Logan, Joshua

South Pacific (Collector's Edition)

The dazzling Rodgers and Hammerstein musical, brought to lush life by the director of the original stage version, Joshua Logan. Set on a remote island during the Second World War, South Pacific tracks two parallel romances: one between a Navy nurse (Mitzi Gaynor) "as corny as Kansas in August" and a wealthy French plantation owner (Rossano Brazzi), the other between a young American officer (John Kerr) and a native girl (France Nuyen). The theme of interracial love was still daring in 1958, and so was director Logan's decision to overlay emotional moments with tinted filters--a technique that misfires as often as it hits. The comic relief tends to fall flat, and an overly spunky Mitzi Gaynor is a poor substitute for the stage original's Mary Martin. But the location scenery on the Hawaiian island of Kauai is gorgeous, and the songs are among the finest in the American musical catalog: "Some Enchanted Evening," "Younger than Springtime," "I'm Gonna Wash That Man Right Outta My Hair," "This Nearly Was Mine." That's Juanita Hall as the sly native trader Bloody Mary, singing the haunting tune that launched a thousand tiki bars, "Bali H'ai." Based on stories from James Michener's book Tales from the South Pacific. --Robert Horton

Rodgers and Hammerstein's Academy Award -winning "South Pacific" is a towering musical masterpiece and the tender love story of a na ve young Navy nurse (Mitzi Gaynor) and an older French Plantation owner (Rossano Brazzi) on a U.S. occupied South Sea island. The breathtaking score is highlighted by some of the most romantic songs ever written: "Some Enchanted Evening" "There is Nothin' Like a Dame" "Younger Than Springtime" and more. Winner of the Pulitzer Prize South Pacific ranks among the most celebrated of Rodgers and Hammerstein's acclaimed musicals.Episodes-Bonus Features:Disc 1:Original Theatrical Release w/SCommentary by Ted Chapin and Gerard AlessandriniEnglish Sing-a-long SubtitlesDisc 2:Road Show Version w/SCommentary by Richard BarriosMaking of South Pacific60 Minutes: The Tales of The South PacificVintage Stage Excerpt:"I'm Goint To Wash That Man Right Outta My Hair""Finale""Some Enchanted Evening"&"A Wonderful Guy"performed by MaryMartin and Ezio Pinza."South Pacific" On The Screen-A Perfect HitState Department Confers High Honor on "South Pacific"Screen Test: Mitzy GaynorTheatricalTrailerStill GallerySystem Requirements:Running Time 151 Mins.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 024543381525 Manufacturer No: 2238152

Fanny

From legendary stage and screen director Joshua Logan (South Pacific Picnic Camelot) comes a timeless romance starring Leslie Caron (Gigi) as a young and beautiful girl in Marseille whose declaration of love for handsome Marius (Horst Buchholz forces him to choose between a life with her and his father's plans to send him off to sea for five years. Also starring Maurice Chevalier (Love in the Afternoon) and Charles Boyer (Gaslight) this colorful classic features stunning cinematography by the legendary Jack Cardiff (The Red Shoes) and was nominated for five Academy Awards.System Requirements:Running Time: 134 minutesFormat: DVD MOVIE Genre: DRAMA/LOVE & ROMANCE Rating: NR UPC: 014381431025 Manufacturer No: ID4310WCDVD

Marcel Pagnol's Marseilles Trilogy was adapted into a Broadway musical in the mid-'50s; a few years later, that show's producer, Joshua Logan, turned it into a film... without the songs. Although it pales in comparison to the French trilogy, Fanny captures the original's bittersweet mix of romance and regret. Curiously, it retains the slightly stagy quality of an adapted musical. Charles Boyer and Maurice Chevalier revel in their juicy autumnal roles, and--thanks to Logan's fondness for rapturous close-ups--Leslie Caron never looked more beautiful. Harold Rome's Broadway score plays underneath many scenes (without the lyrics, that is), but what gives the movie its lilt is the color photography by the great Jack Cardiff. The Marseilles waterfront, where Boyer's café is scenically located, becomes a wonderfully bustling backdrop for the funny/sad story. Fanny was nominated for five Oscars, including best picture, but seems mostly forgotten today, and ready for rediscovery by romantics. --Robert Horton

Paint Your Wagon

Marvin and Eastwood play gold prospectors in the 1800's who are married to the same woman. Songs include They Call the Wind Mariah and I Talk to the Trees.
Genre: Musicals
Rating: PG13
Release Date: 28-MAR-2006
Media Type: DVD

This film and Hello Dolly were the knockout blows to the studio movie musical, but Paint doesn't deserve its tarnished name. Ben Rumson (Lee Marvin) takes the model of a rakish derelict to an unequaled high as a prospector who teams up with a greenhorn named Pardner (Clint Eastwood), and they both end up marrying the same scorned woman (Jean Seberg). No-Name City, the prospecting town they found, is Sodom and Gomorrah without the camels, and a vision of humanity left to its own devices. The songs are mostly wonderful melodies from Lerner and Loewe, with definite high points, notably "They Call the Wind Maria" and "Wand'rin' Star." Clint Eastwood always gets flack for his versions of "I Still See Elisa" and "I Talk to the Trees," but that scorn is equally undeserved. Perhaps Paint's biggest sin, in retrospect, was trying to combine the aesthetics of the musical with the aesthetics of the male protagonists' world-weary machismo. Not the easiest task, but Paint pulls it off. --Keith Simanton

Camelot (Special Edition)

Lerner and Loewe's moving and magical musical about King Arthur Guenevere Lancelot and the Round Table won three Academy Awards(R): Best Adaptation Scoring Best Art Direction and Best Costume Design. Richard Harris and Venessa Redgrave star. Year: 1967 Director: Joshua Logan Starring: Richard Harris Venessa Redgrave Franco NeroRunning Time: 179 min.System Requirements:Starring: Harris Redgrave et al. The special-edition DVD release has a widescreen presentation two documentaries Dolby sound an alternate music-only track and optional English French and Spanish subtitles. Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: G UPC: 085391223825

Joshua Logan's 1967 film of the hit Broadway musical about the love triangle between King Arthur (Richard Harris), Guenevere (Vanessa Redgrave), and Sir Lancelot (Franco Nero) is strong on star emphasis and weak on such fundamentals as story and sets. Except for a handful of solidly dramatic scenes--such as Guenevere grieving, late in the film, for the ruination she and Lancelot have caused--there's not a lot to get excited about. (The story's theme of a lost, great society, however, certainly struck a chord in the 1960s.) The Lerner-Loewe songs ("If Ever I Would Leave You," "Camelot") pretty much sell themselves, even if they are, at best, only proficiently performed in this movie. --Tom Keogh

Mister Roberts

Henry Fonda re-created his Broadway hit for this 1955 film that was mostly directed by Fonda's frequent collaborator, John Ford (Young Mr. Lincoln, My Darling Clementine)--an ailing Ford was replaced at some point by Mervyn LeRoy--and the results are exceptionally fine. A perfect cast, including James Cagney's irascible captain, William Powell's thoughtful physician, and Jack Lemmon's Oscar-winning Ensign Pulver, give Fonda the right boost to portray his ennui-burdened officer with dignity, self-effacing humor, and not a trace of self-pity. A wonderful film. --Tom Keogh

The Rodgers & Hammerstein Collection [Remastered] (The Sound of Music / The King and I / Oklahoma! / South Pacific / State Fair / Carousel)

Among the most successful musical teams of the 20th century composer Richard Rodgers and lyricist Oscar Hammerstein Jr. created some of America's most beloved stage and screen musicals. Several of their best-known works are part of this new six-title anthology from 20th Century Fox. Updating an earlier box this wonderful 12-disc collection includes the 2005-06 remastered DVDs of the Fox R&H canon most of which are Anniversary Editions and each of which includes a bonus disc. Multiple Academy Award-winner The Sound of Music (1965) is the most recent of the productions included here and it bookends the set's two-decade span with State Fair ('45). The remaining four films represent the mother lode of Broadway-to-screen adaptations including: Shirley Jones and Gordon MacRae in the Technicolor landmark Oklahoma! ('55) and its follow-up Carousel ('56); the lavish costume drama The King and I ('56) featuring Yul Brynner and Deborah Kerr (singing with Marni Nixon's voice of course); and the ambitious wartime extravaganza South Pacific ('58).Episodes-Bonus Features: Disc 1: Carousel Special EditionDisc 2: Carousel Special Edition-Bonus DiscDisc 3: King and I Special EditionDisc 4: King and I Special Edition-Bonus DiscDisc 5: South Pacific Special EditionDisc 6: South Pacific Special Edition-Bonus DiscDisc 7: Sound of Music Special EditionDisc 8: Sound of Music Special Edition-Bonus DiscDisc 9: State Fair Special EditionDisc 10: State Fair Special Edition-Bonus DiscDisc 11: Oklahoma Special EditionDisc 12: Oklahoma Special Edition-Bonus DiscFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 024543382294 Manufacturer No: 2238229

The Rodgers & Hammerstein Collection contains film versions of the five major works by Richard Rodgers and Oscar Hammerstein II, who helped define the American musical landscape and rewrite the direction of musical theater. After enjoying extremely successful careers working with others, Rodgers and Hammerstein first teamed up in 1943 for the prairie tale Oklahoma!, with songs including "Oh, What a Beautiful Mornin'" and "People Will Say We're in Love." The subsequent 1955 film starred Gordon MacRae and Shirley Jones, who teamed up again for 1956's Carousel. While that film's dark nature made it less popular than its predecessor, the score ("If I Loved You," "You'll Never Walk Alone") was Rodgers's favorite. The King and I (also 1956) featured stage star Yul Brynner as the King of Siam and Deborah Kerr as schoolteacher Anna Leonowens, who must learn Asian customs even as she tries to instill some of her Western ones. The somewhat bloated version of South Pacific (1958) follows two couples during World War II and features standards such as "I'm Gonna Wash That Man Right Outta My Hair" and "Some Enchanted Evening" from stars Mitzi Gaynor and Rossano Brazzi. The last film, The Sound of Music (1965), proved to be the most popular, with Julie Andrews winning the hearts of seven children and their father with her blissful songs. And if the perhaps saccharine music and plot may test the patience of some, there's no doubt that songs such as "My Favorite Things" and "Climb Ev'ry Mountain" have charmed audiences around the world for decades. Accompanying the Big 5 in this set is the relatively minor State Fair from 1945 (though it does have "It Might as Well Be Spring" and "It's a Grand Night for Singing"). Some may expect and prefer other entries in the R&H canon such as Flower Drum Song or the television production Cinderella, but those were produced by different studios.

This 12-disc set from 2006 includes the two-disc special editions of each film, remastered and anamorphically enhanced for widescreen TVs (except State Fair, which was shot in traditional 1.33:1 aspect ratio). Bonus features include the Todd-AO version of Oklahoma! (which should look better than the CinemaScope version but doesn't); 40th-anniversary bonus material for The Sound of Music, including a commentary track by Julie Andrews; Lilliom, the 1934 film based on the same story as Carousel; and the 1962 version of State Fair starring Pat Boone and Ann-Margaret. --David Horiuchi

Picnic

Drama on the impact of a virile, egotistical drifter on the lives of 5 women in a small Kansas town.
Genre: Feature Film-Drama
Rating: PG
Release Date: 18-APR-2000
Media Type: DVD

William Holden is the hunky drifter who rides the rails into a small Midwest town with dreams of landing a "respectable" job with his rich college buddy (Cliff Robertson). Kim Novak is the small-town beauty queen engaged to Robertson who falls for the cocky dreamer, as do repressed schoolmarm spinster Rosalind Russell and Novak's tomboyish kid sister Susan Strasberg. Their unleashed passions reach a crescendo at the Labor Day picnic.

Joshua Logan directed William Inge's play on Broadway and carried it to Hollywood, earning Oscar nominations for Best Picture and Best Director in his screen-directing debut. Holden is years too old for the role but oozes sex appeal and makes a swoony stud when he takes his shirt off (or when, better yet, it's ripped from his back by a boozing Russell), and Novak is a lovely lost girl yearning for something she can't quite grasp. Arthur O'Connell earned an Oscar nomination as Russell's tippling boyfriend. The film was a huge popular and critical hit, but Logan's stiff and strident direction hasn't dated well. He makes his points in big capital letters--subtlety was never his strong point--and loses the natural beauty of the Kansas locations when he takes the climactic picnic scenes into an obviously artificial soundstage. Picnic remains a loved American classic, largely for Holden's tough-guy vulnerability and James Wong Howe's brilliant widescreen color photography. --Sean Axmaker

Sayonara

Based on a novel by James Michener, Sayonara earned a fistful of Oscar® nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias. Subplots deal with other servicemen (played by Buttons and James Garner) who also fall for Japanese women. Directed by Joshua Logan from a script by Paul Osborn, the film takes a then-daring look at prejudice as well as post-war racial bias against the Japanese. Brando's Southern accent makes him sound like Matthew McConaughey, while Buttons is actually touching as tough, tender American struggling against racism. --Marshall Fine

Bus Stop

Though it seems dated now, this film adaptation of William Inge's romantic comedy-drama was considered pretty hot stuff in its day, which was 1956. Directed by Joshua Logan from George Axelrod's script of Inge's Broadway hit, the film stars Marilyn Monroe as the kind of woman who can't understand why she always brings out the worst in men. A singer who has attracted the attention of a young rodeo rider (Don Murray) whom she meets on a bus, she finds herself trapped at a bus stop in the middle of nowhere during a blizzard. The young cowboy, whose intentions are honorable, can't control his temper and can't understand why this experienced woman won't take him seriously--and why she rejects him when he begins acting jealous and possessive. Love takes its lumps but comes out slugging in the end, with Marilyn at her vulnerable, jaded best. --Marshall Fine

A young and innocent cowboy discovers the girl of his dreams (Marilyn Monroe) and decides to make her his wife. She is more than reluctant to accept his proposal and he forces her to board a bus headed for Montana. The road is blocked and the journey is interrupted by an overnight stay at Grace's Diner, where her plight is soon revealed to all. Realizing his brute approach will never win her heart, he apologizes and kisses her goodbye, only to discover she really has grown to love him. Acclaimed by many as Marilyn Monroe's first serious acting performance. BUS STOP displays a mixture of humor and pain.

South Pacific

The dazzling Rodgers and Hammerstein musical, brought to lush life by the director of the original stage version, Joshua Logan. Set on a remote island during the Second World War, South Pacific tracks two parallel romances: one between a Navy nurse (Mitzi Gaynor) "as corny as Kansas in August" and a wealthy French plantation owner (Rossano Brazzi), the other between a young American officer (John Kerr) and a native girl (France Nuyen). The theme of interracial love was still daring in 1958, and so was director Logan's decision to overlay emotional moments with tinted filters--a technique that misfires as often as it hits. The comic relief tends to fall flat, and an overly spunky Mitzi Gaynor is a poor substitute for the stage original's Mary Martin. But the location scenery on the Hawaiian island of Kauai is gorgeous, and the songs are among the finest in the American musical catalog: "Some Enchanted Evening," "Younger than Springtime," "I'm Gonna Wash That Man Right Outta My Hair," "This Nearly Was Mine." That's Juanita Hall as the sly native trader Bloody Mary, singing the haunting tune that launched a thousand tiki bars, "Bali H'ai." Based on stories from James Michener's book Tales from the South Pacific. --Robert Horton