Grosbard, Ulu

Falling in Love

Commuting to manhattan on the same train two married strangers meet by accident and have an affair. Studio: Paramount Home Video Release Date: 01/17/2006 Starring: Robert De Niro David Clennon Run time: 107 minutes Rating: Pg13 Director: Ulu Grosbard

True Confessions

De Niro (a Catholic Priest) and Duvall (a Homicide Detective) play brothers drawn together after many years apart in the aftermath of the brutal murder of a young prostitute.System Requirements:Run Time: 108 minutesFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616073297 Manufacturer No: M107329

John Gregory Dunne turned the true story of Los Angeles's Black Dahlia murder case into a compelling novel and then adapted the novel (with wife Joan Didion) for this meaty movie mystery directed by Ulu Grosbard. A study of the ways power corrupts, and the way corruption consumes the soul, the film stars Robert Duvall and Robert De Niro as a pair of brothers (a cynical police detective and a rapidly rising monsignor, respectively) who come into conflict over the case of a murdered woman in 1940s Hollywood. De Niro gives a beautifully shaded performance, while Duvall, who never gives a bad one, gets the slightly flashier role. Yet there's nothing showy about Duvall, who gets under the skin of this cop and who knows better than to get personally involved in a case but ultimately can't help it. A fine supporting cast includes Kenneth McMillan, Charles Durning, and Burgess Meredith. Maybe too studied for some, but worth watching if only for the two leads. --Marshall Fine

The Deep End of the Ocean

A seemingly joyous return to a high school reunion becomes every womans worst nightmare when her son suddenly disappears. Michelle pfeiffer delivers a powerful performance as a wife and mother faced with rebuilding her life and family after theyve been shockingly torn apart. Studio: Sony Pictures Home Ent Release Date: 09/20/2005 Starring: Michelle Pfeiffer Whoopi Goldberg Run time: 109 minutes Rating: Pg13 Director: Ulu Grosbard

Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

Straight Time

Studio: Warner Home Video Release Date: 05/22/2007 Run time: 114 minutes Rating: R

Straight Time is notable for one of Dustin Hoffman's best--and least-seen--performances, as a lifelong criminal who, as a parolee, struggles to go straight. But it's a losing battle right from the jump. In less than a week, he's had a scuffle with his parole officer (M. Emmet Walsh) and is on the dodge, looking for a score. But you know that this guy has only two directions he can go in life--and that's either back to prison or into an early grave. A startling depiction of a surprisingly likable sociopath, this Ulu Grosbard film is a dark meditation on one man's firm--if skewed--values and features Hoffman in a relentless, wiry portrayal. The rest of the cast is equally strong, including the always-reliable Harry Dean Stanton, then-newcomer Gary Busey, and an unknown Kathy Bates. --Marshall Fine

Georgia

Georgia is a passionate powerful story starring jennifer jason leigh and mare winningham about two women and the ambitious pursuit of their rock n roll dreams. Studio: Buena Vista Home Video Release Date: 05/03/2005 Starring: Jennifer Jason Leigh Mare Winningham Run time: 117 minutes Rating: R

Jennifer Jason Leigh's fearless performance in this film by Ulu Grosbard (True Confessions) is reminiscent of the young De Niro. Leigh plays a talentless junkie with a jealous fixation over the success of her singer-songwriter sister (Mare Winningham). The script by Leigh's mother, Barbara Turner, basically follows her slow descent so deep into a hell of disappointment and smack she almost comes out the other side partially redeemed. Whatever Grosbard may lack as an exciting visualist (he doesn't make many films anymore) is made up in the freedom he affords actors to let it all hang out. With fine performances by Winningham, Ted Levine, John C. Reilly, and John Doe. --Tom Keogh

The Deep End of the Ocean [Region 2]

Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

Falling in Love [Region 2]

The Deep End of the Ocean [Region 2]

Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

The Deep End of the Ocean [Region 2]

Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

True Confessions [Region 2]

John Gregory Dunne turned the true story of Los Angeles's Black Dahlia murder case into a compelling novel and then adapted the novel (with wife Joan Didion) for this meaty movie mystery directed by Ulu Grosbard. A study of the ways power corrupts, and the way corruption consumes the soul, the film stars Robert Duvall and Robert De Niro as a pair of brothers (a cynical police detective and a rapidly rising monsignor, respectively) who come into conflict over the case of a murdered woman in 1940s Hollywood. De Niro gives a beautifully shaded performance, while Duvall, who never gives a bad one, gets the slightly flashier role. Yet there's nothing showy about Duvall, who gets under the skin of this cop and who knows better than to get personally involved in a case but ultimately can't help it. A fine supporting cast includes Kenneth McMillan, Charles Durning, and Burgess Meredith. Maybe too studied for some, but worth watching if only for the two leads. --Marshall Fine