Carl Franklin

Devil in a Blue Dress

Despite rave reviews as one of the most stylish and intelligent detective pictures in a number of years, this 1995 adaptation of Walter Mosley's novel never found a mass audience. Too bad, because Carl Franklin's film is nearly perfect in every way, from its rich, shadowy look to its depiction of life in post-World War II black America (L.A.-style) to the acting of Denzel Washington, Don Cheadle, and others. Washington plays Easy Rawlins, an aircraft factory worker who is laid off only to find his true calling: as a private eye, albeit an unlicensed one. Hired to find a missing woman, he becomes entangled in a complex but satisfying case involving sex, corruption, racism, and of course money. Top-notch from top to bottom--and Cheadle is dangerously funny as Easy's best friend, a killer named Mouse. --Marshall Fine

Out of Time

Two-time Academy Award® winner* Denzel Washington (Training Day) is fantastic [in this] inventive exciting and spellbinding thriller ( The Movie Network ) co-starring Eva Mendes (2 Fast 2 Furious) and Dean Cain ( Lois & Clark ). In Banyan Key a small Florida town surrounded by azure seas and sultry secrets Chief of Police Matt Whitlock (Washington) finds himself caught in the eye of a storm and about to get blown away. Investigating the murder of a woman he is secretly seeing Matt races to uncover a murky trail of stolen money drugs and deceit all the while staying two steps ahead of his own detectives because all the evidence points to him!Special Features:Audio Commentary by Director Carl Franklin Out of Time: Crime Sequence FeaturetteCharacter ProfilesOuttakesScreen Tests: Sanaa Lathan Dean CainPhoto GalleryOriginal Theatrical TrailerSystem Requirements: Running Time 105 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 027616901798 Manufacturer No: 1005949

Partly inspired by 1948's The Big Clock and its nominal 1987 remake No Way Out, the Denzel Washington thriller Out of Time is quite enjoyable if you ignore its implausible plotting. Like those earlier films, this reunion of Washington and his Devil in a Blue Dress director Carl Franklin is about a man--in this case the police chief (Washington) of sleepy Banyan Key, Florida--who falls into a trap set by others, sinks into legal quicksand of his own making, and must race the clock to extricate himself from a series of incriminating setbacks. The Florida setting adds welcome character to the potboiler plot, and Washington's screen-cred makes it easy to overlook the absurdities of rookie writer David Collard's screenplay. Eva Mendes is sharp and sensible as Washington's estranged wife (do you think they'll reconcile for a happy ending?), and the talented John Billingsley--whose portrayal of "Dr. Phlox" on TV's Enterprise is vastly underrated--is a constant delight as Washington's medical examiner, beer buddy and wily co-conspirator. It's hardly a classic, but Out of Time goes well with a big tub of popcorn. --Jeff Shannon

One True Thing

Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally gotten her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: He all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never gotten the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine

High Crimes

A welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff Shannon

Ashley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).

One False Move

A dark and spare thriller about irresistible forces headed for a collision with an immovable object. The latter is the local sheriff in a small Arkansas town (Bill Paxton); the former are a trio of L.A. drug dealers (Billy Bob Thornton, Michael Beach, Cynda Williams), who, having committed a multiple murder, head for that tiny town on the lam to hide out with Williams's family. Directed by Carl Franklin from a script cowritten by Thornton, the film contrasts the converging parties: Paxton as the eager small-timer who resents getting the high hat from the FBI and aches to prove himself; Thornton as the explosive bad guy who looks like a pussycat next to the sadistic Beach. In the middle is the subtle, low-key performance by Williams, who has secrets neither side is aware of. Compelling and energy-charged, without taking a single obvious step. --Marshall Fine

High Crimes (Widescreen Edition)

A welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff Shannon

Ashley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).

Man on Fire / Out of Time

Man on Fire - A wave of kidnappings has swept through Mexico feeding a growing sense of panic among its wealthier citizens especially parents. In one six-day period there were twenty-four abductions leading many to hire bodyguards for their children. Into this world enters John Creasy a burned-out ex-CIA operative/assassin who has given up on life. Creasy's friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard especially to a youngster but for lack of something better to do he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly she chips away at his seemingly impenetrable exterior his defenses drop and he opens up to her. Creasy's new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.Out of Time - Matt Lee Whitlock (Washington) respected chief of police in small Banyan Key Florida must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 024543423614 Manufacturer No: 2242361

Eye of the Eagle II: Inside the Enemy

Don't Say a Word/High Crimes

One True Thing [Region 2]

Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally gotten her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: He all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never gotten the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine