St. Elsewhere - Season 1
by Michael Fresco
from 20th Century Fox
Beginning its six-year run in 1982, St. Elsewhere was neither television's first ensemble medical drama nor, heaven knows, its last. Yet this four-disc set of all 22 episodes from the first season is a reminder that this was, and still is, one of the very best. Even now, when "reality" programming blights the landscape like some biblical plague, doc, cop, and lawyer shows remain staples of the medium, and while the likes of C.S.I., E.R., and Grey's Anatomy have it all over St. Elsewhere in the sizzle department--the production values are much flashier, the content sexier, more graphic, and faster-moving, the technology both in front of and behind the camera light years more sophisticated--the older show, despite its somewhat cheesy '70s vibe, is the hands-down winner when it comes to the actual steak. That's because it does it the old-fashioned way: by relying on good writing, vividly-drawn, identifiable characters, and excellent performances by an eye-opening group of actors.
Co-creators Joshua Brand and John Falsey's pilot episode, which establishes the scene at Boston's St. Eligius Hospital (mocked as "St. Elsewhere" due to its rundown facilities and reputation as a "dumping ground" for the poor and disenfranchised), isn't especially promising. While we can see right away that the show sports a lighter, more humorous tone than others of its genre, the direction is static, the acting and dialogue are often stiff, and what passes for "chaos" is pretty tame. But it hits its stride almost immediately thereafter, as the characters (including Howie Mandel's wisecracking Dr. Fiscus, David Morse's driven, committed Dr. Morrison, William Daniels' egotistical, pompous Dr. Craig, and Ed Begley, Jr.'s nerdy Dr. Ehrlich) are more fully realized. The cast, in fact, may be the most impressive ever assembled for a TV program: in the first season alone, the list of actors with regular, recurring, and one-shot appearances includes future movie stars Denzel Washington (a regular, but his role is minor), Tim Robbins, Ally Sheedy, Christopher Guest, Laraine Newman, Ray Liotta, Tom Hulce, Michael Madsen, and Rae Dawn Chong. Sure, some of the multiple storylines are dated: the handling of issues like gun control, immigration, and terrorism seems almost quaint by today's standards, and a running gag concerning ladies man Dr. Samuels' (David Birney) having to inform his many lovers that he has gonorrhea comes off as tasteless and unfunny, notwithstanding that era's low awareness of AIDS and other STDs. But on the whole, this St. Elsewhere set (extras include audio commentary for "Cora and Arnie," plus four featurettes) is a reminder of episodic TV at its best. --Sam Graham
Over its six-season run the ground-breaking critically acclaimed St. Elsewhere was nominated for over 60 Emmy Awards winning 13 of them! This remarkable series with its unique blend of intense medical drama off-beat humor and imaginative storytelling paved the way for later TV classics such as E.R. and Chicago Hope while introducing America to future superstars Mark Harmon Howie Mandel and Oscar(r)-winner* Denzel Washington. Eccentric insightful and intelligent St. Elsewhere is considered to be one of the best dramas ever to air on broadcast television.System Requirements:Running Time 1078 Mins.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 024543260769 Manufacturer No: 2236076
Duets
from Walt Disney Video
Karaoke is a way for average people to get on stage and sing cover songs. In Duets, it's also a money sport. No, really. As with other bar sports (pool, darts), the karaoke-for-money game is rife with hustlers. One such hustler is Ricky Dean (Huey Lewis), who takes time off the karaoke circuit to attend the funeral of his ex-wife, where he meets his estranged daughter (Gwyneth Paltrow) and can't shake her desire to go on the road with him. The other hustler is Suzi Loomis (Maria Bello), a woman who literally prostitutes herself to get from gig to gig, until she meets up with a kind-hearted cabby (Scott Speedman). Then there's Todd Woods (Paul Giamatti), who gets so fed up with his sales job and being ignored at home that he hits the road, moving from karaoke bar to karaoke bar in a voyage of self-discovery. Along the way he picks up Reggie Kane (Andre Braugher), an escaped felon with a voice like an angel. All three couples end up in Omaha for the $5,000 karaoke finals. Chock full of bad writing and bad direction, the movie inspires a perverse fascination. Braugher and Giamatti chew up the scenery at every opportunity, but most interesting is the father-daughter incest subtext (compounded by the fact that the movie is directed by Gwyneth's dad, Bruce Paltrow). Eeeeesh. --Andy Spletzer
Academy Award(R)-winner Gwyneth Paltrow (Best Actress, SHAKESPEARE IN LOVE, THE TALENTED MR. RIPLEY) and Scott Speedman (TV's FELICITY) are part of the stellar ensemble cast in a hilariously offbeat comedy! The lives of six stranges become outrageously intertwined when a riotous road trip culminates at the site of the national Karaoke championships. As they compete for the $5,000 grand prize, this unlikely group will eventually learn all about each other ... while discovering answers to the questions about themselves! Also featuring great performances from Maria Bello (COYOTE UGLY), Andre Braugher (FREQUENCY), Paul Giamatti (BIG MOMMA'S HOUSE), and Huey Lewis (SHADOW OF DOUBT) -- you'll agree with audiences everywhere who fell in love with this uncommonly entertaining comedy!
The White Shadow - Season 1
by Victor Lobl
from 20th Century Fox
The entertaining and sometimes powerful The White Shadow gets under one's skin very quickly. Ken Howard plays former NBA star Ken Reeves, whose career in the pro game is cut short by serious injuries. Along comes Ken's old college roomate, Jim Willis (Jason Bernard in the pilot episode, Ed Bernard after that), principal of an inner-city high school in Los Angeles with a high dropout rate and plenty of antagonism between thuggish students and an angry faculty. Jim makes Ken an offer any sensible man might refuse, but somehow Ken can't: becoming coach of the school's low-achieving basketball team.
Hardly a bleeding heart and prone to inopportune wisecracks, Ken nevertheless gets the team on its feet and slowly takes cautious interest in the personal lives of individual players. Over the course of 15 first-season episodes, Ken gets in the middle of his students' problems, including alcoholism, gang affiliations, early fatherhood, racism, and fighting. Ken is not without his own issues and biases, which have to be faced at critical times. In "Just One of the Boys," the addition of a new player, who might be gay, to the team makes him terribly anxious--and embarrassed that he feels that way. "Spare the Rod" finds Ken at his lowest moment after striking a student who punched him in the nose. What makes this story interesting is that every adult in the school rushes to Ken's defense, even praises him for taking a stand. Yet the attention deepens his shame, and makes Ken too ready to forgive his dangerous attacker. Actress Joan Pringle is excellent as vice-principal Sybil Buchanan, Ken's ally-adversary. Be on the lookout for a number of actors who would soon have starring roles on 1980s TV series, among them Michael Warren and Bruce Weitz (Hill Street Blues), Peter Horton (thirtysomething), and Jonathan Frakes (Star Trek: The Next Generation). --Tom Keogh
A timeless classic that fans are clamoring for! From the Creators of "COACH CARTER," "ST. ELSEWHERE," "NORTHERN EXPOSURE" AND "NYPD BLUE."
When professional basketball player Ken Reeves (Ken Howard) suffers a serious knee injury, his career comes to a grinding haltand all his dreams of glory seem shattered. Fortunately an old friend, who is now the principal of a Los Angeles inner-city high school, offers him a job as a basketball coach. Although initially hesitant, Reeves' love of the game finally convinces him to accept the position. But he soon discovers the only thing worse than his team's lack of skill on the court is their lack of belief in themselves off the court. Yet the new coach feels certain that the right combination of guts, sweat, luck and attention will make his players winners in the end.
The White Shadow: The Complete Second Season
by Victor Lobl
from 20th Century Fox
The White Shadow's sophomore year, its last with the series' original roster, is a winning season as the inner city Carver High School basketball team, led by former Chicago Bulls forward Ken Reeves (Ken Howard), further share "the unique joys and sorrows experienced in organized sport." To quote an aspiring sportswriter in the season opener, "On the Line," it's the "blending of friendship, teamwork, discipline, and trust that makes this unit what it is." The Carver team will be tested on and off the court in their run for the city championship. Several episodes take an authentically gritty look at such hot-button issues as sports betting ("On the Line"), race ("Albert Hodges," "Links"), child abuse ("The Hitter"), sexually transmitted diseases ("Me?"), inappropriate teacher-student extracurricular activities ("Salami's Affair"), and the scourge of drugs ("Gonna Fly Now"). But it is the hard-earned life lessons that put The White Shadow in a class by itself. In "Globetrotters," a good team goes astray with bad sportsmanship after a winning streak, prompting Reeves to recruit an incognito Harlem Globetrotters to give his players a much-needed comeuppance. Tragedy strikes in two of the season's most memorable episodes. In "Sudden Death," Reeves is guilt-stricken after a promising player he encouraged to join the team suffers a fatal aneurysm during practice ("I hope very much this burdens you for the rest of your life," the boy's unforgiving mother tells him). And in "The Death of Me Yet," jubilation over the team's Cinderella story is short-lived after one of the team's (and series') most valuable players is slain during a liquor store robbery.
The White Shadow was never a ratings slam-dunk, but, especially, if you were on a high school basketball team, it was must-see viewing. Some more prurient episodes find The White Shadow off its game (in "The Stripper," Reeves is stunned to discover his new girlfriend, a Carver chemistry teacher, moonlights as an exotic dancer), but overall, it still scores with its real-world tone that often leaves conflicts and crises unresolved by the final freeze frame. Now available for replay on DVD, The White Shadow should find a new generation of fans. --Donald Liebenson
When professional basketball player Ken Reeves sustains a career-ending injury, he accepts a job as basketball coach at a Los Angeles inner-city high school. Now, in his second year at Carver High, he realizes he's become more than just a basketball coach. He's the person his players can turn to when things go wrong at home, or when things get tough out on the street. Clashes still arise highlighting the differences between the world Coach Reeves knows and the tough neighborhoods where his players live, but ultimately the bond between coach and player is strengthenedand the daily hardships they face become a true learning experience for all.
Duets [Region 2]
by Bruce Paltrow
Karaoke is a way for average people to get on stage and sing cover songs. In Duets, it's also a money sport. No, really. As with other bar sports (pool, darts), the karaoke-for-money game is rife with hustlers. One such hustler is Ricky Dean (Huey Lewis), who takes time off the karaoke circuit to attend the funeral of his ex-wife, where he meets his estranged daughter (Gwyneth Paltrow) and can't shake her desire to go on the road with him. The other hustler is Suzi Loomis (Maria Bello), a woman who literally prostitutes herself to get from gig to gig, until she meets up with a kind-hearted cabby (Scott Speedman). Then there's Todd Woods (Paul Giamatti), who gets so fed up with his sales job and being ignored at home that he hits the road, moving from karaoke bar to karaoke bar in a voyage of self-discovery. Along the way he picks up Reggie Kane (Andre Braugher), an escaped felon with a voice like an angel. All three couples end up in Omaha for the $5,000 karaoke finals. Chock full of bad writing and bad direction, the movie inspires a perverse fascination. Braugher and Giamatti chew up the scenery at every opportunity, but most interesting is the father-daughter incest subtext (compounded by the fact that the movie is directed by Gwyneth's dad, Bruce Paltrow). Eeeeesh. --Andy Spletzer
Duets [Region 2]
Karaoke is a way for average people to get on stage and sing cover songs. In Duets, it's also a money sport. No, really. As with other bar sports (pool, darts), the karaoke-for-money game is rife with hustlers. One such hustler is Ricky Dean (Huey Lewis), who takes time off the karaoke circuit to attend the funeral of his ex-wife, where he meets his estranged daughter (Gwyneth Paltrow) and can't shake her desire to go on the road with him. The other hustler is Suzi Loomis (Maria Bello), a woman who literally prostitutes herself to get from gig to gig, until she meets up with a kind-hearted cabby (Scott Speedman). Then there's Todd Woods (Paul Giamatti), who gets so fed up with his sales job and being ignored at home that he hits the road, moving from karaoke bar to karaoke bar in a voyage of self-discovery. Along the way he picks up Reggie Kane (Andre Braugher), an escaped felon with a voice like an angel. All three couples end up in Omaha for the $5,000 karaoke finals. Chock full of bad writing and bad direction, the movie inspires a perverse fascination. Braugher and Giamatti chew up the scenery at every opportunity, but most interesting is the father-daughter incest subtext (compounded by the fact that the movie is directed by Gwyneth's dad, Bruce Paltrow). Eeeeesh. --Andy Spletzer
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