Wonderfalls - The Complete Series
by Michael Lehmann
from 20th Century Fox
Wonderfalls is probably the most hilarious show you've never seen. An hour-long "dramedy" about a young woman who hears the voices of inanimate objects--which instruct her to help out total strangers--the show aired on Fox in early 2004 to critical acclaim and dismal ratings. After airing four times in terrible time slots, the show was quickly canceled, but not before a hue and cry from a small but fervently devoted cadre of fans went up, begging for all 13 episodes to be released on DVD. Thus, the highest-profile DVD release of a canceled show was born, and the nine unaired episodes of Wonderfalls are finally seeing the light of day.
You may be wondering: is it worth it to check out a show that was axed so quickly? The answer is an unqualified yes, as Wonderfalls is quirky without being precious, sardonic without being bitter, and smart without being a show-off about it. Jaye (Caroline Dhavernas) is a graduate of Brown University who's opted not to put her education to work, and instead lives in a trailer and works at a tourist shop in Niagara Falls, to the consternation of her affluent, successful family. All seems to be going well for this self-proclaimed slacker, until one day a small toy lion speaks to her in enigmatic epigrams, commanding her to help people. Loath to deal in any compassionate way with the rest of humanity, Jaye warily obeys, if only to make the voices stop. Soon, though, she finds herself to be an unwilling humanitarian and accidental hero when more inanimate objects start talking to her, and more people turn out to need her help.
The premise may sound a bit too off-the-beaten-path, but Wonderfalls' meddling with the ethereal was grounded in a keen awareness of post-college life and the travails befalling young twentysomethings who had no idea where their life was going. And instead of being sanctimonious or inspiring, the show was instead a complex mix of the heartfelt and the angsty, and Dhavernas was one of the most cynically hopeful heroines to grace the small screen. The rest of the cast was also topnotch, including Kate Finneran as Jaye's high-strung sister, Diana Scarwid as her caustic mother, and Tyron Leitso as bartender Eric, whose tentative romance with Jaye was both affecting and hilarious. Think of Wonderfalls as less of a failure and more of a rare opportunity to see some of the most creative television in recent memory. --Mark Englehart
"From the producer of Angel and Firefly comes Wonderfalls with 9 never aired episodes. Although a recent graduate of Brown University, Jaye Tyler decides to ignore her degree, live in a trailer and work at a tourist gift shop in Niagara Falls called Wonderfalls—-much to the despair of her well-to-do family. But Jaye's aimless life takes a startling turn after a lion figurine begins talking to her. Her family calls it an "episode," but Jaye knows better.
Fearing for her sanity, Jaye nevertheless starts doing exactly what an increasing number of inanimate objects tell her to do and is amazed when her outrageous actions begin changing people's lives in unexpected ways. "
Heathers (THX Version)
by Michael Lehmann
from Starz / Anchor Bay
This dark comedy from 1989 was a good showcase for Winona Ryder, playing a high school girl brought into a clique of bitchy classmates (all named Heather), and Christian Slater, doing his early Jack Nicholson thing. While Ryder's character mulls over the consequences of giving up one set of friends for another, her association with a new boy (Slater) in school turns out to have deadly consequences. Director Michael Lehmann turned this unusual film into something more than another teen-death flick. There is real wit and sharp satire afoot, and the very fusion of horror and comedy is provocative in itself. Heathers remains a kind of benchmark in contemporary cinema for bringing surreal intelligence into Hollywood films. --Tom Keogh
Welcome to Westerburg High, where Veronica Sawyer (Winona Ryder) is beginning to tire of her membership in the powerful yet cruel clique of 'Heathers' When Veronica falls for the mysterious new kid Jason Dean (Christian Slater), their dislike for the Heathers quickly escalates into a savage cycle of murder, suicide and Slushies. Now that her teenage angst has a body count, are Veronica and JD headed for the prom...or hell?
Shannen Doherty co-stars in one of the greatest black comedies of all time, newly remastered and better than ever! What's your damage? This is HEATHERS like you've never seen or heard it before!
Includes a 4 Page Collector's Booklet
Airheads
by Michael Lehmann
from 20th Century Fox
Spinal Tap it ain't, but Michael Lehmann's good-natured comedy of errors, about a garage band whose unannounced visit to a local radio station escalates into a hostage situation, is pleasant diversion with a fair share of laughs. Brendan Fraser plays the singer-songwriter of the unknown heavy metal band the Lone Rangers, a trio of socially challenged musicians rounded out by dimwitted but sweet bass player Adam Sandler and aging drummer/toy-store employee Steve Buscemi--who just happens to be packing a lifelike toy machine gun from work. Needless to say, the friendly visit is misinterpreted as a hostile takeover, but all the Lone Rangers want is to play their music on the air--and they sabotage themselves again by destroying their own demo tape! Joe Mantegna plays a burned-out deejay who tries to help the muddled metalheads as the media surrounds the building and asks the question on everyone's lips: "How can you be the Lone Rangers if you're always together?" --Sean Axmaker
In this hilarious spoof of the music industry, three intelligence-challenged rock'n' rollers (Brendan Fraser, Steve Buscemi, Adam Sandler decide to take drastic action after their music continually falls on deaf ears. They break into a radio station, hoping to get their demo played on the air. But when the deejay (Joe Mantegna) and station manager (Michael Mckean) refuse to play their song, the boys have no choice but to take the entire radio station hostage.
Because I Said So (Widescreen Edition)
by Michael Lehmann
from Universal Studios
In Because I Said So, Diane Keaton outdoes any pushy parent trying to marry off their children. On the eve of her 60th birthday, Daphne (Keaton) decides that she will find a suitable suitor for her youngest daughter Milly (Mandy Moore). Never mind that Moore was barely into her 20's when she shot the film and easily could pass as a high-school senior. The film asks us to believe that an otherwise smart, loving mother would push marriage on a young woman who obviously wasn't ready for that kind of commitment. The romantic comedy has a cute premise that grows old fast: In order to root for Daphne's almost manic desire to see Milly walk down the aisle, the audience has to believe she's undergoing some kind of trauma, or at least dying of an incurable disease. But because she is such an overbearing busybody whose best interests for her daughter have little to do with reality, viewers just see an obnoxious, meddling mother trying to micromanage her child's life. That we don't want to strangle Daphne is a credit to Keaton's acting skills, which manage to shine through, even in the most over-the-top scenes. Lauren Graham and the always adorable Piper Perabo play Milly's older, married sisters. Had the film revolved around the three sisters' lives--sans mom--Because I Said So would have been a much more interesting picture. --Jae-Ha Kim
Academy Award-winning actress Diane Keaton stars with Mandy Moore, Lauren Graham and Piper Perabo in this heartwarming comedy about mothers, daughters and cutting the apron strings. When it comes to her three free-spirited daughters, Daphne (Keaton) is just your normal overprotective, overbearing, over-the-top mother. Worried that her youngest daughter, Millie (Moore), will end up alone, Daphne meddles in her daughter's love life until she ends up doing all the wrong things for all the right reasons...and all in the name of motherly love.
40 Days and 40 Nights
by Michael Lehmann
from Miramax Home Entertainment
After being brutally dumped by his knockout ex-girlfriend, Matt (Josh Hartnett, Pearl Harbor) is so torn up inside that he vows to give up sexual activity--including masturbation--for Lent. His friends and coworkers start betting on how soon he'll crack. Their skepticism is given fuel when Matt meets Erica (Shannyn Sossamon, A Knight's Tale) at a laundromat. They're immediately smitten with each other, but Matt struggles to stay true to his vow, even though it threatens to founder his potential relationship with Erica. Based on this description, you might think that 40 Days and 40 Nights is religious educational video--however, the barrage of sex gags and frequent nudity would quickly dispel this notion. Almost nothing in this movie remotely resembles human behavior. Some movies are so deeply stupid that they're depressing to watch; this is one of them. --Bret Fetzer
An outrageously sexy comedy starring Josh Hartnett (PEARL HARBOR, BLACK HAWK DOWN) and Shannyn Sossamon (A KNIGHT'S TALE), 40 DAYS AND 40 NIGHTS is another hilarious hit from the producers of NOTTING HILL and BRIDGET JONES'S DIARY. On the heels of a disastrous breakup and a string of unfulfilling romantic conquests, Matt Sullivan (Hartnett) yearns to become a better, more complete person. In the midst of his despair, he chooses to test himself by making a vow of no sex whatsoever for 40 days and 40 nights! With everyone betting he won't finish ... and a seductive new girl in his life (Sossamon) ... it's all Matt can do to just hold on! Fun, fresh, and wildly entertaining -- you'll agree with critics everywhere who found this sexy comedy adventure totally irresistible!
Because I Said So (Full Screen Edition)
by Michael Lehmann
from Universal Studios
In Because I Said So, Diane Keaton outdoes any pushy parent trying to marry off their children. On the eve of her 60th birthday, Daphne (Keaton) decides that she will find a suitable suitor for her youngest daughter Milly (Mandy Moore). Never mind that Moore was barely into her 20's when she shot the film and easily could pass as a high-school senior. The film asks us to believe that an otherwise smart, loving mother would push marriage on a young woman who obviously wasn't ready for that kind of commitment. The romantic comedy has a cute premise that grows old fast: In order to root for Daphne's almost manic desire to see Milly walk down the aisle, the audience has to believe she's undergoing some kind of trauma, or at least dying of an incurable disease. But because she is such an overbearing busybody whose best interests for her daughter have little to do with reality, viewers just see an obnoxious, meddling mother trying to micromanage her child's life. That we don't want to strangle Daphne is a credit to Keaton's acting skills, which manage to shine through, even in the most over-the-top scenes. Lauren Graham and the always adorable Piper Perabo play Milly's older, married sisters. Had the film revolved around the three sisters' lives--sans mom--Because I Said So would have been a much more interesting picture. --Jae-Ha Kim
Academy Award-winning actress Diane Keaton stars with Mandy Moore, Lauren Graham and Piper Perabo in this heartwarming comedy about mothers, daughters and cutting the apron strings. When it comes to her three free-spirited daughters, Daphne (Keaton) is just your normal overprotective, overbearing, over-the-top mother. Worried that her youngest daughter, Millie (Moore), will end up alone, Daphne meddles in her daughter's love life until she ends up doing all the wrong things for all the right reasons...and all in the name of motherly love.
The Truth About Cats & Dogs
by Michael Lehmann
from 20th Century Fox
A witty radio talk show veterinarian panics when a caller asks her out. She gets her pretty neighbor to impersonate her with comical results.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 15-APR-2003
Media Type: DVD
One of the most memorably offbeat romantic comedies of the 1990s begins when a talk-radio veterinarian named Abby (Janeane Garofalo) takes a call from Brian (Ben Chaplin), the owner of a roller-skating Great Dane. Brian is intrigued by Abby's voice and asks if she'll agree to meet him. Insecure about her looks and her nonexistent love life, Abby agrees, but describes herself as a tall blonde, then begs her attractive neighbor Noelle (played by Uma Thurman) to meet with Brian in her place. The ensuing case of switched identity is complicated when Noelle takes a liking to Brian who, of course, thinks she is Abby. This confusion gains comedic momentum when Abby safely plays herself on the radio and in a long, hilariously seductive phone call with Brian, but by now the situation has grown hopelessly complex, and Abby has to find a way to reveal herself without disappointing Brian. Many viewers rightly complained that the movie relies on the assumption that Abby is unattractive, even though Garofalo is more attractive and appealing here than she'd been in several movies before and since. Still, this contemporary variation on Cyrano de Bergerac is a lightweight, good-natured surprise that values the quirks and foibles that make lovelorn romantics (including their pets) uniquely appealing. --Jeff Shannon
Heathers - 20th High School Reunion Edition
by Michael Lehmann
from ANCHOR BAY
HEATHERS 20TH HS REUNION EDITION (DVD MOVIE)
Hudson Hawk
by Michael Lehmann
from Sony Pictures
Bruce Willis's awful, 1991 vanity piece is an abuse of audience goodwill and a waste of a good cast and director (Michael Lehmann of Heathers). The story, cowritten by Willis, concerns a cat burglar pressured into stealing precious art, including some from the Vatican. But the script is just a convenience upon which Willis piles his vaguely boorish brand of hip irony, assuming his audience will stay with him every step of the way. Certain, self-congratulatory scenes induce cringing--Willis and Danny Aiello, for instance, sing "Side by Side" (to brassy accompaniment on the soundtrack) every time they're working a job--but the overall effect is more irritating and baffling. Keep a good thought for Willis (an underrated actor better than the summer junk we usually see him in) by checking out his superior work in Pulp Fiction and his small but memorable role in Billy Bathgate. --Tom Keogh
Nine Months / The Truth About Cats & Dogs
by Chris Columbus
from 20th Century Fox
No Description Available.
Genre: Feature Film-Comedy
Rating: UN
Release Date: 5-DEC-2006
Media Type: DVD
Nine Months: This film represents Hugh Grant's first big bid at Hollywood stardom, on the heels of the success of Four Weddings and a Funeral. But he stumbled twice: first with this mundane comedy, then by being arrested after soliciting a prostitute near downtown Hollywood, the week before the film opened. Directed by Chris Columbus (Mrs. Doubtfire), Nine Months was a weak reworking of a French film about an aging bachelor (Grant) who can't decide whether to commit to the woman he loves (Julianne Moore). When she becomes pregnant, he still can't make up his mind and winds up blowing hot and cold on the subject of fatherhood, which causes tension in the relationship. There's a lot of low comedy involving Grant's best friend; Tom Arnold plays this ultra-married and child-ridden suburbanite, who makes fatherhood look like a living hell. Robin Williams has a funny cameo as a foreign doctor, but in the end, the sentiment is ladled on and Grant doesn't have nearly enough funny material to work with. --Marshall Fine
The Truth About Cats and Dogs: One of the most memorably offbeat romantic comedies of the 1990s begins when a talk-radio veterinarian named Abby (Janeane Garofalo) takes a call from Brian (Ben Chaplin), the owner of a roller-skating Great Dane. Brian is intrigued by Abby's voice and asks if she'll agree to meet him. Insecure about her looks and her nonexistent love life, Abby agrees, but describes herself as a tall blonde, then begs her attractive neighbor Noelle (played by Uma Thurman) to meet with Brian in her place. The ensuing case of switched identity is complicated when Noelle takes a liking to Brian who, of course, thinks she is Abby. This confusion gains comedic momentum when Abby safely plays herself on the radio and in a long, hilariously seductive phone call with Brian, but by now the situation has grown hopelessly complex, and Abby has to find a way to reveal herself without disappointing Brian. Many viewers rightly complained that the movie relies on the assumption that Abby is unattractive, even though Garofalo is more attractive and appealing here than she'd been in several movies before and since. Still, this contemporary variation on Cyrano de Bergerac is a lightweight, good-natured surprise that values the quirks and foibles that make lovelorn romantics (including their pets) uniquely appealing. --Jeff Shannon
+++
