American Dreams - Season One (Extended Music Edition)
by Ellen S. Pressman
from Universal Studios
The 2002 first season of American Dreams introduced one of the more ambitious new dramas on a major television network since the debut of The West Wing. Deceptively nostalgic, American Dreams looks, at first blush, like a bone tossed to baby boomers who remember black and white TV, American Bandstand, and what class they were in when word spread of JFK's assassination. But the more one watches the show, the more apparent it becomes that American Dreams is not about memories but about bringing a pivotal chapter in 20th century U.S. history to life--sometimes electrifyingly so.
The series pilot, set just before and on the day of Kennedy's murder, introduces Philadelphia family the Pryors, white, middle-class Catholics whose stern but not undiscerning patriarch, Jack (Tom Verica), gets an earful one night over dinner. Eldest son J.J. (Will Estes), a star running back at high school and candidate for a Notre Dame football scholarship, announces he's leaving the sport, feeling unappreciated for his mind and inspired by Kennedy's outreach to young people. Teenage daughter Meg (Brittany Snow) allows that she'll be dancing on Dick Clark's American Bandstand. Jack's wife, Helen (Gail O'Grady), later lets fly that she's moving on from her boring book club to spend time with a new friend, a feminist academic (Virginia Madsen), and strongly hints that she's done with adding more babies to their brood of four. The times are indeed a-changin' for the Pryors--who have chugged along on WWII vet Jack's fiercely protected vision of picket fences, cooperative kids, and a wife who doesn't upset his equilibrium with needs of her own. But the rest of the country is changing, too, and American Dreams captures--with subtle precision--the erosion of comfortable assumptions at the onset of the Vietnam war, the escalation of the civil rights movement, the British Invasion, reproductive rights for women, and much else.
The series flows, often with stylish splendor, between the Pryors' home, the Bandstand studio set, and Jack's retail television and radio shop, where Jack's sole employee, an African American father, Henry (Jonathan Adams), wonders silently about the options a racist society will offer his talented son, Sam (Arlen Escarpeta). Wordlessness is a hallmark of American Dreams: An exchanged look between Meg and Sam is shattering testimony to the confusion of racial prohibitions among well-meaning kids. Part of every show finds historical reenactments of '60s musical acts appearing on Bandstand, and sometimes these artists are played by contemporary musicians such as Nick Carter (as Jay of Jay and the Americans) and Third Eye Blind (as the Kinks). This boxed set includes real Bandstand clips that are contemporaneous with the series' timeline. --Tom Keogh
NYPD Blue - The Complete Third Season
by Robert J. Doherty
from 20th Century Fox
One of the most acclaimed and beloved dramas in television history NYPD Blue has finally signed off from network TV. Relive all the passion brotherhood joy and heartbreak of the 15th precinct as NYPD Blue is immortalized on DVD with Season 3. In this season Dennis Franz won his second of 4 Emmys for Best Actor in a Drama for NYPD Blue; Franz character Det. Andy Sipowicz experiences the highs of falling in love and the lows of experiencing the loss of his son Andy Jr. to a violent murder.System Requirements:Running Time: 990 min.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 024543224945 Manufacturer No: 2232494
Friday Night Lights (Widescreen Edition)
by Josh Pate
from Universal Studios
Based on the perennial nonfiction bestseller by H.G. Bissinger, Friday Night Lights looks at high school football in the harsh light of reality, finding heart and hardness while stirring our emotions. Actor-director Peter Berg (Very Bad Things, The Rundown) is Bissinger's cousin; he knows the material well, and understands how an obsession with winning turns high school kids into somber, over-pressured gladiators--expendable soldiers in a community war against shame and obscurity. The fact-based story focuses on the 1988 football season of Odessa-Permian high school in West Texas, and as a fast-paced sports movie, Berg delivers the goods with a rousing, frenetically styled crowd-pleaser. But there's darkness in this tale of weary underdogs, including an abusive father (well-played by country music star Tim McGraw), threatening townsfolk, an injured star running back (Derek Luke), a tormented quarterback (Lucas Black), and the melancholy coach (Billy Bob Thornton) who takes his team to the finals. Berg's film could use less flashy cutting and more drama to support its gridiron intensity, but Friday Night Lights offers a refreshing alternative to the conventional sports movie, and makes a perfect triple-feature with the equally exciting documentaries Go Tigers! and The Last Game. --Jeff Shannon
Friday Night Lights (Full Screen Edition)
by Josh Pate
from Universal Studios
Based on the perennial nonfiction bestseller by H.G. Bissinger, Friday Night Lights looks at high school football in the harsh light of reality, finding heart and hardness while stirring our emotions. Actor-director Peter Berg (Very Bad Things, The Rundown) is Bissinger's cousin; he knows the material well, and understands how an obsession with winning turns high school kids into somber, over-pressured gladiators--expendable soldiers in a community war against shame and obscurity. The fact-based story focuses on the 1988 football season of Odessa-Permian high school in West Texas, and as a fast-paced sports movie, Berg delivers the goods with a rousing, frenetically styled crowd-pleaser. But there's darkness in this tale of weary underdogs, including an abusive father (well-played by country music star Tim McGraw), threatening townsfolk, an injured star running back (Derek Luke), a tormented quarterback (Lucas Black), and the melancholy coach (Billy Bob Thornton) who takes his team to the finals. Berg's film could use less flashy cutting and more drama to support its gridiron intensity, but Friday Night Lights offers a refreshing alternative to the conventional sports movie, and makes a perfect triple-feature with the equally exciting documentaries Go Tigers! and The Last Game. --Jeff Shannon
Once and Again - The Complete Second Season
by Todd Field
from Buena Vista Home Entertainment
After the romantic courtship and the awkwardness of first dates, Once and Again in its second season settled into charting the growing relationship between fortysomethings Lily (Sela Ward) and Rick (Billy Campbell), who finally shook off all their angst and family pressures to embark on a long-term relationship. And of course, once finally committed in their love for each other, life rudely interrupts what should have been a comfortable, winding road to happily ever after. Rick's architecture firm is hand-picked for a new high-profile project, but it's dogged by community protests and run by the ever-devious Miles Drentell (David Clennon, reprising his shady character from thirtysomething); what's more, Rick's ex-wife, Karen (Susanna Thompson), is the lawyer representing the project's opposition. Lily finds herself as the assistant to a twentysomething entrepreneur at a fledgling dot-com, and the victim of the amorous, non-professional interests of a consultant for the troubled company. She's also faced with the fate of her late father's restaurant, run by her ex-husband, Jake (Jeffrey Nordling), who's charming but not the best of businessmen, and his financial strain soon becomes hers as well. Oh, and then there are the kids: Rick's son Eli (Shane West) would rather start a band than go to college, and daughter Jessie (Evan Rachel Wood) may be anorexic; Lily's daughter Grace (Julia Whelan) falls into a friendship with a troubled girl, and only Zoe (Meredith Deane) seems to be the most normal--that is, when she isn't worried about Rick and his kids moving into her house.
The course of true love never did run smooth, and truth be told, there were a bit too many plot twists cooked up for this season of the Edward Zwick-Marshall Herskovitz drama (including a hostage episode at Jake's restaurant that garnered high ratings), but the creative team behind this show managed a deft balancing act among all the characters and plotlines. Teenage angst co-existed alongside more adult worries, and the specter of professional and money troubles for both Rick and Lily kept the characters grounded in a reality not often seen in television dramas. And in addition to giving all the cast members shining moments, Once and Again developed an extensive number of secondary characters, including Lily's mentally ill brother Aaron (Patrick Dempsey), Jake's flighty girlfriend Tiffany (Ever Carradine), Karen's hunky younger boyfriend (Mark Feuerstein), and an uncredited Edward Zwick as Jessie's therapist. It was the core cast, however, that made Once and Again soar--teen actors West and Whelan broke their characters' stereotypical molds, the young Wood (who would go on to star in thirteen) was outstanding as she navigated blooming adolescence: Nordling and Thompson, as the exes on the periphery, were two of the best supporting actors ever on television. As always, though, Ward and Campbell were the show's heart and soul, always communicating the underlying waves of frustration and anger in their character's facades as well as the love and happiness. Despite low ratings, ABC renewed Once and Again for a third and final season, giving all us fans of great television (and hopeless romantics) one more year with Rick and Lily after this one. --Mark Englehart
Golden Globe(R) award-winner Sela Ward and Billy Campbell star in the highly acclaimed second season of ONCE AND AGAIN. Celebrate the loves and experience the triumphs and heartbreak that made ONCE AND AGAIN a favorite among critics and audiences everywhere. It's "a great show," raves Robert Bianco of USA TODAY. Now you can experience all 22 episodes of season two in this spectacular five-disc set, featuring exclusive bonus features. It's everything you remember and so much more.
Here on Earth
by Mark Piznarski
from 20th Century Fox
Slumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay
Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after
The '60s
by Mark Piznarski
from Lions Gate
Tackling an entire decade--and a turbulent one at that--within a three-hour movie is a challenge, and while The '60s is frequently entertaining, it unfortunately is not completely up to the task. Following the lives of four young people, three from a white suburban family with parents out of The Wonder Years and one African American from the South, the characters are forced into one-dimensional clichés; they are their personas to the nth degree. Katie (Julia Stiles), the pretty young blond, is the lost hippie; Brian (Jerry O'Connell), the former high school football player, is the gung-ho-turned-disgruntled Vietnam solider; Michael (Josh Hamilton) exemplifies the political activist; and Emmet (Leonard Roberts), the only representative of the entire black movement of the '60s, plays first the pacifist who effects change through nonviolent means and then the Black Panther, and then he finally returns to his nonviolent ways. Yet, despite the trite characters and slow beginning, the movie picks up pace as each becomes involved in his or her own story. They become strangely compelling, to the point where you are sorry when the story switches to another character because you want to see more.
An eclectic shooting style--a mixture of archival footage, seamlessly spliced with shots of the miniseries in black and white, which then becomes color--effectively places the characters in the '60s context. You can believe that these folks were at the Democratic Convention in Chicago or the Watts riots or Woodstock. Yet, sometimes a break is needed: the film is unrelenting in presenting crisis after crisis with no respite, making one wonder if there were any quiet, simple, or nice moments in the entire decade. The sentimental soundtrack plays continuously, helping set the appropriate tone and the frenetic atmosphere of the movie. For those who lived through the '60s, this miniseries provides a nostalgic look back at the various movements and a general feel of the time, especially with the proliferation of film clips that aren't oft repeated (we've all seen the moon landing ad nauseam, but footage of Abbie Hoffman or Dylan playing the club scene in the East Village is refreshing). And for those born after this period, this miniseries makes the decade look like a frenzied, troubled mess that we can be grateful we had the good fortune to miss. --Jenny Brown
Here on Earth
by Mark Piznarski
from 20th Century Fox
Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money good looks and a new Mercedes. But after a reckless car race destroys a roadside diner Kelley finds himself sentenced to a summer of manual labor in a small town. That's where he meets and falls in love with Samantha a girl from the other side of the tracks. But everything changes when Samantha's long-time boyfriend Jasper (Josh Hartnett "The Faculty") uncovers their secret romance.System Requirements:Run time: 97 minutesFormat: DVD MOVIE Genre: DRAMA/LOVE & ROMANCE Rating: PG-13 UPC: 024543006237 Manufacturer No: 2000623
Slumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay
Once and Again - The Complete First Season
by Todd Field
from Buena Vista Home Entertainment
Rick (Billy Campbell) and Lily (Sela Ward) are fortysomething parents with two kids; both are still feeling the repercussions of their failed first marriages; both are haplessly single and consumed by their family identities (plus, let's just face it, both are gorgeous beyond belief). Dropping off their respective kids at school in their respective SUVs, they spy each other across a crowded driveway. Granted, it's not terribly romantic, but sparks fly and tentatively, embarrassingly, like teenagers, they embark on a first date--awkward conversation and fumbling make-out sessions in cars included. So begins the acclaimed TV series Once and Again from producers Edward Zwick and Marshall Herskovitz, the guys who brought you über-sensitive dramas thirtysomething and My So-Called Life. And like those award-winning shows, Once and Again mines the mundane and ordinary to find extraordinary drama, tackling both midlife crisis and teen angst, as Rick and Lily's kids (most notably heartthrob Shane West and blooming wallflower Julia Whelan) navigate the perils of high school while their parents traverse the mine field of adult romance, with ex-spouses and disapproving family members lurking in the shadows.
The first season takes Rick and Lily from first date alone to first date en famille, in which their respective broods finally meet and confront the fact that their parents--gasp!--like each other. Along the way, there's amazing writing, pitch-perfect direction that takes scenes from comedy to drama in seamless swoops, and a tight-knit ensemble that hits all the right notes. Ward won an Emmy for this first season as the anxiety-ridden Lily, but she's equally matched by the quietly stunning Campbell, and their interaction is touching, funny, sexy, and heartbreaking--everything you could want in a romance, and more. --Mark Englehart
Starring Golden Globe and Emmy Award(R)-winning actress Sela Ward and Golden Globe-nominee Billy Campbell, ONCE AND AGAIN explored brave new territory with the compelling story of two families blending at the seams. The second marriage of Lily Manning (Ward) to Rick Sammler (Campbell) pushes both to the limit as they try for domestic normalcy while navigating divorce, parenting, financial hardship, and many other life lessons. From the creators of THIRTYSOMETHING and MY SO-CALLED LIFE comes the complete first season DVD collection. Enjoy all the moving moments and memorable performances of a brilliant supporting cast, including Shane West (A WALK TO REMEMBER) and Evan Rachel Wood (THE UPDSIDE OF ANGER) once and again.
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