Dearden, Basil

Khartoum

Set in the expanse of the Sudan desert in the midst of holy war, Khartoum (1966) plays like an attempt to work the Lawrence of Arabia magic on the (mostly) true story of eccentric British general Charles "Chinese" Gordon in 1884 North Africa. The magnificent opening desert battle suggests David Lean's epic sweep, at least until the film settles into a more modest story of political games, military standoffs, and a battle of wits and wiles between two fierce leaders. Charlton Heston plays the wily Christian soldier as cocky, unconventional maverick, and Laurence Olivier (behind heavy make-up and a thick black beard) is almost as good as his cagey nemesis the Mahdi, the Islamic holy warrior on a mission of annihilation. More talk than spectacle, the film falls short of Lawrence but is nonetheless a compelling story of colonial politics, cynical maneuvering, and the unconventional heroics of another colorful British maverick abroad. --Sean Axmaker

Academy AwardÂ(r) winners* Charlton Heston and Laurence Olivier face off in this epic, stirring drama of two men and two empires. Filmed in glorious CineramaÂ(r), with stunning desertbattles staged by the creator of the Ben-Hur chariot race, Khartoum is a "magnificently staged action spectacle [with] outstanding portrayals" (Boxoffice) and breathtaking cinematography. In 1883, British Prime Minister Gladstone (Ralph Richardson) dispatches General Charles Gordon (Heston) to Khartoum, Sudan, where thousands of civilians are threatened by a Muslim fanatic, the Mahdi (Olivier), and his army of followers. Gordon gains the Mahdi's respect but can't prevent the Mahdi's men from laying siege to the city. Now, as history hangs in the balance, Gordon faces the fight of his life defending the ancient city of Khartoum. *Heston: Actor, Ben-Hur (1959). Olivier: Actor, Hamlet (1948); Lifetime Achievement (1978); Outstanding Achievement as Actor, Producer and Director on Henry V (1946)

Dead of Night/The Queen of Spades

DEAD OF NIGHT A group of strangers is mysteriously gathered at a country estate where each reveals a chilling tale of the supernatural. First, a racer survives a brush with death only to receive terrifying premonitions from beyond the grave. Then a teen's innocent game of hide-and-seek leads to an encounter with the macabre. Next, a young couple purchases an antique mirror that unleashes a horrific power from its past. In a lighter vein, two competitive golfers play for stakes that may haunt the winner forever. Finally, a renowned ventriloquist descends into an abyss of madness and murder when his dummy develops a mind of its own. But even after these frightening tales are told, does one final nightmare await them all? Britain's venerable Ealing Studios brought together four brilliant directors -Charles Crichton (THE LAVENDER HILL MOB), Basil Dearden (THE MIND BENDERS), Alberto Cavalcanti (NICHOLAS NICKLEBY) and Robert Hamer (KIND HEARTS AND CORONETS) to create this classic chiller that remains one of the most influential horror films ever made. This is the uncut and complete UK version of DEAD OF NIGHT, now newly restored from original archival materials for the first time in decades.

THE QUEEN OF SPADES "Unusual And Macabre!" ~ Leonard Maltin's Movie & Video Guide A gambling craze is sweeping 19th century St. Petersburg, yet a dashing Russian army captain (Anton Walbrook of THE RED SHOES) is too impoverished to participate. But when he learns that an aging countess (an award-winning performance by Dame Edith Evans of TOM JONES) may hold the ultimate key to gaming riches, the desperate young officer will stop at nothing to steal the sinister secret for himself. When fortunes are won and lost with the turn of a card, will one man wager his very soul on a final twist of fate? Yvonne Mitchell (DEMONS OF THE MIND) co-stars in this brilliant British chiller directed by Thorold Dickinson (GASLIGHT), featuring extraordinary cinematography by Otto Heller (PEEPING TOM, THE IPCRESS FILE) and based on the celebrated short story by Russian poet Alexander Pushkin. Includes AN 8-page Collector's Booklet.

Victim

Dirk Bogarde risked his career to make this 1962 film about a lawyer who risks his career to stand up to blackmailers. Part crime thriller and part plea for tolerance, Victim uses the terror of a blackmailing ring to point out the injustice of Britain's antisodomy laws. Bogarde plays Melville Farr, a married lawyer who learns of a blackmail scheme when one of its victims, an old friend, commits suicide rather than tell the police. As Farr conducts an investigation, he must confront his own past. Victim was ahead of its time--it was the first English-language movie to use the word "homosexual"--and as such it seems quaint and stilted at times. Straw-man clichés about homosexuality must be knocked down, and, like in all first-wave issue movies, occasionally characters need to have rather stilted debates. Still, the crime plot stands on its own, the performances are excellent, and the film is brave enough to make some very good points. This is an interesting and worthy bit of cinematic history. --Ali Davis

The Assassination Bureau

Dirk Bogarde Collection (Accident/The Mind Benders/The Servant)

The Man Who Haunted Himself

The Mind Benders

The Smallest Show On Earth

An amiable knockoff of the Ealing comedy style, The Smallest Show on Earth (1957) starts with aspiring novelist Bill Travers and his "nice gel" wife Virginia McKenna inheriting a cinema from a hitherto unknown uncle and discovering that it isn't the sumptuous modern Grand, which specializes in those "smash 'em in the face, knock 'em over the waterfront" pictures, but the decrepit Bijou, known locally as "the fleapit." The initial plan, set up by lawyer Leslie Phillips, is to sell off the cinema to the owner of the Grand so he can knock it down to make a car park, but our heroes are put off by the arrogant bullying of the rival manager (Francis De Wolff) and succumb to the inept charms of the crazed, aged staff--drunken projectionist Peter Sellers, doddering commissionaire Bernard Miles, and dotty ticket lady Margaret Rutherford (who joined the team as a piano accompanist).

In the 1950s there was a run of gentle British comedies in which outmoded and broken-down local institutions (steam trains, tugboats, vintage cars) were saved by collections of committed eccentrics who despised the new-fangled bus services or soulless council bureaucracies and were willing to resort to a little larceny (in this case, arson). The Smallest Show slots in perfectly with the cycle, getting laughs from the Bijou's already outmoded program of scratchy Westerns and desert dramas (which increase ice cream sales) and sentiment over the staff's midnight screenings of silent movies that remind them of better days. It's likeable rather than hilarious, with Sellers and Miles buried under crepe hair and fake wrinkles competing to out-dodder each other and losing the picture to the inimitable Rutherford, who doesn't have to fake her eccentricity. Pinup June Cunningham is the glamorous usherette and Sid James plays her annoyed dad. --Kim Newman

Who Done It?

The Green Man [Region 2]