Butler, David

Shirley Temple - America's Sweetheart Collection, Vol. 2 (Bright Eyes / Baby Take a Bow / Rebecca of Sunnybrook Farm)

Disc 1: "Baby Takes a Bow" Disc 2: "Bright Eyes" Disc 3: "Rebecca of Sunnybrook Farm"

Shirley Temple - America's Sweetheart Collection, Vol. 3 (Dimples / The Little Colonel / The Littlest Rebel)

*Disc 1: Dimples *Disc 2: Little Colonel *Disc 3: Littlest Rebel

Calamity Jane

Deadwood Dakota Territory is largely the abode of men where Indian scout Calamity Jane is as hard-riding boastful and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends ... including her friendly enemy Wild Bill Hickock.Running Time: 101 min.Format: DVD MOVIE Genre: WESTERN/MISC. UPC: 012569705982

This 1953 musical is very much a vehicle for Doris Day, in the title role, as a wild cowgal who can outshoot and outsing any boy on the range. When an actress arrives in Deadwood and uses her feminine charms on Jane's secret love, Wild Bill Hickock (Howard Keel), Jane tries to mend her tomboy ways. Not exactly up to the feminist code of honor, this is still energetic and Day is very perky. Of course, one could almost detect a homosexual undercurrent with the cross-dressing Jane, but this was Hollywood in the 1950s, so we best not. This won an Oscar for Best Song--"Secret Love," by Sammy Fain and Paul Francis Webster. --Rochelle O'Gorman

On the Road With Bob Hope and Bing Crosby Collection (Road to Singapore/Road to Zanzibar/Road to Morocco/Road to Utopia)

They are some of the best-loved film comedies ever created. Now, four of the most popular "Road" pictures, starring the unbeatable screen duo of Bob Hope and Bing Crosby, are here together in this deluxe DVD collection. Join Bing and Bob as they travel the world and experience rollicking, fun-filled misadventures in the company of the alluring Dorothy Lamour in such screen gems as Road to Singapore, Road to Zanzibar, Road to Morocco and Road to Utopia. You'll laugh yourself silly with four of the titles that made Hope and Crosby one of the most successful comedy teams of the 1940s and which continue to charm and entertain audiences of all ages today.

By the Light of the Silvery Moon

"On Moonlight Bay" stars Doris Day and Gordon MacRae are back together in top tune-crooning form for the further adventures of a small-town family turning the corner from World War I into the Roaring '20s. Year: 1953 Director: David Butler Starring: Doris Day Gordon MacRae Billy GrayRunning Time: 101 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 085391137191 Manufacturer No: 113719

The huge popularity of the nostalgic On Moonlight Bay prompted this 1953 sequel, which recaptures the first film's small-town, post-WWI spirit. Because young lovers Doris Day and Gordon MacRae are already together, the movie needs some sort of trumped-up conflict to separate them for a while; it comes with MacRae's decision to postpone their wedding until he gets his financial legs. Yawn. But don't worry, the subplots abound, including younger brother Billy Gray pilfering a prize Thanksgiving turkey, and dad Leon Ames suspected of romancing a visiting French music-hall star. Naturally there are vintage songs, including umpteen renderings of the classic title song (you won't need the bouncing ball to sing along) and Day and MacRae casually bopping out new lyrics to "Ain't We Got Fun." Also returning for the sequel are Rosemary DeCamp as the patient mother and shameless scene-stealer Mary Wickes as the bossy maid. And check it out: future talk-show host Merv Griffin cheerleading during the finale at an outdoor ice rink. Day and MacRae twinkle so aggressively that they sometimes resemble salesmen for a particular kind of Hollywood backlot America that probably never existed, but the whole thing is almost impossible to resist. --Robert Horton

Doris Day Collection 1 (Billy Rose's Jumbo / Calamity Jane / The Glass Bottom Boat / Love Me or Leave Me / Lullaby of Broadway / The Pajama Game / Please Don't Eat the Daisies / Young Man with a Horn)

The Doris Day Collection features six new-to-DVD titles -- Young Man With a Horn, Lullaby of Broadway, Love Me or Leave Me, Billy Rose's "Jumbo", Please Don't Eat the Daisies, The Glass Bottom Boat -- along with two of Ms. Day's all-time favorite musicals, Calamity Jane and Pajama Game which have been repackaged for the Collection. All DVDs are packed with bonus features including vintage shorts and featurettes, cartoons, trailers and more.

Young Man with a Horn (1950)
With a second-hand trumpet and the loving guidance of a brilliant bluesman, a lonely boy grows into manhood as a superb musician whose talent carries him from honky-tonks to posh supper clubs. But his desperate search for the elusive high note, trapped in his mind but impossible to play, starts him on a boozy downward slide. Charged with dynamic performances by Kirk Douglas (the title role), Doris Day, Lauren Bacall and Hoagy Carmichael and pitch-perfect direction by Michael Curtiz, the film is a feast of hot, cool, moody jazz. Legendary Harry James dubbed Douglas' horn work.

Lullaby of Broadway (1951)
Day danced divinely and sang in this musical delight about a singer newly arrived in New York and destined for Great White Way fame in the capable company of co-stars Gene Nelson, S.Z. Sakall, Billy DeWolfe, Gladys George and Florence Bates. Highlights are the inclusion of the OscarR -winning title tune, Cole Porter's "Just One of Those Things", "Somebody Loves Me" and six more songs.

Love Me or Leave Me (1955)
Laced with Doris Day's vibrant performances of songs from the era, this 1955 Academy AwardR winner (Best Motion Picture Story) is the tough-minded true tale of Ruth Etting's life with the man who boosted her career with strong-arm tactics yet smothered her in an obsessive grip she escaped at great peril. As Martin "The Gimp" Snyder, James Cagney earned one of the film's six OscarR nominations. Ms. Day's Etting was a career-best dramatic performance, bringing acclaim from critics and protest letters from fans unprepared for the departure from her traditionally sunny roles. DVD special features include: Soundtrack remastered in Dolby Digital 5.1, Three vintage shorts, the first two with Ruth Etting (A Modern Cinderella, Roseland, A Salute to the Theatres)

Billy Rose's Jumbo (1962)
Radiant Doris Day sings beloved Rodgers and Hart tunes and does her own horseback riding tricks in this razzle-dazzle musical based on Billy Rose's stage spectacular and featuring circus sequences directed by Busby Berkeley. The story revolves around a circus owner (Jimmy Durante, star of the 1935 Broadway original) with only two real attractions: his daughter (Day) and popular pachyderm Jumbo. Three-ring pandemonium breaks out when a handsome rival (Stephen Boyd) infiltrates the circus, and father, daughter and Dad's wisecracking fiancie (Martha Raye) are suddenly at risk of losing the greatest show on earth. o DVD Special Features include: Soundtrack remastered in Dolby Digital 5.1, Musical short Yours Sincerely, Tom and Jerry cartoon Jerry and Jumbo, Original overture rejoined to the film for the first time in more than 40 years.

Please Don't Eat the Daisies (1962)
o Ms. Day brings her trademark radiance to this jovial comedy from the bestseller by playwright Jean Kerr. With Janis Paige, Spring Byington and Richard Haydn on hand for snappy comic support, Please Don't Eat the Daisies is breezy family fun with popular songs "Please Don't Eat the Daisies" and "Anyway the Wind Blows."

The Glass Bottom Boat (1966)
Doris Day entered her eighth consecutive year as a Top-10 Box-Office Star when she boarded The Glass Bottom Boat, a blending of romantic comedy and the era's burgeoning spy-movie genre. Frank Tashlin directs with a cartoonist's sensibility, embracing everything from spy guises to push-button chaos in a futuristic kitchen. The film also stars top comedians Arthur Godfrey, Paul Lynde, Edward Andrews, John McGiver, Dom DeLuise and Dick Martin. o DVD special features include: Three vintage featurettes (Catalina Island, Every Girl's Dream, NASA), Oscar-winning cartoon The Dot and the Line.

Bright Eyes

Shirley Temple, the original dancing baby, sings her signature song, "On the Good Ship Lollipop," in this heart-rending drama, one of eight films she made in 1934 (!) at the ripe age of 6, and for which she was honored with a special pint-sized Academy Award. Temple stars as Shirley, the curly-headed "gosh, oh gee"-adorable mascot to a group of aviators since her pilot father "cracked up and went to heaven." Get out your handkerchiefs when Shirley's mother is also killed, setting up a custody battle between the nasty, highfalutin Joy Smythe's curmudgeon uncle Ned; Loop, another pilot; and the society girl who once left Loop grounded at the altar.

Temple's movies are today marketed as children's films, but, like the classic Warner Bros. cartoons, they were made for adults. Her plucky, indomitable spirit helped America get through the Depression. She's perky and precocious to beat the band, but she suffers so on the way to the inevitable happy ending. When she gushes, "It's the best day I've ever had in my whole life," you know tragedy is imminent.

In Bright Eyes she is also at the mercy of bratty Smythe (scene-stealing Jane Withers), a pint-sized tantrum-throwing terror who makes Linda Blair in The Exorcist look like a Teletubbie. A further parental advisory in these politically correct times: Joy's eagerly awaited comeuppance is a real slap in the face. --Donald Liebenson

The first big film created especially for her, Bright Eyes helped make Shirley Temple a huge box-office star and features her most famous song: "On The Good Ship Lollipop".

The little darling of a group of aviators, Shirley splits her time between her pilot godfather Loop (James Dunn) and her long-suffering mother (Lois Wilson), housemaid for a selfish, wealthy family. When a tragic accident suddenly leaves Shirley orphaned, Loop sets out to adopt Shirley- until he learns he's not the only one determined to keep the adorable youngster.

Will Rogers Collection, Vol. 1 (Life Begins at Forty / Steamboat Round the Bend / Doubting Thomas / In Old Kentucky)

Disk 1: **LIFE BEGINS AT FORTY (BW) **LT# 1769 **Full Frame Feature (85:00) **Commentary by Anthony Slide **Restoration Comparison (3:00) **Trailer

Disk 2: **STEAMBOAT ROUND THE B (BW) **LT# 1798 **Full Frame Feature (81:00) **Commentary by Scott Eyman **Restoration Comparison (3:00) **Trailer

Disk 3: **DOUBTING THOMAS (BW) **LT# 10911 **Full Frame Feature (73:00) **Commentary by Anthony Slide **A&E Biography- Will Rogers: An American Original (90:00) **Restoration Comparison (3:00) **Movietone News **Will Rogers Memorial Fund **Stage Dedicated To Will Rogers In Hollywood **Trailer

Disk 4: **IN OLD KENTUCKY (BW) **LT #1799 **Full Frame Feature (86:00) **Commentary by Anthony Slide **Restoration Comparison (3:00) **Movietone News **Film Executives Visit Memorial to Will Rogers **Will Rogers off with Wiley Post to Arctic Circle **Trailer

Captain January

A 1936 vehicle for Shirley Temple, Captain January is actually a remake of a 1922 feature starring Baby Peggy Montgomery as an orphan informally adopted by the lighthouse keeper who rescues her from a storm. The Temple version, directed by David Butler, finds the little star playing a child named, well, Star, who is rescued and taken in by a salty old lighthouse-keeper known as Captain January (Guy Kibbee). Like a briny variation on Bret Harte's classic story, "The Luck of Roaring Camp," Captain January finds Star nurtured by a community of aging sailors who adore her, including her hoofer friend Paul (Buddy Ebsen), with whom Star sings and dances one of the most-beloved numbers from a Shirley Temple movie, "At the Codfish Ball." Star's fable-like paradise is disrupted by the appearance of a truant officer (Sara Haden), who determines the child isn't receiving proper schooling and overall care. That decision leads to a bit of conflict and despair, but with Temple wiggling, singing, and charming her way through her character's mostly enchanted circumstances, it's not hard to have faith in happy endings. The film is offered in both its original black-and-white presentation and in colorized form. Special features include a trailer and clips from Temple's appearance at the presentation of a memorial to Will Rogers. --Tom Keogh

Four year old star (Temple) has been living with Captain January (Guy Kibbee) ever since he rescued her form a shipwreck when she was a baby. Now their happy life together is unexpectedly threatened when the town's new truant officer tries to take her away from the lighthouse keeper and place her in an institution.

The Little Colonel

Shirley Temple is at her plucky peak in this film. She bests legend Lionel Barrymore: literally (her credit is above his) and figuratively (as her character softens his). The Little Colonel is set in the post-Civil War South. Little Lloyd Sherman hopes to reunite her mother, Elizabeth Lloyd (Evelyn Venable), with her stern Confederate Civil War veteran grandfather, Colonel Lloyd (Barrymore). Six years earlier, Lloyd's mother had run away to marry Yankee Jack Sherman (John Lodge). Now the young family hopes to return to Elizabeth's plantation home.

Like The Littlest Rebel, made the same year (1935), the film has questionable politics, featuring a supplicant Mom Becky (the formidable future Oscar-winner Hattie McDaniel) and a poor-spelling butler, Walker (Bill "BoJangles" Robinson). But Temple, as sweetly energetic little Lloyd, is affectionate with both, as well as with her African American playmates, May Lily (Avonnie Jackson) and Henry Clay (Nyanza Potts). (Temple apparently shared the sentiment in real life, and once said Robinson was her favorite costar.) The Little Colonel features the amazing dance number with Temple and Robinson merrily tapping up and down a staircase. --N.F. Mendoza

As the rambunctious "Little Colonel," Shirley Temple demonstrates her acting range as well as her lovable charm and song-and-dance showmanship in this affecting post-Civil War story. After a blistery Southern colonel (Lionel Barrymore) banishes his daughter (Evelyn Venable) for marrying a Northerner (John Lodge), he refuses to see her even when she returns years later with her young daughter. As outspoken as her grandfather, the ingenious child turns on plenty of charm and fireworks to set things right.