Sex and the City - The Complete First Season
from Hbo Home Video
From unmarried women and toxic bachelors to the bay of "married pigs" and the men women call "modelizers," welcome to the world of Sex And The City, a brutally frank and hilarious look at surviving as a single woman in New York City.
Sarah Jessica Parker, as sex journalist Carrie Bradshaw, is supported by her friends Samantha, Charlotte and Miranda (played by Kim Cattrall, Kristin Davis and Cynthia Nixon).
Are men in their 20s the new designer drug? Can you use sex for personal gain? Is motherhood a cult? These and many more questions are explored - as if for the first time - in the complete first season now coming to home video.
System Requirements:
Starring: Sarah Jessica Parker, Kim Cattrall, Kristin Davis, and Cynthia Nixon.
Directed By: John David Coles, Allen Coulter.
Running Time: 300 Min., Color.
This film is presented in "Standard" format.
Copyright 2000 Warner Home Video.
Format: DVD MOVIE
Now you can achieve multiple viewings of the best Sex on TV. Winner of Golden Globes for Best TV Series and Best Actress, Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girl Samantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes, few of which can be described on a family Web site. Seinfeld has nothing on Sex and the City when it comes to shallow, self-absorbed characters or coining catch phrases. Episode 2, for example, introduces the term "modelizer": a guy who is obsessed with and will only date models. Some may accuse this series of male bashing. But women, after years of enduring shows with "men behaving badly," will relish the equal time. Some may blanch at the ladies' graphic language and ribald humor, or dismiss some of the situations as unrealistic (Carrie doesn't bat an eye when she discovers that an artist friend surreptitiously videotapes his sexual conquests). Still others will view Sex and the City as documentary. Regardless of your view, this groundbreaking series will have you longing for more. --Donald Liebenson
Sex and the City - The Complete Fifth Season
from Hbo Home Video
It's summertime but that doesn't mean the women of Sex and the City are livin' easy. They've got new loves new responsibilities new choices to make and (oh yes!) a new baby to deal with - and that equates to a whole new outlook on being single in New York City. Ready or not Carrie Miranda Charlotte and Samantha are headed for uncharted territory on an all-new season of HBO's smash-hit comedy series Sex and the City!System Requirements:Running Time 240 MinFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 026359892523 Manufacturer No: 98925
It was a short but sweet fifth season for Sex and the City, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker (Carrie) and Cynthia Nixon (Miranda). A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, and indeed, you can tell both actresses are expecting. (Carrie's wardrobe became more outlandish and more concealing than usual.) Still, the actresses and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Whereas the fourth season found all four grappling with various relationships, the fifth season focused on the perils of being single, with a new intensity lacking in the previous sexcapades. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte (Kristin Davis) wondered if she'd ever find another man, while Samantha (Kim Cattrall) finally got rid of the one that had been vexing her far too much, hotelier Richard (James Remar). If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history, from Samantha's anointment as the "Michiko Kakutani of vibrators" to Carrie's stressful, one-degree-from-fiasco book launch party. (And fear not, Chris Noth's Mr. Big does pop up now and again.) The season's climactic episode, "I Love a Charade," found all four at the straight wedding of a seemingly gay pal (Nathan Lane) and contemplating their future with a wry, bemused tone. It was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up. --Mark Englehart
The Adventures of Pete & Pete - Season 1
by Damon Santostefano
from Nickelodeon
Pete and Pete took an alternative rock approach to the family sitcom. In other words, this wasn't your dad's situation comedy. Is it any wonder so many alternative musicians, like Juliana Hatfield, the B-52's Kate Pierson, R.E.M.'s Michael Stipe, and Blondie's Debbie Harry flocked to the (fictional) town of Wellsville? Nor could independent film actors, like Richard Edson (Stranger Than Paradise), Martin Donovan (Saved!), and Steve Buscemi (Fargo), resist the allure of the appealingly offbeat Wrigley family.
Meet the Wrigleys: redheaded teenager Pete (Michael Maronna, Home Alone), redheaded elementary school student Pete (Danny Tamberelli, The Mighty Ducks) and his tattoo Petunia, Dad (Hardy Rawls), Mom (Judy Grafe)--and the metal plate in her head. First season cast members include Big Pete's almost-girlfriend Ellen (Alison Fanelli), Little Pete's pal Natasha (Heather Matarazzo, Welcome to the Dollhouse), bus driver Stu (Damian Young), and Little Pete's personal superhero, Artie (Toby Huss), the strongest man in the world. Buscemi appears as Ellen's dad in "Apocalypse Pete" and would return for another episode in the second season.
The first season followed three years of 60-second shorts. It features 12 adventures (eight regular episodes plus four specials). Highlights include "King of the Road," in which the Wrigleys battle for road trip supremacy, "Tool and Die," in which Big Pete learns not to judge a shop teacher by his cover, and "Hard Day's Pete," in which Little Pete forms the Blowholes with Syd Straw and Marshall Crenshaw. Then there's "Don't Tread on Pete," in which Little Pete utters the immortal line, "Is this guy pickin' your scabs the way he's pickin' my scabs?" The Adventures of Pete and Pete ran on Nickelodeon for three well-loved, much-missed seasons. --Kathleen C. Fennessy
In THE ADVENTURES OF PETE & PETE, Pete and Pete are two redheaded brothers living in the somewhat surreal town of Wellsville. Pete, the older of the two, narrates the stories about their adventures in everyday life.
The Adventures of Pete & Pete - Season 2
by Damon Santostefano
from Nickelodeon
A new neighbor joins the redheaded brothers for their second season on Nickelodeon. The accident-prone Nona Mecklenberg (Michelle Trachtenberg) makes her first appearance in the premiere ("Grounded for Life"), where she is introduced as "the loneliest girl in Wellsville." By the end of the episode, that's no longer true as she and Little Pete (Danny Tamberelli) have become fast friends. Alas, nobody can take the place of his pet lizard, Gary, who makes his debut--and swan song--in the following adventure ("The Big Quiet'). Mona's dad, James (Iggy Pop, looking sharp in cardigan and khakis), will join the cast just in time for "Halloweenie," in which Pumpkin Eaters terrorize the neighborhood.
As for Big Pete (Michael Maronna), he'll finally ask Ellen (Alison Fanelli) out in "Time Tunnel". Endless Mike (Rick Gomez), in a rare moment of kindness, will lend him his car. It won't really change things, however. Maybe some people are meant to be friends--and others to be enemies. Then there are the Wrigley parents. In the first season, Dad (Hardy Rawls) fought for road trip supremacy. Now it's about having the best lawn and catching Bob, the biggest fish in the lake. Metal plate aside, Mom (Judy Grafe) does what she can to keep the craziness in check.As before, Big Pete narrates in that delightful deadpan, and many old favorites are back: bus driver Stu (Damian Young), math teacher Miss Fingerwood (Syd Straw), Ellen's dad, Mr. Hickle (Steve Buscemi), and strongman Artie (Toby Huss). Little Pete's personal superhero will make his final appearance in the two-part "Farewell, My Little Viking." Guest stars include Gordon Gano as substitute teacher Zank ("X=Why?"), Bebe Neuwirth as McGinty the mailcarrier, David Johansen as park ranger Thorsen ("On Golden Pete"), and Chris Elliot as psychic meter man Ray ("Sick Day"). --Kathleen C. Fennessy
Jesus' Son
by Alison Maclean
from Lions Gate
Fans of the short stories in Denis Johnson's Jesus' Son will wonder how anyone could film a book so beautifully, radiantly, defiantly strange. The good news is that Alison Maclean's film version is more than just faithful to the book's spirit: It's the closest thing to a visual equivalent of Johnson's visionary prose. As a series of vignettes in the life of an unnamed Midwestern junkie-slash-holy fool, the stories are linked more through imagery than through anything so linear as a plot. Maclean preserves this episodic structure but adds just enough narrative glue to make the whole thing hang together as a film. (And wisely so; if she hadn't, there'd have been no role at all for Samantha Morton, brilliant here as Michelle, the narrator's girlfriend.) With a hero called Fuckhead, you know this isn't going to be entertainment for the whole family, and some of the scenes of drug use and associated gore are grim indeed. But the movie looks just right, and some of its images are so beautiful it hurts: old movies playing in an empty drive-in, snow swirling all around; a naked woman parasailing through the sky with her long red hair streaming behind.
Maclean also coaxes wonderful performances from a dream-indie cast, including Morton, the magnetic Billy Crudup as Fuckhead, Dennis Hopper, Holly Hunter, an uncharacteristically understated Denis Leary, and even, in a gruesome cameo, Denis Johnson himself. (Hint: Look for the knife. Then look away quickly.) Once again, Jack Black hijacks every frame in which he appears, and his turn as a pill-popping orderly gives new meaning to the phrase "I save lives." Things drag a little during the last half-hour, but squirm not: Following Fuckhead through rehab and beyond, the book's closing scenes are genuinely redemptive without hitting the audience over the head with a "lesson" of any kind. Jesus' Son is Maclean's first feature film since 1992's Crush; let's hope she won't make us wait as long before the next fix. --Mary Park
Crush
by Alison Maclean
from Strand Releasing
In this darkly comic tale of seduction, wreaking havoc is Lane (Marcia Gay Harden, Academy Award winner POLLOCK, nominee for MYSTIC RIVER) whose reckless driving leaves her friend Christina hospitalized. Fleeing the scene, Lane then crashes into the lives of a novelist and his teenage daughter. First, she befriends the girl, and then seduces her father.
Jesus' Son
by Alison Maclean
from Universal Studios
Fans of the short stories in Denis Johnson's Jesus' Son will wonder how anyone could film a book so beautifully, radiantly, defiantly strange. The good news is that Alison Maclean's film version is more than just faithful to the book's spirit: It's the closest thing to a visual equivalent of Johnson's visionary prose. As a series of vignettes in the life of an unnamed Midwestern junkie-slash-holy fool, the stories are linked more through imagery than through anything so linear as a plot. Maclean preserves this episodic structure but adds just enough narrative glue to make the whole thing hang together as a film. (And wisely so; if she hadn't, there'd have been no role at all for Samantha Morton, brilliant here as Michelle, the narrator's girlfriend.) With a hero called Fuckhead, you know this isn't going to be entertainment for the whole family, and some of the scenes of drug use and associated gore are grim indeed. But the movie looks just right, and some of its images are so beautiful it hurts: old movies playing in an empty drive-in, snow swirling all around; a naked woman parasailing through the sky with her long red hair streaming behind.
Maclean also coaxes wonderful performances from a dream-indie cast, including Morton, the magnetic Billy Crudup as Fuckhead, Dennis Hopper, Holly Hunter, an uncharacteristically understated Denis Leary, and even, in a gruesome cameo, Denis Johnson himself. (Hint: Look for the knife. Then look away quickly.) Once again, Jack Black hijacks every frame in which he appears, and his turn as a pill-popping orderly gives new meaning to the phrase "I save lives." Things drag a little during the last half-hour, but squirm not: Following Fuckhead through rehab and beyond, the book's closing scenes are genuinely redemptive without hitting the audience over the head with a "lesson" of any kind. Jesus' Son is Maclean's first feature film since 1992's Crush; let's hope she won't make us wait as long before the next fix. --Mary Park
"Jesus' Son" is the story of a young man's circuitous journey from drug dependency and petty crime to a life redeemed by his startling discovery of compassion. Set in the drug subculture of the 1970's, a young man in his twenties (Billy Crudup) careens through his days getting stoned, stealing, or scamming a quick buck. He is driven by an overwhelming desire to help those around him, to save them from their often sorry fates, but he repeatedly fails. Almost by a miracle, redemption does come to the young man. It sneaks up on him almost imperceptibly, through barely observed lessons learned from a colorful parade of characters who range from a crazed, pill-popping hospital orderly (Jack Black), a down-on-his-luck-divorcee (Denis Leary), to a half-paralyzed woman (Holly Hunter) who teaches him about love. Bit by bit, the young man stumbles towards sobriety and lands a job at an assisted living facility where he discovers the depths of his own compassion for others, and the grace that comes with it.
Jesus' Son [Region 2]
Fans of the short stories in Denis Johnson's Jesus' Son will wonder how anyone could film a book so beautifully, radiantly, defiantly strange. The good news is that Alison Maclean's film version is more than just faithful to the book's spirit: It's the closest thing to a visual equivalent of Johnson's visionary prose. As a series of vignettes in the life of an unnamed Midwestern junkie-slash-holy fool, the stories are linked more through imagery than through anything so linear as a plot. Maclean preserves this episodic structure but adds just enough narrative glue to make the whole thing hang together as a film. (And wisely so; if she hadn't, there'd have been no role at all for Samantha Morton, brilliant here as Michelle, the narrator's girlfriend.) With a hero called Fuckhead, you know this isn't going to be entertainment for the whole family, and some of the scenes of drug use and associated gore are grim indeed. But the movie looks just right, and some of its images are so beautiful it hurts: old movies playing in an empty drive-in, snow swirling all around; a naked woman parasailing through the sky with her long red hair streaming behind.
Maclean also coaxes wonderful performances from a dream-indie cast, including Morton, the magnetic Billy Crudup as Fuckhead, Dennis Hopper, Holly Hunter, an uncharacteristically understated Denis Leary, and even, in a gruesome cameo, Denis Johnson himself. (Hint: Look for the knife. Then look away quickly.) Once again, Jack Black hijacks every frame in which he appears, and his turn as a pill-popping orderly gives new meaning to the phrase "I save lives." Things drag a little during the last half-hour, but squirm not: Following Fuckhead through rehab and beyond, the book's closing scenes are genuinely redemptive without hitting the audience over the head with a "lesson" of any kind. Jesus' Son is Maclean's first feature film since 1992's Crush; let's hope she won't make us wait as long before the next fix. --Mary Park
Jesus' Son [Region 2]
![Jesus' Son [Region 2]](http://ecx.images-amazon.com/images/I/51MNVDGES3L._SL160_.jpg)
by Alison Maclean
Fans of the short stories in Denis Johnson's Jesus' Son will wonder how anyone could film a book so beautifully, radiantly, defiantly strange. The good news is that Alison Maclean's film version is more than just faithful to the book's spirit: It's the closest thing to a visual equivalent of Johnson's visionary prose. As a series of vignettes in the life of an unnamed Midwestern junkie-slash-holy fool, the stories are linked more through imagery than through anything so linear as a plot. Maclean preserves this episodic structure but adds just enough narrative glue to make the whole thing hang together as a film. (And wisely so; if she hadn't, there'd have been no role at all for Samantha Morton, brilliant here as Michelle, the narrator's girlfriend.) With a hero called Fuckhead, you know this isn't going to be entertainment for the whole family, and some of the scenes of drug use and associated gore are grim indeed. But the movie looks just right, and some of its images are so beautiful it hurts: old movies playing in an empty drive-in, snow swirling all around; a naked woman parasailing through the sky with her long red hair streaming behind.
Maclean also coaxes wonderful performances from a dream-indie cast, including Morton, the magnetic Billy Crudup as Fuckhead, Dennis Hopper, Holly Hunter, an uncharacteristically understated Denis Leary, and even, in a gruesome cameo, Denis Johnson himself. (Hint: Look for the knife. Then look away quickly.) Once again, Jack Black hijacks every frame in which he appears, and his turn as a pill-popping orderly gives new meaning to the phrase "I save lives." Things drag a little during the last half-hour, but squirm not: Following Fuckhead through rehab and beyond, the book's closing scenes are genuinely redemptive without hitting the audience over the head with a "lesson" of any kind. Jesus' Son is Maclean's first feature film since 1992's Crush; let's hope she won't make us wait as long before the next fix. --Mary Park
Jesus' Son [Region 2]
by Alison Maclean
Fans of the short stories in Denis Johnson's Jesus' Son will wonder how anyone could film a book so beautifully, radiantly, defiantly strange. The good news is that Alison Maclean's film version is more than just faithful to the book's spirit: It's the closest thing to a visual equivalent of Johnson's visionary prose. As a series of vignettes in the life of an unnamed Midwestern junkie-slash-holy fool, the stories are linked more through imagery than through anything so linear as a plot. Maclean preserves this episodic structure but adds just enough narrative glue to make the whole thing hang together as a film. (And wisely so; if she hadn't, there'd have been no role at all for Samantha Morton, brilliant here as Michelle, the narrator's girlfriend.) With a hero called Fuckhead, you know this isn't going to be entertainment for the whole family, and some of the scenes of drug use and associated gore are grim indeed. But the movie looks just right, and some of its images are so beautiful it hurts: old movies playing in an empty drive-in, snow swirling all around; a naked woman parasailing through the sky with her long red hair streaming behind.
Maclean also coaxes wonderful performances from a dream-indie cast, including Morton, the magnetic Billy Crudup as Fuckhead, Dennis Hopper, Holly Hunter, an uncharacteristically understated Denis Leary, and even, in a gruesome cameo, Denis Johnson himself. (Hint: Look for the knife. Then look away quickly.) Once again, Jack Black hijacks every frame in which he appears, and his turn as a pill-popping orderly gives new meaning to the phrase "I save lives." Things drag a little during the last half-hour, but squirm not: Following Fuckhead through rehab and beyond, the book's closing scenes are genuinely redemptive without hitting the audience over the head with a "lesson" of any kind. Jesus' Son is Maclean's first feature film since 1992's Crush; let's hope she won't make us wait as long before the next fix. --Mary Park
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