Dieterle, William

The Maltese Falcon Three-Disc Special Edition (1941 & 1931 versions / Satan Met a Lady)

Disc One:Sam Spade is a partner in a private-eye firm who finds himself hounded by police when his partner is killed whilst tailing a man. The girl who asked him to follow the man turns out not to be who she says she is and is really involved in something to do with the Maltese Falcon' a gold-encrusted life-sized statue of a falcon the only one of its kind.Disc Two:Adhering closely to Dashiel Hammett's story sleazy detective Sam Spade seeks the whereabouts of a jewel encrusted statuette and his partner's cold-blooded killer unaware the two quests may be related. Well received in its time today it looks like a dress-rehearsal for John Huston's definitive version made ten years later.Disc Three:Sardonic detective Shane thrown out of one town for bringing trouble heads for home and his ex-partner's detective agency. The business is in a sad way and Shane who has had the forethought to provide himself with a 250-dollar commission from an old lady on the train is welcomed with open arms. When pretty Valerie Purvis walks in the next day willing to pay over the odds to put a tail on the man who did her wrong Shane's way with the ladies looks like paying off yet again. But things start to go wrong when his partner is murdered and Shane himself comes home to find his apartment wrecked by a gentlemanly crook who comes back to apologise -- and to tell him a fascinating fairy-story about the fabled Horn of Roland that looks like not being so mythical after all. Miss Purvis wants protection. The police want answers. And all sorts of people want the 'French horn'... but Shane is one jump ahead of everyone all the way. Well almost.Format: DVD MOVIE Genre: MYSTERY/SUSPENSE UPC: 012569676015 Manufacturer No: 67601

Still the tightest, sharpest, and most cynical of Hollywood's official deathless classics, bracingly tough even by post-Tarantino standards. Humphrey Bogart is Dashiell Hammett's definitive private eye, Sam Spade, struggling to keep his hard-boiled cool as the double-crosses pile up around his ankles. The plot, which dances all around the stolen Middle Eastern statuette of the title, is too baroque to try to follow, and it doesn't make a bit of difference. The dialogue, much of it lifted straight from Hammett, is delivered with whip-crack speed and sneering ferocity, as Bogie faces off against Peter Lorre and Sydney Greenstreet, fends off the duplicitous advances of Mary Astor, and roughs up a cringing "gunsel" played by Elisha Cook Jr. It's an action movie of sorts, at least by implication: the characters always seem keyed up, right on the verge of erupting into violence. This is a turning-point picture in several respects: John Huston (The African Queen) made his directorial debut here in 1941, and Bogart, who had mostly played bad guys, was a last-minute substitution for George Raft, who must have been kicking himself for years afterward. This is the role that made Bogart a star and established his trend-setting (and still influential) antihero persona. --David Chute

Duel in the Sun

From the acclaimed producer of Gone With the Wind comes a torrid tale of passion and romance that s loaded with all the sweep and panache of a giant American action movie (The New Yorker)! Flawlessly cast (The Film Daily) with a bevy of film legends including Jennifer Jones Gregory Peck Joseph Cotten Lionel Barrymore and Lillian Gish this salacious saga is virtually impossible not to love (The Hollywood Reporter)!When her father is hanged for murdering his wife the stunning beauty Pearl (Jones) is taken in by a wealthy Texan his wife and their two grown sons (Peck and Cotten). But Pearl soon becomes trapped in an emotional tug-of-war between her love for one son and her lust for the other igniting the most tempestuous triangle the West has ever seen!System Requirements: Running Time 146 MinFormat: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 027616905741 Manufacturer No: 1006373

Legendary producer David O. Selznick dreamed of another magnum opus like his 1939 production of Gone with the Wind; he also purposed to make Jennifer Jones, his ladylove and eventually second Mrs. Selznick, a megastar. Accordingly, he micromanaged the making of Duel in the Sun (Lust in the Dust to some), an extravagant Technicolor epic about the collision of the old West with the new, wide-open spaces with railroads and barbed wire, and hot-blooded outlaws with civilized folk, often wimpy or unwell. Beginning among giant rocks drenched in a blood-red sunset, with velvet-voiced Orson Welles intoning the leibestod legend of doomed Pearl Chavez and her demon lover, Duel never strays far from lush romanticism, spiced with a dash of S/M. Orphaned Pearl (Jones) comes to live at Spanish Bit Ranch, where frail Laura Belle McCanles (Lillian Gish) tries to make a lady of her, despite her questionable origins and insistent voluptuousness. Sexual license versus law--Pearl's choices--are symbolized by the McCanles brothers: dark, undisciplined Lewt (a lubriciously wicked Gregory Peck) and reasonable, forward-looking, repressed Jesse (Joseph Cotten). The cast is huge (Lionel Barrymore, Walter Huston, Harry Carey, Herbert Marshall, Charles Bickford, Butterfly McQueen) and there are unforgettable set pieces: summoned by a cacophony of bells, the gathering of McCanles cowboys from the four corners of the earth; Pearl in heat, clutching Lewt's leg and being dragged across the floor as he makes his getaway to Mexico; and the lovers' final shootout among those red rocks, as orgiastic a finale as you could ask for. --Kathleen Murphy

Portrait of Jennie

One of the most unusual romances ever filmed Portrait of Jennie is the picture of sumptuous perfection. Starring Joseph Cotten (Citizen Kane) and Oscar® winner* Jennifer Jones (A Farewell to Arms) in a sensitive appealing performance (The Hollywood Reporter) this tender [and] poetic (Variety) tale is enthralling from its touching beginning to its haunting conclusion.When struggling artist Eben Adams (Cotten) meets the beautiful and mysterious Jennie (Jones) he is instantly captivated. Before long Jennie has become his great muse and he is enjoying success and bliss beyond his dreams. But there is a price to pay for such elation and soon Eben must face the truth about who Jennie really is.System Requirements: Running Time 86 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616903846 Manufacturer No: 1006182

I'll Be Seeing You

Oscar® winner* Ginger Rogers and Joseph Cotten top a stellar cast in this tender wartime love story about two troubled strangers who meet by chance and try to crowd a lifetime of love and laughter into eight days. Studded with brilliant performances (Variety) I ll Be Seeing You manages to ambush your emotions and hasten your heart beats (Hollywood Citizen-News).After serving half of a prison sentence for accidental manslaughter Mary Marshall (Rogers) is allowed a holiday furlough to visit her family. Keeping her history a secret she falls in love with a kindhearted GI (Cotten) who s struggling to overcome shell shock. Both long for a normal life. But can they have it if he learns the truth about her?System Requirements: Running Time 85 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 027616903815 Manufacturer No: 1006179

A Midsummer Night's Dream

James Cagney and Mickey Rooney romping in a Shakespearian fairyland? This could only be A Midsummer Night's Dream, Warner Bros.' 1935 attempt at classing up the proletarian studio. The legendary German stage director Max Reinhardt had produced the play at the Hollywood Bowl to enchanted, sold-out audiences, and Warners decided to hand Reinhardt the keys to the studio (along with fellow Germans William Dieterle, co-director, and Erich Wolfgang Korngold, who adapted Mendelssohn's music). Reinhardt created an eye-popping phantasmagoria, a movie laced with sparkling sequins, flying fairies, and moon-kissed forests. As for the words, Reinhardt had a collection of Warners studio players, notably James Cagney as Bottom, whose playing of "Pyramus and Thisby" with Joe E. Brown is perhaps the movie's comic high point. The other actors are decidedly varied, and they tend to be overwhelmed by the production design. Not so Mickey Rooney, whose performance as Puck is a feral, antic act of imagination (he was 14 during filming); picture a boy raised by wolves who somehow memorized Shakespeare. His Puck growls and screams and mocks the drama of the other characters, a little postmodern imp before his time. (Critic David Thomson called this Puck "truly inhuman, one of the cinema's most arresting pieces of magic"). The rest of the movie comes to earth with some regularity, but it's a one-of-a-kind production, and a reminder of the lavish, unreal possibilities within a movie studio. --Robert Horton

Love is blind fickle and true. And under the sway of capricious fairies it becomes blinder ( a queen romances as donkey) more fickle (best friends swoon over each other's beau) and truest of all (lovers repledge their devotion). "Lord what fools these mortals be!" in Shakespeare's bewitching comedy!Running Time: 143 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569591226 Manufacturer No: 65912

The Hunchback of Notre Dame

Victor Hugo's classic novel brought to life in one of the most stirring and poignant films ever made. Charles Laughton is remarkable as the deaf grotesque hunchback who rescues a beautiful gypsy girl (Maureen O'Hara) from the noose of an ugly mob. Year: 1939Running Time: 117 min.System Requirements:Actors: Edmond O Brian / Maureen O Hara / Charles Laughton; Features: DVD French/Spanish Subtitled Biographies Film Highlights Trailers Pan and Scan (TV Format); Length: 115Format: DVD MOVIE Genre: DRAMA Rating:  UPC: 053939205824

Of the many film versions of Victor Hugo's novel, this classic from Hollywood's golden year of 1939 remains the best, rivaled only by the 1923 silent version starring Lon Chaney. In his triumphant attempt to create a performance as memorable as Chaney's, Charles Laughton played the lovelorn Parisian hunchback Quasimodo under a disfiguring costume and gruesome makeup that rendered the actor almost unrecognizable. The result is a gripping and heartfelt portrayal of the misshapen bell ringer who falls desperately in love with the beautiful gypsy Esmeralda (played by Maureen O'Hara). The lavish production also greatly benefits from exquisitely moody black-and-white cinematography, brilliant medieval set design, and the atmospheric direction by German expatriate William Dieterle, whose style was heavily influenced by German films of the era. The DVD release includes the original theatrical trailer plus an additional audio track with authoritative commentary by film historian Paul Mandell. --Jeff Shannon

Elephant Walk

It's never been as revered as The African Queen, but Elephant Walk is a similarly prestigious entry in the exotic adventure movie trend of the 1950s. This is one of those glossy Technicolor melodramas that inevitably climaxed in a scene of tragic destruction, typically intended to teach men a humbling lesson about the forces of nature. In this case, a seemingly delicate newlywed (Elizabeth Taylor) joins her husband (Peter Finch) on his tea plantation in Ceylon, only to uncover mysteries about the plantation and her husband's long-dead father, whose ghostly presence looms over the stately estate where elephants once roamed freely. Dana Andrews is the plantation foreman who catches Liz's attention when Finch is injured during one of many drunken interludes with a band of snobby sycophants; she grows intolerant of them, and impatient with the enigmatic Appuhamy (Abraham Sofaer), a Ceylonese valet who knows more than he's telling. After the plantation endures an outbreak of cholera and a drought that sends thirsty elephants into an stampeding frenzy, Elephant Walk delivers a spectacular finale that's still quite impressive; the sight of Liz fleeing from a pack of rampaging pachyderms is enough to make this a worthwhile diversion. With its exotic settings and fashionable wardrobe, Taylor's fans should consider Elephant Walk a must-see, and everyone else will enjoy the fiery climax. It's this movie's version of the burning of Atlanta, which is fitting because Gone with the Wind star Vivien Leigh was replaced by Taylor shortly after filming began, and can still be glimpsed in a few long shots. --Jeff Shannon

Elizabeth Taylor plays a newlywed who accompanies Finch to his sprawling tea plantation called ELEPHANT WALK...and falls for overseer Andrews. But this love triangle is soon dwarfed by other events. A cholera epidemic breaks out, drought blights the land and herds of thirst-maddened elephants devastate the plantation in a thundering stampede. The palatial "bungalow" is reduced to rubble as onrushing elephants pound across polished floors, rip walls from their foundations and knock over kerosene drums to ignite a terrifying inferno.

The Prince and the Pauper

Two lookalike boys one a poor street kid and the other a prince exchange places to see what the other's life is like.Running Time: 118 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569522725

The Life of Emile Zola (Special Edition)

Still as potently relevant today as it was in 1937, The Life of Emile Zola is a marvelously entertaining slab of Hollywood social issue-mongering. The life of the French writer is broadly sketched in the early going, but the film settles into its groove with the Dreyfus affair: the scandalous railroading of a military captain for treason, which shook France to its foundation in the 1890s. The elderly Zola's gradual involvement in the case, climaxing with his electrifying "J'accuse!" essay and subsequent trial for libel, is the heart and soul of the picture.

Warner Bros.' version of this story, directed by William Dieterle, carries over the passion (and hokum) of the previous year's Story of Louis Pasteur. It also retains that film's leading man, Paul Muni, who turns in an elaborately theatrical performance. The result was a box-office smash and three Oscars, for best picture, script, and supporting actor (Joseph Schildkraut, who plays Dreyfus). While the film occasionally creaks with Hollywood artifice, the clarion call of truth and outrage come through surprisingly strongly--indeed the film looks prescient as a warning about governments closing ranks to cover up mistakes. Mostly sidestepped is the anti-Semitic vitriol of the campaign against Dreyfus (his Jewishness is referenced only in a written report glimpsed for a moment). This is an old-fashioned barnburner that encourages the viewer to fan the flames. --Robert Horton

The Life of Emile Zola episodically explores the career of the novelist who championed the cause of France's oppressed. Zola (Paul Muni) is a hugely successful French author who risks all his success and comfort to come to the defense of the unjustly jailed Capt. Dreyfus (Oscar winner Joseph Schildkraut). Winner of three Oscars overall - and of immense critical and popular success - his distinguished film is a must-see portrait of a life that's a moment of the conscience of man. Winner of the Academy Award for Best Picture! Year: 1937Running Time: 116 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569692527

The Devil & Daniel Webster - Criterion Collection

Stephen Vincent Benet's timeless 1937 short story gets the red-carpet treatment on Criterion's feature-packed DVD of The Devil & Daniel Webster. William Dieterle's inspired film remains the classic it always was, proving that Citizen Kane wasn't the only cinematic marvel to appear in 1941. It's a sturdy, stylish rendition of Benet's original narrative, beginning when a luckless farmer (James Craig) strikes a Faustian bargain with the devil incarnate Mr. Scratch (Walter Huston at his devious best), trading his soul for seven years of prosperity, during which he grows corrupted, despised, and regretful of his mistake. To Scratch's chagrin, legendary orator Daniel Webster (Edward Arnold) intervenes with a triumphant defense, and Dieterle's brilliant direction gives the proceedings a light, economical touch of supernatural mischief.

To complement the cleverness of the film adaptation, this delightful DVD also includes a playfully expressive reading of Benet's original story by Alec Baldwin, and vintage radio performances of two of Benet's three "Daniel Webster" stories. The film and radio plays were scored by legendary composer Bernard Herrmann, whose Oscar®-winning film score is examined in an interactive essay by Herrmann expert Christopher Husted. Excerpts from an earlier preview version of the film (then titled Here Is a Man) reveal creepy, negative-image shock-shots of Mr. Scratch that were later removed, but they further demonstrate Dieterle's willingness to experiment. With additional essays and archival materials, Criterion's superb DVD shows how a great story can lend itself, with consistent success, to a variety of mediums. --Jeff Shannon