Lelouch, Claude

A Man and a Woman

From director CLAUDE LELOUCH (And Now...Ladies and Gentlemen) comes this 1966 classic a tender visually exciting film of revitalizing love: a race-car driver (JEAN-LOUIS TRINIGNANT) and a movie script girl (ANOUK AIMEE) share a romance filled with humor and truth intertwined with the demands of career and parenthood. Winner of Oscars for Best Foreign Language Film and Best Original Screenplay.Running Time: 103 min.Format: DVD MOVIE Genre: DRAMA UPC: 085392431229

French filmmaker Claude Lelouch continues to take critical heat for this 1966 international hit, which has been labeled "schmaltzy" and dismissed as overly stylized for its simple story line. While it certainly can't be mistaken for a masterpiece of the French New Wave (Lelouch was left in the dust that year by such wonders as Jean-Luc Godard's Masculin Feminin), A Man and a Woman has a jumpy impressionism that engages a viewer precisely because it cuts against conventional expectations of romance. Starring Anouk Aimée as a widowed "script girl" (working in film production) and Jean-Louis Trintignant as a racer who lost his wife to suicide, the film is really an objective sampling--almost a study--of moments between the time the two characters meet and the point at which they begin to read each other intuitively. Generous flashbacks fill in details on the pair's woeful, recent histories, while endless documentary-like glimpses of Aimée's and Trintignant's characters at work in their highly charged professions become a visual engine for the days passing between measured developments in love. Lelouch is more dryly humane than lush in his approach, though the film strains once in a while for a forced naturalism that can actually be more narcissistic than the most obvious romantic contrivance. Still, A Man and a Woman--in the best sense--is also a movie in love with itself, with its own ability to evoke and conjure and construct dozens of different ways of tracking a relationship in progress. If Lelouch doesn't exactly push open the boundaries of cinema as several of his filmmaking peers did at the time, he certainly enjoys what he's doing. --Tom Keogh

Rendezvous

This is possibly the greatest nine minutes ever captured on film! Climb aboard with Claude lelouch as he roars through Paris in the early morning at incredible speed! This is a truly amazing dvd.

Les Uns et les Autres (Bolero)

Claude Lelouch (A Man and a Woman) tackles a giant canvas in the sprawling Les Uns et Les Autres, a movie full of brilliant actors and heartfelt moments. To make a coherent whole out of these elements would take a more profound director than Lelouch, however. Following dozens of characters from the 1930s through World War II and into the late '70s, Lelouch struggles to develop a grand theme based on sketchily developed people, all tied together with pop music and Ravel's evocatively used "Bolero." Not surprisingly, the sections dealing with Occupied Paris are the most compelling, with a poignant turn by Nicole Garcia (James Caan and Geraldine Chaplin, each in dual roles, hold down the U.S.-based segments). The film was well-received in Europe, although a cut U.S. release under the title Bolero flopped. If you stick around for the ambitious final sequence, look for an unknown Sharon Stone sitting in bed with Caan. --Robert Horton

From internationally acclaimed director Claude Lelouch (A Man and a Woman) comes a sweeping epic chronicling three generations whose lives revolve around the magic of music. In an unforgettable dual role, James Caan (The Godfather) heads an all-star international cast through decades of global turmoil, from pre-World War II Europe to a powerful finale in the 1960s. Geraldine Chaplin (Talk to Her), Fanny Ardant (8 Women), Robert Hossein (Rififi), Macha Meril (Deep Red), Richard Bohringer (Diva), Alexandra Stewart (Day for Night), and a very young Sharon Stone also appear in this beautiful tapestry of time, memory, and melody. Dynamic musical score by popular composers Michel Legrand (The Umbrellas of Cherbourg) and Francis Lai (Love Story), studded with classic favorites by Ravel, Beethoven, Liszt, and more!

L'Aventure C'est L'Aventure

And Now Ladies & Gentlemen

Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert Horton

September 11

Eleven acclaimed directors each make an 11 minute short film in response to the 9/11 terrorist attacks, bringing their unique points of view and distinct voices to confront this climatic event. The result is a daring and moving global cinematic reply that "forces us to look at the entire event afresh." (The New York Times)

Featuring Films by:

Alejandro González Iñárritu (Babel)
Mira Nair (Vanity Fair)
Ken Loach (The Wind That Shakes the Barley)
Sean Penn (Into the Wild)
Shohei Imamura (The Eel)
Samira Makhmalbaf (Blackboards)
Claude Lelouch (A Man and a Woman)
Youssef Chahine (Alexandria...New York)
Amos Gitai (Kippur)
Idrissa Ouedraogo (Yaaba)
Danis Tanovic (No Man's Land)

Toute Une Vie (And Now My Love)

Internationally renowned director Claude Lelouch intimately explores destiny and true love in this romantic delight. Admired by movie lovers around the world, this fascinating film encompasses a variety of filmmaking styles and illustrates the 20th century through the intertwined lives and destinies of three generations. Marthe Keller (Marathon Man) is magnificent in multiple roles, and André Dussollier (Amélie) shines as her soul mate. A film that can be enjoyed again and again, Toute une Vie is fated to be one of your favorites. Academy Award® Nomination: Best Original Screenplay, 1975.

Les Misérables [Region 2]

This brilliant film manages to reinterpret the story of Victor Hugo's classic novel, critique it, and investigate the nature of art and life on top of that--all in three hours that zip past, fueled by the dynamic performance of French icon Jean-Paul Belmondo (Breathless, Le Doulos). In 1900, Henri Fortin (Belmondo) is wrongfully imprisoned for murder; his loyal wife is forced into menial labor and prostitution; then in the beginning of World War II, Fortin's son (Belmondo again) helps a Jewish family elude the Nazis, setting in motion his own imprisonment, escape, and adventures as a criminal. Not only is that just the first half of the movie, there are also the story lines of the husband, wife, and daughter of the Jewish family, who each have their own struggles. The conclusion is joyous and heartbreaking. Director Claude Lelouch (A Man and a Woman) handles the entire movie with supreme skill, humor, and compassion. --Bret Fetzer

A Man and a Woman: 20 Years Later

France released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Languages: o Dutch (subtitles) o English (subtitles) o Finnish (subtitles) o German (subtitles) o Hungarian (subtitles) o Italian (subtitles) o Spanish (subtitles) o Swedish (subtitles) o French (Dolby Digital 2.0) o German (Dolby Digital 2.0) o Italian (Dolby Digital 2.0) o Spanish (Dolby Digital 2.0) Synopsis: Award winning movie from France: It is possible to enjoy Claude Lelouch's Man and a Woman: 20 Years Later on its own merits, though we advise that to fully appreciate the film, it's best to catch Lelouch's 1966 blockbuster A Man and a Woman first. True to its word, the 1986 film brings us up to date with the protagonists of the earlier picture. One-time movie script girl Anouk Aimee is now a producer, suffering a slump due to a string of box-office bombs. Former race car driver Jean-Louis Trintigant now books races for younger drivers. His love affair with Aimee long in the past, Tritignant is startled to receive an out-of-the-blue phone call from his former amour. She wants his permission to film a musical version of their romance, but with more "suitable" younger leads. Alas, Aimee has been part of the Studio System too long, and can't help but include a pointless subplot involving an escaped lunatic. Aimee must give up her show-biz excesses, and Tritignant must forsake his much-younger mistress Marie-Sophie Pochat, in order to clear the decks for a happy ending. Special Features: o Interactive Menu o Scene Access o Trailer(s)

La Bonne Annee (Happy New Year)