The Bank Job
by Roger Donaldson
from Lionsgate Home Entertainment
A cheerful, energetic, and completely entertaining movie, The Bank Job follows some small-time hoods who think they've lucked into a big-time opportunity when they learn a bank's security system will be temporarily suspended--little suspecting that they're being manipulated by government agents for their own ends. The result is that the movie doubles its pleasures: While the robbery itself has the usual suspense of a heist film, when the robbery is over the hoods find themselves being hunted by the police, the government, and brutal criminal kingpins who were storing dangerous information in a safety deposit box. The Bank Job won't win any awards, but it's enormously fun. Director Roger Donaldson (No Way Out, Species) propels the action along with vigor, editing zippily with perfect clarity among multiple storylines and various colorful characters. Jason Statham (Snatch, The Transporter), as the leader of the bank robbers, successfully steps away from his usual bone-crunching roles to a more human presence. The rest of the cast--including Saffron Burrows (Deep Blue Sea), Keeley Hawes (Tipping the Velvet), David Suchet (Poirot), and many faces familiar from British film and television--give their characters the right degree of personality and flavor without getting fussy or detracting from the headlong rush of the story. A little sex, a lot of action, a sly sense of humor, and a twisty plot; if more movies had these basic pleasures, the world would be a happier place. --Bret Fetzer
Stills from Bank Job (click for larger image)
![]() | ![]()
| ![]() |
![]()
| ![]() | ![]() |
A small-time crook takes on a bank heist when an old friend offers him an inside track to the vault. Along with his hastily assembled team of low-rung criminals Terry (Statham) finds himself deep into this real-life heist and quite suddenly the target of ruthless mobsters the police government officials at the highest level and even the royal family.System Requirements:Running Time: 110 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: R UPC: 031398236108 Manufacturer No: 23610
The World's Fastest Indian
by Roger Donaldson
from Magnolia
A movie that exudes affection and goodwill, The World's Fastest Indian is an unabashed mash note to a lovely character from New Zealand's recent past. Burt Munro, played by Anthony Hopkins, is a cantankerous Kiwi with an obsession: he's been tinkering with his 1920s-era Indian brand motorcycle for years, pushing it to ever-faster speeds. It's the 1960s, and Burt has the utterly mad idea of taking the bike to the Bonneville Salt Flats in Utah, site of world records for speed racing. The movie takes a while to get to the journey--and then the journey takes a while--but the genial atmosphere prevails. (People of a certain age, for whom the word "Bonneville" evokes pleasant associations with hotrods and world-speed records, will not be disappointed in the film's location shooting, or its sense of awe.) Hopkins is not quite on-the-money casting for the jovial, happy-go-lucky Munro, and his accent wavers, but he nails the emotional scenes and the fascination with speed. Smaller bits are well-filled by Diane Ladd and Christopher Lawford (son of Peter), who looks uncannily of the era. New Zealand director Roger Donaldson doesn't take any chances here, but the story clearly means something to him, and that sense of commitment carries the film through its sleepier moments. --Robert Horton
The story of New Zealander Burt Monro who broke the land-speed world record at the Bonneville Salt Flats on his rebuilt 1920 Indian motorcycle.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 13-JUN-2006
Media Type: DVD
Thirteen Days (Infinifilm Edition)
by Roger Donaldson
from New Line Home Video
When released in December 2000, Thirteen Days was pummeled for taking liberties with the facts of the Cuban missile crisis and smothering its compelling drama with phony Boston accents by its primary stars. More tolerant critics hailed it as one of the year's best films, and that's the opinion to believe for anyone who enjoys taut, intelligent political thrillers. For those too young to relate directly to the timeless urgency of the crisis that played out over 13 days in October 1962, Thirteen Days joins the classic TV treatment The Missiles of October (1973) as an intense and thought-provoking study of leadership under pressure.
The film (and costar-coproducer Kevin Costner) drew criticism for fictionally enhancing the White House role of presidential aide Kenneth O'Donnell, but while Costner's Boston accent may be grating, his fine performance as O'Donnell offers expert witness to the crisis, its nerve-wracking escalation, and the efforts of John F. Kennedy (Bruce Greenwood) and Robert F. Kennedy (Steven Culp) to negotiate a peaceful settlement with Russia. While Soviet missiles approach operational status in Cuba, director Roger Donaldson (who directed Costner in No Way Out) cuts to exciting U.S. Navy flights over the missile site, ramping up the tension that history itself provided. Donaldson's occasional use of black and white is self-consciously distracting, and he's further guilty of allowing a shrillness (along with repetitive, ominous shots of nuclear explosions) to invade the urgency of David Self's screenplay. Still, as Hollywood history lessons go, Thirteen Days is riveting stuff. You may find yourself wondering what might happen if reality presented a repeat scenario under less intelligent leadership. --Jeff Shannon
Cocktail
by Roger Donaldson
from Buena Vista Home Entertainment
A young self-centered bartender who has become a local celebrity in Manhattan's upper east side, meets a girl in Jamaica who puts a new perspective into his life.
Genre: Feature Film-Drama
Rating: R
Release Date: 13-JAN-2004
Media Type: DVD
This 1988 effort at creating a milestone coming-of-age story with the impact of The Graduate is commendable, but the results are mostly shaky and garish. Tom Cruise plays an ambitious young man who arrives in New York City and becomes known as a flashy bartender in a hot club. After falling for Elisabeth Shue's girl-next-door character, however, his desire for success causes him to travel down a more selfish path with an older woman. The film, directed by Roger Donaldson (Bounty), is built on entirely on appearances (Cruise's star charisma) and flash (the way Cruise and his character's bartending mentor, played by Bryan Brown, toss bottles of booze around). The more interesting and underlying themes, however, particularly the hero's obvious Oedipal dilemmas, are lost beneath this window dressing, as if everyone involved was afraid to commit to the story's intrinsic value. Cruise fans might want to take a look at this, but otherwise there isn't much to recommend it. --Tom Keogh
Dante's Peak
by Roger Donaldson
from Universal Studios
The first of 1997's volcano disaster movies (the second being Volcano) was arguably the better of the two, but both of them made for passable entertainment with some spectacular special effects to serve as icing on the stale cake. After all, Dante's Peak doesn't pretend to be anything more than an updated variation on a whole catalog of disaster movie clichés. Despite all that, it's reasonably enjoyable. It's an added bonus that the script is just smart enough to allow Pierce Brosnan and Linda Hamilton to play their roles with straight faces, never condescending to the audience of the formulaic story. He's a volcano expert from the U.S. Geological Survey, and she's the mayor of a cozy Washington State town perched beneath a volcano that's about to blow. Telltale signs are everywhere, so evacuation must be carried out immediately. Of course, not everybody's eager to leave, and even some of Brosnan's colleagues think his alarm is premature. This sets the stage for massive ash clouds, rivers of raging mud and molten rock, flattened forests, and death-defying escapes by Brosnan, Hamilton, and some (but not all) of her family, friends, and townsfolk. So what if it's all pretty flaky... and can a four-wheel-drive vehicle travel over fire and molten lava without bursting its tires? Don't ask too many questions, and you'll find Dante's Peak to be (if you'll pardon the pun) a total blast. The Collector's Edition DVD includes a documentary about volcanoes, Getting Close to the Show, in addition to behind-the-scenes footage, exclusive coverage of the creation of special effects, and audio commentary with director Roger Donaldson. --Jeff Shannon
Without warning day becomes night. Air turns to fire and solid ground gives way to white-hot molten terror. Brace yourself for action-packed earth shaking thrills and whatever you do do not look back. Pierce Brosnan and Linda Hamilton star in an epic adventure from Director Roger Donaldson that will blow you away! Erupting with spectacular special effects heart-pounding suspense romance and remarkable characters.Starring: Pierce Brosnan Linda Hamilton and Charles HallahanDirector: Roger DonaldsonCopyright: 1997 Universal Pictures Produced by Gale Anne Hurd Joseph M. Sing; written by Leslie Bohem; running time of 109 minutes; Closed Captioned.System Requirements:English: Dolby Digital 5.1 Spanish and French Languages: Dolby Surround Spanish Subtitles Dual Layer Anamorphic Widescreen 2:35:1 Audio Commentary with Director Original Documentary "Getting Close to the Show" Behind-the-Scenes footage special effects coverage plus other exciting material Dolby Surround tracks contain up to 4 channels of encoded audio/Playback from 2-channel DVD outputs is compatible with stereo an Dolby Pro Logic reproductionFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 025192014925 Manufacturer No: 61020149
The Bounty
by Roger Donaldson
from MGM (Video & DVD)
Director Roger Donaldson (Thirteen Days) has breathed vibrant new life into the classic story of the mutiny on the Bounty. With a dream cast--Mel Gibson, Sir Anthony Hopkins, Sir Laurence Olivier, Liam Neeson, and Daniel Day-Lewis--and a script by Robert Bolt (Doctor Zhivago, Lawrence of Arabia), The Bounty takes a revisionist tack through the well-charted waters of an oft-told tale. Hopkins's Captain Bligh is no raving sadist in the Charles Laughton mode. (Laughton played Bligh in the first Mutiny on the Bounty, 1935.) Instead, Sir Anthony plays Bligh as a hard-nosed imperialist explorer simply trying to get the job done in the time-honored manner: on the backs of the poor gobs under his command. Still, when Bligh's suppressed powder keg of rage finally blows, Hopkins is formidable indeed. Mel Gibson gives one of the most soulful performances of his career as mutiny leader Fletcher Christian. He's also at the height of his blue-eyed, buff good looks, and his romance with Tahitian maiden Mauatua (lovely Tevaite Vernette) is decidedly erotic. Liam Neeson is a veritable force of nature as the scrappy seaman Charles Churchill, and Daniel Day-Lewis is sublimely hateful as Master John Fryer, a pompous toady. With special effects to rival those of The Perfect Storm, the alluring eye candy of a tall-masted schooner under full sail, lush tropical greenery, and bevies of bodacious South Sea Islands babes, plus a gripping story line, The Bounty deserves a rescue from undeserved obscurity. --Laura Mirsky
Oscar winners Anthony Hopkins and Mel Gibson lead a stellar cast that includes Sir Laurence Olivier Daniel Day-Lewis and Liam Neeson in this action-packed adventure bursting with sensational battles raging storms and an intensity as powerful as the mighty sea itself! Bristling with commanding performances blazing dialogue and "superb action scenes" (Los Angeles Times) this "spectacular movie" (New York Magazine) is "everything a high-adventure fan could want" (Variety)!Hopkins delivers "a brilliant portrayal" (Boxoffice) as William Bligh a real-life sea captain who in 1787 steered The Bounty on a 27000-mile voyage into danger chaos and madness. After 31 days of battling severe sea squalls and Bligh's ever-increasing cruelty the weary crew is relieved to finally land on a remote island. But soon their tyrannical captain wants to sail again and the desperate men turn to first mate Fletcher Christian (Gibson) to help them take the ship by force...or die trying.System Requirements:Starring: Mel Gibson Anthony Hopkins Edward Fox Laurence Olivier Directed By: Roger Donaldson Running Time: 130 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 027616854742
No Way Out
by Roger Donaldson
from MGM (Video & DVD)
This implausible, but effective 1987 film stars Kevin Costner (Bull Durham, Wyatt Earp) as a naval officer and CIA agent who may not be what he seems. This sexy thriller is an espionage mystery and an enigmatic character study of two men trying to be faithful to the loyalties they hold. Costner begins a torrid love affair with the mistress (Sean Young) of the Secretary of Defense, but when she turns up dead, Costner is implicated in a web of intrigue that threatens national security and exposes personal secrets at the highest levels. The Secretary and his men try to cover up the affair while simultaneously searching for a Soviet mole in their ranks. Featuring an exciting chase sequence through the Washington, D.C., subways, No Way Out is a standard issue thriller that nonetheless keeps the action coming. --Robert Lane
Imagine being a hunter leading highly trained bloodhounds in pursuit of a killer...and the trail leads directly to you! Starring Academy-Award® winners Kevin Costner* and Gene Hackman** No Way Out is a mesmerizing look at Washington power (The Hollywood Reporter). Capturing a well-deserved four stars from critic Roger Ebert this taut [and] stylish (Newsweek) thriller is fast-paced and powerful -- a perfect nailbiter (Variety)! In a fit of rage Secretary of Defense David Brice (Hackman) murders his mistress. To keep a lid on the scandal Brice s loyal aide (Will Patton) creates the perfect cover up: he invents a more enticing killer -- a Russian spy -- and then enlists naval commander Tom Farrell (Costner) to find him. But as a chilling twist of fate would have it Farrell also has a strong connection to the victim and now all the clues he s been hired to uncover are leading straight to him! In a desperate race against time Farrell s search for the killer is not only a matter of national security but also a matter of saving his own hide.Special Features:Collectible BookletOriginal Theatrical TrailerSystem Requirements: Running Time 114 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 027616843623 Manufacturer No: 908436
The Recruit
from Touchstone / Disney
"Nothing is as it seems" in The Recruit, a guessing-game thriller that employs plot twists and conflicting loyalties as its primary raison d'être. Surrounded by potential deception, a newly recruited CIA officer (Colin Farrell) must determine if his manipulative instructor (Al Pacino) is being honest when he identifies Farrell's fellow recruit and love interest (Bridget Moynihan) as an enemy "mole" assigned to steal a dangerous computer virus from CIA headquarters. While claiming to offer an insider's look at CIA training methods, this engrossing yet ultimately predictable plot is pure Hollywood fantasy; any resemblance to reality is purely coincidental, leaving the perpetually unshaven and scruffily coiffed Farrell to fend for himself in Pacino's cynical arena while tracing his familial roots in the spy game. Wearing its cleverness on its sleeve, The Recruit is an adequately elaborate puzzle of perceptions. "Everything is a test," as Farrell soon realizes, and attentive viewers will enjoy piecing it all together. --Jeff Shannon
James Clayton, a bartender and a computer hacker, accepts the offer of a recruiter looking for CIA trainees over a comfortable job at Dell computers; soon, he plunges into a gruelling world of physical, mental, psychological tests, and heads into a missio
Genre: Suspense
Rating: R
Release Date: 25-JAN-2005
Media Type: DVD
The Getaway
by Roger Donaldson
from Universal Studios
A husband and wife crime team are on the run from the law and from a crime boss they doubled crossed.
Genre: Feature Film-Action/Adventure
Rating: UN
Release Date: 5-MAR-2002
Media Type: DVD
"This is going to be the last big score, I promise." Famous last words--uttered by crack thief Doc McCoy to his wife--that set forth a whirlpool of deception and violence in Roger Donaldson's 1994 remake of The Getaway. Bailed out of a Mexican jail by shady businessman Jack Benyon (James Woods) in order to hit an Arizona dog track for him, Doc (Alec Baldwin) and Carol (Kim Basinger) flee for south of the border when the robbery goes wrong, with the million-dollar loot in tow. Following close behind are Benyon's men and Doc's double-crossing partner Rudy (Michael Madsen).
The updated version shares not only the original film's plot, but also the added twist of having husband and wife Baldwin and Basinger step into the roles of the first real-life couple to make the film, Steve McQueen and Ali McGraw. This time, however, the woman's role has been given a tougher '90s edge, with Basinger pulling almost as many punches and firing as many shots as Baldwin, compared to McGraw, who followed McQueen around in wide-eyed, silent terror.
The Getaway maintains the same deliberate, neo-noir pace that made the first film taut, creating a claustrophobic atmosphere in the wide-open, desolate Southwestern landscapes. The scorching sun and heat only add to the strain, making it virtually impossible for anyone to find a dark corner or alleyway to hide in. The car chases and shoot-out finale are charged, though a secondary plot line, between Rudy and the woman he kidnaps and seduces (Jennifer Tilly), comes across as unnecessarily and incongruously brutal. --Natasha Senjanovic
White Sands
by Roger Donaldson
from Warner Home Video
Set in the cinematically picturesque Southwestern desert, Willem Dafoe plays a small-town lawman called out to a remote location after a dead body is found by some tourists. Along with the body, there is a briefcase with half a million dollars in it. Well, he becomes absolutely obsessed in solving the case. The audience never knows why he feels the need to solve this case instead of turning it over to the federal authorities, other than to spice up his otherwise boring job. Judging by his muscle car and quest for adventure, and despite being happily married with a kid, he seems to be going through a bit of a mid-life crisis. He gets his adventure when he finds a phone number on (actually in) the dead man's body, calls it, gets some instructions, and decides to go undercover as the dead man. Pretty soon he's meeting up with a shady Mickey Rourke and falling for Mary Elizabeth Mastrantonio. Meanwhile, the script goes through plot twists and double and triple crosses. The strangest thing is that the movie works. It's a lot of fun, and Dafoe plays the most difficult and unbelievable character with such an easy charm it's hard not to go along with him. --Andy Spletzer
+++








