Mozart - Don Giovanni / Maazel, Raimondi, Te Kanawa, Paris Opera
by Joseph Losey
from Sony Pictures
Set in Seville in the 1600s, young nobleman Don Giovanni is a well-known philanderer with a long list of amorous conquests. After he attempts to seduce the beautiful Donna Anna, her father's battle to protect her ends in tragedy. A film version of Mozart's greatest opera, directed by Joseph Losey (The Servant), with music direction by Lorin Maazel. 177 minutes. Cast:
Ruggero Raimondi: Don Giovanni
John Macurdy: The Commendatore
Edda Moser: Donna Anna
Kiri Te Kanawa: Donna Elvira
Kenneth Riegel: Don Ottavio
José van Dam: Leporello
Teresa Berganza: Zerlina
Malcolm King: Masetto
Eric Adjani: A Valet in Black
The Servant
by Joseph Losey
from Starz / Anchor Bay
Modesty Blaise
by Joseph Losey
from 20th Century Fox
A pop-art explosion that makes Austin Powers look demure, Modesty Blaise is a bizarre relic from the heyday of Swinging London. Based on a comic book, the movie is strong on psychedelic art direction, long on camp (especially Dirk Bogarde's aristocratic, white-haired villain), and thin on plot--and what plot there is cannot possibly be deciphered. Italian actress Monica Vitti, the ennui-weary star of many Antonioni classics, makes an odd choice for stylish spy Modesty Blaise (a female 007 without portfolio), especially given her uncertain command of English. The gifted director Joseph Losey, not noted for his humor, apes various New Wave techniques in his approach, even allowing Vitti and costar Terence Stamp to warble an off-key song. But the most coherent contribution is the jazzy swing of John Dankworth's score, which you won't be able to get out of your head, even if you want to. --Robert Horton
Mr. Klein
by Joseph Losey
from Homevision
How can state-sponsored bigotry destroy the life of an "ordinary" citizen, one whose heritage should exempt him from such policies? The eponymous Mr. Klein (Alain Delon), a suave, single, wealthy Parisian art dealer, finds out. It's 1942, the Nazis have occupied Paris, and Jews are being arrested and shipped to Germany. The lucky ones obtain false passports and flee the country. Robert Klein, whose family has been "French and Catholic since Louis XIV," is taking advantage of the situation by buying up Jewish family heirlooms at rock-bottom prices. Then one morning a Jewish newspaper appears on his doorstep, addressed to Robert Klein. The fact that he received mail intended for another Parisian Robert Klein--this one a Jew--must be a simple mistake. But is it?
Mr. Klein becomes obsessed with finding his Jewish alter ego, finally falling into a trap from which it is impossible to escape. Directed by Joseph Losey, who confronted prejudice in The Boy with Green Hair, and written by Franco Solinas, coauthor with Costa-Gavras of such classics of political intrigue as State of Siege, Mr. Klein is haunting and suspenseful: an exciting thriller with real substance. --Laura Mirsky
Both a thriller and a Kafkaesque dissertation on identity, Joseph Losey's Mr. Klein stars Alain Delon (Le Samorai, Le Cercle rouge) as Robert Klein—a charming and unscrupulous art dealer in Nazi-occupied France. As Jews flee Paris, Klein exploits them, preying on their desperation by buying their valuables at a fraction of their worth...until he finds his name is shared by a Jewish criminal who is a member of the anti-Nazi resistance. Klein reports this to the authorities only to find he is uncontrollably sinking into the quicksand of mistaken identity. Co-starring Jeanne Moreau (La Femme Nikita), Mr. Klein is an award-winning suspense classic that studies the ever-changing relationship between victim and oppressor.
The American Film Theater Complete 14 Film Collection (The Iceman Cometh / A Delicate Balance / The Man in the Glass Booth / Butley / Luther / Rhinoceros ... / The Maids / Jacques Brel) (15 D)
by John Frankenheimer
from KINO INTERNATIONAL
All these DVDs are presented in their original aspect ration and are loaded with Extras - This star-studded 14 FIlm Collection Includes the Following Films:
Eugene O'Neill's THE ICEMAN COMETH (1973) (2 DISCS) - Directed by John Frankenheimer - Starring Lee Marvin, Fredric March, Robert Ryan and Jeff Bridges. 239 minutes - A Majestic and Thrilling Achievement -- Charles Champlin, The Los Angeles Times
Edward Albee's A DELICATE BALANCE (1973) - Directed by Tony Richardson - Starring Katharine Hepburn, Paul Scofield, Lee Remick and Joseph Cotten. 132 minutes - A Superlative Record of Albee's Play, Enthrallingly Brought to the Screen -- San Francisco Examiner
Robert Shaw's THE MAN IN THE GLASS BOOTH (1975) - Directed by Arthur Hiller - Starring Maximilian Schell in His Academy Award nominated Performance. 117 minutes - Daring, Outragious, Utterly Provocative, Strikingly Effective -- Los Angeles Times
Eugene Ionesco's RHINOCEROS (1974) - Directed by Tom O'Horgan - Starring Zero Mostel and Gene Wilder, the stars of Mel Brooks' The Producers. With Karen Black. 104 minutes - Rhinoceros is a Fast Paced, Inventively Realized Film -- The Boston Phoenix
Simon Gray's BUTLEY (1974) - Directed by Harold Pinter - Starring Alan Bates, Jessica Tandy and Georgina Hale. 104 minutes - An Extraordinary Success... A devilishly entertaining piece and showpiece for Alan Bates -- San Francisco Examiner
Jean Genet's THE MAIDS (1975) - Directed by Christopher Miles - Starring Glenda Jackson, Susannah York and Vivien Merchant. 94 minutes
John Osborne's LUTHER (1974) - Directed Guy Green - Starring Stacy Keach, Judi Dench, Hugh Griffith and Patrick Magee. 111 minutes - One of the Best Pictures of the Year -- The Denver Post
David Storey's IN CELEBRATION (1975) - Directed by Lindsay Anderson - Starring Alan Bates, Brian Cox, Bill Owen and Constance Chapman. 130 minutes - Anderson and a superb cast have made a harrowing and satisfying suspense drama -- New York Magazine
Anton Chekhov's THREE SISTERS (1970) - Directed by Laurence Olivier - Starring Laurence Olivier, Alan Bates, Joan Plowright and Derek Jacobi. 162 minutes - Four Stars... Highest Rating - Roger Ebert, Chicago Sun-Times
Harold Pinter's THE HOMECOMING (1973) - Directed by Peter Hall - Starring Ian Holm, Vivien Merchant, Paul Rogers and Cyril Cusack. 114 minutes - A Fine, Ferocious Film -- Time Magazine
Bertolt Brecht's GALILEO (1974) - Directed by Joseph Losey - Starring Topol, Edward Fox, John Gielgud and Tom Conti. 138 minutes - Taste, Class and a First-rate Cast -- Variety
Kurt Weill and Maxwell Anderson's LOST IN THE STARS (1974) - Directed by Daniel Mann - Starring Brock Peters, Melba Moore and Raymond St. Jacques. 97 minutes - Brock Peters is Outstanding... his ending scene is a triumph -- Atlanta Journal Constitution
Brian Friel's PHILADELPHIA, HERE I COME! (1975) - Directed by John Quested - Starring Siobhan McKenna, Donal McCann and Fidelma Murphy. 95 minutes
Jacques Brel's JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS (1975) - Directed by Denis Heroux - Starring Jacques Brel and Elly Stone. 97 minutes - Infected With Spirit... Bitingly Relevant -- Variety
The Boy with Green Hair
by Joseph Losey
from Terra Entertainment
King & Country
by Joseph Losey
from Vci Video
In Joseph Losey's stirring anti-war film, a tough, no-nonsense British Army lawyer (Dick Bogarde) is assigned to defend a lowly private (Tom Courtenay) at his court martial. The private has been accused of desertion during battle. The lawyer, Captain Hargreaves is convinced this young man should fry. However, as the trial progresses and the strain of three horrible years endured at the Allied front is revealed, the more he is compelled to spare the youth from a firing squad. Winner of the British Academy Award for Best Picture of 1964. Courtenay won the Best Actor Award at the Venice Film Festival. Bonus Features: Scene Access| Cast Bios| Original Theatrical Trailer. Specs: DVD5; Dolby Digital Mono; 86 minutes; B&W; 1.33:1 Aspect Ratio; MPAA - NR; Year - 1964; SRP - $14.99.
Dirk Bogarde Collection (Accident/The Mind Benders/The Servant)
by Joseph Losey
from Starz / Anchor Bay
Eva
from Kino Video
Elegant and lush, and filmed in Venice, Rome, and rural Italy, Joseph Losey's Eva (released in the U.S. and Britain as Eve) is a cold, cruel film about crippling insecurity and sexual manipulation. Burly Stanley Baker simmers as a swaggering but self-loathing Welsh author happily indulging in the continental high life, covering up a devastating secret with braggadocio and sneering machismo; Jeanne Moreau has never been icier as the cruel, manipulative, high-rent prostitute Eve who becomes his obsession. They never become more than fascinating enigmas, but they send off sparks in an indulgently fatalistic film that wallows in human weakness and emotional self-destruction. Beautifully filmed and elegantly scored, with Billie Holiday tunes weaving a sad sense of loss through the picture, Eva became a showcase for Losey's arresting visual style and electrifying direction, and the springboard for such later, more restrained masterpieces as The Servant, Accident, and The Go-Between.
The producers recut Losey's final version of the picture by 16 minutes, redubbed it, inserted lines, and changed the music (they "destroyed the rhythm and the comprehensibility of the picture," accuses Losey in an interview). The DVD includes both the release version and the 119-minute director's cut, mastered from the only surviving copy, an English-language Scandinavian print with Swedish and Finnish subtitles. It's frustrating that Kino didn't use the tools of digital technology to marry the two prints, using only the necessary footage from the subtitled version, and instead the director's cut is marred by subtitles throughout. Nonetheless, it's an important preservation of director Joseph Losey's vision. --Sean Axmaker
+++
