Condon, Bill

Dreamgirls (Widescreen Edition)

Director Bill Condon brings Tom Eyen's Tony award-winning Broadway musical to the big screen in a tale of dreams stardom and the high cost of success in the cutthroat recording industry. The time is the 1960s and singers Effie (Jennifer Hudson) Lorrell (Anika Noni Rose) and Deena (Beyonc Knowles) are about to find out just what it's like to have their wildest dreams come true. Discovered at a local talent show by ambitious manager Curtis Taylor Jr. (Jamie Foxx) the trio known as "the Dreamettes" is soon offered the once-in-a-lifetime opportunity of opening for popular singer James "Thunder" Early (Eddie Murphy). Subsequently molded into an unstoppable hit machine by Taylor and propelled into the spotlight as "the Dreams" the girls quickly find their bid for the big time taking priority over personal friendship as Taylor edges out the ultra-talented Effie so that the more beautiful Deena can become the face of the group. Now as the crossover act continues to dominate the airwaves the small-town girls with big-city dreams slowly begin to realize that the true cost of fame may be higher than any of them ever anticipated.System Requirements:Running Time: 130 Mins.Format: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 097363478249 Manufacturer No: 347824

The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral character surprisingly vibrant; only Foxx, who never gets to pour on the charisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart

Beyond Dreamgirls

Other Musicals on DVD

More Motown on DVD

The Soundtrack

Gods and Monsters

Ian McKellen delivers a riveting award-winning performance as Hollywood horror director James Whale. It's 1957 and Whale's heyday as the director of Frankenstein Bride of Frankenstein and The Invisible Man is long behind him. Retired andia semi-recluse he lives his days accompanied only by images from his past. When his dour housekeeper Hannah (Lynn Redgrave) hires a handsome young gardener Clayton Boone (Brendan Fraser) the flamboyant director and simple yard man develop an unlikely friendship. This powerful and poignant relationship will change their lives forever.System Requirements:Starring Brendan Fraser Ian McKellen Lolita Davidovich Lynn Redgrave Directed by Bill Condon Running time: 105 minutes Copyright Lion's Gate 2003Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 031398833222 Manufacturer No: 71872

One of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma, and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff Shannon

Kinsey (Two-Disc Special Edition)

One of the best films of 2004, Kinsey pays tribute to the flawed but honorable man who revolutionized our understanding of human sexuality. As played by Liam Neeson in writer-director Bill Condon's excellent film biography, Indiana University researcher Alfred Kinsey was so consumed by statistical measurements of human sexual activity that he almost completely overlooked the substantial role of emotions and their effect on human behavior. This made him an ideal researcher and science celebrity who revealed that sexual behaviors previously considered deviant and even harmful (homosexuality, oral sex, etc.) are in fact common and essentially normal in the realm of human experience, but whose obsession with scientific method frequently placed him at odds with his understanding wife (superbly played by Laura Linney) and research assistants. In presenting Kinsey as a driven social misfit, Condon's film gives Neeson one of his finest roles while revealing the depth of Kinsey's own humanity, and the incalculable benefit his research had on our collective sexual enlightenment. With humor, charm, and intelligence, Kinsey shines a light where darkness once prevailed. --Jeff Shannon

Liam Neeson stars as Alfred Kinsey, a man driven by scientific passion and personal demons to investigate the elusive mystery of human sexuality. Laura Linney garnered a Best Actress Oscar® nomination for her compelling performance as Kinsey?s free-thinking wife. This provocative drama dares to lift the veil of shame from a society in which sex was hidden, knowledge was dangerous and talking about it was the ultimate taboo.

Dreamgirls (Full Screen Edition)

Director Bill Condon brings Tom Eyen's Tony award-winning Broadway musical to the big screen in a tale of dreams stardom and the high cost of success in the cutthroat recording industry. The time is the 1960s and singers Effie (Jennifer Hudson) Lorrell (Anika Noni Rose) and Deena (Beyonc Knowles) are about to find out just what it's like to have their wildest dreams come true. Discovered at a local talent show by ambitious manager Curtis Taylor Jr. (Jamie Foxx) the trio known as "the Dreamettes" is soon offered the once-in-a-lifetime opportunity of opening for popular singer James "Thunder" Early (Eddie Murphy). Subsequently molded into an unstoppable hit machine by Taylor and propelled into the spotlight as "the Dreams" the girls quickly find their bid for the big time taking priority over personal friendship as Taylor edges out the ultra-talented Effie so that the more beautiful Deena can become the face of the group. Now as the crossover act continues to dominate the airwaves the small-town girls with big-city dreams slowly begin to realize that the true cost of fame may be higher than any of them ever anticipated.System Requirements:Running Time: 130 Mins.Format: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 097361235448 Manufacturer No: 123544

The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral character surprisingly vibrant; only Foxx, who never gets to pour on the charisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart

Beyond Dreamgirls

Other Musicals on DVD

More Motown on DVD

The Soundtrack

Kinsey

One of the best films of 2004, Kinsey pays tribute to the flawed but honorable man who revolutionized our understanding of human sexuality. As played by Liam Neeson in writer-director Bill Condon's excellent film biography, Indiana University researcher Alfred Kinsey was so consumed by statistical measurements of human sexual activity that he almost completely overlooked the substantial role of emotions and their effect on human behavior. This made him an ideal researcher and science celebrity who revealed that sexual behaviors previously considered deviant and even harmful (homosexuality, oral sex, etc.) are in fact common and essentially normal in the realm of human experience, but whose obsession with scientific method frequently placed him at odds with his understanding wife (superbly played by Laura Linney) and research assistants. In presenting Kinsey as a driven social misfit, Condon's film gives Neeson one of his finest roles while revealing the depth of Kinsey's own humanity, and the incalculable benefit his research had on our collective sexual enlightenment. With humor, charm, and intelligence, Kinsey shines a light where darkness once prevailed. --Jeff Shannon

Liam Neeson stars as Alfred Kinsey, a man driven by scientific passion and personal demons to investigate the elusive mystery of human sexuality. Laura Linney garnered a Best Actress Oscar® nomination for her compelling performance as Kinsey?s free-thinking wife. This provocative drama dares to lift the veil of shame from a society in which sex was hidden, knowledge was dangerous and talking about it was the ultimate taboo.

Candyman 2 - Farewell to the Flesh

A stylish though inferior sequel to its classic predecessor, Bill Condon's Candyman: Farewell to the Flesh deepens our knowledge of what made the murdered Daniel Robitaille turn into the monster that haunts dreams and mirrors. But some of it is still pretty routine: schoolteacher Annie takes a long time to connect her family's plantation-owning past and her own artistic talent with the legend, and is far too ready to say the Candyman's name five times in a mirror to debunk her pupils' fears.

The setting: New Orleans at Carnival time with a disc jockey whimsically reminding us that Carnival is the last farewell to pleasure before the rigors of Lent. Tony Todd, who returns as the Candyman, gives a quiet dignity and sadness to the monstrous specter with a hook for a hand. His life was torn from him and he is mad for vengeance, yet he has an artistic temperament and loved Annie's kinswoman Caroline. Condon captures an attractive elegiac tone in much of this, as well as moments of brutal horror. --Roz Kaveney

His myth has endured for generations. His legacy is eternal rage. And now he's back...with a vengeance! Candyman: Farewell to the Flesh continues the tale of the phantom-like figure who wreaksa terrible fate upon those who chant his name five times while looking into a mirrorand come face-to-face with grisly death. A victim of unspeakable evil while he lived, the "Candyman" (Tony Todd, The Crow) has become evil incarnate in his afterlife. This time, he haunts the city of New Orleans, where a young schoolteacher named Annie Tarrant (Kelly Rowan, 187) is struggling to solve the brutal murder of her father. The locals insist that he was slain by the Candyman,but Annie is not convinced...until she unwittingly summons him forth, learns the secret of his power, and discovers the link that connects her to him. But can she stop him before he kills again?

Dreamgirls (Two-Disc Showstopper Edition)

Director Bill Condon brings Tom Eyen's Tony award-winning Broadway musical to the big screen in a tale of dreams stardom and the high cost of success in the cutthroat recording industry. The time is the 1960s and singers Effie (Jennifer Hudson) Lorrell (Anika Noni Rose) and Deena (Beyonc Knowles) are about to find out just what it's like to have their wildest dreams come true. Discovered at a local talent show by ambitious manager Curtis Taylor Jr. (Jamie Foxx) the trio known as "the Dreamettes" is soon offered the once-in-a-lifetime opportunity of opening for popular singer James "Thunder" Early (Eddie Murphy). Subsequently molded into an unstoppable hit machine by Taylor and propelled into the spotlight as "the Dreams" the girls quickly find their bid for the big time taking priority over personal friendship as Taylor edges out the ultra-talented Effie so that the more beautiful Deena can become the face of the group. Now as the crossover act continues to dominate the airwaves the small-town girls with big-city dreams slowly begin to realize that the true cost of fame may be higher than any of them ever anticipated.System Requirements:Running Time: 130 Mins.Format: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 097361235547 Manufacturer No: 123554

The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral character surprisingly vibrant; only Foxx, who never gets to pour on the charisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart

On the DVD
The two-disc edition of Dreamgirls includes videos, documentaries and other behind-the-scenes features. Diehard fans will love the almost two-hour "Building the Dream" documentary, which goes into loving detail about how the film got to be made. But it's the shorter segments that really capture the viewer's attention. The two auditions included in the set are a contrast in style. Pop singer Beyonce Knowles sells herself in full hair, makeup and costume; that she is a tad pitchy at times is almost beside the point. Tony Award winner Anika Noni Rose's audition is a tour de force; singing strong and with conviction and passion, Rose is fully in character regardless of the fact that she isn't dressed for the role. Oddly enough, the audition tape of Jennifer Hudson, who won an Academy Award for her breakthrough role as Effie, is nowhere to be seen. Sure, we all know what a powerhouse she is today. But it would've been nice to see what the filmmakers saw in her back then, when her competition included her American Idol castmate (and that season's winner) Fantasia Barrino. Hudson's performance of "Effie, Sing My Song"--which was not seen in the theatrical release--is included in this set, as are 12 extended musical numbers. Another nice touch is the inclusion of a dance rehearsal choreographed by Fatima Robinson (who has worked with the Backstreet Boys, Mary J. Blige, and Michael Jackson). Watching the rudimentary piece (with stand-ins subbing for the stars) come together gives the viewer appreciation for the intricate work that goes into each 3-minute musical number in the 130-minute film. Also included are a sequence of enhanced storyboards, a look at how the film's editor went about editing the picture, and a look at how the costumes played a part in the film. --Jae-Ha Kim

Beyond Dreamgirls

Other Musicals on DVD

More Motown on DVD

The Soundtrack

Dead in the Water

Academy Award winner, Bill Condon, directs this unpredictable thriller about a lawyer plotting with his wife to kill his lover. But when the lover turns up dead -- the lawyer is the top suspect in the murder he was planning! Twisting and turning in directions you'd never suspect, Condon's Dead In The Water is a stunning achievement. Not to be missed!

Sister, Sister

Gods and Monsters (Special Edition)

One of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma, and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff Shannon