Mystery! Coyote Waits
by Jan Egleson
from Pbs (Direct)
The compelling Coyote Waits is based on one of the Leaphorn and Chee mystery novels by Tony Hillerman (all three have been adapted for television), concerning a partnership, of sorts, between an experienced Navajo detective, Joe Leaphorn (Wes Studi), and a young reservation cop, Jim Chee (Adam Beach). When the latter's colleague and friend ends up shot to death and left to burn in a fiery car, Chee takes time off to evaluate whether he should become a healer instead of a lawman. Either way, he can't proceed without getting to the bottom of the killing and proving or disproving his own original assumption that the murderer is a shaman he found drunk and in possession of a gun near the crime. Working the case from a different angle is Leaphorn, who finds a link between the shaman and a missing university professor on the trail of a major historical find. Beach and Studi are terrific, though the story doesn't bring them together, in the same space, very often. (The two characters do most of their communicating by phone.) Familiar faces in the supporting cast include Gary Farmer (Dead Man), Keith Carradine (Deadwood), and Graham Greene (Dances with Wolves). Sheila Tousey is outstanding in her recurring role as Emma Leaphorn, Joe's wise, no-nonsense wife. --Tom Keogh
Lemon Sky
by Jan Egleson
from First Look Pictures
This made-for-television adaptation of Lanford Wilson's play stars Kevin Bacon as a troubled young man who is trying to come to terms with his unfortunate upbringing. Featuring a standout performance from Kyra Sedgwick, LEMON SKY is a powerful family drama.
The Blue Diner
by Jan Egleson
from First Look Pictures
The Blue Diner is a film about food, memory, language, and caskets. It is the story of a Puerto Rican mother and daughter living together in Boston and the difficulties they encounter when the daughter, Elena, mysteriously loses her ability to speak Spanish, her first language. Everyone has a theory about the origin of Elena's misfortune, but no one knows for certain what has caused the tragic and absurd event. As Elena's language disappears, her boyfriend's painting inexplicably appears at the Fine Arts Museum where her mother works. In a misguided attempt to obtain an artist's visa, his actions unleash a world of misunderstanding and trouble for Elena and her mother. As the relationship between mother and daughter deteriorates, the two women are forced to confront each other and their murky past. A haunting song, a missing father, and a plate of fried brains help to reunite Elena, her mother, and her language.
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