Goldstone, James

Star Trek The Original Series - The Complete Seasons 1-3

Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk. The First Officer is Mr. Spock from the planet Vulcan. The Chief Medical Officer is Dr. Leonard 'Bones' McCoy. With a determined crew the Enterprise encounters Klingons Romulans time paradoxes tribbles and genetic supermen lead by Khan Noonian Singh. Their mission is to explore strange new worlds to seek new life and new civilizations to boldly go where no man has gone before.System Requirements: Running Time 4117 MinFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: G UPC: 097360553871 Manufacturer No: 055387

The facts have become legend. Star Trek, the NBC series that premiered on September 8, 1966, has become a touchstone of international popular culture. It struggled through three seasons that included cancellation and last-minute revival, and turned its creator, Gene Roddenberry, into the progenitor of an intergalactic phenomenon. Eventually expanding to encompass five separate TV series, an ongoing slate of feature films, and a fan base larger than the population of many third-world countries, the Star Trek universe began not with a Big Bang but with a cautious experiment in network TV programming. Even before its premiere episode ("The Man Trap") was aired, Star Trek had struggled to attain warp-drive velocity, barely making it into the fall '66 NBC lineup.

The series' original pilot, "The Cage," featured Jeffrey Hunter as U.S.S. Enterprise captain Christopher Pike--a variation of the role that would eventually catapult William Shatner to TV stardom. Filmed in 1964, the pilot was rejected by NBC the following year, but the network made a rare decision to order a second pilot. "Where No Man Has Gone Before" was filmed in 1965, and only one character from the previous pilot remained--a pointy-eared alien named Spock (played by Leonard Nimoy), whom Roddenberry had retained despite network disapproval. The second pilot was accepted, and production on Star Trek began in earnest with the filming of its first regular episode, "The Corbomite Maneuver."

Never a ratings success despite a growing population of devoted fans, Star Trek was canceled after its second season, prompting a letter-writing campaign that resulted in the series' third-season renewal. It was a mixed blessing, since Roddenberry had departed as producer to protest the network's neglect, and Star Trek's third season contained most of the series' weakest episodes. And yet, the show continued to "to explore strange new worlds…to seek out new life and new civilizations…to boldly go where no man [a phrase later amended to "no one"] has gone before."

There were milestones along the way. The first interracial kiss on network primetime TV (between Shatner and series co-star Nichelle Nichols) furthered a richly positive and expansive view of a better, nobler future for humankind. The series offered a timelessly appealing balance of humor, imagination, and character depth. And at least one episode (Harlan Ellison's "The City on the Edge of Forever") ranks among the finest science fiction stories in any popular medium. Beloved by long-time fans in spite of its cheesy sets and costumes, and the now-dated trappings of late-1960s American culture, "classic Trek" has aged remarkably well, and its sense of adventure and idealism continues to live long and prosper. --Jeff Shannon

The three 2004 DVD sets collect all 79 episodes of the show, including "The Cage" in both a restored color version and the original, never-aired version that alternates between color and black and white. Each set is supplemented by over an hour of featurettes incorporating new and old interviews with Shatner, Nimoy, other cast members, and producers, and there's also some vintage footage of Gene Roddenberry. Accompanying the 20-minute seasonal recaps ("To Boldly Go...") are a number of interesting featurettes: "The Birth of a Timeless Legacy" examines the two pilot episodes and the development of the crew; "Sci-Fi Visionaries" discusses the series' great science fiction writers; Nimoy debunks various rumors in "Reflections of Spock"; "Kirk, Spock & Bones: The Great Trio" focuses on the interplay among Kirk, Spock, and Dr. McCoy (DeForest Kelley); and, in what is probably his last Star Trek appearance, James Doohan (Scotty), slowed by Alzheimer's but still with a twinkle in his eye, recalls his voiceover roles and his favorite episodes. As they've done for many of the feature-film special editions, Michael Okuda and Denise Okuda provide a pop-up text commentary on four of the episodes filled with history, trivia, and dry wit. It's the first commentary of any kind for a Star Trek TV show, but an audio commentary is still overdue. The technical specs are mostly the same as other Trek TV series--Dolby 5.1, English subtitles--but with the welcome addition of the episode trailers. The plastic cases are an attempt to replicate some of the fun packaging of the series' European DVD releases, but it's a bit clunky, and the paper sleeve around the disc case seems awkward and crude. Still, the sets are a vast improvement both in terms of shelf space and bonus features compared to the old two-episode discs, which were released before full-season boxed sets became the model for television DVDs. --David Horiuchi

Perry Mason - Season Two, Vol. 2

We strenuously object! Raymond Burr was conspicuously and criminally missing on Entertainment Weekly's list of the top 100 TV icons. This is a TV Land injustice, but this four-disc set of episodes that complete season 2 lays the groundwork for an appeal. Burr was honored with an Emmy for his commendable work this season as Los Angeles defense attorney Perry Mason, as was Barbara Hale, who portrayed his faithful secretary Della Street. Who knows how many impressionable viewers Burr inspired to become lawyers with his masterful portrayal of the unflappable, incorruptible Mason? No matter how much evidence district attorney Hamilton Burger (William Talman) and Lt. Tragg (Ray Collins) collect, and no matter how damning it is, it will usually collapse once Perry gets the real guilty party to break down on the witness stand or, in one case, in a beatnik hangout. In "The Case of the Lame Canary," a woman is discovered over her dead husband's body, gun in hand, and burning a stack of letters. "If she has any sense, she's at the airport waiting for the first plane out of the country," someone cattily remarks. Nope, she has better sense than that; she's at Perry's office.

Filmed in black and white, Perry Mason has a seductive noir sensibility. Here in sunny California are convoluted cases involving corruption, blackmail, scandal, revenge, and greed. Perry, with the help of private detective Paul Drake (William Hopper), sorts it all out, and in the episode codas, further parses the evidence ("I still don't see what put you on the right track" is a typical query) in inscrutable ways that invite replay. Beyond the pleasure of watching an actor thoroughly embody his character, it's also fun to spot familiar character actors. "The Case of the Petulant Partner" stars Will Wright, who played mean old Ben Weaver on the early seasons of The Andy Griffith Show, and that's a rather fetching Marion "Mrs C." Ross from Happy Days in "The Case of the Romantic Rogue." The episodes crackle with some old-school, hard-boiled dialogue. Almost worth the price of the set is hearing Lt. Tragg make with the beat talk in "The Case of the Jaded Joker." "I'm one of the cool ones," he jokes with Della and Perry. "I don't dig slick chicks trying to goof me up, daddy-o." Once again, this set is guilty of providing no extra features, but we'll let them off with a warning. This time. --Donald Liebenson

Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake, he often finds that by digging deeply into the facts, startling facts can be revealed. Often relying on his outstanding courtroom skills, he often tricks or traps people into unwittingly admitting their guilt.

Perry Mason - Season 2, Vol. 1

There's something about Perry! Perry Mason, as a canny 14-year-old remarks in the episode "The Case of the Pint-Sized Client," is "the best lawyer in town." Here's the evidence. In 15 chronological second-season episodes from the classic series by which all lawyer shows are judged, Los Angeles attorney Perry Mason successfully defends a host of clients so seemingly guilty that Nancy Grace would have had them incarcerated by the first commercial break. Created by Erle Stanley Gardner, Mason was already a popular character in books, films, and radio before coming to television in 1957, and Raymond Burr, usually typecast as a heavy in feature films, did Mason justice (Mason was ranked 28th on the Bravo network's list of television's 100 best characters). Punctuating his sentences with that dramatic intake of breath, Burr's Mason exudes gravitas and expertise. He gets capable support from Barbara Hale as his secretary, Della Street, and William Hopper as private detective Paul Drake.

In what may be television's most thankless role, William Talman costars as district attorney Hamilton Burger, who nearly every week loses what looked to be an open-and-shut case, usually as the result of some dramatic surprise witness (in one episode, a parrot!), an unorthodox legal maneuver, or a cross-examination courtroom confession ("I didn't mean to kill him, your honor"). There is no delving into Mason's private life, although one episode hints at Mason being something of a ladies man. When Della suggestively tells him a new client is in his waiting room, he replies, "Blonde or brunette?" Cleverly plotted, and infused with a palpable noir sensibility , Perry Mason holds up as more than TV Land nostalgia, although it is fun to see such familiar faces as Jesse "the Maytag Repairman" White, Edgar Buchanan (Petticoat Junction), and Joseph Kearns and Herbert Anderson from Dennis the Menace. No extras, but these entertaining episodes will definitely please the court. --Donald Liebenson

Perry Mason - Season One, Vol. 1

Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake he often finds that by digging deeply into the facts startling facts can be revealed. Often relying on his outstanding courtroom skills he often tricks or traps people into unwittingly admitting their guilt.System Requirements:Runtime: 1000 min.Format: DVD MOVIE Genre: DRAMA UPC: 097368878143 Manufacturer No: 887814

There was a time when the defense attorney was a heroic everyman, not the butt of bad jokes; think Atticus Finch in To Kill a Mockingbird, and, of course, Raymond Burr's incomparable Perry Mason. The first season of Perry Mason, which launched in 1957 on CBS, shows just how dramatic a "law and order" show could be. Shot in lush black and white, on film, the episodes have been lovingly restored (including lost minutes hacked from reruns to accommodate commercials). The story arcs and atmosphere feel more like film noir (Perry Mason + Philip Marlowe = separated at birth?) than early TV. The cast was stellar, including Burr's Emmy-winning Perry Mason, the indefatigable lawyer who takes tough cases no one else will touch. Burr's chemistry crackles from episode 1 with his costars, including Barbara Hale as secretary Della, William Hopper as private detective Paul Drake, and William Talman as Hamilton Burger, the well-meaning but overmatched district attorney. While it's true that the last-minute witness-stand confessions strain some credulity, the case-cracking, character development, and dialogue set a high bar for the legal shows that followed. "The Case of the Negligent Nymph," for instance, involves a comely young woman--and murder suspect--fished out of the Pacific; Mason deadpans to Drake, "Call off the search, Paul; we've landed our mermaid." The shows unfold at a leisurely pace, and yet don't rely on the overly expositive dialogue that, say, Law & Order does; the viewer learns a lot about each case simply as it happens. The set contains the first 19 episodes of the first season and will hook you, even if you're not a procedural buff. --A.T. Hurley

Burke's Law: Season 1 - Volume 1 (First 16 Episodes)

Watching the smart, sexy, sophisticated, and more than a bit naughty Burke's Law is like entering Hef's swinging pad for a little Playboy After Dark action. Gene Barry, in his Golden Globe-winning role, stars as Amos Burke, a millionaire playboy. He is described as "a bon vivant, elegant, an attractive man." He also happens to be a police captain in charge of homicide. "It's what he does best," his partner explains. Well, not quite. He's better at juggling a bevy of beautiful ladies. "We have a nodding acquaintance," he smooth-talks one. "You say `nodding' about marriage and that's the way I like it." Inevitably, his trysts are interrupted by word that a murder has been committed and a body found. Then, it's off to the crime scene in his chauffeur driven Rolls Royce (piloted by the trusty Henry, portrayed by scene-stealer Leon Lontoc). Fun enough, but what further distinguishes Burke's Law is its dazzling array of stellar suspects; former Hollywood greats, contemporary stars, comedians, indelible character actors, and fresh-faced up-and-comers. Just dig this line-up for the episode, "Who Killed Billy Jo?": Cesar Romero, Phil Harris, Tina "Ginger" Louise, Ida Lupino, Ken Berry as a swinging partygoer, and in a surprising cameo, David Niven as a bumbling juggler. Gary Collins provides some potent youth appeal as Tim, a go-getting new detective and fount of arcane information related to each case. But he's no match for "the old captain," who dispenses his own brand of wisdom, such as, "Never drink martinis with a beautiful suspect," and "Never grow up; you'll grow old," punctuating each aphorism with, "Burke's law." A cop show like no other, Burke's Law's pleasures are anything but guilty, from the seductive voice that purrs, "It's Burke's Law" during the opening credits to guessing which star is the culprit. Wally Cox? Carl Reiner? Frankie Avalon? Carolyn Jones was nominated for a Golden Globe for her virtuoso quadruple role as sisters in "Who Killed Sweet Betsy?" and Barry himself has a high time with his dual role as a lookalike murder victim in "Who Killed Snookie Martinelli?" Almost worth the price of this set is the prologue in which Barry's Snookie regales his exhausted all-night party guests with an energetic rendition of "C'est Si Bon." How `60s can you get? As a welcome bonus for classic TV buffs, each disc contains vintage 1963 commercials (Arnold Palmer for L&M cigarettes--"He's been smoking them for years"). You're still deciding whether to order this? "Don't think about it, just do it." That's Burke's law! --Donald Liebenson

BURKE'S LAW was a hit prime-time TV series that aired on ABC in 1963 and ran until 1966. It starred Gene Barry in the title roll (for which he won a Golden Globe Best TV Actor Award in 1965) of an LA chief of detectives who also happened to be a millionaire! Each episode featured unusual plot twists glamorous settings and a fabulous list of guest stars. So good it was brought back for a brief run in 1994! VCI will be releasing season one in two separate collector s sets of 16 episodes each. Digitally remastered from the original 35mm master each collection will also include bonus original commercials and previews. Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 089859851025 Manufacturer No: 8510

Perry Mason - Season One, Vol. 2

The second volume of season 1 of Perry Mason fleshes out the splendid entire first year of the show, a masterpiece of '50s film noir and crisp, savvy TV writing. Raymond Burr's unflappable defense attorney Perry Mason is equal parts P.I., father confessor, and yes, judge, jury, and executioner. The crimes include murder most foul, and lots of that sordid specter that haunted people pre-internet: blackmail. Everyone has a motive, and everyone in the harsh light of Los Angeles seems to have something to hide. The boxed set contains the remaining 21 episodes of the first season, with highlights like "The Case of the Lonely Heiress," in which detective and Mason sidekick Paul Drake tracks down a rich woman, who is then suddenly accused of the murder of the man who tried to find her. Some episodes haven't aged well (one involves Mason interviewing a "schizophrenic" woman on the witness stand, interviewing "both" her personalities). But overall, the writing and the assured ambience of the series, and Burr's commanding presence, make Perry Mason among TV's topnotch armchair crime series. --A.T. Hurley

The defense never rests as Volume 2 of the classic series Perry Mason returns to DVD with 20 more episodes from the groundbreaking first season!

The Fugitive - Season Two, Vol. 1

The relentless Lt. Gerard (Barry Morse) has always insisted that capturing fugitive Richard Kimble (David Janssen) was just "unfinished business." But in "The Nemesis," an essential episode that is one of the highlights of this half-season set, it's personal. An unwitting Kimble has stolen Girard's car to make a getaway, not knowing that it contains Girard's young son, Phil, Jr. (Kurt Russell). Phil Jr. is a chip off the old block (he cleverly leaves a trail of his precious football cards to point his father in the right direction), but a selfless act by Kimble raises doubts in the boy's mind. "You and dad can't both be right," he questions. This is just one of the compelling human dramas at the heart of one of television's Most Wanted series. Now in his second year on the run after escaping from the Death Row-bound train, Kimble is "tired of looking over his shoulder… tired of running." In "Escape Into Black," he visits a small-town diner and loses his memory after the gas stove explodes. In "When the Bough Breaks," he hops a freight car that also carries a traumatized woman who has abducted a baby. Until he can find the one-armed man (Bill Raisch) he witnessed running from his home the night his wife was killed, he will have to endure "another shabby room, another lonely night." Not that Kimble doesn't have his champions. In the season-opener, "Man in a Chariot," a college law professor, argues Kimble's case before his students in a mock trial. In "World's End," the daughter (Suzanne Pleshette) of his former defense attorney contacts Kimble with potentially devastating news about the ever-elusive one-armed man and schemes to run away with him. In "Escape into Black," a compassionate hospital welfare caseworker (Betty Garrett) tries to find the one-armed man while Kimble recovers.

The episodes in this set maintain an unflagging pace, thanks to taut direction (the late Sydney Pollack directed "Man on a String," in which Kimble is a very reluctant witness in a murder case) and excellent scripts (George Eckstein, who wrote "Man in a Chariot" and "When the Bough Breaks" would co-write The Fugitive's final episode, a television benchmark). Among the great character actors who guest star in these episodes include Tuesday Weld as a manipulative and very twisted sister in "Dark Corner," Slim Pickens as a poacher in "Nemesis," and Ivan Dixon as a doctor who discovers Kimble's identity in "Escape Into Black." The Fugitive taps into the primal fear that was one of Hitchcock's favorite themes: What would you do if you were falsely accused? Janssen is unforgettable in his signature role as the man whose every instinct is to flee the scene and not get involved with the strangers whose paths he crosses. But we offer viewers the same advice the professor gives Kimble in "Chariot": "All I ask is that you stay around and see what happens." --Donald Liebenson

Dr. Richard Kimble is accused to be the murder of his wife. The night before his execution he escapes. The only chance to prove his innocence is to find the man who killed hi wife. Kimble persecuted by the Lt. Gerard risks his life several times when he shows his identity to help other people out of trouble.System Requirements:Running Time: 771 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 097361327648 Manufacturer No: 132764

The Man from U.N.C.L.E. - The Complete Series

Winning

No Description Available.
Genre: Feature Film-Drama
Rating: PG
Release Date: 28-DEC-2004
Media Type: DVD

Paul Newman plays a racecar driver, Frank Capua, who steps out of his professional and personal isolation long enough to marry a single mother, Elora (Joanne Woodward). The two have a brief but happy life together with Elora's 13-year-old son, Charley (Richard Thomas), but it comes to an end when Frank goes back on the racing circuit and Elora assuages her loneliness in the arms of her husband's chief rival, Luther (Robert Wagner). Frank checks out, and Charley travels across the country to find him and effect a reconciliation. A touching movie (with some good racing footage) by director James Goldstone, Winning is about the real pain of people who have become used to a certain way of safe, arm's-length living, and who have to learn to get beyond it to find redemption in love and faith. Good performances by Newman, Woodward, and Thomas, who makes a terrific impression in one of his earliest roles. --Tom Keogh

Swashbuckler

Practically a nonstop brawl between pirates and anybody who gets in their path, this lighthearted, high-energy 1976 movie set in 18th century Jamaica is short on an actual story but thick with stunts and swordplay. Robert Shaw stars as the bawdy, swaggering pirate Red Nel Lynch, whose lusty crew of thieves comes to the aid of Lynch's right-hand man and close pal (James Earl Jones), then helps a beleaguered noblewoman (Genevieve Bujold) whose father and property have been seized by a local tyrant (Peter Boyle). Plot details are pretty much relegated to filling in the spaces between rollicking scenes of flying fists and gleaming blades, and a sort-of love story between Shaw and Bujold never gets the chance to go anywhere for all the orchestrated scuffling. Boyle's performance as a Basil Rathbone-style villain has got to be the least persuasive role of his career, but there are compensations, particularly Bujold's feisty turn as the heroine and a kooky scene in which Shaw and Jones amuse each other by trading dirty limericks. Directed by James Goldstone (Winning). The DVD release includes production notes, cast and filmmakers' bios, a theatrical trailer, and Web links. --Tom Keogh