( H )

Butch Cassidy and the Sundance Kid (Two-Disc Collector's Edition)

Paul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick Butch Cassidy (Newman) is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns don new duds and with Sundance's girlfriend (Katharine Ross) head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song) here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest friendliest funniest outlaws who ever called out "hands up!"System Requirements:Features: Disc 1: Widescreen Feature Commentary #1 by George Roy Hill Lyricist Hal David Associate Producer Robert Crawford and Cinematographer Conrad Hall. Commentary #2 by Screenwriter William Goldman. Disc 2: 2005 documentary ALL OF WHAT FOLLOWS IS TRUE: The Making of Butch Cassidy and the Sundance Kid. The Wild Bunch: The True Tale of Butch & Sundance. History through the lens: "Butch Cassidy and the Sundance Kid: Outlaws Out of Time" 1994 documentary: THE MAKING OF BUTCH CASSIDY AND THE SUDANCE KID" 1994 Interviews Production Notes Alternate Credit Roll Theatrical Trailer #1 Theatrical Trailer #2 Theatrical Trailer #3 The Films of Paul Newman From the Terrace Hombre The Hustler The Long Hot Summer Quintet The Towering Inferno The Verdict What a Way to Go! Running Time: 330 MinFormat: DVD MOVIE Genre: WESTERN/MISC. Rating: PG UPC: 024543244578 Manufacturer No: 2234458

This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom Keogh

The Sting

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

The winner of 7 Academy Awards including Best Picture, The Sting has become one of America's favorite and most critically acclaimed films. Robert Redford and Paul Newman star as two con men in the 1930's out to avenge the death of a friend. They seek revenge on a crime lord (Robert Shaw) with a "sting" that is one of the greatest double-crosses in movie history, complete with an amazing surprise finish. Directed by George Ray Hill and written by David S. Ward.

The Films of Paul Newman (The Verdict/The Hustler/Butch Cassidy)

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 11-MAY-2004
Media Type: DVD

The Office - Season One

No Description Available.
Genre: Television
Rating: NR
Release Date: 16-AUG-2005
Media Type: DVD

The British sitcom The Office has the most devoted following this side of Monty Python, so an American remake seemed doomed. Amazingly, the remake actually finds its own enjoyable version of the original's uncanny comedy of embarrassment. Office manager Michael Scott (Steve Carell, The Daily Show, The 40 Year-Old Virgin) believes he's the beloved leader of the Scranton, Pennsylvania, branch of a paper products company--but his relentless and painfully forced efforts at comedy creep out everyone around him, including paranoid Dwight (Rainn Wilson, who had a memorable recurring role on Six Feet Under), nervous receptionist Pam (Jenna Fischer, LolliLove), and aimless salesman Jim (John Krasinski, A New Wave), who's smitten with the already engaged Pam. The pilot episode suffers from closely replicating the British pilot, but after that The Office finds its own footing, turning diversity training, an office birthday party, and a basketball game into excruciating yet hypnotically funny rituals of humiliation. Carell, though clearly talented, can't match Ricky Gervais' unique performance as the aggressively needy British manager (it's hard to imagine that anyone could); as a result, the supporting roles become more prominent, and Wilson, Fischer, and Krasinski quickly create a rapport that matches and may even exceed that of their British counterparts. Be sure to watch the deleted scenes; remarkably, they're as good as the material that made it on the air in this six-episode season. --Bret Fetzer

Firehouse Dog (Full Screen Edition)

Rex Hollywood's top K-9 star gets lost and is reluctantly adopted by a young boy. His father fire chief of a rundown station agrees to the adoption only if his defiant son takes care of the K-9. Little do they realize Rexx will not only bring them closer but also bring some much-needed faith back to the fire station.System Requirements:Running Time: 111 Mins.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: PG UPC: 024543450689 Manufacturer No: 2245068

Adolescence is an emotionally stormy time for kids, but it's especially so for Shane (Josh Hutcherson), a teenager being raised by single firefighter father Connor (Bruce Greenwood). Add the recent death of Shane's fire-captain uncle (Connor's brother) in the line of duty and the pending closure of their neighborhood "Dogpatch" fire station, and both Shane's propensity for skipping school and brooding in his room and his father's obsession with work seem easily explainable. When a mutt called Dewey, really a very spoiled superstar dog named Rexxx who's been presumed dead after a parachuting stunt gone wrong, turns up in a burning building and is rescued by the Dogpatch crew, Connor puts Shane in charge of caring for the dog and finding its owner. Shane and Dewey clash immediately and Shane is extremely resentful toward both the dog and his father. However, Dewey's special talents (like skateboarding and trampoline jumping), combined with his good fire-fighting instincts, soon win the admiration and affection of Shane and the entire Dogpatch crew. A series of mysterious fires causes Shane and Connor to begin to really communicate and reconnect, but those fires also threaten their very lives. At the same time, Dewey's former owner discovers Dewey's true identity and demands the return of his superstar companion. An engaging dog story that explores the difficulties of growing up and dealing with personal tragedy, Firehouse Dog is a fun family film that's rated PG due to some mildly crude humor (think potty jokes), language, and action peril. --Tami Horiuchi

Firehouse Dog Extras

Watch the firemen of Firehouse Dog take you behind the scenes in this exclusive clip.

Beyond Firehouse Dog

Kids & Family Animal Films

Firehouse Dog (Paperback)

Movies for Tweens

Stills from Firehouse Dog

Slap Shot (25th Anniversary Special Edition)

Paul Newman and his Butch Cassidy director, George Roy Hill, made a very original comedy in this 1977 story of an over-the-hill player/coach (Newman) for a lousy hockey team who gets results when he teaches his players to get dirty. One of the most hilariously profane movies ever to come out of Hollywood, this is the kind of film that makes its own rules as it goes along. Newman is very good, and while Hill goes for the gusto in terms of capturing the violence of this world, his instinct for comedy has never been sharper. Great support from Strother Martin, Paul Dooley, and the rest. --Tom Keogh

Band of Brothers

Based on the bestseller by Stephen E. Ambrose the epic 10-part miniseries Band of Brothers tells the story of Easy Company 506th Regiment of the 101st Airborne Division U.S. Army. Drawn from interviews with survivors of Easy Company as well as soldiers' journals and letters Band of Brothers chronicles the experiences of these men who knew extraordinary bravery and extraordinary fear. They were an elete rifle company parachuting into France early on D-Day morning fighting in the Battle of the Bulge and capturing Hitler's Eagle's Nest at Berchtesgaden. They were also a unit that suffered 150 percent casualties and whose lives became legend.Running Time: 705 min.System Requirements:Starring: Damian Lewis Donnie Wahlberg Ron Livingston Matthew Settle Rick Warden Frank John Hughes Scott Grimes Neal McDonough Rick Gomez Eion Bailey James Madio Kirk Acecedo Michael Cudlitz David Schwimmer Mark Lawrence Douglas Spain Michael Fassbender Jimmy Fallon Colin Hanks Tom Hanks. Running Time: 600 Min. Color. Copyright 2002 Warner Home Video.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 026359920523 Manufacturer No: 99205

An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer

Get Smart - Season 1 (The Original TV Series)

The feature film may have missed it by that much, but Get Smart, the TV series, still hits the target with deadly funny accuracy. The right show at the right time, Get Smart brilliantly spoofed the spy genre that was all the rage in 1965, with James Bond on the big screen, and such series as Danger Man, The Avengers, The Saint, < I>The Man from U.N.C.L.E., and I Spy more or less playing it straight on the small screen. Get Smart, on the other hand, had a license to kill…with laughter. Mel Brooks and Buck Henry created one of TV's all-time greatest characters, Maxwell Smart, Agent 86 of CONTROL, the super-secret agency vigilantly on alert against the forces of KAOS. Smart (Don Adams in his iconic, Emmy-winning role), an American Clouseau, was not stupid. Though all evidence to the contrary, he was, in his own mind, a suave and sophisticated spy, albeit one who would inadvertently lean against a freshly painted wall while shadowing an enemy agent. Get Smart hilariously deglamorized the business of espionage. Agents punch a time clock and dispute vacation time. Cool spy gadgets, such as the infamous Cone of Silence, are prone to malfunction. One running joke throughout the first season finds Agent 44 (Victor French) perched in a variety of unlikely and uncomfortable hiding places, among them a grandfather clock. Although the series would only get smarter and funnier in subsequent seasons (Bernie Kopell's KAOS mastermind Siegfried would be introduced in season two), the first season contains several essential episodes, including the Emmy-winning two-parter, "Ship of Spies," "Aboard the Orient Express," featuring a cameo by Johnny Carson as an unflappable conductor, "Diplomat's Daughter" with the arch --and decidedly non-PC-- villain, the Craw, and "Back to the Drawing Board," featuring Dick Gautier as Hymie the robot. From "Sorry about that" to "Would you believe," no show before Get Smart introduced so many catchphrases into the national language, while Smart and his partner, Agent 99 (the ravishing Barbara Feldon), were perhaps TV's first "will they or won't they" couple. Brooks and Henry contribute separate commentaries for the black and white pilot episode, while Feldon provides commentary for another, and purrs introductions to each episode (beware plot spoilers). With Get Smart, you will be witness to some of TV's funniest moments, sharpest writing, and expertly-executed physical comedy. And… loving it. --Donald Liebenson

Rescue Dawn

Real-life story of a US fighter pilot Dengler shot down and captured during the Vietnam War. Christian Bale as Dengler plans a death-defying escape.System Requirements:Run time: 126 MinutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/MILITARY & WAR Rating: PG-13 UPC: 027616093578 Manufacturer No: M109357

In the tradition of The Great Escape and The Deer Hunter, Rescue Dawn is Werner Herzog's take on the pulse-pounding POW genre. Unlike most such efforts, however, his isn't just based on a true story, it's a remake of his 1997 documentary Little Dieter Needs to Fly. German-born Dieter Dengler (Christian Bale, who first made his mark in Steven Spielberg's prison camp drama Empire of the Sun) has longed to pilot a plane since he was a boy. When he joins the Navy during the Vietnam War, he gets his wish. Then he's shot down over Laos. Though he survives, Dengler is captured by the Pathet Lao. Through his internment, he meets Duane Martin (Steve Zahn in his finest performance), with whom he becomes fast friends. While Dengler is arrogant and resourceful, Martin is patient and humble. With Dengler's assistance, the prisoners escape, but the untamed wilderness turns out to be just as dangerous (cinematographer Peter Zeitlinger ably captures its cruel beauty). Those who've seen Little Dieter know how this tale ends. Suffice to say, Herzog's reenactment makes for rousing entertainment. If the film has a flaw, it's that the rah-rah finale plays like something from out of a mainstream sports movie. That quibble aside, the actors, including Jeremy Davies as a delusional campmate and Toby Huss as a fellow flyer, are aces. And Herzog, who's been concentrating on nonfiction, like Grizzly Man, proves he can direct a Hollywood-style action epic with the best of 'em. --Kathleen C. Fennessy

Beyond Rescue Dawn

Little Dieter Needs to Fly

Christian Bale Films

More from MGM

Stills from Rescue Dawn

The Sting (Universal Legacy Series)

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with Butch Cassidy and the Sundance Kid. Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. --Jeff Shannon

Winner of 7 Academy Awards, including Best Picture, The Sting stars Paul Newman and Robert Redford as two con men in 1930s Chicago. After a friend is killed by the mob, they try to get even by attempting to pull off the ultimate "sting." No one is to be trusted as the twists unfold, leading up to one of the greatest double-crosses in movie history. The con is on!