Koepp, David

Secret Window

Johnny Depp gets high off another acting challenge in this tricky adaptation of a Stephen King yarn. Although the mood is too sinister to allow for the mischief of his Pirates of the Caribbean turn, Depp still manages to embroider his role here with plenty of quirky business. He plays a writer, depressed and nearly divorced, who's stuck in an isolated cabin (shades of The Shining) when a stranger (John Turturro) arrives, accusing him of plagiarism. Writer-director David Koepp (Stir of Echoes) does his best to make the rickety material compelling--he gets the maximum out of the cabin set, for instance--but the problems inherent in the King story eventually win out. The climactic scenes are particularly unpleasant, especially in contrast to the cleverness of Depp's performance. A Philip Glass score adds class, but this one ultimately feels like a disappointment. --Robert Horton

Stir of Echoes (Special Edition)

The only real problem with Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.

Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon

The Trigger Effect

Do yourself a favor and buy some canned goods, a flashlight, and a radio before you watch this film. Unfairly dismissed by the critics and missed by the public, this pre-Y2K suspense film by writer-director David Koepp (the writer of Jurassic Park and Apartment Zero) is a chilling, sobering experience that will turn any practical person into a paranoid, apocalyptic loon. When the power goes out in the big city and society starts to break down, husband and wife Matthew (Kyle MacLachlan) and Annie (Elisabeth Shue) find out that not even suburbia is safe. Complicating the situation is their mutual friend Joe (Dermot Mulroney), who stays with them during the blackout, partially because of his interest in Annie. Koepp's inventive and authentic take on interpersonal relationships (Shue and MacLachlan are great as a foundering couple) and the assault on the white-collar male ego are spot-on. Koepp doesn't stop there. He also plays and builds imaginatively on suspense conventions (including the casting of character-baddie Michael Rooker), race relations, and our prejudicial, judgmental attitudes toward strangers. The concatenation of events, how they affect us without our knowledge, and our dependence on the machinery and power that prop up our society complete this involving, perceptive analysis of our very weak social fabric. (The DVD includes some interesting production notes, including the fact that Annie and Matthew live on Maple and Willoughby, a nod to two famous episodes of The Twilight Zone, one of them being the paranoid "The Monsters Are Coming to Maple Street" episode.) --Keith Simanton

Stir of Echoes

The only real problem with Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.

Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon

Stir of Echoes [Region 2]

The only real problem with Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.

Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon

Stir of Echoes [Region 2]

The only real problem with Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.

Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon

Stir of Echoes [Region 2]

The only real problem with Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.

Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon

Stir of Echoes / The Ninth Gate

Stir of Echoes
The only real problem with Stir of Echoes has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as The Sixth Sense, and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment. Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon

The Ninth Gate
The horror of Roman Polanski is not about spectacle and shock but a goose-pimply sense of evil lurking just outside the frame and hidden behind the faces of slightly unsettling characters. For a while it looks like The Ninth Gate, adapted from the novel The Club Dumas by Arturo Pérez-Reverte, might recapture the beautiful uneasiness of such masterpieces as Repulsion and Rosemary's Baby. A calm, almost sleepy Johnny Depp plays cynical, unscrupulous rare-book hunter Dean Corso, who's hired by demonologist Boris Balkan (Frank Langella) to authenticate a rare volume that, legend has it, was cowritten by Lucifer himself. Dean leaves a Gothic looking New York (re-created in Europe by Polanski as a sinister city of shadows) for Portugal and Paris to compare Balkan's volume with the two copies known to be in existence and uncovers a mystery with unholy ramifications. He also finds himself at the center of a conspiracy that involves Balkan, a widow who will stop at nothing to retrieve Balkan's book (Lena Olin, who gleefully bites and claws her way through the part), and a mysterious guardian "angel" (Polanski's wife, Emmanuelle Seigner) who shadows his every step. The Ninth Gate is full of rumbling menace and deliciously unsettling imagery, but Polanski's languorous direction and purposefully vague story render a film that's eerie without every becoming thrilling. It's perpetually on the verge of becoming interesting--right up to its obscure final image. --Sean Axmaker

STIR OF ECHOES: Tom Witzky (Kevin Bacon) is a blue-collar worker, a family-man, the most ordinary guy in the world...who is about to be plunged into a shattering encounted with another world. And it doesn't matter that Tom doesn't believe in the supernatural. Because something supernatural has started to believe in Tom.

After he is hypnotized at a neighborhood party, Tom changes. He sees things he can't explain and hears voices he can't ignore. As the horrific visions intensify, Tom realizes they are pieces of a puzzle, echoes of a crime calling out to be solved. But when his otherworldly nightmares begin coming true, Tom wants out. He desperately tries to rid himself of his eerie, unwanted powers - only to be seized by an irresistible compulsion to dig deeper and deeper into the mystery that is consuming his life. When at last he unearths the truth, it will draw him into the long-buried secret of a ghastly crime, a vengeful spirit...and the lethal price of laying that spirit to rest.

THE NINTH GATE: Johnny Depp unlocks the gates to hell in Roman Polanski's newest thriller. Depp stars as Dean Corso, an unscrupulous rare-book dealer who is hired to locate the last remaining copies of "The Nine Gates of the Shadow Kingdom," a demonic manuscript that can summon the Devil. Corso becomes embroiled in a conspiracy involving murder, theft and satanic ritual, and ultimately finds himself confronting the devil incarnate.

Secret Window [Region 2]

Johnny Depp gets high off another acting challenge in this tricky adaptation of a Stephen King yarn. Although the mood is too sinister to allow for the mischief of his Pirates of the Caribbean turn, Depp still manages to embroider his role here with plenty of quirky business. He plays a writer, depressed and nearly divorced, who's stuck in an isolated cabin (shades of The Shining) when a stranger (John Turturro) arrives, accusing him of plagiarism. Writer-director David Koepp (Stir of Echoes) does his best to make the rickety material compelling--he gets the maximum out of the cabin set, for instance--but the problems inherent in the King story eventually win out. The climactic scenes are particularly unpleasant, especially in contrast to the cleverness of Depp's performance. A Philip Glass score adds class, but this one ultimately feels like a disappointment. --Robert Horton