a bit deeper. They soon find a maze of deceit that extends upward from the sheriffs to L.A. city government. Though slow and rather convoluted, this film has an absorbing story worthy of Joseph Wambaugh and an interesting cast to hold viewers' attention. Blaxploitation vet Bernie Casey excels as Ice Cube's defense attorney, and Boatman is fine as the wide-eyed Johnson. Director Charles Burnett infuses a sense of dread and foreboding into sunny Los Angeles locations and well-lit convenience stores that turns the rules of dimly lit thrillers upside down. He also does a fair job of capturing the macho-cowboy mentality of the all-white sheriffs, complete with styled hair and heavy mustaches. Considering the timely subject matter, this film could have easily become heavy-handed cop opera, but the character development and performances are strong enough to lift it above the level of invective. After all, it's a scenario that's all too believable in light of late-1990s events. --Jerry Renshaw

Finding Buck McHenry

American Family - The Complete First Season

Various

Martin Scorsese Presents the Blues - Feels Like Going Home

Martin Scorsese Presents the Blues - Piano Blues

It may have been underrated when first broadcast on PBS on consecutive nights in the fall of '03, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for the seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond. Because the absence of lengthier vintage clips is the principal drawback of the series, Clint Eastwood's Piano Blues is the best of the lot; a musician himself, Eastwood simply lets the players play, which means we get extensive file footage of the likes of Art Tatum, Oscar Peterson, and Nat "King" Cole, as well as new performances by Ray Charles, Dr. John, and others. --Sam Graham

Martin Scorsese Presents the Blues - Red, White & Blues

It may have been underrated when first broadcast on PBS on consecutive nights in the fall of '03, but executive producer Martin Scorsese's homage to the blues is a truly significant, if imperfect, achievement. "Musical journey" is an apt description, as Scorsese and the six other directors responsible for the seven approximately 90-minute films follow the blues--the foundation of jazz, soul, R&B, and rock & roll--from its African roots to its Mississippi Delta origins, up the river to Memphis and Chicago, then to New York, the United Kingdom, and beyond. Red, White & Blues is Mike Figgis's entry in the series. --Sam Graham

Martin Scorsese Presents the Blues - Godfathers and Sons

The Glass Shield

Eager rookie J.J. Johnson (Michael Boatman) is the only black officer in a Los Angeles sheriffs' substation. He soon comes up against ingrained racism, corruption, and violence on the force as he tries to fit in. A young black man (Ice Cube) is pulled in as a murder suspect after a wealthy man's wife is shot in a botched armed robbery. Boatman and Deputy Fields (Lori Petty) soon realize that the facts in the case don't add up and dig a bit deeper. They soon find a maze of deceit that extends upward from the sheriffs to L.A. city government. Though slow and rather convoluted, this film has an absorbing story worthy of Joseph Wambaugh and an interesting cast to hold viewers' attention. Blaxploitation vet Bernie Casey excels as Ice Cube's defense attorney, and Boatman is fine as the wide-eyed Johnson. Director Charles Burnett infuses a sense of dread and foreboding into sunny Los Angeles locations and well-lit convenience stores that turns the rules of dimly lit thrillers upside down. He also does a fair job of capturing the macho-cowboy mentality of the all-white sheriffs, complete with styled hair and heavy mustaches. Considering the timely subject matter, this film could have easily become heavy-handed cop opera, but the character development and performances are strong enough to lift it above the level of invective. After all, it's a scenario that's all too believable in light of late-1990s events. --Jerry Renshaw