Greene, David

Roots (Four-Disc 30th Anniversary Edition)

Based on Alex Haley's best-selling novel about his African ancestors Roots followed several generations in the lives of a slave family. The saga began with Kunta Kinte (LeVar Burton) a West African youth captured by slave raiders and shipped to America in the 1700s. The family's saga is depicted up until the Civil War where Kunte Kinte's grandson gained emancipation. Roots made its greatest impression on the ratings and widespread popularity it garnered. On average 130 million - almost half the country at the time - saw all or part of the series.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391144854 Manufacturer No: 114485

Godspell

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No Track Information Available
Media Type: DVD
Artist: GODSPELL
Title: GODSPELL
Street Release Date: 02/28/2006
Domestic
Genre: MUSICALS (THEATRICAL)

Comparing Godspell to its near-contemporaries Jesus Christ Superstar and Hair is unavoidable, but Godspell has developed its own unique following. With their thrift-store-meets-circus-performer garb, the characters in David Greene's adaptation of the popular off-Broadway production may look more like the hippies in Hair than the biblical personages of Superstar. But Godspell isn't really about the "Age of Aquarius," nor does it adopt a dark or operatic tone towards its subject matter, the Gospel according to Matthew. The mood is, instead, upbeat and uplifting (at least until the crucifixion sequence).

The film opens with youthful city dwellers from various walks of life dropping their activities to follow John the Baptist (David Haskell from the original New York production). They sing ("Prepare Ye the Way of the Lord") as he leads them into a fountain where they are (metaphorically) baptized. There they meet Jesus (Victor Garber). Frizzy hair and mime makeup aside, the handsome young Garber (Titanic, Annie) is convincing in his film debut. Once baptized, they follow him around various scenic New York locations, singing and acting out passages from the Scriptures.

The largely unknown cast is talented and charismatic, but the film is only fitfully engaging on an emotional level because only Jesus, John, and Judas (Haskell again) emerge as distinct characters. Stephen Schwartz's pleasing pop-rock score, however, helps to smooth over the rough spots, and Robin Lamont's hit version of "Day by Day" remains a highlight. --Kathleen C. Fennessy

Gray Lady Down

What Ever Happened to Baby Jane?

Roots

From the moment the young Kunta Kinte (LeVar Burton) is stolen from his life and ancestral home in 18th-century Africa and brought under inhumane conditions to be auctioned as a slave in America, a line is begun that leads from this most shameful chapter in U.S. history to the 20th-century author Alex Haley, a Kinte descendant. The late Haley's acclaimed book Roots was adapted into this six-volume television miniseries, which was a widely watched phenomenon in 1977. The programs cover several generations in the antebellum South and end with the story of "Chicken" George, a freed slave played by Ben Vereen whose family feels the agony of entrenched racism and learns to fight it. Between the lives of Kunta and George, we meet a number of memorable characters, black and white, and learn much about the emotional and physical torments of slavery, from beatings and rapes to the forced separation of spouses and families. Nothing like this had ever confronted so many mainstream Americans when the series was originally broadcast, and the extent to which the country was nudged a degree or two toward enlightenment was instantly obvious. Roots still has that ability to open one's eyes, and engage an audience in a sweeping, memorable drama at the same time. --Tom Keogh

The Saint, Set 1

Nineteen actors have portrayed Simon Templar, the gentleman adventurer created by Leslie Charteris in 1928. Among the most memorable incarnations were George Sanders (in a series of 1930s films) and Vincent Price (who voiced the character on radio in the 1940s). But for baby boomers, there is only one Simon: Roger Moore, who starred in this classic 1960s British TV series. Moore makes a better Templar than he did a Bond (and he is certainly better than Val Kilmer, who stared in the 1997 feature film). This eagerly awaited boxed set contains three entertaining episodes, beginning with the gem "The Queen's Ransom," which launched the series' 1966 season and was the first episode in color. "The infamous Simon Templar" (who is also called "arrogant, smug, self-important, and impertinent") teaches a queen (Dawn Addams, who starred in Charlie Chaplin's last film, A King in New York) honesty and dignity as he accompanies her on a mission to sell her jewels to finance her deposed husband's coup. In the 1967 color episode "Interlude in Venice," Simon comes to the aid of an American heiress who becomes a pawn in a blackmail plot. Lois Maxwell (better known as James Bond's Miss Moneypenny) costars as her (wicked?) stepmother. In the 1966 color episode "The Russian Prisoner," Simon comes to the aid of a Russian scientist who has had "an attack of revisionism" and whom the KGB will stop at nothing to keep from defecting. Except for the gadgets, The Saint has all the pleasures of the Bond films: a real international man of mystery, exotic locations, cold war intrigue, sparkling bons mots, and beautiful (albeit chaste) women. --Donald Liebenson

The Saint, Set 3

Gentleman adventurer Simon Templar has "quite a reputation," as evidenced by these seven "terribly clever" episodes from the classic British '60s TV series The Saint. Wavy-haired Roger Moore is in his element as Templar, who, like a certain double-O agent Moore would later portray, dresses impeccably, has an eye for the ladies, and dispenses his own unique brand of justice. In "Flight Plan," Simon joins the jet set as he foils a plot to steal London's newest weapon, a supersonic aircraft. Donald Sutherland guest stars as a fellow inmate in "Escape Route," in which Simon goes undercover behind bars to root out "the top man" in a deadly escape operation. In "The Persistent Patriots," Simon comes to the aid of the prime minister of a soon-to-be former British colony. The action revs up in "The Fast Women," in which a rivalry between two top female racers spins out of control. "The Death Game" is kinky enough to be an Avengers episode, as Simon joins a group of psychology students recruited as potential assassins. Suitable for framing is "The Art Collectors," a convoluted caper involving priceless da Vinci paintings. "To Kill a Saint" finds Simon in France, where a plot is afoot to spark a vendetta between him and the king of the Parisian underworld. But the highlight of any Saint episode is the devilishly funny prologue, in which, no matter where he is, someone always identifies our hero as "the infamous" Simon Templar, prompting him to cast his eyes heavenward as he is crowned by his signature animated halo. --Donald Liebenson

Guilty Conscience

Anthony Hopkins stars in this mystery revolving around a successful criminal lawyer who decides to bump off his wife due to the sizable alimony demands she made in their divorce proceedings.

A Good Day To Die

A Family of Cops 2