Hughes, Howard

Howard Hughes' Hell's Angels

Two bright facets light up Hell's Angels, a 1930s aviation melodrama. One is the extraordinary footage re-creating World War I air battles; the other is 18-year-old Jean Harlow. Both are enough to offset the cornball story and stilted dialogue, the latter added late in production, with the advent of motion-picture sound. The movie, almost three years in the making, with a budget of nearly $4 million--very high for its day--was the obsession of eccentric millionaire director Howard Hughes. Apparently, the authenticity of the dogfight scenes was so important to Hughes that he piloted a plane himself, and ended up breaking a few bones in the process. More shocking, it's said that three pilots lost their lives making the movie. The sequence depicting an epic encounter between the British Royal Flying Corps and a German zeppelin is especially stunning, thanks to the eye-popping use of hand tinting. A bombing raid on a German munitions depot is also remarkably convincing.

The movie's other bombshell, Jean Harlow, fairly jumps off the screen as an upper-class floozy who plays fast and loose with the two leading men, RFC pilots Monte and Roy Rutledge (Ben Lyon and James Hall), one a scoundrel and one a saint. Harlow glows in the film--it's immediately obvious why her appearance here put her on the fast track to Hollywood stardom. Beauty, sex appeal, vulnerability, audacity--whatever the intangible something is that makes a movie star, it's clear Harlow had it, even as a teenager. --Laura Mirsky

British brothers become world war i pilots and fall for a platinum blonde. Studio: Uni Dist Corp. (mca) Release Date: 12/07/2004 Starring: Ben Lyon James Hall Run time: 135 minutes Rating: Pg Director: Howard Hughes

Outlaw, The

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay

Studio: Platinum Disc Llc Release Date: 12/23/2003

Howard Hughes: Aviator, Director, Billionaire (3 Movie Pack)

Best of the West: The Outlaw/Santa Fe Trail

The Outlaw

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay

The Outlaw

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay

The Outlaw

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay

The Outlaw

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay

The Outlaw

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay

The Outlaw [Region 2]

A fast-paced, entertaining lark of a film, The Outlaw is known today mostly for the buoyant performance of Jane Russell, whose career was engineered by the film's director, Howard Hughes, otherwise infamous for his reclusive millionaire ways. But more than that, the film boasts a set of finely tuned performances in the retelling of the story of Billy the Kid (Jack Beutel), whose burgeoning friendship with Doc Holliday (Walter Huston) arouses an intense hatred in Sheriff Pat Garrett (Thomas Mitchell, arguably the greatest character actor who ever lived). As Rio, Doc Holliday's girl, Jane Russell creates an irrepressible presence that lends an ample foundation to the story when her affections for Billy cleave his relationship with Doc. There are enough psychosexual rumblings to go around that the pace never sags. --Jim Gay