Nelson, Ralph

Father Goose

Cary Grant's penultimate feature before retirement was this cheerful 1964 effort to overturn his career-long image of urbane sophistication. As the unshaven, messy misanthrope Walter Eckland, a World War II-era beach bum who monitors Japanese air activity for the Australian navy in exchange for booze, Grant makes a convincingly hard-bitten, hard-drinking antihero. Until, that is, a pretty French schoolmistress (Leslie Caron) and her seven little charges (all girls) survive a nearby plane crash and invade Eckland's raunchy isolation. Directed by 1960s hit-maker Ralph Nelson (The Lilies of the Field, Charly), Father Goose is a glossy comedy that also does justice to its more suspenseful scenes (a deadly snakebite suffered by Caron's character is especially memorable) and leaves plenty of room for Grant to indulge in some entertaining if atypical screen behavior. All in all, this is a minor treat in the actor's magnificent filmography. --Tom Keogh

Charly

Adapted from Daniel Keyes's novel Flowers for Algernon, Charly must be viewed as a soap opera of and for its zeitgeist--the halcyon '60s, when "natural" was nirvana, the air hummed with the mantra "Everybody's beautiful," and all ills stemmed from institutional monoliths such as Science, Government, Education, Religion. Accordingly, Charly (Cliff Robertson) is a 30-year-old retardate whose doofus sweetness makes him superior to most able-minded folk, whether they're the bigoted dolts he sweeps floors for or the ambitious scientists who see him as the human equivalent of Algernon, a mouse they've surgically (but impermanently) smartened up. Naturally, post-op Charly, sporting a genius IQ, "sees things as they are." Trotted out as the neurosurgeons' poster boy, he stands up to the "learned" audience--shot as faceless, inhuman interrogators. He's every '60s flower child, berating his "elders" for blighting their brave new world.

The one gift Charly gets out of becoming Brainiac is sex. In a lengthy montage resembling a retro TV commercial, he and his special-ed teacher (Claire Bloom, madonna with eternal Mona Lisa smile) romp through an Edenic outdoors, their embraces hallowed by sunlight glinting through leaves, moonlight glinting on water, and sappy Ravi Shankar music. (Stylistic clichés also include embarrassing outbreaks of split screens and multiple small screens within the frame, notably when rebellious Charly turns biker.) Robertson's performance is well-meaning but hokey. Still, in the penultimate moments when Charly begins to slide back into retardation, the actor achieves a genuine tragic gravity, and he became a surprise Oscar winner for his pains. --Kathleen Murphy

From the classic Daniel Keyes novel Flowers for Algernon comes this "moving" (Boxoffice) and unforgettable adaptation. Featuring an Academy AwardÂ(r)-winning* performance by Cliff Robertson and a "shrewd, talented" score (Variety) by Ravi Shankar, this timeless tearjerker is "definitely one to see" (Cue). When a mentally retarded man named Charly (Robertson) undergoes experimental brain surgery, he is miraculously freed from the prison of his own mind. As his IQ soars to genius proportions, Charly's eyes are opened to a world he's never truly seen. But when the effects of his operation inexplicably begin to fade, Charly must find a way to halt his regression before his own mind destroys his life, his newfound romance and the man he's become. *1968: Actor

Lilies of the Field

Sidney Poitier won an Oscar for this endearing movie about a handyman who thinks he's just passing through a little town in New Mexico, and ends up staying awhile to build a chapel for a cluster of German-speaking nuns. The renowned actor is highly entertaining in his combative exchanges with Lilia Skala, playing a Mother Superior who survived Hitler and makes no bones about bullying the goodhearted, itinerant worker into doing more and more for her. The film has an ambling, easygoing style with several memorable moments, not least of all is Poitier leading his holy hostesses through verses of the gospel song "Amen." Lilies is directed by the late Ralph Nelson, a pioneering director of live television who also made a number of popular feature films with notable performances (Jackie Gleason in Requiem for a Heavyweight, Cary Grant in Father Goose, Cliff Robertson in Charly) in the 1960s and 1970s. --Tom Keogh

Featuring an Academy AwardÂ(r)-winning performance by Poitier*, and nominated** for four additional OscarsÂ(r), including Best Picture, Lilies of the Field is a funny, sentimental, charming and uplifting film (The Hollywood Reporter). Homer Smith (Sidney Poitier), an itinerant handyman, is driving through the Arizona desert when he meets five impoverished nuns. Stopping to fix their leaky farmhouse roof, Homer discovers that not only will the Mother Superior not pay him for the job, but she also wants him to build their chapelfor free! Hesitant at first, Homer soon finds himself single-handedly raising the chapel and the financing. But although hewill not receive a monetary reward, Homer knows that when his work is done, he'll leave that dusty desert town a much better place than when he found it. *1963: Actor **1963: Supporting Actress (Skala), Adapted Screenplay, Cinematography (B&W)

Rodgers & Hammerstein's Cinderella (1957 Television Production)

The DVD era has unearthed another treasure. For the first time ever, Julie Andrews's performance in the title role of the original 1957 television production of Rodgers and Hammerstein's Cinderella is available to the public on home video. Cinderella was created as a Broadway-style television production with an original score from the creators of Oklahoma! and Carousel, featuring such songs as "In My Own Little Corner," "Impossible," "Do I Love You Because You're Beautiful," and "Stepsisters' Lament." Cast in the title role was the 21-year-old Andrews, at the time starring on Broadway in My Fair Lady (another Cinderella story of sorts), and the cast was filled out by a talented bunch of stage veterans (including Kaye Ballard, Edie Adams, Dorothy Stickney, and Stickney's husband, writer Howard Lindsay). On March 31, 1957, a then-record 120 million homes saw the program as it was broadcast, live and in color, but it was preserved only in black-and-white kinescope, i.e., by aiming a camera at a monitor during the broadcast. While this version probably looks better than we have any right to expect, the picture is still fuzzy black-and-white, which makes it a tougher sell for kids than the later color versions, 1965 with Lesley Anne Warren and the 1997 Disneyized version. But give older kids (say, 8 or so) credit for being able to look past the black-and-white picture and primitive effects and enjoy the charming songs, the excellent performances, and the prospect of seeing one of their favorite actresses play one of their favorite princesses.

Fortunately, the DVD has also received the attention it deserves, with a new introduction by Andrews, a 20-minute featurette about the production, including interviews with many of the principals; Rodgers and Hammerstein's appearance on The Ed Sullivan Show a week before the broadcast; and a gallery of color photos of the production as well as promotional material, which included paper dolls of Andrews. --David Horiuchi

In this enchanting musical delight from the legendary team of Richard Rodgers and Oscar Hammerstein II, beautiful young Cinderella (Julie Andrews) finds her life of drudgery at the hands of her stepmother and two wicked sisters changed forever in one evening, thanks to a fairy godmother and a handsome prince. Lost for years, this first television production of this enduring classic remains a rollicking, tune-filled delight for young and old alike! One of the most beloved entertainers of all time, Academy Award«-winner Julie Andrews (Mary Poppins, The Sound of Music) appeared in theaters this year in the smash hits Shrek 2 and The Princess Diaries 2. The much-revered musical team of Rodgers & Hammerstein produced such family favorites as The King and I, The Sound of Music, Carousel, South Pacific, State Fair and more! One of home video's most highly requested titles, Cinderella has been officially unavailable since its initial airing on March 31, 1957! This single performance spectacular was viewed by over 115 million people, a television milestone! Musical performances include beloved favorites "In My Own Little Corner," "Impossible" and "Do I Love You (Because You're Beautiful)!" In 1957, Broadway's reigning songwriters and Broadway's brightest new star joined forces to create a new musical version of Cinderella; it's one-night-only broadcast on CBS-TV was viewed by more than 115 million people - the largest audience in the history of the planet! - and an instant legend was born. Julie Andrews, the toast of Broadway for her performance in My Fair Lady, played the title role, joined by a stellar cast of Broadway and television all-stars. Providing a new take on the timeless tale as well as a bounty of beautiful ballads, comedy numbers and waltzes, was the team of Richard Rodgers and Oscar Hammerstein II, already at the top of their game thanks to such musicals as Oklahoma, South Pacific and The King and I. Though Rodgers & Hammerstein's Cinderella has gone through several TV remakes and hundreds of stage productions, the original, magical version vanished after its initial broadcast, never to be seen again. Until now.

The Twilight Zone: Vol. 2

Episodes: "Time Enough at Last" (Ep. 8, November 20, 1959) - A bookworm (Burgess Meredith) yearns for more time to read--then a nuclear holocaust leaves him alone in the world with lots of time, plenty to read, and one ironic twist! "The Monsters are Due on Maple Street" (Ep. 22, March 4, 1960) - Inexplicable events cause the residents of quiet Maple Street to erupt into rioting. The residents suspect an alien invasion has occurred. If so, where are the alien monsters? "Nightmare at 20,000 Feet" (Ep. 123, October 11, 1963) - A salesman (William Shatner) recovering from a nervous breakdown spots a gremlin on the wing of his plane. When he attempts to alert the others, his nightmare truly begins! "The Odyssey of Flight 33" (Ep. 54, February 24, 1961) - Flight 33 picks up a peculiar tailwind and is blown off course. After apparently correcting the problem, the flight arrives at its destination--a billion years ahead of schedule!

The Twilight Zone: Vol. 1

Episodes: "Night of the Meek" (Ep. 47, December 23, 1960) - Christmas in the Twilight Zone. Art Carney is a forlorn department store Santa who takes to drinking--only to find himself experiencing the nicest Christmas ever! "The Invaders" (Ep. 51, January 27, 1961) - A flying saucer lands in the attic of an isolated house inhabited by an impoverished woman--who soon becomes panic-stricken as tiny spacemen begin to stalk her! "Nothing in the Dark" (Ep. 81, January 5, 1962) - An old woman has fought with death a thousand times and has always won. But now she finds herself afraid to let a wounded policeman (Robert Redford) in her door for fear he is Mr. Death. Is he?

The Twilight Zone: Vol. 3

Episodes: "Steel" (Ep. 122, October 4, 1963) - In the future, only androids are allowed to box. Desperate to raise money, penniless manager Steel Kelly (Lee Marvin) must fight disguised as his own broken-down robot. "A Game of Pool" (Ep. 70, October 13, 1961) - Jesse (Jack Klugman) is a brilliant pool player whose dream of a showdown with the legendary (and dead) Fats Brown (Jonathan Winters) comes true. The stakes: his life. "Walking Distance" (Ep. 5, October 30, 1959) - Martin Sloan (Gig Young) is a frazzled executive who learns that you can't go home again after he steps back in time and meets his mom, his dad--and himself! "Kick the Can" (Ep. 86, February 9, 1962) - Has an old man at Sunnyvale Rest Home discovered a secret to regaining youth? After playing a simple child's game, he and the other residents are rewarded with rejuvenating powers!

The Twilight Zone: Vol. 7

Episodes: "Perchance to Dream" (Ep. 9, November 27, 1959) - A man (Richard Conte) is terrified of falling asleep for fear he might die. His pursuer? A mysterious vixen he meets in his dreams! The first non-Rod Serling script of the series. "The Hitch-Hiker" (Ep. 16, January 22, 1960) - Alone on a cross-country trip, Nan Adams (Inger Stevens) has a blowout. Surviving the incident, she gets back on the road--only to see the same hitch-hiker everywhere she looks! "King Nine Will Not Return" (Ep. 37, September 20, 1960) - WWII Captain James Embry (Robert Cummings) finds himself next to a crashed plane in a vast desert. Where is his crew? And why are futuristic jet planes flying overhead? "Shadow Play" (Ep. 62, May 5, 1961) - Trapped in a recurring nightmare, a man (Dennis Weaver) tries to persuade those who are sentencing him to death that the whole scenario is not real. Will they ever listen?

The Twilight Zone: Vol. 11

Episodes: "The Dummy" (Ep. 98, May 4, 1962) - A ventriloquist (Cliff Robertson) is convinced that his dummy, Willie, is alive and evil. He makes plans for a new act with a new dummy. Plans that Willie does not support! "The Fever" (Ep. 17, January 29, 1960) - Tight-fisted Franklin Gibbs is not pleased when his wife wins a trip for two to Las Vegas. But things change when he falls under the spell of a slot machine that calls his name. "Living Doll" (Ep. 126, November 1, 1963) - Erich (Telly Savalas) is displeased when his wife buys an expensive doll for his step-daughter. He becomes even more displeased when the doll tells him it doesn't like him! "The After Hours" (Ep. 34, June 10, 1960) - A woman (Anne Francis) discovers that the floor of a department store, on which she bought a gold thimble, doesn't exist--and that her "saleslady" is really a mannequin!

The Twilight Zone: Vol. 8

Episodes: "Third from the Sun" (Ep. 14, January 8, 1960) - With all-out nuclear war about to ignite, William Sturka (Fritz Weaver) and a friend steal an experimental spaceship, load their families, and set out for an unknown planet. "The Shelter" (Ep. 68, September 29, 1961) - When a UFO invasion appears imminent, several suburban friends and neighbors are reduced to selfish, conniving animals in a fight over one family's bomb shelter. "To Serve Man" (Ep. 89, March 2, 1962) - The Kanamits, 9 foot tall aliens, arrive on Earth with one lofty goal: To Serve Man. They end war. They end famine. Theymake the military wonder: What's the catch? "The Fugitive" (Ep. 90, March 9, 1962) - Old Ben is a fugitive from outer space with a heart of gold. He risks it all to help a crippled little girl--without fear that alien pursuers from his home planet will find him!