John Hughes

Planes, Trains and Automobiles

An ad exec and a shower-curtain-ring salesman become co-travelers on the way to thanksgiving in chicago. Studio: Paramount Home Video Release Date: 03/22/2005 Starring: Steve Martin Laila Robbins Run time: 93 minutes Rating: R Director: John Hughes

Given the presence of both Steve Martin and John Candy, one would expect this John Hughes comedy to be much, much funnier than it is. Certainly it's not for lack of effort on the part of its stars. Martin is an uptight businessman trying to get home from New York for the holidays. But one thing after another gets in his way--most of it having to do with Candy, a boorish but well-meaning boob who takes a liking to him. Together they travel all over the map; no matter how hard Martin tries to shake him, he can't. But Hughes's writing is never as sharp as it should be and this film winds up being only intermittently humorous. --Marshall Fine

Sixteen Candles

Studio: Uni Dist Corp. (mca) Release Date: 09/16/2008 Run time: 93 minutes Rating: Pg

Molly Ringwald established herself as the teen queen of the '80s in this fresh comedy. The movie is a day in the life of Samantha, whose 16th birthday is turning out to be anything but sweet. All the traumas of teendom come down on one long day, which sees Samantha surrounded by dithery relatives, mooning over a high school hunk, and pursued by a sawed-off Lothario. Sixteen Candles marked the directing debut of John Hughes, and its goofy energy displayed a promising talent with a great ear for high school lingo ... a promise neglected since Hughes became, after Home Alone, a one-man entertainment industry. There are some pretty crass moments (Why the stereotype of the foreign-exchange student from Asia?), but Ringwald's steady appeal smoothes over the rough spots. As the pubescent, self-styled lady-killer, Anthony Michael Hall turns in a hilarious portrait of a young swinger; he and Ringwald would reteam with Hughes for The Breakfast Club, another key teen picture of the decade. --Robert Horton

Uncle Buck

Get set for nonstop laughs as buck learns a thing or two about life when hes called in to baby-sit his brothers spoiled kids. Studio: Uni Dist Corp. (mca) Release Date: 08/23/2005 Starring: John Candy Amy Madigan Run time: 100 minutes Rating: Pg13

John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh

Curly Sue

Bill dancer and his young companion curly sue are the classic homeless folks with hearts of gold. Their scams are aimed not at turning a profit but at getting enough to eat. Studio: Warner Home Video Release Date: 08/09/2005 Starring: James Belushi Alisan Porter Run time: 101 minutes Rating: Pg Director: John Hughes

An endearing rags-to-riches family comedy of a wandering scam artist and his streetwise, curly-headed sidekick, this guilty pleasure ranks with John Hughes's best films. Curly Sue is the story of the street-hardened yet tender Bill Dancer (Jim Belushi) and orphaned accomplice Curly Sue (Alisan Porter). Curly Sue and Bill scam Grey Ellison (Kelly Lynch), an unsuspecting power attorney, out of a hot meal and a penthouse bed. Grey warms to the adorable Sue and the diamond-in-the-rough Bill and cools to her ruthless profession as the trio begins to feel more like a family. John Getz plays Walker McCormick, Grey's stuffy, affected boyfriend who tries his best to force the vagabonds on to the next train out of Chicago. Belushi is well cast for this role, blending grit and heart nicely, but it's the charming performance of Porter that steals most scenes. Imagine a modern Annie through the witty eye of hit filmmaker Hughes and you have Curly Sue. --Sarah Chace

She's Having a Baby

A restless yuppie copywriter marries his teen-age sweetheart then wonders if its a mistake. Studio: Paramount Home Video Release Date: 01/17/2006 Starring: Kevin Bacon Alec Baldwin Run time: 106 minutes Rating: Pg13 Director: John Hughes

Having delved repeatedly into the world of teenage joys and sorrows, from Sixteen Candles to Ferris Bueller's Day Off, writer-director John Hughes took a step into adulthood (or some facsimile of it) with She's Having a Baby. Peppered with whimsical asides and busy voice-over observations, the movie is shamelessly fun to watch, even if it doesn't add up to anything especially profound. Kevin Bacon and Elizabeth McGovern are newlyweds struggling through the tribulations of a youthful marriage. Along with the usual uncertainties, Bacon is sacrificing his dreams of becoming a writer to work in an ad agency, and his best supposed pal (Alec Baldwin, just before stardom) tries to seduce his wife. Hughes may have been reflecting on his own past job in advertising, and maybe that explains why the movie plays like a superficial, if entertaining, TV commercial. --Robert Horton

Sixteen Candles (High School Reunion Collection)

Molly Ringwald established herself as the teen queen of the '80s in this fresh comedy. The movie is a day in the life of Samantha, whose 16th birthday is turning out to be anything but sweet. All the traumas of teendom come down on one long day, which sees Samantha surrounded by dithery relatives, mooning over a high school hunk, and pursued by a sawed-off Lothario. Sixteen Candles marked the directing debut of John Hughes, and its goofy energy displayed a promising talent with a great ear for high school lingo ... a promise neglected since Hughes became, after Home Alone, a one-man entertainment industry. There are some pretty crass moments (Why the stereotype of the foreign-exchange student from Asia?), but Ringwald's steady appeal smoothes over the rough spots. As the pubescent, self-styled lady-killer, Anthony Michael Hall turns in a hilarious portrait of a young swinger; he and Ringwald would reteam with Hughes for The Breakfast Club, another key teen picture of the decade. --Robert Horton

A girl turning 16 likes another girls guy and feels nobody cares about her birthday. Studio: Uni Dist Corp. (mca) Release Date: 09/02/2003 Starring: John Cusack Molly Ringwald Run time: 93 minutes Rating: Pg Director: John Hughes

Weird Science (High School Reunion Collection)

Yes, that is Bill Paxton as Ilan Mitchell-Smith's militaristic big brother. And that's Robert Downey Jr. as one of the in-crowd jerks who makes nerds Mitchell-Smith and Hall's lives miserable. Fortunately, this is a John Hughes comedy and our smart nerds create the perfect woman, Lisa (Kelly LeBrock), using a computer and voodoo. Lisa is a willing sex toy, has magical powers, and just wants to help the boys get even and meet nice babes. She even cleans up. The fantasy ebullience of Hughes is given full rein here and that's good and bad (mostly good). It's all aimed at a certain kind of hormone-addled, 16-year-old sensibility; but who doesn't have a little bit of that in them? --Keith Simanton

Sixteen Candles

Molly Ringwald established herself as the teen queen of the '80s in this fresh comedy. The movie is a day in the life of Samantha, whose 16th birthday is turning out to be anything but sweet. All the traumas of teendom come down on one long day, which sees Samantha surrounded by dithery relatives, mooning over a high school hunk, and pursued by a sawed-off Lothario. Sixteen Candles marked the directing debut of John Hughes, and its goofy energy displayed a promising talent with a great ear for high school lingo ... a promise neglected since Hughes became, after Home Alone, a one-man entertainment industry. There are some pretty crass moments (Why the stereotype of the foreign-exchange student from Asia?), but Ringwald's steady appeal smoothes over the rough spots. As the pubescent, self-styled lady-killer, Anthony Michael Hall turns in a hilarious portrait of a young swinger; he and Ringwald would reteam with Hughes for The Breakfast Club, another key teen picture of the decade. --Robert Horton

Weird Science

Yes, that is Bill Paxton as Ilan Mitchell-Smith's militaristic big brother. And that's Robert Downey Jr. as one of the in-crowd jerks who makes nerds Mitchell-Smith and Hall's lives miserable. Fortunately, this is a John Hughes comedy and our smart nerds create the perfect woman, Lisa (Kelly LeBrock), using a computer and voodoo. Lisa is a willing sex toy, has magical powers, and just wants to help the boys get even and meet nice babes. She even cleans up. The fantasy ebullience of Hughes is given full rein here and that's good and bad (mostly good). It's all aimed at a certain kind of hormone-addled, 16-year-old sensibility; but who doesn't have a little bit of that in them? --Keith Simanton

The Frankenstein legend takes an uproarious twist in this outrageous special effects-laden comedy from John Hughes, director of "Sixteen Candles" and "The Breakfast Club."

Ferris Bueller's Day Off (Bueller... Bueller... Edition)

Like a soda pop left open all night, Bueller seems to have lost its effervescence over time. Sure, Matthew Broderick is still appealing as the perennial truant, Ferris, who fakes his parents out and takes one memorable day off from school. Jeffrey Jones is nasty and scheming as the principal who's out to catch him. Jennifer Grey is winning as Ferris's sister (who ends up making out in the police station with a prophetic vision of Charlie Sheen). But there's a definite sense that this film was of a particular time frame: the '80s. It's still fun, though. There's Ferris singing "Twist and Shout" during a Chicago parade, and a lovely sequence in the Art Institute. But don't get it and expect your kids to love it the way you did. Like it or not, it's yours alone. --Keith Simanton

"Bueller…Bueller…?" Sorry, not here! Instead, high-schooler Ferris Bueller (Mathew Broderick), his girlfriend Sloane (Mia Sara), and his best bud Cameron (Alan Ruck) are off on the spontaneous romp through Chicago known as Ferris Bueller's Day Off. You'll also enjoy righteous bonus materials that give you an insider's peek at this hilarious comedy hit from John Hughes (Planes, Trains & Automobiles, Sixteen Candles). So, barf up a lung, forge a "sick note" from the parents, and tag along on the funniest adventure to ever sweep through the Windy City. What are you still doing here? Save Ferris!