Fawcett, John

Queer as Folk - The Final Season (Collector's Edition)

Gay has rarely been so glamorous as in the American version of Queer as Folk. But the show's success rests on more than hard bodies and glossy, picture-perfect sex (though there's an abundance of that); this series gave its characters a multidimensional richness that rivals more high-profile programs like Six Feet Under or The Sopranos, while tackling an impressive breadth of social and political issues without ever (well, almost never) feeling preachy. The fifth and final season lays out its themes with authority: Alpha-gay Brian (Gale Howard) buys and revamps the sex club Babylon, declaring promiscuity and independence as a gay birthright, while Brian's oldest friend Michael (Hal Sparks, Talk Soup) embraces domesticity with his partner Ben (Robert Gant); the flamboyant Emmett (Peter Paige) finds success as a tv personality, only to find his persona may trap him in a stereotype; and Ted (Scott Lowell) grapples with body prejudices within the gay community. Meanwhile, the crumbling relationship of Mel (Michelle Clunie) and Lindsay (Thea Gill) takes a more troubling turn when Michael demands more rights as the father of their daughter.

Most tv series would take a topic like this last legal wrangle and stretch it over an entire season, but Queer as Folk is more ambitious; the writers recognize that the resolution of one problem is rarely the end of the story, that muddy consequences can be as dramatically compelling as head-to-head conflict. This aggressive and effective plotting, combined with the show's willingness to explore the complexities of every issue--be it assimilation or the coming out of a celebrity--results in an increasing emotional power as the series steamrolls towards its final episode. Some subplots can be silly (Brian has a ridiculous stud-off with a new hot guy in town), the dialogue can sometimes veer from wit to camp cliches, and the omnipresence of sculpted, muscular physiques is absurd and even a little alienating for some viewers, but Queer as Folk's strengths--the compassion and intelligence of the writers, the commitment and nuance of the acting--make this show a true television landmark and a pleasure to watch. And then, of course, there's all that graphic and lovingly photographed sex. Rosie O'Donnell and Cyndi Lauper make guest appearances, and Sharon Gless (Cagney & Lacey) continues her much-loved performance as Michael's mother, Debbie. --Bret Fetzer

QUEER AS FOLK Season 5 continues to follow the journey of a group of gay friends and lovers living in Pittsburgh. This critically acclaimed series brings with it mature stories about facing the challenges of same-sex parenting, discrimination, AIDS/HIV, cancer and morality.

Queer as Folk - The Complete Third Season (Showtime)

Drama ruled in a big way on the third season of Queer as Folk, as the gay men and women of Pittsburgh rode a roller coaster of emotional and personal upheavals that would make a regular soap-opera cast blanch. Budding comic book artist Justin (Randy Harrison) finally left longtime lover Brian for a chance at ecstasy--and not a bit of agony--with a charming violin player. Emmett (Peter Paige) finally came face-to-face with his affection for friend Ted (Scott Lowell), only to have Ted's growing drug habit get in the way of their happiness. Lesbians Melanie (Michelle Clunie) and Lindsay (Thea Gill) decided to have another baby, whose father would be... Michael (Hal Sparks), whose nesting with hunky Ben (Robert Gant) is rudely interrupted by runaway Hunter (Harris Allan). And as for Brian (Gale Harold), the man everybody wants but can't ever have? Just when it seems he's gone to work for the enemy--a homophobic mayoral candidate--it turns out he might be the savior the Pittsburgh gay community never knew it needed.

Snaps to the makers of QAF for trying to bring their characters into the grown-up world - Michael, Emmett, and Ted started their own businesses; Justin finally cut loose from Brian--but too many melodramatic plot twists and turns impeded a lot of the character development this show worked hard at during its first two seasons. Still, most of the cast was topnotch, including Harrison, whose Justin finally came into his own, and the always dependable Harold, who made Brian a fascinating creature through all his steamy travails and over-the-top encounters. --Mark Englehart

A group of gay friends (men & women) lives out their day-to-day lives in Pittsburgh, PA. A groundbreaking series set in a work-a-day blue-collar world. Queer as Folk is the first TV drama that treats gay people simply as real people. This TV series continues to be hailed by critics around the country as astonishingly frank, refreshing, wonderful, bitterly witty, and "Must-See TV." Season 3 includes over 170 minutes of specially produced bonus features. Go inside the Babylon tour and see exclusive footage with Grammy Award Winning DJ Peter Rauhofer! It also contains PARTY IN THE BOX NATIONAL SWEEPSTAKES - a chance to win your very own Queer As Folk Party at a hot New York or Los Angeles Nightclub!

Queer as Folk - The Complete Second Season (Showtime)

They're still out and proud, and in their second season the boys (and girls) of Queer as Folk continued to break ground as the most gay-friendly show on television (sorry, Will and Grace). Some plot lines were a little over the top, others truly heartfelt, but they were never less than entertaining, even during their All My Children moments. Season two opened in the aftermath of the gay-bashing of Justin (Randy Harrison), the young artist who wondered if he'd ever be able to paint or draw again, and went on to face a variety of issues and plotlines as diverse as its characters. Some were timely (Michael negotiating a relationship with new HIV-positive boyfriend Ben), some romantic (lesbians Lindsay and Melanie tying the knot), some new to the show (Emmett embarks on a relationship with a--gasp!--older gentleman), and some, well, far-fetched (how many of you had to wrestle, like Ted did, with starting your own pornographic web site?).

While the writing tended to flail about a bit, thankfully coalescing by the season's end, the show continued to be anchored by stellar actors, especially Peter Paige's Emmett, who grew the most during the second season; Michelle Clunie's Melanie, the alternately wry and sweet lesbian who became the show's secret weapon; and, as always, Gale Harold's Brian, the lothario with a heart of tarnished gold. Frustrating, fascinating, exasperating one moment and charming the next, Brian perfectly summed up the guilty pleasures of Queer as Folk, where humanity peeks out every now and then from behind the curtain of fabulous comedy and drama. --Mark Englehart

Ginger Snaps

Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker

Queer as Folk - The Complete First Season

They're here, they're queer, and they make Sex and the City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries--pours on copious amounts of hot and steamy sex. This slick (and slickly entertaining) series shares the same basic concept as its British counterpart--centering on a group of gay friends living in a primarily industrial city--but after that, all bets are off. Whereas the British version focused on the gritty, realistic drama of its characters, the American QAF is a glossy, fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party, and you shouldn't be one of those poor suckers starving to death. A good part of the show's charm lies in its cast--boy-next-door Michael (Hal Sparks), ruthlessly seductive rake Brian (Gale Harold), out-and-proud Emmett (Peter Paige), wallflower Ted (Scott Lowell), and nubile teen Justin (Randy Harrison)--who grew from standard gay prototypes to intriguing characters by the first season's end. And while some subplots didn't work (such as Emmett's farfetched foray into gay-conversion therapy), others were quietly affecting, including Brian's coping with his father's death. Some may object to the show's relentless fixation on sex (and gay men--there are just two lesbian characters), but this is a series that in its own polished way is both engrossingly fun and truly groundbreaking. It's liberating to watch an American TV series in which the straight world is only peripheral. Let's hear it for the boys! --Mark Englehart

Queer as Folk - The Complete Fourth Season (Showtime)

Queer As Folk - Season Four continues to follow the journey of a group of gay friends and lovers living in Pittsburgh. This critically acclaimed series brings with it mature stories about facing the challenges of same-sex parenting, discrimination, AIDS/HIV, cancer and morality.

Xena Warrior Princess - Complete Series (Seasons 1-6)

Miracles - The Complete Series

ABC's Miracles had a sizable viewership during its brief 2002-2003 primetime run, but the network's coverage of the Iraq war broke the show's momentum, resulting in cancellation after a mere six episodes. Those half-dozen shows and seven more unaired stories are included in this boxed set, which certainly underscores the series' unfulfilled promise as a kind of spiritually based version of The X-Files. Skeet Ulrich (Scream) stars as Paul Callan, an investigator of miracles for the Catholic Church. Demoralized and confused about his purpose in life, Paul takes a hiatus from his job, but is soon asked to check out claims about a dying young boy, Tommy Ferguson (Jacob Smith), with the power to heal. During his research, Paul has apocalyptic visions and is himself saved from death by Tommy, but the effort kills the latter. Tommy becomes a ghost who intermittently appears throughout the series with cryptic warnings about a coming "darkness." Paul grapples with the meaning of that, as well as the significance of a phenomenon in which his own, spilled blood formed the words, "God Is Now Here."

Enter Alva Keel (Angus Macfadyen, who played Robert the Bruce in Braveheart), a paranormal researcher convinced that scattered miracles recently occurring around the world point to a "large event" coming. Paul warily joins Alva's team, which includes a former cop named Evelyn Santos (Marisa Ramirez). Together they investigate such supernatural oddities as the momentary disappearance of a commercial jet (the passengers subsequently live out their dreams), the possession of a paralysis victim by an entity, the spectral appearance of a dead girl prior to several disasters, and the co-existence of a Civil War-era past and present in a small town. The final episode, "Paul Is Dead," is a particularly spooky tale (with an unexpected twist) in which our hero reaches into the afterlife to help, and be helped, by Tommy after Evelyn's son goes missing. The series' storylines are fairly comparable to the adventures of Mulder and Scully, with a lot of recognizable human pain and anguish dovetailing with the fantastic. Some of the elements of Miracles hadn't quite come together by the 13th program--Alva, Paul and Evelyn never really feel like a cohesive unit--but the potential was certainly there and the writing was unusually strong. If Miracles is finally yet another lost opportunity on network television, at least there remains the strong showing represented in this set. --Tom Keogh

The ABC network drama finally comes to DVD! Includes 7 Episodes Never Before Aired in the U.S.!

Paul Callan (Skeet Ulrich) is an investigator of modern miracles whose own faith becomes tested with each new mundane explanation. Then something happens that changes everything. A young boy with the power to heal saves Paul's life — and pays for it with his own. But before the boy dies, they both see the words "God Is Now Here" written in Paul's blood, launching Paul on an odyssey of paranormal investigation and spiritual awakening.

Paul finds a kindred spirit in a former Harvard professor turned investigator of the occult (Angus Macfadyen), who opens Paul's eyes to the growing number of "strange occurrences" that may signal a much more sinister revelation. Teaming up with a former police officer (Marisa Ramirez), these investigators explore the unexplained and try to find a solution to the coming "darkness" before it's too late.

Special Features include:
-Interview & Commentaries
-Deleted Scenes
-5.1 Dolby Digital Surround Sound

Playmakers - The Complete Series

What generated all the controversy about PLAYMAKERS, ESPN's daring hit series about a fictional pro football team? This eleven-episode, three-disc set lets you immerse yourself in the off-the-field lives of the Cougars from its very beginning. With its lightning-fast pace and great characters, this gritty and edgy drama is as intense a roller-coaster ride as any drama on the field.

Playmakers - The Complete Series

Playmakers grows on a viewer in the most important way a good television series should: by encouraging curiosity about the growth and fate of key characters. One might easily dismiss this ESPN original drama as a mere catalog of the problems that dog some professional football players, very often to public scrutiny: injuries, drugs, egos, criminal associations, etc. But patience rewards those who watch enough of Playmakers's 11 episodes to care about the humanity of the show's troubled athletes. The series concerns NFL contenders the Cougars, led by a hard but fair coach (Anthony John Denison) suffering from prostate cancer while dealing with a treacherous team owner (Bruce Gray), a problematic prima donna (Omar Gooding), and mid-ranked players struggling with fundamentals of the game.

Meanwhile, several Cougars emerge as major characters, among them middle linebacker Eric Olczyk (Jason Matthew Smith), a good guy psychologically impaired after paralyzing an opposing player and now trying to get both his game and life back. Olczyk's best friend, running back Leon Taylor (Russell Hornsby), is at the end of his contract and faces stiff competition for his job, causing stress that translates into a reputation-destroying act of domestic violence. Star quarterback Derek McConnell, a hound among hounds, impregnates a stranger and compels a team assistant (Stephen Bogaert) to handle abortion details. Time after time, the men of Playmakers find themselves pressured to live and function with an eye toward the team's good image and commercial prospects. Yet clean living is terribly difficult given the physical sacrifices, emotional isolation, management sabotage, and temptations foisted upon pro players. The many dramatic strings drawn out over the series come together in the very fine final episode, ending on a note of irony as outrageous as anything previously seen on television. --Tom Keogh

What generated all the controversy about PLAYMAKERS, ESPN's daring hit series about a fictional pro football team? This eleven-episode, three-disc set lets you immerse yourself in the off-the-field lives of the Cougars from its very beginning. With its lightning-fast pace and great characters, this gritty and edgy drama is as intense a roller-coaster ride as any drama on the field.