Grauman, Walter

Burke's Law: Season 1 - Volume 1 (First 16 Episodes)

Studio: Video Communications Inc. Release Date: 04/29/2008

Watching the smart, sexy, sophisticated, and more than a bit naughty Burke's Law is like entering Hef's swinging pad for a little Playboy After Dark action. Gene Barry, in his Golden Globe-winning role, stars as Amos Burke, a millionaire playboy. He is described as "a bon vivant, elegant, an attractive man." He also happens to be a police captain in charge of homicide. "It's what he does best," his partner explains. Well, not quite. He's better at juggling a bevy of beautiful ladies. "We have a nodding acquaintance," he smooth-talks one. "You say `nodding' about marriage and that's the way I like it." Inevitably, his trysts are interrupted by word that a murder has been committed and a body found. Then, it's off to the crime scene in his chauffeur driven Rolls Royce (piloted by the trusty Henry, portrayed by scene-stealer Leon Lontoc). Fun enough, but what further distinguishes Burke's Law is its dazzling array of stellar suspects; former Hollywood greats, contemporary stars, comedians, indelible character actors, and fresh-faced up-and-comers. Just dig this line-up for the episode, "Who Killed Billy Jo?": Cesar Romero, Phil Harris, Tina "Ginger" Louise, Ida Lupino, Ken Berry as a swinging partygoer, and in a surprising cameo, David Niven as a bumbling juggler. Gary Collins provides some potent youth appeal as Tim, a go-getting new detective and fount of arcane information related to each case. But he's no match for "the old captain," who dispenses his own brand of wisdom, such as, "Never drink martinis with a beautiful suspect," and "Never grow up; you'll grow old," punctuating each aphorism with, "Burke's law." A cop show like no other, Burke's Law's pleasures are anything but guilty, from the seductive voice that purrs, "It's Burke's Law" during the opening credits to guessing which star is the culprit. Wally Cox? Carl Reiner? Frankie Avalon? Carolyn Jones was nominated for a Golden Globe for her virtuoso quadruple role as sisters in "Who Killed Sweet Betsy?" and Barry himself has a high time with his dual role as a lookalike murder victim in "Who Killed Snookie Martinelli?" Almost worth the price of this set is the prologue in which Barry's Snookie regales his exhausted all-night party guests with an energetic rendition of "C'est Si Bon." How `60s can you get? As a welcome bonus for classic TV buffs, each disc contains vintage 1963 commercials (Arnold Palmer for L&M cigarettes--"He's been smoking them for years"). You're still deciding whether to order this? "Don't think about it, just do it." That's Burke's law! --Donald Liebenson

633 Squadron

Based on true events this "exciting engrossing [and] breathtaking" (The Hollywood Reporter) action-adventure stars Oscar® winners* Cliff Robertson and George Chakiris as two WWII fliers pitted against the Nazis in a do-or-die mission. Filled with "blazing pulse-pounding and realistic air-fighting footage" (Boxoffice) 633 Squadron will "put your heart in your throat" (Los Angeles Times)!1944. Allied forces learn that the Nazis are planning to pummel England with an all-out rocket blitz. The only way to stop the threat is to send Mosquito bombers into narrow Norwegian fjords to create an avalanche that will crush the Nazis rocket-fuel plants. Can Wing Commander Roy Grant (Robertson) and the boys of the courageous 633 Squadron pull it off? And if so will they live to reap the glory?*Robertson: Actor Charly (1968); Chakiris: Supporting Actor West Side Story (1961)System Requirements:Running Time: 95 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 027616885746 Manufacturer No: 1004523

The Fugitive - Season Two, Vol. 1

Studio: Paramount Home Video Release Date: 06/10/2008

The relentless Lt. Gerard (Barry Morse) has always insisted that capturing fugitive Richard Kimble (David Janssen) was just "unfinished business." But in "The Nemesis," an essential episode that is one of the highlights of this half-season set, it's personal. An unwitting Kimble has stolen Girard's car to make a getaway, not knowing that it contains Girard's young son, Phil, Jr. (Kurt Russell). Phil Jr. is a chip off the old block (he cleverly leaves a trail of his precious football cards to point his father in the right direction), but a selfless act by Kimble raises doubts in the boy's mind. "You and dad can't both be right," he questions. This is just one of the compelling human dramas at the heart of one of television's Most Wanted series. Now in his second year on the run after escaping from the Death Row-bound train, Kimble is "tired of looking over his shoulder… tired of running." In "Escape Into Black," he visits a small-town diner and loses his memory after the gas stove explodes. In "When the Bough Breaks," he hops a freight car that also carries a traumatized woman who has abducted a baby. Until he can find the one-armed man (Bill Raisch) he witnessed running from his home the night his wife was killed, he will have to endure "another shabby room, another lonely night." Not that Kimble doesn't have his champions. In the season-opener, "Man in a Chariot," a college law professor, argues Kimble's case before his students in a mock trial. In "World's End," the daughter (Suzanne Pleshette) of his former defense attorney contacts Kimble with potentially devastating news about the ever-elusive one-armed man and schemes to run away with him. In "Escape into Black," a compassionate hospital welfare caseworker (Betty Garrett) tries to find the one-armed man while Kimble recovers.

The episodes in this set maintain an unflagging pace, thanks to taut direction (the late Sydney Pollack directed "Man on a String," in which Kimble is a very reluctant witness in a murder case) and excellent scripts (George Eckstein, who wrote "Man in a Chariot" and "When the Bough Breaks" would co-write The Fugitive's final episode, a television benchmark). Among the great character actors who guest star in these episodes include Tuesday Weld as a manipulative and very twisted sister in "Dark Corner," Slim Pickens as a poacher in "Nemesis," and Ivan Dixon as a doctor who discovers Kimble's identity in "Escape Into Black." The Fugitive taps into the primal fear that was one of Hitchcock's favorite themes: What would you do if you were falsely accused? Janssen is unforgettable in his signature role as the man whose every instinct is to flee the scene and not get involved with the strangers whose paths he crosses. But we offer viewers the same advice the professor gives Kimble in "Chariot": "All I ask is that you stay around and see what happens." --Donald Liebenson

The Streets of San Francisco - Season 1, Vol. 2

Studio: Paramount Home Video Release Date: 09/25/2007 Run time: 672 minutes

These 13 chronological episodes that concluded season 1 were just the ticket to launching one of the 1970s' most arresting cop shows. The first season of The Streets of San Francisco was nominated for an Emmy for Best Drama Series and its stars, Karl Malden and Michael Douglas, were nominated for Best Actor and Best Supporting Actor, respectively. But as this inaugural season unfolded, the veteran cop/rookie cop dynamic that charged the first 14 episodes matured into a more paternal mentor/student relationship (Malden's Mike Stone refers to Douglas's Steve Keller, throughout as "the boy" and "buddy-boy"). These episodes are particularly engrossing, and provide Malden with some of his finest primetime hours. In "Trail of the Serpent," a street gang bent on freeing their captured leader takes Stone hostage. Stone plays it cool, appealing to the humanity of one of the more sensitive gang members, while the more hotheaded Keller almost jeopardizes his rescue. In "Legion of the Lost," Stone goes undercover on skid row to investigate the murders of three homeless men. In two episodes, Stone does not allow personal relationships to compromise his sense of duty. In "Deadline," a newspaper editor tries to cover up the murder of his mistress, and in the process, unwittingly implicates his own son, who was also the victim's lover. In "Shattered Image," a woman from Stone's old neighborhood is now the socialite wife of a murdered senatorial candidate. "Beyond Vengeance" echoes Cape Fear as a vengeful sociopath, freed on parole, seems to be stalking Stone's daughter.

Malden and Douglas are a terrific team, and they are aided and abetted by literate scripts ("Room with a View" alludes to Hemingway's story "The Killers"), with clever twists. In "The Albatross," a killer is freed when it turns out he wasn't wearing his hearing aid and did not hear Keller when he read him his rights. In the Emmy-nominated "The House on Hyde Street," an elderly recluse becomes the prime neighborhood suspect in the death of a young boy. Guest stars in these episodes read like a Hollywood's Most Wanted List, with veteran character actors (Joseph Cotten, Jack Albertson, Leslie Nielsen, Barbara Rush) and future TV Land favorites (Victor French from Little House on the Prairie and Highway to Heaven, a pre-Cheers Nicholas "Coach" Colasanto, Jamie Farr, and Clint Howard). Of course, the real star is San Francisco, an intriguing backdrop with its roller coaster hills and funky neighborhoods. For series fans who left their hearts here, Streets still calls to you. --Donald Liebenson

Lady in a Cage

In Lady in a Cage, Olivia de Havilland plays an aging, wealthy widow who is recuperating from a recent hip operation and is forced to use an elevator to get from one story of her home to the other. While she's headed for the upper story of the house, a power failure occurs that leaves her stranded in the elevator car 12 feet off the ground. The elevator's alarm bell arouses the curiosity of a passing wino, who comes in and helps himself to the widow's wine cellar. The transient and a friend begin looting the house until they are one-upped by a trio of feral, neobeatnik thugs (led by a very young James Caan). All the invaders merely ignore the widow's pleas for help as they toss her house in an orgy of violence. The thugs torture and kill the wino and hold his friend hostage along with the widow, until the tables are turned on them once again. For 1964, this is a surprisingly harsh and overwrought movie, easily 10 or 15 years ahead of its time; its nasty view of human nature and graphic violence led to its being banned in Britain entirely. James Caan, in his second movie role, is chillingly convincing as the pack leader whose violent streak comes as casually as, say, tying his shoelaces. Fans of Paul Schrader, Scorsese, or Tarantino films should especially take notice: Lady in a Cage is a nerve-racking viewing experience, one that still packs a noxious punch, with an ending that's a real jaw-dropper. --Jerry Renshaw

Destroying her well-oriented world, the elevator, nine feet from the floor, becomes a torture chamber--a cage. Unable to escape, her situation becomes desperate when the emergency alarm attracts a drunken derelict (James Caan) and his boozy prostitute friend, both bent on robbery

They Call It Murder (1971)

A small-town district attorney is saddled with several major investigations, including a gambler's murder and a possible insurance scam.

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I Deal in Danger

Studio: Tcfhe Release Date: 05/13/2008

Great Detective Movies (They Call It Murder / Murder Once Removed / A Tattered Web)

3 Great Movies on 1 DVD. Star Power, Exciting Genre with Extras on each DVD.

Paper Man (1971)

They Call It Murder