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Lemmons, Kasi

 
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Eve's Bayou

Eve's Bayou by Kasi Lemmons from Lions Gate

    Actress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff Shannon

    Eve's Bayou

    Eve's Bayou by Kasi Lemmons from Lions Gate

      Actress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. Barely seen during its theatrical release, this lushly photographed film deserves to be rediscovered on digital video disc. --Jeff Shannon

      The Caveman's Valentine

      The Caveman's Valentine by Kasi Lemmons from Universal Studios

        Samuel L. Jackson gives a virtuoso performance in this intensely visual suspense film. Jackson stars as Romulus Ledbetter, a brilliant musician whose mental demons have driven him onto the streets. When Ledbetter finds a murdered man outside the cave he calls home one morning, he is compelled to find the real killer. While interesting enough to hold the viewer's attention, the mystery of The Caveman's Valentine is a distant third to Jackson's performance and the film's sumptuous visuals. The film is gorgeously shot, and lights and abstract images are effectively used to show Romulus's beautiful but tormented inner world. While the plot does take a silly leap of logic or two, Romulus's illness and the strain it puts on his family are sensitively and realistically handled. His all-too-real run-ins with his policewoman daughter are nicely contrasted with his visions of his ex-wife, who serves as a combination of Greek chorus and muse. If one is willing to suspend a little disbelief here and there, this picture is well worth a look. --Ali Davis

        Eve's Bayou

        Eve's Bayou by Kasi Lemmons from Lions

          Actress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff Shannon

          Eve's Bayou

          Eve's Bayou by Kasi Lemmons

            Actress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff Shannon

            The Caveman's Valentine

            The Caveman's Valentine by Kasi Lemmons

              Samuel L. Jackson gives a virtuoso performance in this intensely visual suspense film. Jackson stars as Romulus Ledbetter, a brilliant musician whose mental demons have driven him onto the streets. When Ledbetter finds a murdered man outside the cave he calls home one morning, he is compelled to find the real killer. While interesting enough to hold the viewer's attention, the mystery of The Caveman's Valentine is a distant third to Jackson's performance and the film's sumptuous visuals. The film is gorgeously shot, and lights and abstract images are effectively used to show Romulus's beautiful but tormented inner world. While the plot does take a silly leap of logic or two, Romulus's illness and the strain it puts on his family are sensitively and realistically handled. His all-too-real run-ins with his policewoman daughter are nicely contrasted with his visions of his ex-wife, who serves as a combination of Greek chorus and muse. If one is willing to suspend a little disbelief here and there, this picture is well worth a look. --Ali Davis

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