King, Henry

The Song of Bernadette

Jennifer Jones plays the legendary French peasant who claimed to have dialogues with the Virgin Mary at a Lourdes grotto in 1858. The script handles the visitations as an article of truth (Linda Darnell plays the Virgin), which helps move the drama forward, though much of the story concerns the conflicts that arise in the community after Jones is told the grotto contains healing waters. Made by Henry King (The Snows of Kilimanjaro), the film is gorgeous to look at and sensitively directed; and Jones (who won an Oscar for Best Actress) is radiant in the lead. Whatever one's religious persuasion, this is a strikingly handsome Hollywood production to be enjoyed. The film also earned Academy Awards for cinematography and score. --Tom Keogh

The story of a peasant girl Bernadette Soubirous, a poverty-stricken, pure hearted adolescent, who saw a vision, of a "Beautiful Lady" near her home town of Lourdes in 1858. The wondrous news spreads rapidly throughout France, leaving in its wake a variety of consequences: adoration, suspicion and greed among the people of Lourdes skepticism from the town doctor (Lee J. Cobb) charges of insanity from the town prosecutor (Vincent Price) threats of physical punishment, then support and guidance from the Dean of Lourdes (Charles Bickford), who finally becomes convinced that the miracle has, indeed, taken place. Winner of four Academy Awards, including Best Actress and Best Score, this true story is both first-rate filmmaking and an inspiring tribute to faith, courage and the human spirit.

Fox Western Classics (Rawhide / The Gunfighter / Garden of Evil)

Disc 1: Garden of Evil (1954) Feature Film Disc 2: The Gunfighter (1951) Feature Film Disc 3: Rawhide (1951) Feature Film

Twelve O'Clock High (Special Edition)

The wartime memories of surviving World War II bomber squadrons were still crystal clear when this acclaimed drama was released in 1949--one of the first postwar films out of Hollywood to treat the war on emotionally complex terms. Framed by a postwar prologue and epilogue and told as a flashback appreciation of wartime valor and teamwork, the film stars Gregory Peck in one of his finest performances as a callous general who assumes command of a bomber squadron based in England. At first, the new commander has little rapport with the 918th Bomber Group, whose loyalties still belong with their previous commander. As they continue to fly dangerous missions over Germany, however, the group and their new leader develop mutual respect and admiration, until the once-alienated commander feels that his men are part of a family--men whose bravery transcends the rigors of rigid discipline and by-the-book leadership. The film's now-classic climax, in which the general waits patiently for his squad to return to base--painfully aware that they may not return at all--is one of the most subtle yet emotionally intense scenes of any World War II drama. With Peck in the lead and Dean Jagger doing Oscar-winning work in a crucial supporting role, this was one of veteran director Henry King's proudest achievements, and it still packs a strong dramatic punch. --Jeff Shannon

This gritty World War II action drama staring Gregory Peck, Oscar winner Dean Jagger, Hugh Marlowe, Gary Merrill and Millard Mitchell is seen as one of the most realistic portrayals of the heroics and perils of war. Convinced an air force commander (Gary Merrill) is at the breaking point, Brigadier General Savage (Peck) takes over his struggling bomber group. Kind and understanding, he adopts a crushing discipline to revitalize the demoralized troop. At first resentful and rebellious, the flyers gradually change as Savage guides them to amazing feats. But the stress of command soon takes it's toll and the weary general reaches his own breaking point.

Love is a Many-Splendored Thing

This love story made in 1955 and set against the backdrop of war is a many-splendored thing: it features a drop-dead gorgeous Eurasian doctor seeking meaning in her life (Jennifer Jones), a dashing but married American war correspondent who's macho yet not afraid to declare his love (William Holden), and a couple of murky subplots to give their relationship its oh-what's-going-to-happen-next edge (her Chinese heritage, his wife, the outbreak of the Korean War). One scene builds beautifully upon the next, accompanied by dialogue that often sounds like poetry: "I will make no mistakes in the name of loneliness," the doctor says near the beginning of their relationship. The movie also makes few mistakes as it combines thoughtful words with Oscar-winning costumes to tell its tale. It even leaves you with a hummable tune--the Academy Award-winning title song--as you reach for the Kleenex. --Valerie J. Nelson

Newsman Mark Elliott is an American war correspondent temporarily staying in Hong Kong during the Korean War. While there he meets and pursues a beautiful Eurasian Doctor. But when they begin to fall in love, their friends and families pressure them to stop the cross cultural relationship.

David and Bathsheba

A sprawling. Action-packed epic that sweeps off the pages of the Bible and across the screen recreating one of the most torrid tales of passion ever told, Gregory Peck delivers a commanding performance as David, King of the Israelites, who falls in love with Bathsheba (Susan Hayward), a beautiful woman- and wife of one of his captains. It's a story of sin and redemption, a searing saga of love as burning as the sands of the harsh landscape on which it was consummated. A love that violated the laws of man- and God. David, once the Chosen One, now risks God's wrath, his kingdom, and the life of Bathsheba, who may be stoned to death for his sin!

The Black Swan

Tyrone Power and Maureen Oâ??Hara cross romantic swords in this epic OscarÂ(r)-winning* swashbuckler about a pirate determined to reform his thieving ways â?" after he steals one last heart!

Recently reformed pirate Jamie Boy (Power) is supposed to be helping the new Governor of Jamaica, Captain Morgan, rid the Caribbean of black-hearted buccaneers. But when Jamie falls head over keel for the heavenly â?" but hotheaded â?" Lady Margaret (Oâ??Hara), he gives caution the heave-ho, kidnaps Margaret and sets sail for the adventure of a lifetime! Packed with â??action, excitement, thundering guns and a maiden in distressâ? (Variety), this â??brawny, blood-curdlingâ? (Look Magazine) high-seas saga that remains a rollicking, â??timeless pleasureâ? (Los Angeles Times)! * Best Cinematography, Color: Leon Shamroy, 1942.

Carousel (50th Anniversary Edition)

Gordon MacRae is Billy Bigelow a smooth-talking carny barker who falls in love with a millworker (Shirley Jones) on the colorful coast of Maine. Filmed on location with a beautiful seaside setting as a backdrop and a thrilling score for accompaniment their romance unfolds. But right before the birth of his daughter Billy is killed while committing a robbery. Now in heaven years later he returns to earth for one day to attend his daughter's high school graduation and teach her one very important lesson.Episodes-Bonus Features:Disc 1:Widescreen FeatureCommentary by Shirley Jones & Nick RedmondIsolated ScoreSing-A-Long SubtitlesDisc 2:LILIOM (1934 Feature) P/STurns On The CarouselVintage Stage Excerpt"You're A Queer One Julie Jordan" & "If I Loved You" Performed by Jan Clayton & John RaittAdditional Songs"You're A Queer One Julie Jordan" performed by Barbara Ruick & Shirley Jones"Blow High BlowLow" performed by Cameron Michael & ChorusMovietone News: "Carousel Opens at NY and Hollywood in Cinemascope 55"Theatrical TrailerStill GalleriesSystem Requirements:Running Time 128 Mins.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: PG UPC: 024543381471 Manufacturer No: 2238147

Like its immediate predecessor, Oklahoma!, this 1956 screen musical boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with onscreen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that '50s moviegoers may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death.

Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers' most affecting, from the glorious instrumental "Carousel Waltz" to a succession of exquisite love songs ("If I Loved You"), a heart-rending secular hymn ("You'll Never Walk Alone"), and the expectant father's poignant reverie, "Soliloquy." Top-lined stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!, with MacRae in particular attaining a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It's Billy's impatience to support his new family that drives him to an ill-fated decision that transforms the fable into a ghost story. Adding to the luster are the coastal Maine locations where 20th Century Fox filmed principal photography. --Sam Sutherland

In Old Chicago

In Old Chicago was 20th Century Fox's grandest production of 1938, and it's still worthy of classic status. Along with MGM's 1936 earthquake drama San Fracisco, it ranks among the finest of the early disaster films, and the climactic depiction of the great Chicago fire of 1871 is still impressive, with some shots that are just as amazing as the digitally rendered disaster effects of present-day Hollywood. It's a highly fictionalized account of the O'Leary family, whose legendary milk-cow kicked over the lamp that set Chicago ablaze, and the teaming of Tyrone Power, Don Ameche, and Alice Faye (as O'Leary brothers Dion and Jack, and Jack's showgirl wife Belle) proved so popular that they were reunited, along with director Henry King, in Darryl F. Zanuck's follow-up production of Alexander's Ragtime Band. They lead a lively cast (including Andy Devine and Brian Donlevy) that delivers all the entertainment value that Zanuck could muster, focusing on the rivalry between Jack and Dion as they clash over their political ambitions and future plans for "The Patch," the beloved Chicago slum district in which they were raised. Their mother (played by Alice Brady in an Oscar®-winning performance) struggles to hold her brood together, and the sibling rivalry reaches a fever pitch just as the city's about to go up in flames. Along the way we're treated to Faye's silky-smooth performances of vintage show tunes (like the title song), and movie buffs will appreciate the early appearance of Rondo Hatton, a bit player who suffered from acromegaly, a deforming pituitary condition (similar to gigantism) that caused him to have one of the most unique faces in the history of movies. --Jeff Shannon

In Old Chicago stars Don Ameche and Tyrone Power as two sons of the infamous Margaret O'Leary, whose ill-fated cow started the 1871 inferno that brought the entire city of Chicago to ruin. The brothers grow up on opposite sides od the law and their fraternal struggle reaches an incendiary crescendo mimicked by the flames that engulf the city.

The Old Man and the Sea

The classic Ernest Hemingway novel about man battling nature and the demons within himself is adapted admirably in this 1958 film starring the legendary Spencer Tracy. Playing the fisherman who goes on an intense and futile quest as he contemplates his own nature, Tracy turns in a spellbinding performance of understated power. He plays an itinerant Cuban fisherman whose luck at catching his prey has been poor of late, until he becomes embroiled in an intense pursuit of a giant marlin and in the process must confront his own frailties. Though the visual aspect of the film seems dated, Tracy is more than enough reason to see this effort at bringing one of the modern classics of literature to life on the screen. --Robert Lane

Alexander's Ragtime Band

The jaunty rhythms of Irving Berlin drive Alexander's Ragtime Band, an epic musical from 1938 that follows the up-and-down romance of a young bandleader (Tyrone Power, Witness for the Prosecution) and the singer he loves (Alice Faye, Tin Pan Alley) over decades. Their journey from a San Francisco honky-tonk to mass popularity is marked by classic songs like "Oh How I Hate to Get Up in the Morning," "Blue Skies," "A Pretty Girl Is Like a Melody," "Easter Parade," and the title track. Power and Faye are a little bland, but the supporting cast--including Don Ameche (Midnight), Jack Haley (the Tin Woodsman from The Wizard of Oz), and a very young Ethel Merman--give the movie some real personality, as do a few wild dance numbers. At the end, the movie becomes surprisingly suspenseful and even a little touching. --Bret Fetzer

Tyrone Power stars in this "must-see" (TV Giude) film as a free thinking classical musician who wants the world to dance to a different beat. Set in the early 1900's this extravaganza of music, story and romance follows the highs and lows in the life of Roger Grant, a high-brow-born San Franciscan who changes his name to Alexander and conducts a band with a whole new sound - Swing! And just as Grant meets with musical successes and failures, he smolders and is occasionally scorched by Stella Kirby (Alice Faye), his lead singer. Also featuring the delightful Don Ameche as Grant's romantic competitor, a wonderfully comic Jack Haley and then newcomer Ethel Merman, this musical treasure is a perfect addition to any collection of film classics.