Mccolgan, John

The Best of Riverdance

The DVD debut of Michael Flatley's performance in Riverdance (or at least part of it) is one of the highlights of The Best of Riverdance, a generous survey of the Irish hard-shoe sensation that has riveted live audiences and PBS viewers for a decade. Beginning with the 1994 Eurovision Song Contest performance that led to the full-length stage show, the program compiles a number of highlights from the show's history, taken mostly from three sources. There's the original 1995 televised show starring the flamboyant, record-setting tapper Flatley and his partner, Jean Butler. There's the 1997 New York City concert, with Colin Dunne opposite Butler. And finally there's the 2003 performance from Geneva headlined by Brendán de Gallaí and Joanne Doyle. Because elements of the show and numerous performers have changed over the years, each performance has its own character, and The Best of Riverdance even takes the unusual step of blending segments of various shows into a single number. For example, "Riverdance" switches back and forth among the three shows and the three sets of leads. "Lift the Wings" begins with two verses of the solo voice of Áine Uí Cheallaigh, then segues into segments from the ensemble-sung version from New York and Geneva. Because the solo rendition was one of the biggest losses of later generations of the show, it's nice to have at least part of it on DVD. Likewise, because Flatley's complete Riverdance performance is not yet available on DVD, fans will be glad to have at least a few numbers here. Other later-generation numbers included are "American Wake" and "Trading Taps," and the DVD menu screens very clear note which performer or combination of performers is performing.

Brand new in this nearly two-hour program are occasional introductions by Jean Butler, which help explain some of the ambiguous stage action. Bonus features are a new one-hour documentary about the history of the show, 16 minutes of high-speed backstage footage, and an eight-minute performance from the 2003 Special Olympics. Some viewers may find the introductions or the performance switches jarring to the flow, and The Best of Riverdance is surely not a substitute for the complete performances of the show, but it is a nice compilation, and offers some footage that you can't see anywhere else. --David Horiuchi

Includes 18 of the all-time best performances of Riverdance from its extraordinary beginnings at the Point Theatre, Dublin, with original stars Michael Flatley and Jean Butler, through its phenomenal success in Radio City Music Hall, New York to its latest live recording in Geneva. Riverdance boasts an international cast featuring the remarkable Riverdance Irish Dance Troupe, the cream of Irish musicians in the Riverdance Band and a spectacular array of talent from Spain, Russia and America, performing to the magic of Bill Whelan's music. More electrifying than ever, this DVD is a treasure for Riverdance fans worldwide! SPECIAL FEATURES INCLUDE: RIVERDANCE- The Ten Years. An all New 65 Minute Documentary, celebrating the Riverdance phenomenon over the first 10 years. Featuring all the passion, power and intrigue of the show backstage. Introduced by Gabriel Byrne. RIVERDANCE - Behind the Scenes: Never seen before footage of the Riverdance backstage crew in action. RIVERDANCE- Performance at the Special Olympics Opening Ceremony.

Riverdance - Live from Radio City Music Hall (Two-Disc Collector's Edition)

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers.

About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland for other parts of the world. "Lift the Wings" becomes a set piece for the people who are saying goodbye (it's hard not to miss the original's solo voice of Aine Um Cheallaigh), and a new song, "Heal Their Hearts," is a showcase anthem for bass Morgan Crowley. In the most engaging new number, "Trading Taps," a trio of Irish dancers faces off against two urban American tappers. While much of this follow-up show will be familiar to those who know the original, it's different enough to be enjoyed on its own terms. It's also more stylishly shot, but that's also its biggest drawback--frenetic editing that allows only brief glimpses of the dancers and leaves the viewer dizzy. --David Horiuchi

Riverdance in China- A beind the scenes look at the historic performance in the Great Hall of the People in China.Riverdance on BBC's Pebble Mill featuring interviews and performances.System Requirements:Running Time: 102 minutesFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 794051413222 Manufacturer No: E4132

Riverdance - Live From New York City

Riverdance, the Irish hard-shoe sensation that took PBS viewers by storm, underwent its second incarnation with Live from New York City, a 1996 performance filmed at Radio City Music Hall. While most of the attributes from 1995's Riverdance: The Show remain--the dazzling ensemble choreography, Bill Whelan's energetic score, and the New Age-y view of Celtic mythology--the most significant difference is at the top, where Colin Dunne replaced bombastic lead dancer Michael Flatley. Though lacking Flatley's bravura, Dunne is a superb technician who works well with Flatley's former co-lead, Jean Butler. Flamenco dancer Maria Pagis returns, as do the Riverdance Singers (formerly known as Anuna) with soloist Katie McMahon and the orchestra with fiery fiddler Eileen Ivers.

About a half-hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland for other parts of the world. "Lift the Wings" becomes a set piece for the people who are saying goodbye (it's hard not to miss the original's solo voice of Aine Um Cheallaigh), and a new song, "Heal Their Hearts," is a showcase anthem for bass Morgan Crowley. In the most engaging new number, "Trading Taps," a trio of Irish dancers faces off against two urban American tappers. While much of this follow-up show will be familiar to those who know the original, it's different enough to be enjoyed on its own terms. It's also more stylishly shot, but that's also its biggest drawback--frenetic editing that allows only brief glimpses of the dancers and leaves the viewer dizzy. --David Horiuchi

Riverdance - Live from New York City (Superbit Collection)

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

Riverdance - Live from Geneva

Riverdance: The New Show [Region 2]

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

Riverdance: The Show [Region 2]

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

Riverdance - The Show

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

Riverdance: The New Show [Region 2]

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale

Riverdance: The New Show [Region 2]

Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough. --Richard Natale