Pink Floyd - The Wall 25th Anniversary (Deluxe Edition)
by Alan Parker
from Sony
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed.
The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
No Description Available.
Genre: Music Video: Concerts
Rating: NR
Release Date: 25-JAN-2005
Media Type: DVD
Evita
by Alan Parker
from Miramax
After more than a decade of false starts and several potential directors, the popular Andrew Lloyd Webber/Tim Rice musical finally made it to the big screen with Alan Parker (The Commitments) at the helm and Madonna in the coveted title role of Argentina's first lady, Eva Perón. A triumph of production design, costuming, cinematography, and epic-scale pageantry, the film follows the rise of Eva Perón to the level of supreme social and political celebrity in the 1940s. Like Madonna, Perón was a material girl (she was only 33 when she died); she was instrumental in the political success of her husband, Juan Perón (Jonathan Pryce). But Eva was also a supremely tragic figure whose life was essentially hollow at its core despite the lavish benefits of her nearly goddess-like status. The film has a similar quality--it's visually astonishing but emotionally distant, and benefits greatly from the singing commentary of Ché (Antonia Banderas), who serves as a passionate chorus to guide the viewer through the elaborate parade of history. --Jeff Shannon
Film adaptation of the musical play which is the story of the poor Argentine girl who came to the city, became an actress and then a politician's mistress, and then the president's wife.
Genre: Musicals
Rating: PG
Release Date: 4-MAR-2003
Media Type: DVD
Fame
by Alan Parker
from Warner Home Video
This early effort by director Alan Parker is lively but jagged as it follows four students through their years in the New York City High School for the Performing Arts. Rather predictably, the kids fall into four clearly defined stereotypes: brazen, gay and hypersensitive, prickly, shy. It makes up for a disjointed presentation with a lot of heart and a great soundtrack (for which it won two Academy Awards). The hopes and disappointments, failures and successes of these teens are fodder for emotional scenes and exuberant dancing in the streets. It also turned out to be the first of many imitators and spawned a popular television series. (It was the breakout film for the short-lived feature film career of Irene Cara, who sang the title song.) --Rochelle O'Gorman
Seven classes a day and a hot lunch. That's what New York City's High School for the Performing Arts guarantees. Stardom? That's something the school's teenage musicians actors dancers and dreamers strive for. Fame sings the body electric celebrating the growing-up process of honing talent confronting realities finding love living life. Director Alan Parker (Evita The Commitments) brings an energetic style to the crisscrossing stories of students (including future Academy AwardO winner+ Irene Cara Paul McCrane (ER) Barry Miller (Saturday Night Fever) and two who returned in the later TV series Gene Anthony Ray and Lee Curreri). Nominated for six Academy AwardsO Fame won OscarsO for its dynamic score and title tune.*Running Time: 134 min.System Requirements: Running Time 134 MinFormat: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: R UPC: 012569514522
Mississippi Burning
by Alan Parker
from MGM (Video & DVD)
Gene Hackman and Willem Dafoe star in this well-intentioned and largely successful civil rights-era thriller. Mississippi Burning, using the real-life 1964 disappearance of three civil rights workers as its inspiration, tells the story of two FBI men (Hackman and Dafoe, entertainingly called "Hoover Boys" by the locals) who come in to try to solve the crime. Hackman is a former small-town Mississippi sheriff himself, while Dafoe is a by-the-numbers young hotshot. Yes, there is some tension between the two. The movie has an interesting fatalism, as all the FBI's best efforts incite more and more violence, which becomes disturbing--the film's message, perhaps inadvertently, seems to be that vigilantism is the only real way to get things done. The brilliant Frances McDormand, here early in her career, is not given enough to do but still does it well enough to have racked up an Oscar® nomination for Best Supporting Actress. (Hackman also received a nomination for Best Actor, and the film won an Academy Award for Cinematography). The story line of Mississippi Burning is ultimately unsatisfying--it is, after all, the story of white men coming in to rescue poor blacks--but it is beautifully shot and very watchable and features a terrific cast playing at the top of their games. --Ali Davis
Starring two-time Oscar® winner Gene Hackman* and Academy Award® nominee Willem Dafoe** Mississippi Burning ranks as one of the most potent and insightful views of racial turmoil yet produced (Variety). Nominated for six Oscars® and winner of an Academy Award® for Best Cinematography this emotionally charged film vividly captures a crucial chapter in American history (Time)! As three civil rights activists drive down a desolate stretch of highway headlights ominously draw near. Telling each other to stay calm they have no way of knowing that in minutes they will disappear into the night and spark one of the most explosive murder investigations in history. Enter straight-laced Ward (Dafoe) and deceptively easy-going Anderson (Hackman). Can these two philosophically opposed FBI agents overcome their differences and uncover the chilling mystery of a small Ku Klux Klan-ridden community before an entire town is torn apart by racism?System Requirements: Running Time 127 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616860996 Manufacturer No: 1001829
Angel Heart (Special Edition)
by Alan Parker
from Lions Gate
Set in Harlem and New Orleans in 1955, this supernatural thriller stirred a brief controversy when released in 1987 because some scenes featuring Lisa Bonet (then a popular cast member of The Cosby Show) were considered too sexually explicit to be rated R. The edited material was restored for the unrated video release, and the movie now makes a fitting double bill with Fallen, with its similar plot about a sullen detective (Mickey Rourke) who is hired to find a missing person by a shady client with pointy fingernails named Louis Cyphre (Lucifer, get it?), played with subtle menace by Robert De Niro. Rourke's investigation leads him into an underworld of voodoo and forbidden desires, and as the mystery unfolds director Alan Parker fills every scene with conspicuous style and atmospheric excess, compelling critic Pauline Kael to observe that, "Parker simply doesn't have the gift of making evil seductive, and he edits like a flasher." And yet, this movie does cast a spell of its own (Roger Ebert's review was considerably more charitable), and the performances of Rourke, De Niro, Bonet, and Charlotte Rampling are well suited to the ominous mood. --Jeff Shannon
The Road To Wellville
by Alan Parker
from Sony Pictures
This wrong-headed adaptation of the very funny (and scatological) novel by T. Coraghessan Boyle was written and directed by Alan Parker, who doesn't seem to have much of a clue. It's not a botch, just a movie that hammers its efforts at humor too hard. The focus is split between three story lines: the life of cereal tycoon John Kellogg (Anthony Hopkins with buck teeth), who has created a health spa for the wealthy that focuses on regular cleansing of the digestive tract (as well as applications of electricity); the troubles of an unhappy young couple (Matthew Broderick and Bridget Fonda), who come to the spa hoping to cure their marital ills (Broderick gets the worst of the deal); and the efforts of a young hustler (John Cusack), who is trying to break into the breakfast-cereal business but gets taken by an even bigger hustler (Michael Lerner). There are subplots about Kellogg's children but they add little. For all the doo-doo and enema jokes, the joys of this movie are distinctly scattered. --Marshall Fine
Midnight Express
by Alan Parker
from Sony Pictures
Brad Davis (The Player Chariots of Fire) and John Hurt (Contact Alien) star in this riveting truestory of a young American's nightmarish experiences in a Turkish prison and his unforgettable journey to freedom. Busted for attempting to smuggle hashish out of Istanbul American college student Billy Hayes (Davis) is thrown into the city's most brutal jail. After suffering through four years of sadistic torture and inhuman conditions Billy is about to be released when his parole is denied. Only his inner courage and the support of a fellow inmate (Hurt) give him the strength to catch the MIDNIGHT EXPRESS ... and escape his living hell.System Requirements:Run Time: 121 Mins.Format: DVD MOVIE Genre: DRAMA/TRUE STORY UPC: 043396226098 Manufacturer No: 22609
Come See the Paradise
by Alan Parker
from 20th Century Fox
During the late 1930s with the Second World War feverishly brewing Jack McGurn (Dennis Quaid) a struggling union activist working as a film projectionist in a San Francisco movie theater falls in love with beautiful Japanese-American Lily Kawamura (Tamlyn Tomita). Against Lily's father's wishes (and contrary to the California law of the time forbidding intermarriage) Jack and Lily wed and have a child. Their marriage flourishes until the Japanese bomb Pearl Harbor and America enters World War II. Japanese Americans--including Lily and her family--are herded into concentration camps by the thousands. Jack is drafted into the army but is prepared to risk life and limb to see his family again.The predominantly Japanese American cast paints a stunning collective portrait of the toll taken by the rash and racist internment of Japanese-Americans during the war. Director Alan Parker as he did in MISSISSIPPI BURNING uses his acute convincing storytelling abilities to take a brave look at a dark episode in America's past.System Requirements:Running Time: 135 MinFormat: DVD MOVIE Genre: DRAMA Rating: R UPC: 024543244608 Manufacturer No: 2234460
Bugsy Malone [Region 3]
by Alan Parker
from Panorama
Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).
Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. Dalkin
Asian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.
Midnight Express
by William Riead
from Sony Pictures
Forever embroiled in controversy, Midnight Express divides viewers into opposing camps: those who think it's one of the most intense real-life dramas ever made, and those who abhor its manipulative tactics and alteration of facts for the exploitative purpose of achieving a desired effect. That effect is powerfully achieved, regardless of how you may feel about director Alan Parker and Oscar®-winning screenwriter Oliver Stone's interpretation of the story of Billy Hayes. It was the American Hayes--played by the late Brad Davis in an unforgettable performance--who was caught smuggling two kilograms of hashish while attempting to board a flight from Istanbul, Turkey, in 1970. He was sentenced to four years in a hellish Turkish prison on a drug possession charge, but his sentence was later extended (though not by 30 years, as the film suggests), and Hayes endured unthinkable brutality and torture before his escape in 1975.
Unquestionably, this is a superbly crafted film, provoking a visceral response that's powerful enough to boil your blood. By the time Hayes erupts in an explosion of self-defensive violence, Parker and Stone have proven the power--and danger--of their skill. Their film is deeply manipulative, extremely xenophobic, and embellishes reality to heighten its calculated impact. Is that a crime? Not necessarily, and there's no doubt that Midnight Express is expertly directed and blessed with exceptional supporting performances (especially from John Hurt as a long-term prisoner). Still, it's obvious that strings are being pulled, and Parker, while applying his talent to a nefarious purpose, is a masterful puppeteer. --Jeff Shannon
Realistic portrayal of the brutal experiences of a young American arrested and imprisoned in a Turkish prison for attempting to smuggle hashish.
Genre: Feature Film-Drama
Rating: R
Release Date: 22-MAY-2001
Media Type: DVD
+++


