Craven, Jay

Where the Rivers Flow North

Rip Torn was critically acclaimed for his commanding performance in this 1993 drama set in Virginia in 1927. Where the Rivers Flow North is about an old-time logger who defends his property against a pair of power-company executives (Michael J. Fox and Bill Raymond) seeking to build a dam on Torn's leased land. Native American actress Tantoo Cardinal is equally superb as Torn's longtime partner and ardent supporter, and the strength of their relationship is what gives this modestly budgeted, beautifully photographed independent feature most of its high-spirited appeal. The film, adapted from a novel by Howard Frank Mosher, was written and directed by Jay Craven, and would likely have earned Rip Torn an Oscar nomination had it been more widely seen at the time of its release. --Jeff Shannon

The Year That Trembled

A flawless ensemble cast brings to life this powerful 1970s coming-of-age drama, war chronicle and unconventional love story set in the shadow of Kent State's turbulent events. Written and directed by Jay Craven and based on the novel by Scott Lax, this "intimate, subtly riveting, and richly reminiscent" (Portland Press Herald) masterpiece follows a group of young people caught up in events that will transform their lives in ways they cannot imagine. Punctuated by authentic period footage, a soundtrack that includes 17 songs from the era, "lush cinematography and stellar performances" (Cleveland Plain Dealer), The Year That Trembled is a haunting portrait of a time when passions ignited a nation and choices became a matter of life and death.

Where the Rivers Flow North

Rip Torn was critically acclaimed for his commanding performance in this 1993 drama set in Virginia in 1927. Where the Rivers Flow North is about an old-time logger who defends his property against a pair of power-company executives (Michael J. Fox and Bill Raymond) seeking to build a dam on Torn's leased land. Native American actress Tantoo Cardinal is equally superb as Torn's longtime partner and ardent supporter, and the strength of their relationship is what gives this modestly budgeted, beautifully photographed independent feature most of its high-spirited appeal. The film, adapted from a novel by Howard Frank Mosher, was written and directed by Jay Craven, and would likely have earned Rip Torn an Oscar nomination had it been more widely seen at the time of its release. --Jeff Shannon

Where the Rivers Flow North

Rip Torn was critically acclaimed for his commanding performance in this 1993 drama set in Virginia in 1927. Where the Rivers Flow North is about an old-time logger who defends his property against a pair of power-company executives (Michael J. Fox and Bill Raymond) seeking to build a dam on Torn's leased land. Native American actress Tantoo Cardinal is equally superb as Torn's longtime partner and ardent supporter, and the strength of their relationship is what gives this modestly budgeted, beautifully photographed independent feature most of its high-spirited appeal. The film, adapted from a novel by Howard Frank Mosher, was written and directed by Jay Craven, and would likely have earned Rip Torn an Oscar nomination had it been more widely seen at the time of its release. --Jeff Shannon

Stranger in the Kingdom

Jay Craven has made a little niche for himself in dramas of the American Midwest. His 1993 sleeper Where the Rivers Flow North chronicles the standoff between the WPA and a defiant Vermont farmer during the depression. Stranger in the Kingdom, adapted from the novel by Howard Frank Mosher, finds Craven back in Vermont, circa 1952, where a sleepy little town is awakened by the arrival of worldly black pastor Ernie Hudson, fresh from 15 years of service as an Army chaplain. The community doesn't take to their new two-fisted moral policeman, and tongues wag when he takes in a sexy young French Canadian mail-order maid fleeing from her abusive household. When she's murdered the community points its fingers to the minister. As long as the film stays with Hudson, it's a compelling portrait of small-town provincialism turned ugly, but the film's real protagonist is hometown attorney David Lansbury, a fun-loving scamp who confronts his own arrested adolescence while defending Hudson in a Perry Mason-like climax. The film loses its complexity as it turns whodunit, but until then it's a richly populated, well-sketched portrait of rural paradise polluted by ignorance and hate, beautifully shot in autumnal colors. Sean Nelson (Fresh) costars as the minister's son, and Martin Sheen and Henry Gibson appear as attorneys for the prosecution. --Sean Axmaker

A pretty little town. An ugly little secret. From the director of "Where the Rivers Flow North" comes a powerful thriller in the vein of "Legends of the Fall" and "A River Runs Through It," based on a Howard Frank Mosher novel. Named one of the best films of the year by Stuff Magazine, "A Stranger in the Kingdom" stars Ernie Hudson (Ghostbusters), Jean Louisa Kelly (Uncle Buck) and Academy Award Winner Martin Sheen (Apocalypse Now).

Stranger in the Kingdom [Region 2]

Jay Craven has made a little niche for himself in dramas of the American Midwest. His 1993 sleeper Where the Rivers Flow North chronicles the standoff between the WPA and a defiant Vermont farmer during the depression. Stranger in the Kingdom, adapted from the novel by Howard Frank Mosher, finds Craven back in Vermont, circa 1952, where a sleepy little town is awakened by the arrival of worldly black pastor Ernie Hudson, fresh from 15 years of service as an Army chaplain. The community doesn't take to their new two-fisted moral policeman, and tongues wag when he takes in a sexy young French Canadian mail-order maid fleeing from her abusive household. When she's murdered the community points its fingers to the minister. As long as the film stays with Hudson, it's a compelling portrait of small-town provincialism turned ugly, but the film's real protagonist is hometown attorney David Lansbury, a fun-loving scamp who confronts his own arrested adolescence while defending Hudson in a Perry Mason-like climax. The film loses its complexity as it turns whodunit, but until then it's a richly populated, well-sketched portrait of rural paradise polluted by ignorance and hate, beautifully shot in autumnal colors. Sean Nelson (Fresh) costars as the minister's son, and Martin Sheen and Henry Gibson appear as attorneys for the prosecution. --Sean Axmaker