Frawley, James

Columbo - Mystery Movie Collection, 1989

After a 10-year break from the role that made him a TV superstar, Peter Falk returned as rumpled LAPD homicide detective Lt. Columbo in 1989, appearing in feature-length episodes of The ABC Mystery Movie. The first five of those TV movies are collected here as the Mystery Movie Collection 1989 comprising what is essentially the long-delayed "eighth season" (and part of the ninth) of Columbo, the popular series that made its debut on NBC in 1971. Now signed to ABC with a lucrative new contract, Falk returned to his iconic role as if he'd never left, still wearing the same worn-out overcoat, still driving the same old 1959 Peugeot rust-bucket (with his lazy Bassett Hound "Dog" in the passenger seat), still making frequent references to the never-seen "Mrs. Columbo," and still annoying nervous murder suspects with his politely cunning approach to solving homicides in Los Angeles. As created by TV mystery masters Richard Levinson and William Link, the Columbo series was nothing if not formulaic, but the fun of watching these 93-minute TV movies comes from seeing how that formula still works like a charm: The first half-hour shows how the killers commit and conceal their crimes (Columbo is a police procedural, not a whodunit), and the remaining hour shows Columbo grilling his suspects, slowly turning up the heat until the killer's goose is summarily cooked. With his trademark line "Just one more thing...," Falk fits his role like an old shoe, and the show's writers played on the character's beloved status by milking humor from Columbo's well-established mannerisms, such as leaving the room after gently probing suspects for telling clues, then returning (after a pregnant pause) to deliver "one more thing "--his crime-solving coup de grace (aptly referred to by Rockford Files creator Stephen J. Cannell as Columbo's trademark "dart to the heart.")

The Mystery Movie Collection emphasizes a colorfully Southern Californian element of crime and eccentricity, from the beheading of a magician in "Columbo Goes to the Guillotine" (with Anthony Andrews hamming it up as the killer) to the malicious misdeeds of "Murder, Smoke and Shadows," in which Spielbergian movie-mogul wunderkind (Fisher Stevens) stages an electrocution murder on the backlot of Universal Studios. "Sex and the Married Detective" is a lightly comedic film noir send-up, in which a sex therapy radio-host (Lindsay Crouse) invents a sexy alter ego to eliminate her cheating lover. In "Grand Deceptions," Robert Foxworth's misdeeds on a military training base aren't clever enough to fool Columbo, and in "Murder: A Self Portrait," Patrick Bachau plays a selfish lothario with three lovers (wife, ex-wife, and girlfriend) who decides that three's a crowd and his ex (Fionnula Flanagan) has got to go! Clever enough to hold anyone's attention, these murders are smartly conceived and entertainingly solved, and the performances and direction are uniformly strong. But the obvious appeal of Columbo is Columbo himself, and with Falk in the role he was born to play (even though it was originally offered to Bing Crosby!), the character remained so popular that he appeared in 19 more TV movies between 1990 and 2003. The Mystery Movie Collection includes one DVD bonus feature: a 30-minute tribute to "America's Top Sleuths," as chosen in a 2007 online survey by viewers of the newly-launched Sleuth TV network. Columbo ranks #2 (out of 10), a close runner-up to Tom Selleck's Magnum P.I. --Jeff Shannon

Legendary actor Peter Falk returns in his 4-time Primetime Emmy® award-winning role as everyone s favorite trenchcoat-wearing Police Lieutenant in Columbo: Mystery Movie Collection 1989! Join Columbo in this three-disc set as he asks all the right questions in some of the most deceptive and deadly cases. The captivating movies feature such brilliant guest stars as Fisher Stevens (Factotum) and Lindsay Crouse (Buffy The Vampire Slayer) among others! The landmark crime series that inspired a genre is back and no murderer can hide for long with Columbo on the beat!System Requirements:Runtime: 466 minsFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 025193327222 Manufacturer No: 61033272

The Monkees - Our Favorite Episodes

Whether you're indulging nostalgia or experiencing the Monkees for the first time, Our Favorite Episodes--chosen by Davey Jones, Mickey Dolenz, Peter Tork, and Michael Nesmith--is a curious time capsule. Even for veteran Monkeephiles, it's obvious that the TV series, totaling 58 episodes from 1966 to 1968, hasn't aged very gracefully. It's fun as a pop-cultural artifact, and original fans will fondly recall the eagerness with which each week's episode was anticipated. Looking back, however, the shows are marginally amusing, and their improvisational, low-budget strategy tends to limit their lasting appeal. For die-hard fans it won't matter a bit; any chance to own and archive the Monkee phenomenon (with brief latter-day interviews included) is going to be welcomed and thoroughly enjoyed.

Because Jones's favorite episode was actually the Emmy-winning "Royal Flush," the inclusion of "Hitting the High Seas" is a conspicuous blunder, but it's compensated by Peter's "Monkee vs. Machine." Directed by series producer (and then-budding filmmaker) Bob Rafelson, and featuring comedian Stan Freberg as a stodgy toy-company executive, this early episode was a first-season highlight. Mickey selected (and directed) the series finale, "Mijacogeo (The Frodis Caper)," which is noteworthy for a filmed performance of Tim Buckley singing a rare acoustic version of "Siren Song" (further proof that the Monkees were hipper than their TV personas). Mike's favorite "Fairy Tale" is a wild romp indeed, with Nesmith in drag (as a fairy princess), sounding shockingly like Cher from her later TV variety show. They're semi-inspired at best, but these vintage episodes still capture the lunacy that accompanied the meteoric success of the "Pre-Fab Four." --Jeff Shannon

Fraternity Vacation

Ally McBeal - Ally on Sex and the Single Life

When Ally McBeal premiered on the Fox network in 1997, the series was already riding high on critical praise, with its upscale mix of savvy humor and hot-topic legal drama. Created, produced, and written entirely by the amazingly prolific David E. Kelley, the show immediately found an appreciative audience of women drawn to the title character's frank perspectives on dating, sex, and career objectives, and men lured by a cast full of attractive, outspoken women with vibrant personalities and flattering wardrobes. (If you think that's a sexist observation, you haven't tuned in to the show's brilliant balance of male chauvinism, feminist attitude, and hilariously turbulent office politics.)

This two-disc compilation of episodes from the show's first season is aptly titled, because Ally McBeal--a Boston lawyer played by Calista Flockhart--is defined by her seemingly perpetual singlehood, her sexual and emotional yearnings, her professional passions, and--by one of Kelley's creative masterstrokes--her flights of imagination (often visualized via amusing computer-generated effects) that give the series a constant, unpredictable edge of humor and emotional depth.

These well-chosen episodes offer a comprehensive summary of the first season's major developments, including the emotional history shared by Ally and her now-married colleague Billy (Gil Bellows); the notorious "dancing baby" (in "Cro-Magnon") symbolizing the insistent ticking of Ally's biological clock; the amiable quirks of John "the Biscuit" Cage (Peter MacNicol); and the dubious pearls of wisdom known as "Fishisms." Here we witness the sublime chemistry of the ensemble cast, and each member is given ample time in the spotlight. Regular guest star Dyan Cannon is strongly featured in "Silver Bells," prior to the second-season addition of Nelle (Portia DeRossi) and Ling (Lucy Liu). That leaves plenty of room to establish Ally McBeal as the lively focus of the series--confused, opinionated, sexy, neurotic, frustrated, ecstatic, intelligent, emotional... and never, ever boring. --Jeff Shannon

THEME OF LIFE-Ally agrees to see Dr. Tracy Clark(Tracey Ullman), John Cages therapist. Not only does Dr. Clark tell Ally to go ahead with her scheduled kickboxing match with Georgia, but she tells her to get a theme song, "something with bounce." Will this help relieve Ally's stress over a "real" case, defending an attractive doctor from a malpractice suit? Or is it just another chance to fantasize? THE PLAYING FIELD-Dr. Tracy Clark (Tracey Ullman) tells Ally, "You can't stand being liked for your sex appeal and you can't stand not being liked for it." Then she tells Ally to get rid of the dancing baby. Unfortunately, Ally kicks a 'little person' by mistake thinking it's her dancing baby.

The Complete Faerie Tale Theatre Collection (26 Titles)

One of the first gems of the cable TV age, Faerie Tale Theatre brings 26 classic tales to life. Produced over a five-year span (1982-87) for Showtime, FTT brought together creative dramatics and whimsical writing with some of the top talents of the day. Executive producer/host Shelley Duvall (who was coming off her breakout role in The Shining) shepherds this mix of theatrical simplicity and grand storytelling for these oft-told tales ("Goldilocks and the Three Bears," "Little Red Riding Hood," "Hansel and Gretel," "Sleeping Beauty," and the like) for kids and their parents. Since they are not elaborately produced, FTT may be a hard sell for some smaller members of the family at first, but most should be hooked, even older kids who may pooh-pooh fairy tales. There's always a slight twist that makes these productions fresh.

The cast is amazing, especially when you think how lightly cable television was thought of in the '80s: Jeff Bridges, Bud Cort, Liza Minnelli, James Coburn, Susan Sarandon, Christopher Reeve, Klaus Kinski, Billy Crystal, Matthew Broderick, Gregory Hines, Eric Idle, Robin Williams, and Mick Jagger are some of the talented--and varied--actors appearing. Crystal's take on the smart "Little Pig" (with Jeff Goldblum as the wolf) and Williams's "Frog Prince" are two comic gems. Malcolm McDowell, right in the middle of his career high-point of playing baddies, brings flair to the Big Bad Wolf, while his then-real-life wife Mary Steenburgen beautifully counterpoints as Red Riding Hood. The casting of Vincent Price and Vanessa Redgrave in "Snow White" is inspired. Also impressive are the directors Duvall pooled: Tim Burton ("Aladdin and His Wonderful Lamp"), Francis Ford Coppola ("Rip Van Winkle") Peter Medak (three episodes), Nicholas Meyer ("Pied Piper"), and Roger Vadim ("Beauty and the Beast"). You can go on for days about these wonderful tales, most totaling around the 45-minute mark, but it's better just to get the set and start wherever you'd like; you will get to the end sooner than you think. --Doug Thomas

Faerie Tale Theatre - Hansel and Gretel

A brother and sister are abandoned in the forest by their wicked stepmother where they come across a witch who decides to make them part of her dinner.

The Monkees (Volumes 1 & 2)

When viewed through the rose-colored glasses of happy nostalgia, these four well-chosen episodes of The Monkees TV series (1966-68) provide 100 minutes of shameless anarchy, courtesy of Mike, Davey, Mickey, and Peter. The show--and the Monkees themselves--were conspicuous attempts to capitalize on the Beatles (by copping their Help! and A Hard Day's Night formula of pop music and comedy), but these episodes demonstrate the show's emerging identity, from its original pilot (filmed a full year before its November 1966 broadcast) to the casual lunacy of two above-average episodes ("The Picture Frame" and "Hillbilly Honeymoon") from the series' second season.

The pilot (which features cowriter and series developer Paul Mazursky as a TV reporter) shows the Monkees in embryonic form; their hair's much shorter, and you can even spot a Beatles poster in their Monkee-pad. But it wasn't long before the group's distinct personalities emerged (Davey was always molded as the heartthrob), and by the time "The Picture Frame" aired on September 18, 1966, the show's combination of silly slapstick, groan-worthy punch lines, and catchy pop tunes had become a ratings smash. (Indeed, that episode's featured song, "Pleasant Valley Sunday," had recently topped the Billboard pop chart.) And while "Alias Mickey Dolenz" is clearly a Mickey showcase (in which he aids police by doubling as a wanted killer), it also features two songs ("Mary, Mary" and "The Kind of Girl I Could Love") that established Mike Nesmith as a talented songwriter. All in all, these four episodes neatly summarize what the Monkees were--a marketing ploy that took flight as a legitimate pop-cultural phenomenon. --Jeff Shannon

Join Micky, Davy, Mike, and Peter for three madcap adventures in this landmark '60s sitcom. Each of these episodes is complete and uncut--lovingly restored from original film elements. Episodes: Here Come the Monkees, Picture Frame, Alias Micky Dolenz, Hillbilly Honeymoon. Songs: I Wanna Be Free, Let's Dance On, Pleasant Valley Sunday, Randy Scouse Git, Mary Mary, The Kind of Girl I Could Love, Papa Gene's Blues.

That Girl Vol. 1

The Big Bus [Region 2]

For anyone who's wallowed in the inanities of 1970s disaster movies, The Big Bus is not only witty but downright endearing. Instead of an endangered airliner or a capsized cruise ship, this dippily deadpan parody features a block-long, atomic-powered, luxury super-Greyhound setting off on its first transcontinental run with a garish cross section of humankind programmed for redemption, retribution, or just sublime ridiculousness as they roll toward Doom--or Denver, whichever comes first. Writers Fred Freeman and Lawrence J. Cohen, who penned the daffy historical spoof Start the Revolution Without Me (1970), twist the sententious ironies of disaster-movie dialogue into pretzels (priceless scene: Richard B. Shull, as a "terminal traveler" with six months to live, and Bob Dishy, a discredited veterinarian who fitted a rabbit for an IUD, debating who knows more about bitterness). James Frawley's direction is drolly cliché-savvy, but his touch proved too delicate for 1976 audiences; it remained for Airplane! to grab the disaster-spoof brass ring four years later. Still, it's not too late to climb aboard. --Richard T. Jameson

Chicago Hope